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En garde! Swashbuckling, duels, and stabbing.

Soul Eater – Anime Review

Japanese Title: Soul Eater

 

Related: Soul Eater NOT! (spin-off)

Similar: Blue Exorcist

Noragami

Bleach

 

Watched in: Japanese & English

Genre: Fantasy Action Comedy

Length: 51 episodes

 

Positives:

  • Creative visual design.
  • Fluid action animation.
  • Often funny.

Negatives:

  • Weak third act.
  • Narrow world building.

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So, Soul Eater – this one took me a while to finish despite getting through the first 30 episodes in a week. It’s fun for the most part, but once it reaches the latter half, the increased action focus and reduced comedy coupled with stagnating development dampened my motivation. Before I explain why, let’s get on the same page with the premise.

Soul Eater is a Bleach-esque anime set in the realm of death where Shinigami train at Death Weapon Meister Academy and fight off supernatural evils. Its distinguishing characteristic is the living weapons, Demon Scythes, which switch between human and weapon form to fight for their masters. The ultimate goal of any Shinigami is to harvest 99 souls and one witch’s soul to turn their weapon into a mighty Death Scythe. The principal characters are the straight-laced Maka, wielding the scythe Soul Eater Evans, the brash Black Star contrasted by his kind weapon Tsubaki, and the OCD-riddled Death the Kid with his twin pistols Patty and Liz.

The first aspect one notices of Soul Eater is its distinct visual style. The urban anime art reminds me of the game The World Ends with You, which is a great fit to the character and world design. The drooling sun and laughing moon look like graffiti you would find in an abandoned train yard. It stands out from other battle anime.

However, in spite of this distinct looking world there is something missing from it. For a time, I could not put my finger on it, on why Soul Eater didn’t draw me in. The action is good, similar to other good battle anime, and the cast, though nothing new for the genre (except perhaps Death the Kid) is solid. You’ll likely find a favourite and enjoy the powers. So what’s missing?

The larger world is missing.

It took me far longer than I would like to admit to realise that there is nothing in this world outside of the main plot. It’s like a rail network with only one line. You can look outside the windows and see a city around you, but no trains go there and you only see story-relevant passengers on board. This city is a mere background like North Korea’s fake “Peace Village”. Soul Eater has a narrow world. You know how most fantasy anime have main characters travel to distant places and meet other cultures? Soul Eater not only doesn’t do this, but it also gives the impression that no such places exist. All of this adds up to a difficulty in finding reason to invest in this world and its characters. If you can attach to the characters otherwise, then I assume this won’t be as much of an issue for you as it was for me.

For the characters themselves, as I said, they are solid. My favourite is Death the Kid (even though the way he holds the guns with his pinkies is the stupidest thing ever). The school exam episode is hilarious. Seeing Kid’s OCD cripple him so badly that he can’t start until he writes his name perfectly on the paper had me rolling. It’s a shame the series shifts from this fun battle anime in the first half to a serious-action-only second half. Honestly, if the fun angle had persisted, I would have finished this much sooner.

The third act is the weakest section. My understanding is that this act is a wild deviation from the manga, which wasn’t finished at the time (the manga continued for four years after the anime). It shows.

The final battle in particular is one of the weakest I have seen in this genre. Off the top of my head, only something garbage from start to finish like Beet the Vandal Buster delivers a worse showdown. Soul Eater’s finale feels like the filler it is, written by someone with no investment in the manga or experience in writing. For one, it focuses on Black Star almost exclusively, who is the most “annoying shounen kid” of the cast. He’s not even the protagonist! For two, the win condition for this fight is just nonsensical. I won’t give it away, though you can watch the final episode (51) for yourself – even out of context you will see what I mean. A wet tissue of an ending.

I’ve said it before, but a bad end feels worse than poor quality in any other section. Soul Eater is a lot better than the end presents to us. If you do want to watch this, I recommend switching to the manga afterwards.

Art – High

Soul Eater’s distinctive designs make it a memorable look. Also, the animation shines during action scenes.

Sound – Medium

T.M.Revolution, one of my favourite artists responsible for much of the excellent Gundam SEED soundtrack, does the first opening here – I never skipped it. The music in general is decent, as is the voice acting in both languages. The dialogue does need trimming and less shounen clichés during combat though.

Story – Medium

A group of young Shinigami battle supernatural entities to collect souls for their living weapons and to protect their city. The story follows a normal shounen structure, but is truly let down by its end.

Overall Quality – Medium

Recommendation: For action fans. While a little different from the norm, Soul Eater is still a battle anime at heart so won’t extend beyond its demographic. You will need to continue with the manga for a proper end.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

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Grandmaster of Demonic Cultivation – Anime Review

Chinese Title: Mo Dao Zu Shi

 

Related: Grandmaster of Demonic Cultivation 2 (sequel – TBR 2019)

Similar: Avatar: The Last Airbender

Twelve Kingdoms

Castlevania

 

Watched in: Chinese

Genre: Historical Action Fantasy

Length: 15 episodes

 

Positives:

  • Great characters.
  • Gorgeous backgrounds.
  • Action looks fantastic.
  • Such lovely music.
  • Perfect finale to end the season.

Negatives:

  • Magic is a little inconsistent.
  • Jarring time skips.
  • Occasional bad CG.

(Request an anime for review here.)

Now this is more like it! Grandmaster of Demonic Cultivation gives a far better first impression to donghua (Chinese anime) than The King’s Avatar did. It still has that unrefined edge from this new market, but combining Avatar: The Last Airbender and Twelve Kingdoms with a touch of Game of Thrones still makes this a great series well worth the time of fantasy fans.

The story is set in a province of fantasy China where five clans of cultivators of magic live an uneasy peace. Of these cultivators, most peculiar is Wei Wuxian. He is the reincarnation of the legendary cultivator of demons and necromancy, one feared by all. Contrary to his infamous reputation however, Wuxian is a likeable goof known for his cheek and mischief at the monastery colloquially known as the “Wall of Rules” (for its list of 4000 rules, of course), when he should be studying with the other cultivators. Opposite him is Lan Wangji, who takes life too seriously as the perfect student that never smiles. He’s responsible for turning Wuxian into the monastery instructors more than once. Life becomes more than fun and games for Wuxian and his friends when one clan closes its iron grip around the others.

The comparison series I used above are perfect descriptors for Demonic Cultivation. We have the might of one clan against everyone else similar to Avatar. Wuxian has Aang’s playfulness amidst all the violence. The etiquette and Chinese mythology influences seen in Twelve Kingdoms have ingrained themselves within the fibres of society. The brutality of war and politics like in Game of Thrones plays its role too. And I am pleased to say this series succeeds in all these elements.

The characters, the action, the environments – god, the environments! – reassure you this is quality fantasy. I love how Wuxian controls the dead by playing unnerving music on a flute (recalls that villain from Naruto who used to control her ogres). It tells much about his character. Even the product placement works.

If I may go on a tangent, the sponsorship ads are great. How would you fit modern products in an ancient fantasy series, you ask? Well, Demonic Cultivation achieves it by taking a scene from the episode (saves on animation budget) and makes it about the product instead during the ad break. For example, the episode has a scene with a tiff between Wuxian and Wangji over something story related, while the ad takes the same tiff and makes it about the fact that Wangji is such a stick in the mud because he hasn’t eaten a Cornetto yet (“You’re not yourself when you’re hungry” type ad). They’re amusing. More like skits instead of ads.

Anyway, back to the show.

Grandmaster of Demonic Cultivation is full high fantasy. The most common reason I hear for people being put off high fantasy is all the specialist terms and names you have to learn (Hobbit, Rivendell, Mordor, Nazgul, Dunedain, Numenoreans, Eldar, Vanyar, etc. for The Lord of the Rings). It’s especially important to have some sense of who’s who and what’s what when reading high fantasy, as the story isn’t fed to you like when watching a film. In the case of Demonic Cultivation, the barrier to most people reading this review comes from it being foreign fantasy, where the conventions aren’t the same as what we are used to. Once you grasp one Western high fantasy series, it’s much easier to move onto the next. But going to another language, another culture, another history, it’s almost like starting fresh.

For me, the greatest challenge was those damn names. The subtitlers – Sigmar bless them – did their best to note cultural context and meanings for name and titles, but I still had characters and relationships confused. You hear the same surname, so you think the characters are related, right? No, they aren’t. Other times have a character named one thing, only for it to be something else in another scene. Turns out, pre-20th century China had a convention called “courtesy names”, where people would receive another name upon reaching adulthood. Couple this with the fact that these names – Wei Wuxian, Wei Ying, Lan Xichen, Nie Huaisang, Yu Ziyuan, to name a few – are nothing like Western or the usual anime names and it becomes difficult to remember any names at all. (I had to look up Lan Wangji’s full name for the blurb above and he’s second billing!)

Now I’m sure this isn’t an issue whatsoever to Chinese locals, just as Western or Japanese high fantasy is second nature to me, yet for the uninitiated, it will take time. Stick to it because the payoff is well worth it. Even if you can just remember how characters connect and who’s superior to whom, it will work out in the end. (Little easier said than done though, with characters from the same clan looking like each other in the same uniform and same hairstyles. They love that long hair.)

While this adherence to traditional naming schemes is a positive even if it increases the barrier for entry, since it enriches the world and its lore (in fact, I wish they had applied the same complexity to the magic by laying out rules), the frequent timeskips are a definite negative.

Timeskips bookend each story arc, often leaping over what seem like important events. The most notable is when the villain clan makes their move. One episode ends, everything seemingly fine, before the next opens to the clan in near total control of the others. How the hell did that happen? Did anyone say no or did everyone surrender unconditionally? How did we get here? It isn’t implausible that this conclusion would occur, but it would be nice to see the events that led there.

These timeskips remind me of watching a TV series before the advent of DVR and video on demand/downloading. You would watch an episode, then miss a few weeks because scheduling conflicts, and when you finally catch another episode, you wonder how it got here from where it was the last time you watched. “Weren’t those two madly in love? Why are they trying to kill each other? Wait, isn’t that guy dead?”

If you go in blind, the point of the story can be confusing because it takes a few episodes to get into the real plot. I thought at first the story was about other cultivators hunting Wuxian for his use of necromancy. Turns out, they just hate him because he’s a troublemaker at school. Early episodes make up the “school years” arc.

Demonic Cultivation also doesn’t wow the audience (outside of its amazing backgrounds) these few episodes. Once the story gets going however, it grabs you and doesn’t let go until it ends on a fantastic final act. That finale has left me craving more. (Season 2 in July!)

If you haven’t tried any donghua yet, let Grandmaster of Demonic Cultivation be your first. It’s a little rough and a little difficult for those foreign to Chinese fantasy like me, but don’t let that stop you enjoying this new perspective on anime.

Art – High

Picturesque backgrounds, varied environments, fluid animation, and impactful spell effects should earn an art rating of the highest tier. Unfortunately, 5% of this art is early 2000s CG monsters and buildings, and it looks bad. The CG in some important scenes looks so bad that you can’t help but wonder why they didn’t take an extra two weeks to do them normally. Some CG shots don’t even need to be there. Just cut them. A still painting to establish setting would have sufficed – the environment artists are certainly talented enough to make it beautiful. Also, supporting character faces and hairstyles could use more variety.

Sound – High

Unlike The King’s Avatar, the audio is spatial and uncompressed (characters on the right sound from the right), which is a huge improvement. The acting has a little ways to go yet. Such lovely music though! I love classical Chinese music with traditional instruments and I could listen that opening song forever.

Story – Very High

A demonic necromancer reincarnated in the body of a trickster gets up to no good against the backdrop of a brewing war between clans of magic. Great characters in a story of complex interpersonal and political conflicts makes for a great series.

Overall Quality – Very High

Recommendation: Watch it. If there is the right donghua to begin with, Grandmaster of Demonic Cultivation is it.

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Awards: (hover over each award to see descriptions; click award for more recipients

Positive: 

Deep NarrativeFluid AnimationGreat MusicGreat OP or ED SequenceStrong Lead CharactersStrong Support Characters

Negative: None

The King’s Avatar – Anime Review

Chinese Title: Quanzhi Gaoshou

 

Related: The King’s Avatar Season 2 (TBR)

Similar: Log Horizon

Overlord

No Game No Life

 

Watched in: Chinese

Genre: Action Fantasy

Length: 12 episodes

 

Positives:

  • Good character designs.
  • True to MMO vernacular and mannerisms.

Negatives:

  • Low tension since protagonist never loses.
  • Some shocking CG.
  • Acting and audio placement is sub-par.

(Request an anime for review here.)

Ye Xiu is a legend on the esports scene of the MMO game Glory. He’s a 10-year veteran, having contributed numerous guides to the game, pioneered gameplay techniques, and won several championships. However, his skills aren’t a match for the current crop and his organisation forces him to retire from the team and hand over his account.

Alone and on the street, he finds lodgings in a net café’s dusty backroom in exchange for work as a night manager, which is perfect as this gives him opportunity to hit the grind hard on Glory’s newest server. As the newly created Lord Grim, he uses his extensive knowledge and talents to achieve server first kills, soon drawing the attention of other hardcore players to the server.

If you haven’t heard or noticed already, The King’s Avatar is a Chinese anime (or “donghua”). I love MMOs and I love esports, so this is the perfect first anime for my foray into this burgeoning market.

Before I level my criticisms, I want to talk of the positives. First, the author knows his online RPGs. Unlike most isekai anime claiming to be in an MMO world, The King’s Avatar actually has the feel of a true MMO community. The social aspect is authentic from the way they talk to the rivalries that form over first dungeon kills and PvP skirmishes. I like the inclusion of competitive PvE, instead of taking the easy route of focusing only on duels. There’s good MMO humour as well, such as doing menial tasks no matter how great you are and on the overcrowding of server launches.

I also like the in game character designs. The gear looks great, though it is inaccurate for low-level armour to be so coherent, as any MMO player will tell you, but it’s understandable to make characters easily identifiable.

You will have to suspend your disbelief in how the gameplay translates to drama. The King’s Avatar places too much value on player skill at the expense of mathematical limitations found in an MMO. Because of stats, gear, and all the RPG mechanics of an MMO, skill can only get you so far. The best player in the world on a level 1 character isn’t going to solo a level 30 boss monster. The mechanics don’t allow it. It makes sense that a veteran would accomplish much on a new server, though not to such an extent. Take it as creative licencing.

Furthermore, they make a big deal about Grim’s high APM (actions per minute), which isn’t relevant to an action bar MMO since you only control one character limited by animations and cooldowns (reaction time matters more). In StarCraft, APM is of huge importance because it allows a player to micromanage every unit in their army simultaneously, while also managing economy and construction. None of that matters in an MMO. That said, it isn’t a big deal. There’s only so many ways one can “dramatise” gameplay.

Now for the real problems.

When Grim first starts on this new server, he’s just dunking on scrubs before other pros join. Sadly, they don’t bring a challenge. There is no tension after a few episodes once you realise he’s so much better than everyone else. It isn’t the Mary-Sue problem of “protagonist beats the supposedly unkillable enemy with a sneeze”. Rather, the best players aren’t on this server to challenge him. He’s like a League of Legends pro player smurfing on an alt account but still in Silver tier on his climb to Masters. It’s fine at first, but we never see it become more difficult. Some organised teams do join, though it isn’t clear how good they are meant to be – amateur is my impression. Even if later seasons escalate (I hope they do), it wouldn’t change how easy this season is and I would skip most episodes on a re-watch as a result. They should have made him someone fallen far from the throne determined to climb back up with tough opponents along the way. The first scene should have been him costing his team a tournament win.

The other notable problem is one found in Chinese cinema in general – poor overdubbing. Overdubbing happens when an actor’s dialogue isn’t clear, due to things like explosions in an action scene, which requires the actor the re-record the line in character during post-production. Most films need some overdubbing these days, though Hollywood has managed it so well that you can’t tell where it occurs. China, on the other hand, has to overdub so much of its dialogue, even in scenes that shouldn’t need it, and they do such a poor job that it’s not uncommon for voices to sound separate (and out of sync) from the actor on screen. The King’s Avatar doesn’t have it so bad, though you can see elements carry over. It has the feel of a janky production.

In all, The King’s Avatar didn’t give the greatest first impression of donghua. However, it was better than I expected and next week I’ll be looking at Grandmaster of Demonic Cultivation, which is shaping up to be far superior.

Art – Medium

The King’s Avatar is simultaneously beautiful and ugly. We have well-drawn characters, slick action, and dazzling atmospherics on one hand, yet we also have scenes with dozens of the worst CG characters tapping away on their CG keyboards in front of CG monitors in a CG net café. The environments are similar. We have gorgeous fantasy vistas mixed in with blocky CG building interiors.

Sound – Low

The acting isn’t quite refined to the level of Japan and the West when it comes to voice work for animation. Audio compression prevents the voices from following the characters. It’s as though you can hear the recording studio behind the screen.

Story – Low

A pro esports player forced to retire plots his return to the top on a new server for a fantasy MMO. The idea is an interesting one that could pay off in the end, but as far as this season goes, having an unbeatable protagonist makes for a tensionless story.

Overall Quality – Low

Recommendation: For MMO action fans. If you’re a fan of those numerous MMO anime, The King’s Avatar will please you. I just hope it gets more challenging. I’ll likely revisit this series in future. There is also a live action drama on the way, which looks to have more of an esports focus according to the trailer.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Tsubasa Reservoir Chronicle – Anime Review

Japanese Title: Tsubasa Chronicle

 

Related: xxxHOLiC (same universe)

Similar: Cardcaptor Sakura

Pandora Hearts

InuYasha

 

Watched in: Japanese & English

Genre: Action Adventure Fantasy Romance

Length: 52 episodes (2 seasons)

 

Positives:

  • Good music.

Negatives:

  • No style.
  • No tension.
  • No reason to care.
  • No interesting characters.

(Request an anime for review here.)

Tsubasa Reservoir Chronicle is so boring that I only tried to answer one question before its end: Is this Sakura the same as the one from Cardcaptor Sakura? They look the same and share a name. Turns out, no, they aren’t the same. The author was just too lazy to come up someone new. Well, that’s it, end of review – see you next time!

What, you want me to talk about this anime? What is there to say? Tsubasa Reservoir Chronicle is so full of nothing that there is nothing to talk about.

Syaoran and Sakura are a young teen couple madly in love, but when she grows wings and her feathers disperse into other dimensions, she loses her precious memories including those of him. Syaoran starts hopping through dimensions to different worlds, where he meets a ninja torn from his world, a magician, and the rabbit thing Mokona from xxxHOLiC (one of the dimensions), who help recollect her feathers.

Initially, I liked how Syaoran and Sakura started as a couple – unusual for teen anime – as I believed it meant skip over the shy “will they, won’t they” nature of anime romance and go straight to developing them as a couple. Unfortunately, when she loses her feathers, she transforms into a comatose slab of boring that occasionally wakes up.

The narrative doesn’t take time to establish these two in our hearts for us to care when Sakura goes down. Why do they love each other? This is supposedly a love so strong it transcends time and space, yet we have no reason to believe it. Even once she stops sleeping so much in later episodes, she’s as empty headed as one can imagine. The author wanted to start on the big moment of her losing her memories, which is fine, but she then needed to work harder to make us care through flashbacks, or something.

Looking past this empty couple, there is nothing else to see. The action is boring as sin with its series of meaningless fights and poor animation. Cardcaptor Sakura has better action than this action series (and its collecting element is stronger). Not even using a Pokémon-like approach to the battles with magical companions can make it interesting. The action feels like filler with no end in sight since they extend the quest on a whim by saying, “Well, you’ve collected 200 feathers so far, but there’s another 100 to go! … Wait, did I say 100? I meant 300!”

Don’t fall for it. Don’t waste your time with Tsubasa Reservoir Chronicle. This is a contender for the Most Boring Anime of All Time award.

Art – Low

The characters look too similar to other CLAMP titles, the animation is poor, and the colouring is desaturated in season 1. It’s hard to take the drama seriously when everyone looks like Jack Skellington with giant hands. This is moving manga with worse character art than the manga.

Sound – Medium

The acting is fine, I suppose, considering the script has nothing to say. The music is the only good element, a little reminiscent of .hack//Sign’s excellent soundtrack.

Story – Low

A boy travels to different dimensions to recollect his girlfriend’s lost memories with the aid of unlikely allies. So full of nothing, Tsubasa Reservoir Chronicle gives you no reason to care.

Overall Quality – Low

Recommendation: Skip it. There isn’t anything awful about Tsubasa Reservoir Chronicle, but that’s not a reason to watch something.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Tenchi Muyo! War on Geminar – Anime Review

Japanese Title: Isekai no Seikishi Monogatari

 

Related: Tenchi Muyo (main series)

Similar: Vision of Escaflowne

Vandread

Familiar of Zero

 

Watched in: Japanese & English

Genre: Action Comedy Ecchi Harem Fantasy

Length: 13 episodes (45 min. each)

 

Positives:

  • Pretty cool world design.

Negatives:

  • The perfect protagonist.
  • So much stupid.
  • Glaring audio and visual hiccups.
  • Really, really

(Request an anime for review here.)

The original, janky, and rather rubbish Tenchi Muyo was an anime I occasionally caught on TV an eon ago. I never made an effort to watch much of it, since it was a harem with awful art. A decade later, I stumbled upon a page regarding Tenchi Muyo! War on Geminar, which had far superior art and positive buzz from fans. How could Tenchi Muyo have produced anything that wasn’t garbage? And so, with many more years passed since then, it’s finally time to end my curiosity and see the fuss.

This story has Kenshi, younger brother of original Tenchi Muyo’s protagonist, teleported to the fantasy world of Geminar with a mission to assassinate Princess Lashara, but he fails and becomes her slave before eventually fighting for her against his summoners.

War on Geminar makes a good first impression with its visual production. While not unusual by today’s standards, it was rare for what is evidently an otaku-only anime to have an animation budget – sliding stills and big boobs were the expectation. The world design also has creativity. The reptilian mech designs look good, animated fluidly in duels, and I love the idea of an airship being a landmass with a palace and forest on top. Sure, the first episode has harem markers and some fan service barf, but my impression is positive. This is nothing like the Tenchi Muyo I remember. What is this grand magi-tech fantasy kingdom?

However, once the story settles in and starts churning through daily life in Geminar, everything turns to crap. We meet all the girls of his harem, covering every harem archetype to draw in the maximum otaku audience (see cover image of this review up top for the full selection). Whatever one’s preference, War on Geminar has the girl for you. Of course, none of them has an iota of depth, their sole purpose in the anime being to fulfil the obligations of their archetype. It’s stupid interaction after moronic interaction with Kenshi. They almost have depth, right up until the harem tropes undermine their arc to keep them in the pit of trash.

Where it becomes truly atrocious though, is with Kenshi. Allow me to introduce you to the most Mary Sue character in anime. You think you know, but you don’t.

Lashara puts Kenshi to work in the high-class girls’ school as handyman, a Jack-of-All-Trades; except, the writer forgot the “master of none” part of the Jack-of-All-Trades. Kenshi is perfect at everything on his first day. Housekeeping, brick laying, shoemaking, construction work, five-star cooking, delivery, climbing, running, sword fighting – you name it, Kenshi is the best at it first try. Every girl in school is after him, but because he’s so fast and never tires, they all drop of exhaustion. His massage skills are so great that a single grope from him will leave any girl in a permanent state of crippling arousal, for some reason. Then every girl wants him to wash her back during bath time.

Wait, wasn’t this some fantasy anime with mechs? Yep, that’s what it claims.

War on Geminar has an identity problem. It can’t decide if it wants to be a fantasy war series or a high school harem. Once you strip away all art (which has weakened after a few episodes) and all the flash, this is just another bad harem. The highest budget harem you should perhaps watch for its terribleness, certainly, but still a bad harem like any other at its core.

Art – Medium

War on Geminar appears to have great art at first glance. From characters to world design, this looks far better than the original Tenchi Muyo. I like the mech designs and flying palace. There is good animation during duels, but has so much awful outside that – static shots, repeating animations that linger, and some horrible shots. One instance has smoke billowing out of a building, and when the building tips over, so does the smoke pillar. Yes, the smoke in the air “tips” over.

Sound – Very Low

The writing turns you into an idiot. The princess who speaks in third person is especially dumb. Full of kewl quips and one-liners. Even the sound design is poor, which is rare – I mean rare. For example, the guy running on grass makes the sound of heels on tiles. Why?

Story – Very Low

A boy mysteriously teleported to another world joins a cast of girls to defend the empire. This is the highest budget harem garbage ever made, Mary Sue protagonist included.

Overall Quality – Very Low

Recommendation: Avoid it or a must watch for garbage. Tenchi Muyo! War on Geminar’s production values make it easier to watch that other “so bad it’s good” titles, so if you want some absolute trash, then have fun with this one.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Awful DialogueInduces StupidityMary SueRubbish Major Characters