Tag Archives: Supernatural

Contains elements beyond the means of reality and science, yet still in our world.

Gosick – Anime Review

Japanese Title: Gosick

 

Similar: Black Butler

The Mystic Archives of Dantalian

Heaven’s Memo Pad

Ghost Hunt

 

Watched in: Japanese & English

Genre: Mystery Drama Romance

Length: 24 episodes

 

Positives:

  • Pretty environments.
  • Good acting.

Negatives:

  • Omnipotent detective.
  • Whiny guy and tantrum girl don’t make for great leads.

(Request an anime for review here.)

I love how anime schools are beyond reality. Some go so grand, so outlandish that no real school would ever look like this. I think of Bakemonogatari’s school often, with its sky-scraping glass tower that serves no purpose other than great cinematography. Only anime can abuse the “rule of cool” so much for a mere school. Gosick has one such school. It’s a grand gothic and Victorian mix with an indoor botanical garden large enough to fit another school. And I love it. Not particularly relevant to this review – just thought I’d mention it!

As for the story proper, Gosick is about a 13-year-old Kazuya, who happens upon a doll-like girl around his age called Victorique de Blois in the school’s grand library. She’s an odd girl, keeping to herself and not possessing particularly keen manners, despite her prim appearance. Kazuya intrigues her, however, and she decrees that he is to be her plaything to entertain her with stories in the garden atop the school, when not joining her in solving mysteries, of course. She throws tantrums when bored, but switches on her genius when summoned for a case.

Contrary to the goth loli design, she isn’t lewded to sinful heaven like most of her archetype. Frankly, I consider this a miracle. There is a mild explanation for her petite stature in her backstory, but I think the artist just liked the look. She truly is a dress-up doll. I’m still not a fan of the type, though I do appreciate some effort went into incorporating her design into the rest of the art.

The story, for the most part, is Sherlock Holmes & Watson style crime mysteries. Now that, I love. They start with a few small cases, including a ghost ship, that last a few episodes each before it delves into a grander story about her origins and the tale of her cursed mother. More on this later.

I’m sorry to report, however, that these mysteries aren’t going to impress anyone with a modicum of experience in the genre. The major issue is Victorique’s omnipotence. She will say exactly what happened in some cases without ever going to the scene. It’s not as though she makes an educated guess, which she adjusts and confirms later on through investigation. No, she says exactly how it transpired. Furthermore, the audience can’t solve these mysteries ahead of time by catching clues. I don’t know if this was intentional by the writer to make her seem smarter or if the writer didn’t have the skill.

This wouldn’t be as big of an issue if it had something else going for it, such as strong characters you want to join in the adventure. Here too we have a problem. Kazuya is weak – too wimpy for a Watson substitute. I don’t get his personality choice. The dynamic between him and Victorique is for him to be her pet, her plaything, yet he doesn’t have a strength to counterbalance this weakness. He’s loyal and kind to her, but that just makes him a better servant. The original Watson is a good sidekick to Holmes, yes, but he also brings common sense and a clarity Holmes lacks when tunnel-visioned on a case. Watson must take charge at times. Kazuya doesn’t feel like an independent character who would exist without her.

As for Victorique, her tantrums are annoying. I assume (correctly) that it’s meant to endear her towards us and fit her child-like design. I just find it tiresome. They don’t make sense with her otherwise “mature” persona – not played as some flaw, like a mature outward façade covering a vulnerable inner core either. It comes across as an excuse to have a loli throwing tantrums because that’s what the writer likes. It doesn’t mesh.

Humour arrives in the form of her brother, who has hair that could pierce the heavens. He also works as a detective, but with his inferior skills, he often resorts to taking credit for his reclusive sister’s work. He’s a bit on the weird side for a gothic mystery, though is more memorable and focused than the other two.

Back to the story, once the opening cases are over with, the main story is more interesting, yet becomes less of a crime mystery. Gosick ends up losing its genre focus halfway through. More interesting on one hand – loses the genre on the other. It’s leans action over mystery by the end, which I take as a positive after the mediocre cases in the early game.

I want to be clear: Gosick never becomes bad. This is simply an example where once you’ve seen better, it is difficult to go backwards. I could see myself recommending this had I watched it a decade ago.

Art – High

I wouldn’t expect a series reliant on a goth loli to put any effort in the art. Gosick has surprisingly high production values. The environments look particularly good.

Sound – High

The music is appropriately gothic and the acting is good. No notable complaints here.

Story – Medium

A boy helps a doll-like girl with her hobby of playing detective – then the cases get personal. The mysteries are good enough to hold one’s attention, but if you’ve seen better, you’ll crave something more.

Overall Quality – Medium

Recommendation: For mystery beginners. Gosick is an easy enough anime to watch unless you are used to more captivating mysteries.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Le Chevalier D’Eon – Anime Review

Japanese Title: Le Chevalier D’Eon

 

Similar: Gankutsuou: The Count of Monte Cristo

The Rose of Versailles

Trinity Blood

 

Watched in: Japanese & English

Genre: Historical Supernatural Mystery

Length: 24 episodes

 

Positives:

  • Looks like France.
  • Animation succeeds in impactful sword strikes.

Negatives:

  • Script is inauthentic to the period.
  • So bland.

(Request an anime for review here.)

I love historical pieces. I particularly love it when anime takes a crack at it in a non-Japanese setting. Gankutsuou and The Rose of Versailles are two of my favourite anime, both based on historical France, interestingly enough (France is the favourite foreign county amongst the Japanese). Le Chevalier D’Eon, set in 18th century France during the reign of Louis XV, is another such historical anime. I saw middling reviews for this one and hoped, as I always do with anime outside the popular genres, that the reviews came down to it simply not being a fit for popular preference. While that is somewhat the case here, D’Eon still isn’t great.

Lia de Beaumont, favourite of the nobility including the king himself, floats down the river with her veins full of mercury and blood scribbles on her dead body. Her brother Charles d’Éon de Beaumont, spy and knight to the king, makes it his mission to find the truth of her death. This single murder soon unravels into a plot against France. However, the greatest twist in this tale comes from Lia herself. Her spirit, unable to crossover, returns to the living and inhabits d’Éon’s body. With her combat prowess and his espionage abilities, they plunge into a world of the dead and the treacherous.

I can best describe Le Chevalier D’Eon as a Three Musketeers tale with a dark supernatural angle instead of the usual fun swashbuckling. Many people die, blood splatters ceilings, zombies (called gargoyles here) rise from the dead, and ritual sacrifice of beautiful women is in high fashion.

The immediate issue is how this story fails to grip you from the beginning. Lia’s spirit possessing d’Éon is an interesting twist for a story that gives no indication of being anything but an authentic(ish) historical piece until that point, but the grander conspiracy isn’t clear for several episodes. It doesn’t give much reason to care. I would have started the story with the focus just on Lia’s death. Make it seem like an isolated incident personal to the protagonist, though nothing of greater import. Then, once he seems close to solving the case, he learns this is much bigger than a single death. Now we are in for a ride.

What we have is too vague. “Something is going on – can you give me more detail?”

“Nah, I don’t feel like it.”

If a writer holds back every little detail for so long, then one needs to draw in the audience with another element. And in a historical piece, the easy answer is through atmosphere and authenticity – transport the audience to 18th century France. Make us walk the bustling streets, catch the scent of a bakery around the corner and feel the chill in the air. Le Chevalier D’Eon looks like France, but doesn’t feel like it. The script in particular has no historical touches. Now, the characters haven’t come straight out of My Hero Academia or say, “That is wack, yo!” yet they don’t sound of their time.

I would go so far as to say that had they gone more authentic in every aspect, it would have inverted my opinion on the series. See, in order to convey more of the politics, society, manners, and life of 18th century France, they would need to cut scenes to make room. And what would they likely cut? The boring scenes. Only the action feels strong.

I can forgive a story not paying much attention to authenticity as long as it’s entertaining – several Robin Hood films come to mind. Sadly, that won’t apply here. The pacing is too slow, the conspiracy, even once rolling, doesn’t hold you tight like a beggar on the streets of Paris saves for a few scenes, and the characters never flourish.

On the flipside, some of the historical story details are great. Take the siblings, for example. D’Éon – or if you want his full name of Charles-Geneviève-Louis-Auguste-André-Timothée d’Éon de Beaumont – was a real person and a real spy for France who disguised himself as a woman – one Lia de Beaumont. He was apparently so convincing that people had no idea he was a man for years. His life was truly fascinating. I love how this anime takes his identities and works them into the supernatural.

If only the execution were better.

Le Chevalier D’Eon will likely only draw the attention of history fans. Such fans though love the details that this anime is lacking. Go for The Rose of Versailles instead.

Art – Medium

The art would be rated higher if not for the muddy backgrounds and blurring of detail. It feels like they tried to emulate a Renaissance painter’s style by using a Photoshop filter sometimes. I’m just grateful they didn’t copy the manga’s art. Action feels good thanks to weighty animations.

Sound – Medium

The acting is good. However, the script makes little effort to sound period accurate, which is a critical factor in the success of a period piece.

Story – Medium

A knight of France takes in the spirit of his powerful sister to uncover who murdered her and reveal what secret threatens the nation. The story is in dire need of an editor to sharpen the corners and tighten the edges so that it may bring out the potential.

Overall Quality – Medium

Recommendation: For history fans only. I don’t know if I would even recommend Le Chevalier D’Eon to history fans when it doesn’t feel historical enough. It may not bother you though.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Angel Beats! – Anime Review

Japanese Title: Angel Beats!

 

Similar: Death Parade

Plastic Memories

Haibane Renmei

 

Watched in: Japanese & English

Genre: Supernatural Action Comedy Drama

Length: 13 episodes

 

Positives:

  • Occasionally funny.
  • No space for rent.

Negatives:

  • Too many characters for 13 episodes.
  • Emotions don’t land.
  • Weak art.
  • Script often makes you cringe.

(Request an anime for review here.)

Until I committed to watching Angel Beats (after a reader requested it for review), I had thought it was another adaptation of Key Visual’s awful visual novels, owing to the similarity in character design (I had attributed the reduced real estate between the eyes to someone finally pointing out how ugly Key characters were). Much to my delight, I discovered that it only involved one notable staff member from those past projects and it wasn’t someone from the art department. The composer wrote this story as an original with no visual novel relations. Thank Thor; Angel Beats isn’t doomed before the first frame!

With that happy thought in mind, I dove right in.

Angel Beats is a “trapped in limbo” story with video game rules, where each of the “player characters” cannot escape the confines of a high school until they undo a past regret and move on in death. Otonashi is the newest student in this strange world of the in-between. He awakens with no memories and next to a girl hunched over a sniper rifle. She’s aiming at a silver-haired girl in the school’s soccer field. He doesn’t see the girl as a threat and rightfully so, for she is as dulcet as a puppy. He soon learns otherwise when he talks to her and she kills him.

He’s fine the next morning, of course, since no one dies in this limbo high school of NPCs. The silver girl or “angel” is just there to enforce the rules as student body president. Meanwhile, Otonashi joins sniper girl’s club of player characters. They have one mission – defeat the angel and get out of here.

The first few episodes are fine overall as they explain the rules and the story focuses more on comedy, like a group of high school friends taking their military LARP most seriously. The second episode has them breaking into their own secret underground base when the traps meant for the angel turn on them. The team members drop like flies to video game traps and it’s funny.

The quality falls as you progress further into the story, figuring out the goal is to give each character an emotional send off before they depart limbo. They can only pass on once they make up for a regret in life, which means a shoehorned tragic backstory for each person is imminent (sniper girl’s is laughable, even with dead kids involved). It gets worse when you remember the episode count and calculate that there is no way to accommodate so many characters. You don’t care about anyone before they leave. You see the ending coming eight episodes away and yet it’s still ham-fisted.

No emotional moment in Angel Beats worked for me. The story is a metaphor about moving on from high school and having to say goodbye to friends – possibly for the last time – which is relatable to just about everyone in the audience (if you’re still in high school, you can relate to leaving primary/middle school friends behind). Even with such a relatable theme, these scenes extracted nothing from me.

The writer needed to cut down on characters. Have more characters than the core group, by all means, but don’t make them all matter. By trying to make everyone matter, no one matters.

Moreover, Angel Beats needs a stronger script to pull off the drama. Half of the script consists of Otonashi asking questions on behalf of the audience (oh, what convenient amnesia), so that others can explain everything. His dialogue in some scenes will be no more than one question after the other. Then we have what can only be described as the “anime” dialogue. That first scene when he awakens near sniper girl has the following cringe worthy exchange.

After seeing no threat from the small silver-haired girl, he says, “Listen, how about I go down there?”

Sniper girl whirls around and quickly yells, “What? Why? Why the hell go down there? That doesn’t make any sense! What the hell made you say that? Are you an idiot or what? Go die!”

“…”

“That’s something we say here all the time since no one dies here,” she adds, now speaking normally. “What ya think? Funny?”

“Not so much, but what do I know?”

This dialogue is meant to convey her personality, but is so forced that it’s just obnoxious. I can see someone turning this off at that moment, 3 minutes in. Don’t forget, this dialogue comes after she rambles about her club’s name with no context, which is also obnoxious. The way these characters talk and behave doesn’t convey the sense of people trapped in limbo. It feels like any other high school action anime cast.

Once the school concert is over a few episodes in (the music is the strongest element) and drama replaces comedy, Angel Beats becomes rather bland and predictable. Not to give away too much, but the angel adversary plot resolves shortly as well to lessen conflict further.

Angel Beats is an alright anime if you go in knowing not to expect much from the drama. Honestly though, there are so many better anime you could spend your time on and this one’s been forgotten by now, so there’s no conversation waiting either.

Art – Low

Characters have zero design originality, though thankfully they aren’t landlords. CG background characters and CG environments don’t blend well with principal objects. Lights and shadows are inconsistent to the characters. Look at the screenshot above with the sniper rifle – note how sharp the shadows are on the characters, gun and bush (drawn in by a person digitally) against the fuzzy shading on the building and the lack of shadow beneath the rifle (calculated by computer graphics). The only complement I can offer is for the skies.

Sound – Low

Average acting, no matter the language, and the script is several tiers below what’s needed for the drama. The music is nice.

Story – Low

A group of students try to escape limbo high school by killing the angel that enforces the rules. Too many characters, quick drama, and a lack focus don’t make for a great story.

Overall Quality – Low

Recommendation: Skip it. If you haven’t seen Angel Beats yet, you aren’t missing out. It has nothing recommending itself these days, though it isn’t a bad anime.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Poor Pacing

Devilman: Crybaby – Anime Review

Japanese Title: Devilman: Crybaby

 

Related: Devilman (alternative version)

Similar: Kemonozume

Parasyte –the maxim-

Berserk

 

Watched in: Japanese & English

Genre: Supernatural Action Horror

Length: 10 episodes

 

Positives:

  • Doesn’t hold back. At all.
  • Perfect match of art and narrative.
  • Pacing pulls you from one episode to the next.

Negatives:

  • Main characters are on the weak side.
  • No light and shadow on characters.

(Request an anime for review here.)

Akira has been a crybaby throughout his life. His friend Ryou was always the leader and daredevil. Akira’s willingness to follow Ryou on whatever adventure leads him into a world of devils and derangement. A devil even inhabits his body. With the power of a devil and the heart of a man, he becomes Devilman and joins Ryou in killing other devils. However, the devil inside has an insatiable appetite for food and pleasure. Akira has gone in way over his head.

Alongside Christianity (so much Christian imagery throughout), sex is a big theme of Devilman Crybaby. Akira always has sex on his mind, made worse by trying to fight it. All villains, whether human or devil, have a sexual component to them. One rich devil woman is after Akira for having the devil Amon inside him – he was the best she’d ever had. Miki – Akira’s foster sister that he tries not to perv on – is unknowingly a model for a peddler of underage nude imagery.

Now, unlike Kemonozume, where the sex scenes are about passion and character conflict, Devilman Crybaby’s sex is just about violence. Gory, monstrous, violent sex. In the first episode, we see a woman’s breasts grow like worms and mutate mouths from the nipples to bite someone’s head off during an orgy. Another’s vagina tears open in a shark-like mouth for her to consume sex fiends. Nightmare fuel, I believe they call it.

This is probably the most sexually violent series I’ve ever seen. If this were live action, I don’t imagine they could get away with it in most countries. Furthermore, the art and animation styles are perfect at delivering the intended violence, the debauchery, the delirium of these scenes. It’s disgusting in an artistic way even with the cinematography – how the camera flies up crotches to show precisely where a character is looking, or the way Akira is practically eating the camera when gorging himself on food. It wouldn’t have worked with a “standard” anime style. These scenes aren’t mere shock value either. They allow you to feel the mental state of the characters, allow you to feel the horror of others with the purpose of immersing you in just how messed up the situation is. It recalls Berserk’s climactic scene except it appears throughout the series.

So, if after reading all of that, the thought of such sexual violence seems like too much, then don’t put yourself through it. This could give nightmares. It’s well done, but not to everyone’s taste. I’ve had a few friends put off from watching it after I described this. It’s lucky I’m used to all levels of content, as I went in blind with no idea any of this was coming.

There is humour to give a little balance (though it does diminish in later episodes). The funniest moments have to be the first day at school after Akira’s transformation. He’s suddenly tall, muscular (large package included) with bad boy good looks and all the girls tripping over each other to get near him. They even give him all of their lunches since he can now eat a metric ton in one sitting. It’s like thirsty fans giving a Twitch streamer endless donations. And let’s not forget the way he runs on the track (another good example of the art augmenting the otherworldly nature of the characters and story). Priceless.

What stops Devilman Crybaby from reaching my highest tier is the main characters though. They don’t get enough exploration. I couldn’t put my finger on it at first because I thought the story successful. It can be hard to notice weaker characters in a great story. A good story can carry mediocre characters. The simple way to figure it out is to take your characters and put them in another story, then think of whether you would still want to follow them. If I put Akira and Ryou in Death Note, for example, adapting the story to fit their characters, would it make an interesting story? Well, no, because Akira doesn’t have the layers or nuance required and Ryou isn’t smart, only getting away with the things he does in Devilman Crybaby thanks to the author’s pen.

The first episode is a perfect example. After a trio of street rappers stop Miki to bust a rhyme for her (she’s popular and a known model) and Akira is too weak to help, Ryou arrives on the scene and brandishes a semi-automatic rifle, firing at their feet. Do any consequences come of this? Nope. He does whatever he wants and no one questions it. When hunting devils, he has no problems with collateral damage, which does bother Akira but doesn’t translate into consequences. At first, I thought it was just this anime’s weird style, yet this rule doesn’t apply to anyone else.

As for Akira, he doesn’t get to “flex” his character enough for us to know him fully. There isn’t much more than the soft heart in a devil’s body dichotomy. The story still works in the end with how much it ramps up conflict to biblical proportions, but you are scratching your head a few times too many along the way, wondering if they couldn’t have executed the characters better.

Regardless, I was engaged from start to finish and I love that this is only 10 episodes. Devilman Crybaby went for exactly as long as it needed to.

Art – High

The animation and character designs remind a lot of Kemonozume, allowing for fluidity and extreme distortion that leans into the nightmare imagery. It’s heavily stylised, even in the cinematography and use of light and shadow. However, the lack of highlights and shadows on characters bothers me to the point where it pulls me out of scenes too often.

Sound – High

Devilman Crybaby is available in many languages, thanks to Netflix, so take your pick. I preferred the English for handling the foreign language segments better than the Japanese did. Biblically epic soundtrack – the ED paired with the cliffhangers urges you onto the next episode right away.

Story – High

A weak kid inhabited by a devil works with his best friend to fight devils infiltrating humanity as the situations escalates. A good story carries weaker characters to the end.

Overall Quality – High

Recommendation: Try it. I think Devilman Crybaby is a good anime, but its content is so uncensored and nightmarish that I can’t recommend it to everyone. If it sounds like your sort of anime, then go for it.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Fluid AnimationHoly S***

Negative: None

Kemonozume – Anime Review

Japanese Title: Kemonozume

 

Similar: Devilman Crybaby

Basilisk

Parasyte –the maxim-

 

Watched in: Japanese

Genre: Supernatural Action Horror Romance

Length: 13 episodes

 

Positives:

  • Stands out.
  • Great romantic conflict.
  • Fast pace.
  • Satisfying conclusion.

Negatives:

  • Third act focuses too much on action.

(Request an anime for review here.)

I wouldn’t be surprised if you haven’t seen this anime. Nor would I blame you. It doesn’t look the most appealing. I only watched it after seeing the following scene (and it’s not even representative of the story):

Kemonozume is a Romeo & Juliet story that pits a monster slayer against the monster he loves. In this world, a species of monsters slinks through society disguised as humans, consuming people to survive in plain sight. The samurai-like Kifuuken clan has one purpose: killing Flesh Eaters. Toshihiko is their leader’s son and an expert slayer who falls in love with beautiful Yuka at first sight. She shows him that there is more to life than the warrior’s code – she even takes him tandem skydiving – and he gives her love she had been taught didn’t exist in return. Their whirlwind romance derails when he discovers her to be a Flesh Eater. Toshihiko must now choose between love and duty.

I do not enjoy Romeo & Juliet. Like every other poor unfortunate soul, I had to study it at school. Hated it then. Hate it now. So to see this anime, with its ragged art and surreal palette that intrigued me, reveal itself as a Romeo & Juliet romance, I braced for stupid. However, Kemonozume did two things that rallied my spirits. First, they are a threat to each other just as much as their respective sides are a threat to them. And secondly, the romance isn’t chaste. This couple doesn’t shy away from sex, from lust, from passion.

I maintain that sex scenes (or risqué fan service, if we’re talking teen anime) are often the biggest waste of screen time in any medium. Even Game of Thrones, which I love, could benefit from removing 90% of the sex scenes. Such scenes rarely add anything to the story.

Kemonozume differs because much of this couple’s personal story occurs during the sex scenes. See, Yuka’s true form is at greatest risk of coming out during moments of heightened sexual ecstasy, a problem made worse by how much these two adore and crave each other. The theme of rebelling against what they were born to be isn’t just seen in them running away from home to go on an adventure. We see it in their most intimate moments. The sex doesn’t overstay its welcome. There’s always a justification for making that scene a sex scene rather than something else. It also helps that the weird art makes these moments something you’ve probably never seen before, visually, and the exaggerated lines amplify the emotions they feel.

Another strength of Kemonozume is its humour. For instance, after encountering Yuka for the first time, falling for her instantly, he starts to see her face on everyone else’s heads in this hilarious scene. Like the rest of this anime, it exaggerates the joke three steps beyond the norm, but it works here. Distracting Flesh Eaters with holograms of dancing nude women is also a good laugh. I will concede that some humorous moments could do with better timing.

Sadly, Kemonozume falls short of excellence with a third act that contains too much action. It’s not that action has no place in this romance. Rather, the action become a bit too shounen, so to speak, albeit surreal shounen action – like the sex, this looks different from other action scenes. Without this third act, it wouldn’t be fitting to give this anime the “Action” label. On the positive side, it’s only a few episodes (being a short, fast-paced anime helps here) and the conclusion is satisfying. If the end weren’t satisfying, I would leave Kemonozume bitterly disappointed. I can thankfully say the opposite.

Now, despite my praises, do keep in mind that this is wildly different from “normal” anime. Should Kemonozume not grab your interest within one episode, you most likely won’t change your mind by the end. Don’t force yourself to watch it on my account – on anyone’s account.

Art – Medium

Visually unusual art – highly stylised on a budget. It’s clear they didn’t have much money to work with, but made the most of it to create something distinct. Allows for plenty of animation, but the art itself is very rough. This style could be a deal breaker for some.

Sound – Medium

The nice jazz soundtrack is stronger than the decent voice acting.

Story – High

The son and heir of a monster hunting clan falls in love with one of the very maneating women he’s born to kill. Fast, savage, and racy, Kemonozume is a unique take on the forbidden love romance.

Overall Quality – High

Recommendation: Try it. I greatly enjoyed Kemonozume, but I know it won’t appeal to many, so give it a try and see if you feel as I did.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None