Tag Archives: Slice of Life

Depiction of ordinary life, often without serious conflict.

From Me to You – Anime Review

Japanese Title: Kimi ni Todoke

 

Similar: Lovely Complex

My Love Story

Maid Sama!

 

Watched in: Japanese

Genre: Drama Romance Slice of Life

Length: 37 episodes (2 seasons)

 

Positives:

  • A sweet romance.
  • Cute art.

Negatives:

  • Hits its peak within a few episodes.
  • Plays it too safe.

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For those who aren’t aware, the movie The Ring (or just Ring in Japanese) is a cultural icon in Japan. It’s their Jaws or Dracula. In particular, the ghost girl with long black hair over her face is recognisable to all the Japanese. Unfortunately for our protagonist Sawako, she looks just like the Ring girl and terrifies her classmates at every turn. Down the empty school corridors, in the damp bathrooms, behind the schoolyard trees lurks the shy, sweet, introverted and utterly terrifying Sawako. Fear her.

Of course, she’s a harmless girl just trying to make friends. She has a crush on the most popular guy in class, Kazehaya, who turns out to be the one person not afraid of her. He doesn’t have trouble talking to the horror that is Sawako.

Despite the ghostly premise, From Me to You gives off feel-good romance vibes from the beginning. I would go so far as to say that it gives these vibes too early. Kazehaya likes her right away and they got along without delay, so it already feels like the conflict is over. They keep the drama going with so much self-pity and unspoken misunderstandings that it makes for a weak romance. Her core personality trait is shyness, true, but not saying anything at every convenient moment is just dim-witted. Too much time is spent with her watching shyly, too timid to talk to the guy, too timid to do anything. Grows old fast. Her flabbergasted expression by someone merely talking to her also wears thin before long (and she cries each time). If everything is flabbergasting, nothing is.

There is no inherent problem with the feel-good direction – I’m not advocating Shakespeare come in to dramatise every romance – yet if taking that route, a story needs another driving force. Comedy is the most common substitute. Romantic sitcoms can go for seasons on end with little true progression. Doesn’t mean it will be great – viewers will want progress and a conclusion eventually. Regardless, the audience needs something. From Me to You, while amusing in a charming way, isn’t laugh-out-loud funny. These characters aren’t compelling enough either to want to observe in daily life, intrigued by what they will do next.

As for the episodic story, we have the usual high school fare of festivals, classes, and school events. It’s what you expect from a high school anime. I see this as neither positive nor negative. Using these events in a more interesting way with actual conflict (i.e. something other than shyness) even if done for comedy matters more.

For some positives though, it is a pretty anime. You can feel the manga artist’s touch in the visual style (needs more animation than a manga page though). It has a strong shoujo flair that brightens up the screen. It makes for a nice compliment to the feel-good romance. The chibi humour is also amusing – not as funny as the likes of Get Backers, but successful nonetheless. The characters are most likeable (though not particularly memorable).

From Me to You is a difficult anime to dislike. I think that’s the secret to it’s success. Pleasant best describes it. However, while I did finish the series, I would not have gone beyond six or so episodes had it not been for the purposes of this review. Pleasantry can only keep me going for so long. Give me pleasantry plus something else and I could go forever, but not by itself. I feel this pleasantry makes it difficult for people to be critical of the series. It’s like telling the girl scout that her cookies taste awful. Makes one feel mean.

Now, if such pleasantry sounds appealing to you, then by all means, give this anime a go. From Me to You is an innocuous romance that pleases the eyes.

Art – Medium

The art is cute – pretty and feminine, reminiscent of Nana – with frequent use of chibification. The animation, however, has little to show for itself.

Sound – Medium

I am not a fan of Mamiko Noto’s meek voice, but it works here for the timid Sawako. Even so, I couldn’t take it for long periods at a time. Like the pleasant music.

Story – Medium

A girl that reminds every one of the creature from Ring struggles with love and friendship at school. Though a sweet love story, From Me to You resolves its major conflicts early on and makes the rest feel like an extended epilogue.

Overall Quality – Medium

Recommendation: For anime romance fans only. From Me to You is for those who like their conflict light and their romance safe.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

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Wotakoi: Love is Hard for Otaku– Anime Review

Japanese Title: Wotaku ni Koi wa Muzukashii

 

Similar: Monthly Girls’ Nozaki-kun

Aggretsuko

Recovery of an MMO Junky

 

Watched in: Japanese

Genre: Comedy Romance Slice of Life

Length: 11 episodes

 

Positives:

  • The author knows her games.
  • Always charming and funny.
  • Believable couple.

Negatives:

  • Could do with more romance.

(Request an anime for review here.)

It is Narumi’s first day at her new job. She has but one mission: no one can find out that she is an otaku, and not just any otaku, but the worst kind – a filthy fujoshi. Absolutely, under no circumstances, should a guy hear of her dark secret, for even if he is accepting of her perverted ways, then that must mean he’s an otaku too. And who would want to date an otaku!? This is a chance at a new life. No one will ever realise they are working right next to a yaoi loving degenerate. No one will ever know of the smut she hides on her hard drive. NO ONE WILL EVER KNOW THAT SHE SHIPS GUYS TOGETHER AFTER THEY SAY ONE WORD TO EACH OTHER! Oh crap, her boss found out!

Wotakoi: Love is Hard for Otaku is an adult rom-com in an office setting. It is packed with nerd humour, pop culture references (the deep cuts), sweet romance, and fun all around. I love it.

Narumi is such a lovable protagonist. The scene when Hana, her boss, uncovers her secret – turns out she is a mega nerd as well, cosplaying regularly as a bishounen (feminine handsome man) Narumi is a fan of – makes you fall in love with her. Turns out, Hana is also a fan of Narumi’s yaoi fan fiction written under a pen name.

Narumi is rather goofy and the show plays most jokes at her expense (they have to flash a “please don’t run for departing trains” sign every time she’s late, which is often), but she isn’t stupid. It would have been so easy to make her a moron to have otaku go, “Gosh, isn’t she adorable. I would love to have a stupid girlfriend,” something you often see in moe anime.

Then you have her dynamic with the guys at work, who are also into nerd stuff. You have Tarou – Hana’s future boyfriend – and Hirotaka, who has a preference for games and a disdain for yaoi (in a humorous way). He is Narumi’s love interest. These characters – not just the main couple – make for a great group. You can easily see them as friends in real life, relatable to anyone who likes hanging out playing couch co-op games such as Mario Kart (called “Mari Ka” in Japanese, for short, as I learned), adventuring together in MMOs or just chatting over a meal.

Harumi and Hirotaka are a sweet couple. The arguments they have over trying to get the other person into the things they like is endearing. However, I do wish there was more to this romance. It’s certainly a believable one (often, the problem with anime romance is the lack of foundation in the romance to begin with), yet doesn’t go into enough depth for how they work as a couple in private. It has the fun side of the romance without enough of the drama side. Doesn’t have to be heavy conflict – just give me something so I can say, “You know what, they’re going to make it.”

Now, the fun side is a success. When they go on a date to the theme park, they set a “no nerding” rule with a 500-yen penalty to the piggy bank for breaking it. She can’t resist making the perfect JoJo reference while he can’t miss the chance to catch a rare Blissey in Pokémon Go (fun fact: Blissey in Japanese is called “Happiness” – the English word happiness).

The nerd humour is on point. Hirotaka is a pro at Monster Hunter, even playing it at work. They play together on a hunt for a rare ruby she wants from a monster, but when she gets none and he gets two, not needing any himself, she says, “The Desire Sensor must’ve activated!” I love the inclusion of this joke. This author, she knows the gamer’s mentality. It feels authentic and not tacked on because market research says that anime for adult nerds must have adult nerd references. How often have you seen a US TV show try to make a gaming reference, for whatever is the big thing at the time, and come across as painful to watch? The Big Bang Theory still makes me cringe in memory of that MMO episode.

Wotakoi makes meta references to games, using mechanics like action choices for humour and I love the character stat sheets marking ad breaks (check out that yaoi stat!):

I even learnt a new term from this anime: the reverse cover scam. “I see the cover [of a manga] and buy it for the sex scenes, but the story turns out to be good!” That is perfect. I have to use that phrase in real life at some point.

Wotakoi: Love is Hard for Otaku gets my heartiest recommendation. It is a refreshing change from the sea of high school rom-coms and I hope to see more of this kind in future.

Art – Medium

It’s not a flex show, but the art is good. The colours and character designs pop!

Sound – High

The music matches the fun tone – super catchy OP – and the acting is strong overall. Narumi may sound too young for an “office lady”, but it matches her young-at-heart fangirl personality.

Story – Medium

An omega nerdy office lady has her cover blown at work, only to find out her colleagues are nerds themselves. This light-hearted rom-com is a fun 11 episodes that I wish leant more into the romance.

Overall Quality – High

Recommendation: For adult nerds. Wotakoi is an easy anime to watch, though with its slant towards adult life and adult humour, you need to be part of the older crowd to find it fully relatable. Still, don’t let that stop you.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: 

Charm

Negative: None

My Teen Romantic Comedy SNAFU – Anime Review

Japanese Title: Yahari Ore no Seishun Love Comedy wa Machigatteiru

 

Similar: Toradora

Bakemonogatari

Saekano: How to Raise a Boring Girlfriend

 

Watched in: Japanese

Genre: Slice of Life Comedy Drama Romance

Length: 26 episodes (2 seasons), 2 OVA

 

Positives:

  • Second season looks better.

Negatives:

  • Unlikeable protagonist throughout.
  • “Deep” thoughts.
  • The drama isn’t really drama.
  • Hard to care.

(Request an anime for review here.)

I only watched this anime because of the title (“What is a snafu…?”) and came out wishing I hadn’t bothered. There is a subreddit called r/im14andthisisdeep that collects “deep” thoughts that are actually basic to the average person. My Teen Romantic Comedy SNAFU is that subreddit in anime form.

It follows the nihilistic high school years of Hachiman, who is forced to join the Volunteer Service Club as punishment for imposing his “deep” worldview on everyone. This club, which includes the ice queen Yukino, has the sole purpose of helping students in need achieve their goals. It’s a club about helping people, in short, with the hope of making Hachiman less of a douche.

As an example of the club’s activities, the first case is helping a girl who can’t cook, where the real lesson is that it’s the thought and effort that counts among friends. She soon joins the duo along with several others to create the typical group of high school friends.

SNAFU presents itself as a meta anime on the “high school friendships” genre, commenting on how much the genre overblows high school and how it doesn’t define your life, but ends up eating its own tail to become a pretentious, overblown high school friendship anime. It goes through the usual episodes – beach, summer festival, sports day, etc. However, instead of thinking, “You’re right, it is really stupid how big of a deal they make out of these events,” I just see SNAFU doing the same as the anime on which it comments.

The one differentiating factor is that the characters aren’t cheerful. Hachiman is anti-social, Yukino is anti-social, another girl is bad at socialising, and even the popular girl doesn’t have anyone who cares for her. Despite this difference, the story and characters play out much the same way as your average anime from this genre.

Initially, I thought that Hachiman’s musings were meant to be taken as the pretentious ramblings of some kid who thinks he has the world figured out, that we were meant to see him as unlikable before the story turns our opinion of him. He does grow less unlikeable, sure, but I don’t know anyone who would want to hang around such a boring person.

I considered the idea that the author was trying to emulate the deep (read: stupid) thoughts we all had as teenagers, and that this nonsense was accurate for a kid his age, but it never calls him out on it. Hachiman doesn’t sound like a teenager in over his head; he sounds like an adult failing to write a teenager. No one with any life experience would believe this author’s life lessons and witty advice – and by any, I mean any, even a few months out of high school would dissolve such notions. It’s weak.

The drama isn’t really drama either. It’s just students interacting lightly in a slice of life way to resolve petty affairs. It’s hard to care about such minor problems. Oh, your life hinges on being elected class president? Oh wow, so rough. It takes a council of 40 students to organise the same sports day as every year and if it fails, all is lost? What a tough life. Perhaps this is meant as satire, though if the case, then it flops.

It also bothers me that there is seemingly only one teacher in this school, who acts like one of the students and barely looks older than they do. This world, this anime feels so empty.

SNAFU isn’t funny enough to recommend as a comedy, doesn’t have enough tension for a drama, and shouldn’t even have the romance label. The worst thing about My Teen Romantic Comedy SNAFU is to see studio Brain’s Base, responsible for unconventional greats like Baccano and Princess Jellyfish, forced to make an anime so visually and narratively bland.

Art – Medium

Average art, indistinguishable for other anime of the era, until a different studio takes over in season 2 and does a better job. Cinematography is still stock.

Sound – Medium

Acting is average as well. Not bad, though nothing memorable.

Story – Low

A nihilistic student is forced to join the Volunteer Service Club, which helps other students achieve their goals. This story and its unlikable protagonist won’t appeal to anyone with a drop of life experience.

Overall Quality – Low

Recommendation: For 14-year-olds only. If you are above that age, My Teen Romantic Comedy SNAFU’s deep messages will be laughable.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Shallow

Mirai – Anime Review

Japanese Title: Mirai no Mirai

 

Similar: Wolf Children

The Girl Who Leapt Through Time

When Marnie Was There

 

Watched in: Japanese

Genre: Fantasy Adventure

Length: 1 hr. 38 min. movie

 

Positives:

  • Beautiful visuals, particularly in environment details.
  • Small quirks.

Negatives:

  • Lacks real substance.
  • Parents don’t have enough story.

(Request an anime for review here.)

Mirai is the latest film from director Mamoru Hosoda, known for other anime films Summer Wars, Girl Who Leapt through Time, The Boy and the Beast, and Wolf Children. While I haven’t seen the first of that list (review coming soon™), I find Mirai to be his weakest. It doesn’t have an element that draws me in, attaches me to it in the way Girl through Time did with its protagonist’s personality.

Based on Hosoda’s experiences with his own children, Mirai is about a little boy called Kun who, up until this point, received all the attention from his parents. Now with his newborn sister Mirai around, he’s no longer the centre of the universe. And that doesn’t sit well with him.

He throws tantrums. He hurts his sister. He chucks his toys on the floor. He does everything in his four-year-old power to turn the attention back to him. Nothing works. In an effort to teach him much-needed life lessons, family members from the past and future visit him in the house courtyard, taking him on small adventures.

This narrative quickly reminded of A Christmas Carol by Charles Dickens, which I coincidentally saw for the first time last week, where ghosts of past, present, and future visit the protagonist to change him for the better. In the case of A Christmas Carol, it’s about turning a nasty rich miser into a generous man. With this connection made, I became more interested. Unfortunately, Mirai doesn’t have the weight and emotion found in Dickens’s title.

Mirai’s structure alternates between the present day world, where Kun misbehaves in some way to garner attention, and the past/future world with a relative that teaches a lesson relating to the aforementioned behaviour. One time, he throws his toys on the floor in a temper tantrum against his mother. So when he runs to the courtyard, it takes him back in time to when his mother was a little girl and loved throwing everything on the floor as well. This shows him that she too was a kid once, but they also go too far and trash her whole house, which earns her a scolding. “Your mother knows you’re just a kid, but don’t go too far. Give her a break looking after a newborn.”

It may sound as though I am simplifying the lesson too much, but I’m not. That’s all there is to it. These mini adventures have no nuance, no depth, which is perhaps intentional so that little kids get it. Even then, it’s too on the nose and has little for older viewers.

I could look over this, somewhat, if the adventures were more…adventurous? There isn’t enough fantasy in this fantasy adventure story. When he’s with his mother, why didn’t they go on some Peter Pan style adventure fighting pirates, feasting on junk food, blowing stuff up, only to come back to the reality of a trashed home? Any kid’s imagination would conjure up far more outlandish adventures.

The exception to this lack of fantasy is with the last adventure for the finale. Kun goes on a train journey (he loves trains) and has to face his biggest fear before he can return home. This was the only adventure I cared for in the whole film.

The other issue in Mirai is with the parents’ subplot. When we first meet them, we learn that the mother will return to work sooner than she did with the firstborn while the father wants to become a stay-at-home dad, though he has much to learn. The film’s first half sets up their situations and struggles, but the second half doesn’t pay them off. The third act all but forgets their storyline. It suddenly goes, “I guess their fine parents now.” It’s weak.

What I do really like in Mirai is the visual detail. First, there’s the house itself with the courtyard. Hosoda hired a real architect to design the unusual house for film, explained in-story by Kun’s father being an architect. I love this house. The way it makes the most of their narrow plot of land and the courtyard is great. I would be happy to live there. I also love the small details – not just in the environment. The dog barking at the vacuum cleaner, the way Mirai behaves like a real baby, and dad’s quirks when working from home while looking after the kids add a layer of authenticity to the world.

It’s a shame the story lacks gravitas to back up all the effort that when into the visuals. For emotion, I look to how Wolf Children made my heart break; for fun, I look to how Girl Who Leapt through Time made me fall in love with the girl’s attitude. Mirai is Hosoda’s love letter to his family, yet not one I recommend to others.

Art – Very High

Lots of detail, beautiful animation, and interesting environment designs are a pleasure. The only real flaw is an overreliance on making background objects in CG.

Sound – Medium

The acting is good all around, though I wonder if Kun doesn’t sound a few years too old. The 80s “city pop” opening and ending themes are a nice touch.

Story – Low

Past and future relatives of a little boy teach him life lessons when he can’t handle all the attention given to his newborn sister. A severe lack of weight to the adventures and overly simplistic moral storytelling don’t make an engaging story.

Overall Quality – Medium

Recommendation: For art fans only. Mirai’s story isn’t worth attending for. However, if you love anime with lots of visual and animated details, then there is much to notice here.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Wandering Son – Anime Review

Japanese Title: Hourou Musuko

 

Similar: Sweet Blue Flowers

Koi Kaze

One Week Friends

 

Watched in: Japanese

Genre: Slice of Life Romance

Length: 12 episodes

 

Positives:

  • Nice colouring.

Negatives:

  • Weak protagonists.
  • Too many characters.
  • Lacks weight.

(Request an anime for review here.)

Wandering Son is a coming of age story about Shuichi, a boy who wants to be a girl, and Yoshino, a girl who wants to be a boy, going through school. It touches on the subjects of cross-dressing, transgenderism, and puberty. I say touches because it barely delves below the surface on any of its primary topics.

Firstly, it has too many characters – way too many characters for a 12-episode anime (11 in the broadcast version), spreading the screen time too thin. There are so many characters, most of which are similar in both personality and design, that one loses track of who’s who, especially when cross-dressing – “same face” syndrome is a notable problem. They describe Yoshino as “a masculine girl” and Shuichi as a “feminine guy”, but due to the lack of design variety, everyone looks just about equally masculine and feminine. Swap hairstyles and anyone could pass for the opposite gender.

Shuichi lacks presence for a protagonist, often feeling like part of the background. These characters don’t have the emotional weight to make me care for their struggles. Hell, I’m not even sure if struggles is the right word, since the conflict is so light. One gets the feeling that it will all resolves itself on its own in time, just like puberty problems everyone goes through.

Speaking of, puberty is a boring subject for a story to focus on. Might just be me though. I am far more interested in the growing responsibilities that come with approaching adulthood and the struggles of finding a purpose in life before thrown into the real world.

As for the transgenderism, much like the protagonist, it doesn’t have a strong presence. The story doesn’t make a big deal about the transgenderism – it’s light on conflict – which is want you want, I suppose, in a general sense. You want characters defined by more than a single factor like identity or sexuality. It recalls the history of gay characters in Hollywood. First, they didn’t exist. Then, they were villains, followed by comic stereotypes, until finally we’re seeing “no big deal” gay characters, which is where you want to be. How many straight characters have no attention drawn to their sexuality? Almost all of them. However, in the case of Wandering Son, where transgenderism is the core theme, you need to give it more attention. On the flip side, that can’t be all there is to the characters either otherwise they end up flat, which is the case here.

If you have reached the stage of your anime journey where you are looking for something different because you have seen enough shounen action/isekai/mecha/teen melodrama to last a lifetime, then Wandering Son is that something different with its subject matter. However, being different isn’t reason to worship something. There is nothing truly bad about this anime. Nor is there anything particularly good. I find it unmemorable.

Art – Medium

Wandering Son uses a nice watercolour style, fitting for the tone and mood of the series. I don’t know why they had to use this faded white vignette, usually reserved for dreams and flashbacks, all the time though. It’s like having someone’s finger in the corner of every photo. Characters need to look more different as well, particularly in the face.

Sound – Medium

The acting is fine and music is pleasant enough.

Story – Low

A boy who wants to be a girl meets a girl who wants to be a boy and they go through school together alongside other friends. The main characters in the bloated cast don’t have enough emotional weight to lead this passive story.

Overall Quality – Low

Recommendation: Skip it. Wandering Son is only for those wanting something different, even if it isn’t interesting.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None