Tag Archives: Shounen

Young Adult boys as the target audience.

Pokémon: The Movie 2000 – Anime Review

Japanese Title: Pokémon: Maboroshi no Pokémon Lugia Bakutan

 

Related: Pokémon: The First Movie

 

Watched in: Japanese & English

Genre: Action Adventure

Length: 1 hr. 20 min. movie

 

Positives:

  • The legendary Pokémon feel legendary.
  • High tension.

Negatives:

  • Most forgettable villain.
  • Romance between Ash and Misty?

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I had watched Pokémon: The Movie 2000 so many times as a child, even more than the Pokémon: The First Movie, that I lost count. It is perhaps third behind Disney’s The Aristocats and 101 Dalmatians for my most watched kids’ movies. It was a perfect storm of factors to make me love it. It was a Pokémon movie released at the height of my Pokémon mania, it featured Pokémon from Gold & Silver games, which are still my favourites, while also incorporating the legendary birds of the three elements at the centre, and gave it epic an scope to threaten the world. It’s as if Nintendo had asked little me what kind of Pokémon movie I wanted. It goes without saying, but I bloody loved this movie.

I hadn’t seen it in over a decade until I rewatched it for this review. So many memories came back to me, recalling a simpler time when I didn’t even know this was called anime, when I had no responsibilities and could waste time as though it wasn’t a limited resource. Fond memories.

Unfortunately, I doesn’t hold up as well as The First Movie. But before I get into why, let me cover the scenario in brief.

Lawrence, a man with more money than sense, likes to collect the rarest Pokémon in his gigantic flying fortress. On his crosshairs are the three legendary birds of ice, lightning, and fire – Articuno, Zapdos, and Moltres – which, when disturbed according to the prophecy, will summon the ultimate prize: Lugia. Disturbance of these legendary birds results in climate change that Al Gore can only dream of and is the reason for Lugia’s awakening. Ash Ketchum and company find themselves washed into this conflict when a storm carries their boat off course. Only Lugia and “the chosen one” (spoiler: it’s Ash) can restore balance to the elements and save the world.

I’ll go over a few positives first. I like that no one takes the prophecy seriously at first, that it’s just a story for the tourists to add character to this holiday island they end up on. By the end, it isn’t even clear if the “chosen one” aspect of the prophecy was true or if Ash just happened to be in the right place at the right time to help. As mentioned before, I love the legendary birds and their world-ending conflict feels appropriate to hype they receive in Pokémon lore. Later legendaries would power creep them to the point where one Pokémon is the God and still not feel as cool. The tension is also high from the moment the first storm hits.

Where The Movie 2000 falls flat is in the villain. Think about how many times I have seen this movie and know that I still can’t remember any of Lawrence’s character (even forgot his name). He is utterly forgettable. You compare him to Mewtwo from the previous movie and it’s night and day. Mewtwo has a clear motivation, with reasoning, a complete arc, and memorable lines. Lawrence has nothing to recommend himself as the star villain of your movie. The only positive I can give is that he’s not from Team Rocket, which is something different.

When you have a villain who isn’t a personal threat to the protagonist, it weakens the villain-hero conflict, which you need to make up for in other areas. For instance, you can have more conflict between allies to heighten the emotional drama. Looking at the previous movie once more, Mewtwo threatened Ash’s Pokémon and made them fight to the death. Now that’s heavy conflict. This apocalyptic scenario, while a tense rollercoaster, requires no emotional investment from the heroes.

As a kid, you’re first priority in a movie is the cool factor and the fun factor. Who cares about baby stuff like emotions and drama? Pokémon: The Movie 2000 is certainly cool and fun, but as an adult, it no longer contains the factors I desire most.

Before I go, I want to touch on something I didn’t properly notice when I was but a wee lad. Did they try to push a romance between Ash and Misty? The story introduces a new girl who tells them the prophecy and teases Misty about her feelings for Ash. I never got that sense from the series. Perhaps this was a test ground. Either way, it isn’t particularly relevant nor affect enjoyment. It’s just odd.

Art – Medium

The art is a little better than The First Movie, except in the case of the CG fortress, though that isn’t a serious issue. I like the texture of the environments.

Sound – Medium

I have no comment on the Japanese. No matter what I do, I can’t get used to it. Meowth, as always, is the best. There is another cover song of the main theme like before.

Story – Medium

A storm will destroy the world unless Ash can restore balance between ice, lightning and fire with the aid of an ancient Pokémon. This is a fun Pokémon side adventure, albeit one that needs a better villain.

Overall Quality – Medium

Recommendation: For Pokémon fans only. Not only is this tailored to Pokémon fans, most references won’t make sense without prior knowledge.

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Ga-Rei-Zero – Anime Review

Japanese Title: Ga-Rei: Zero

 

Similar: Canaan

Blood+

Elfen Lied

 

Watched in: Japanese & English

Genre: Supernatural Action

Length: 12 episodes

 

Positives:

  • Music is rather good.

Negatives:

  • Lacks weight.
  • Fails at connecting us to characters.
  • Meaningless yuri bait.
  • Narrative doesn’t resonate.

(Request an anime for review here.)

Ga-Rei-Zero is the prequel anime to the manga Ga-Rei, following the tale of Kagura and the fate that forced her to fight her sister Yomi. They are agents of the Supernatural Disaster Countermeasures Division (SDCD) to slay monsters.

I love a good tragedy, especially one that pits ally against ally before the end. The key to a tragic tale, such as this one, is to make the audience care about the characters and their relationship before they must kill each other. This is especially true when you know events are going to turn for the worse and you’re pleading for them to stay allies, stay happy, but nothing you say can change the inevitable. So tragic. So good!

I’m sad to say that Ga-Rei-Zero doesn’t succeed in that respect. These girls are too boring, too clichéd to care an ounce about. The have the typical dynamic of yuri bait anime, with one as the strong katana girl, the other as timid and weak. To be fair, as a slight defence of Yomi, the generic katana girl type wasn’t as oversaturated at time of release in 2008.

These foster sisters have no development. Their relationship grows by way of fan service for character “building” – naked baths with boobs squished against the other’s back, making out randomly, and other yuri bait that is incongruous to the tone they try to convey. Emotional development comes in the form of staring off into space accompanied by a slow pan. That’s another problem. The cinematography is so boring. Every composition is stock standard with a slow pan. Moving manga, as they call it. There’s no detail, no art to anything in the visuals.

The writing is similar, though it’s not so bad that makes it to the ranks of Vampire Knight. It’s just so dull, without any creativity. And the exposition. The first time these girls meet, Yomi dumps the full backstory for Kagura, her father, and herself. Wow! If you told me they made Ga-Rei-Zero by plugging parameters into an anime-creating AI to generate a series, I’d believe you.

The world building lacks artistry. The powers are vague, they try mixing things up with new weapons, such as a gun sword and combat wheelchair, but there’s no cohesion to any of these. (That AI theory is sounding more plausible by the minute.)

Ga-Rei-Zero also needs better narrative resonance – the tying up of a story from start to finish. It opens with an SDCD squad called to fight monsters and dying, followed by the reveal of Yomi as the evil sister to Kagura. They went for a “flashforward” opening, wherein we see an event later in the story with dramatic implications before we rewind back to the start in happier times. Flashforwards elicit one question: “What happened to make things go so wrong?” The mistake they made was having such a long flashforward. They didn’t need to introduce the SDCD. We could get to that later. All we needed to know is the following: monsters are attacking, led by protagonist’s sister, and the good guys are fighting back. The relevant information is in the last few minutes of episode 2 – first episode isn’t needed.

What this does is set the wrong expectations. For the entire series, we are wondering when the SDCD will become a major part of the narrative. It would be as if you opened an Avengers movie on a team fight, but 20 minutes in, you focus solely on Captain America for the rest of the narrative. The longer it goes, the more the audience expects and questions why the rest of the Avengers haven’t joined. If you’d called the film Captain America and had a cameo scene featuring the Avengers at some point in act one, then the expectation isn’t there. It’s all about that initial presentation. I suspect they started this way to have a ton of gore and death immediately, which can be effective shock value, but rings hollow when superfluous.

One defence of this you’ll here is that Ga-Rei-Zero is a prequel to the manga and that the narrative will resonate if you finish the story. But we aren’t here for a manga. Furthermore, it was a simple fix. Cut episodes 1 and 2 save for the last few minutes and play that before the opening credits.

Even if you ignore this poor opening, you can feel that lack of synergy between elements of the series. For instance, the theme of the battle against monsters doesn’t complement the conflict theme between Kagura and Yomi except in the one case where Kagura has to kill a mind-controlled civilian she liked. Good theming has the sub-plots/conflicts support the main theme.

Then we have Yomi’s engagement to the heir of another important family. It doesn’t contribute much, nor does it lend to the theme. Once again, that AI thought, “Every story has a romance, therefore I must put one in.”

What I dislike most about Ga-Rei-Zero is how Yomi’s turn to evil happens. She doesn’t descend into evil like in Gungrave or fall to greed as seen in Madoka Magica. No poor decisions, no character conflict, no slow creeping corruption that seduces her. Nope, mind control does it. The ultimate sin with a tragedy like this is to have an ally turn foe by anything other than their own choices and actions.

All of this dullness and lack of synergy results in a boring anime. There is far worse out there – Ga-Rei-Zero isn’t that bad – but let’s just say that I have more fun with worse anime than this.

Art – Very Low

The CG is hideous for the special vision that allows agents to see spectres and the monsters look even worse. It doesn’t even justify the CG with complex animation. On top of that, the cinematography, character designs, and environments have no creativity whatsoever.

Sound – Low

The music and acting are quite good, but the script has no weight to it, dragging down everything around it. Also, the music doesn’t sync with the action as it should, often going too long as if they have to play the entire track.

Story – Low

Two sisters that slay monsters must eventually fight each other. The story doesn’t do enough to create an emotional connection to the characters for us to care about their fates.

Overall Quality – Low

Recommendation: Skip it. Ga-Rei-Zero is one of those anime that only select fans will remember as the years go by.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

No Development

My Bride is a Mermaid – Anime Review

Japanese Title: Seto no Hanayome

 

Similar: Ah! My Goddess

School Rumble

To LOVE Ru

 

Watched in: Japanese & English

Genre: Comedy Romance

Length: 26 episodes, 2 OVA

 

Positives:

  • So many great laughs.
  • Visual humour.

Negatives:

  • Art is cheap.
  • All attempts at drama fail.
  • Final two episodes.

(Request an anime for review here.)

When Nagasumi drowns one summer, he considers himself fortunate to be saved by the mermaid Sun. However, according to the laws of Yakuza mermaids, once a human catches sight of a mermaid, he must swim with the fishes – either by death or by marriage. Nagasumi has no choice. He becomes engaged to Sun and she joins his school to be close to her beloved, against her Yakuza family’s wishes. So not only does he have to contend with a sea dwelling gang after his hide, he must also keep Sun’s true nature secret from classmates.

Yakuza mermaids, a ridiculous concept to be sure, but an effective one. Sun’s father sends his best henchmen to kill Nagasumi and free his daughter from the shackles of marriage to such a loser. His enforcer can morph into a shark – he does this a lot in the heat of the moment. My Bride is a Mermaid is unexpectedly hilarious. The art gives an impression of mid 2000s harem with lame comedy.

Instead of turning into a full harem, as one would expect, the other girls must either kill or protect him. A tiny girl that lives in a conch has the job of assassinating the guy while pretending to be sweet and innocent in front of Sun. The disciplinarian girl from his class with a crush on him acts the police officer role, like her father, making her the perfect rival to the mermaids.

The Yakuza take up positions in the school to accomplish their mission, including the boss as a class teacher, while the bookkeeper teaches maths through criminal means. This black man with curly hair is considered so charming and attractive that the mere sight of him renders everyone enamoured. This recurring joke never failed to make me laugh. It reaches a new level when Nagasumi drinks a charm potion and becomes the apple of everyone’s eye (and loins).

Some of the gang aren’t so successful. The giant octopus teaches cooking, though often includes bits of his tentacles in the process. It isn’t long before a rival gang joins the fun to take the humour to yet greater heights. Their leader, a Terminator of a man, is a riot. He doesn’t understand his daughter at all, so plays gal games and re-enacts them as the girl to get closer to his daughter.

Mermaid has a ton of visual humour in the facial expressions, reminiscent of Great Teacher Onizuka, which alleviates the subpar art quality. One classmate is called “chimp”, but he acts like a real chimp, face included. Does anyone realise this?

The jokes come fast and they come often in this one. It is comedic beat after comedic beat, sharply timed with barely a dull moment in between. Just about every joke lands. These aren’t the greatest jokes of all time – it’s no Fumoffu – but they are fun.

My Bride is a Mermaid fails, however, in the tradition of most comedy from that era, when it attempts to inject drama in a place where it doesn’t belong. All drama fails here. Unlike Ah! My Goddess, one of the few light-hearted comedies to manage a little drama, which worked it in slowly without compromising the identity of the anime, Mermaid’s drama comes out of nowhere and contributes nothing of value.

The drama is at its worst in the final two episodes with the introduction of a new villain that goes against the tone thanks to his persistent rape vibes. Why did all of these comedies just have to finish with drama? Is comedy alone never enough? I like a story that can manage both of course, but I equally love others that stick to comedy. In the end, quality matters. Was it studio mandate at the time to have a dramatic finish, much like how every drama this decade must end in a tragic death to extract fake tears from you? Or that every fantasy has to be inside a game?

I’ve said it before, but bad final episodes leave the strongest impressions on a dissatisfied audience. My Bride is a Mermaid isn’t one of the greats. Even so, it didn’t deserve such a careless end. I went in with no expectations and came out having had a good time thanks to the comedy. Don’t let the garbage drama stop you from enjoying a laugh.

Art – Low

This cheap-looking, budget-animated, too-cutesy anime’s visuals are partially redeemed by great use of visual humour, particularly with the faces.

Sound – Medium

The acting is just as silly as the script, which it should be. I prefer the dub, for the Japanese made several poor casting choices that turn funny characters into annoyances.

Story – Low

A guy agrees to marry a mermaid to avoid death at the hands of her yakuza merman father, later bringing her to school for endless hijinks. My Bride is a Mermaid’s comedy far outshines the feeble drama.

Overall Quality – Medium

Recommendation: A must for anime comedy fans. The story may go nowhere and the drama may fall flat on every occasion, but the comedy in My Bride is a Mermaid is certainly worth sticking around for.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Weak End

Future Diary – Anime Review

Japanese Title: Mirai Nikki

 

Similar: Deadman Wonderland

Death Note

Another

Eden of the East

 

Watched in: Japanese & English

Genre: Psychological Supernatural Action Horror Thriller

Length: 26 episodes, 1 OVA

 

Positives:

  • Interesting premise.

Negatives:

  • No smart characters.
  • Alliance flip-flopping.
  • Inconsistent powers.
  • Yuno’s obsessiveness is weak.

(Request an anime for review here.)

Everyone knows of Mirai Nikki, or Future Diary in English, if not by name then by the yandere character of Yuno and her repeated pronouncements of “Yuki”. What I didn’t know, despite having heard of this series in 2011, was the premise of Future Diary. I always thought it was about an obsessive girl (Yuno) trying to kill the guy she loved. There is far more to the story than that, though not necessarily to its benefit.

Yuki has a cellphone diary that tells him the future, forewarning him of the many possible eventualities from his competitors in the battle royale. However, it doesn’t reveal his future unless tied to someone else. He teams up with his stalker Yuno, who also possesses a “future diary”, except hers only reports on Yuki’s status every ten minutes. When paired with his diary, it makes her the perfect guardian in this battle. What is the prize for victory? Godhood.

I was disappointed when they introduced the battle royale angle. I had hoped for a smaller scale story with the duo avoiding one fatality after the other, delaying the inevitable, akin to The Time Machine and Steins;Gate. The battle royale turned this into generic shounen horror, pointless ecchi included. Not that it couldn’t have succeeded, but the writer evidently could not handle the complexity of a story with so many possible outcomes and 12 time altering powers to track. Each diary is different and creates a 12-pointed rock-paper-scissors game.

Juggling all of these elements is Future Diary’s greatest failing. For one, the diaries for each character conveniently don’t forewarn of something or don’t function as they should when the plot needs a character to die. Comparing to the similar Death Note, the rules there are set and don’t waver, which makes it all the smarter when one player outsmarts the other. Bending the rules when convenient makes the audience lose trust in the author.

This also extends to the inherent supernatural abilities of some characters. A character can have the strength to break out of a bind one moment, and then be rendered useless the next in a similar situation. I’m not even sure if they are meant to have superpowers, but some characters defy human boundaries of ability.

Future Diary also has an overreliance on crazy over smarts. None of these contestants are smart. Instead, just about everyone is “lol I’m a crazy psycho, aren’t I interesting?” There’s little variety in the showdowns against the various competitors, lasting 2-3 episodes a kill, and it makes much of it feel like padding. Future Diary is like taking the Batman versus Joker story but with 11 different Jokers and one of them is on Batman’s side (sort of). The more copies of “the psycho” you include, the more it dilutes the strength of the individual. I thought that the battle royale direction would be about producing a variety of opponents with some clever trick to besting them. The only real difference between them is their diary’s ability, which even then isn’t that varied.

Then we have the allegiance switching every other episode. “You know these two allies? Let’s have them fight each other next episode.” “But, sir, that doesn’t make sen—” “Who cares – it will surprise the audience!” It reminds me of Pirates of the Caribbean 3, where Jack Sparrow and company flip-flopped allegiances every few minutes because the producers heard the audience liked Jack’s triple cross in the first movie. Future Diary does the same to generate dumb conflict.

Lastly, we come to the main couple, the one thing that gave Future Diary any popularity. Yuno’s obsession with Yuki doesn’t work for me. I don’t buy into her reason for being so possessive of him, even once the story provides an explanation later on. The best psychotic characters, as unhinged as they are, have a well-defined reason for their behaviour that we can understand, from their perspective, without agreeing with them. Yuno is just psychotic because that’s what the story needed.

And Yuki? You won’t remember him before the series is over.

I was rather bored with Future Diary for the most part. It doesn’t have that quality reminiscent of bad horror, where you can enjoy the silliness of the violence regardless of story quality (a bad story likely enhances the experience). The deaths needed to be more ridiculous like in Another, an anime that I didn’t find great either but had advantage of over the top deaths. It’s strange that Future Diary, so full of psychos, has such tame kills. I guess being generic shounen horror will do that to you.

Art – Medium

The visuals are rather good, though needs more atmosphere for this type of series. Scenes don’t feel as frightening as they should as a result.

Sound – Low

The Japanese and English acting is roughly the same. English Yuno is less annoying, but you may want her more psychotic Japanese counterpart. Regardless of language track, the writing sucks.

Story – Low

A boy with a mobile phone that tells the future enters a battle royale against others with similar devices, as a psycho chick protects him against everything except herself. Future Diary’s good idea crumbles under bad writing, incoherent storytelling, and shallow characters.

Overall Quality – Low

Recommendation: Skip it. Future Diary is too much of a mess for me to recommend and the deaths aren’t inventive or ridiculous enough to enjoy with friends.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Incoherent

Darling in the FranXX – Anime Review

 

Japanese Title: Darling in the FranXX

Similar: Gurren Lagann

Neon Genesis Evangelion

From the New World

 

Watched in: Japanese & English

Genre: Science Fiction Action Drama Romance

Length: 24 episodes

Positives:

  • Well animated.

Negatives:

  • Studio Trigger is stuck on repeat.
  • Lore and world is trash.
  • Ass piloting.
  • Empty relationships.

(Request an anime for review here.)

“Is Darling in the FranXX better than Evangelion?” someone asked me. “Studio Trigger is Gainax 2.0, so have they finally surpassed their past?” Better than Eva? Darling in the FranXX isn’t even better than Guilty Crown – forget Evangelion.

Darling in the FranXX feels like Trigger’s attempt at stepping out of Gainax’s shadow. That’s not how you distinguish yourself from your predecessors. You do so by forging your own path, your own identity, which they were well in the process of doing with the likes of Kill la Kill and the great Little Witch Academia. Now, people will start thinking that Trigger is possibly stuck in the past.

This story, like all others of its kind, is about humanity on the brink of extinction and the only thing saving them from the evil Klaxosaur is a bunch of inexperienced teenagers piloting mechs – or FranXX, as they are known here. Each FranXX requires one boy and one girl in harmony to function. Hiro is part of the latest batch to become pilots, when he fails in his tests and looks set to return to the lab, that is, until the half-human half-Klaxosaur Zero Two invites him to join her on the battlefield in humanity’s last stand. Though she is the best pilot, she also has a reputation for killing her partners after a mere three fights. How long will Hiro last?

Before I dissect the story and characters, let’s address the fan service. I make no secret of my dislike for fan service, as it often comes at the expense of other, better elements. However, most fan service in good anime doesn’t much matter. It’s generally reserved for the low end of the scale.

FranXX was made for fan service first, everything else second. Seemingly every scene has an eye for titillation. When characters get dressed, which is before each fight, they have to wear special underwear (why?) and the camera has to give a close up every time. The “ass shot” camera angle is the director’s favourite. Girls fondle each other despite having no knowledge of anything sex-related (even kissing is alien to them). Zero Two is fan service cancer. Her introduction has her get naked for a swim in front of Hiro, catch a fish with her mouth, and then leap out of the water like a dolphin, boobs almost slapping him in the chin. Does this serve any purpose? No.

The beach episode makes an appearance, of course. One would imagine that a beach episode in a series about sheltered and repressed children would be different, but it isn’t.

Worst of all is the piloting. The boys control the FranXX by steering the girls arse (right after she orgasms from the connection “going in”). I don’t know why Trigger stopped there. Why not just be honest and have them naked in doggy-style for fights? The boys already come equipped with a gear stick.

A key point to remember throughout this is that unlike Kill la Kill where the titillation served some satirical and comedic purposes, Darling in the FranXX wants you to take all of this seriously. And to make it even worse, if you can imagine, it thinks itself clever.

Zero Two is wish fulfilment for sad otaku when she falls in love and drapes herself over a guy of no talent or interesting quality. Every line out of her is “Darling” this and “Darling” that. Far from endearing, this quickly grows irritating. It’s akin to “onii-chan” and all that guff from harem anime.

Relationships and romance are a core theme of FranXX. However, these are the shallowest elements of the series. Society forces these kids to couple up, which makes the relationships inorganic though not a problem just yet, if as a mere starting point. But the organic relationship growth never blooms. When one couple swears undying love, all I hear is the order from above to be “in love”. There is an attempt at relationship drama with the inclusion of another girl that likes Hiro (don’t ask me what she sees in him), but her involvement is irrelevant.

It tries by having love mechanics in the cockpit, whereby a couple’s combat prowess turns flaccid if they don’t trust and “love” each other. This just doesn’t succeed.

The cast consists on an equally bland assortment of characters. The tsundere, the bro, the one fat guy (in a dying world), the shy girl, the reserved chick, the childhood friendzone girl – you know them all already. I keep waiting for a reason to care about any of these people (see the relationship problems above for why). I never get the sense that thought went into developing them. It’s almost as if they knew viewers would draw parallels between them and their counterparts in Evangelion and Gurren Lagann, doing the work for the writers. The closest I got to caring for these characters was when the boys and girls declared war on each other in their dormitory, reminiscent and accurate to boarding school life shenanigans. Wish there was more elsewhere.

The world building is similar – zero effort. Humanity lives in mobile fortresses called Plantations, hinting at a full society, yet we barely glimpse it. The most we have is a quick pass through a city and the grand council sitting around expositing. SEELE was dull in Evangelion and is duller here. The world doesn’t justify itself for being this way because we never explore it. You want the audience to be asking questions, to know more as you unveil the world and characters piece by piece until the big finish (don’t answer every little thing, mind you – leave them pondering small mysteries). FranXX never made me ask the right questions because it never cared enough to show me something worth investigating.

Even the Klaxosaurs aren’t compelling. Yes, there is a little story behind them, but as enemies, they have no character.

Lastly, we come to the story. Well, take Eva but give it Gurren Lagann’s third act, ending included, and you have FranXX’s full story. Oh, and remove anything engaging you may find in those other anime, of course.

For much of the series, the action goes like this: Klaxosaur spotted, send out the FranXX except for Zero Two because she’s a loose cannon and dangerous to her partner, scrub pilots get stomped, forced to send Zero Two and darling Hiro, they annihilate the enemy with ease, Hiro comes back wounded though without lasting damage, other kids hate Zero Two, and repeat. Why even bother with a team of pilots?

Zero Two monopolises the action. Her weakness is supposed to be that she will consume a trained pilot after every three fights, and these pilots don’t just grow on trees, yet once Hiro enters the picture, that weakness become irrelevant. When he reaches the point of death, he magically gets better and that’s that, problem solved. With such little effort I am astonished, astonished I tell you, they even bothered to include the weakness at all.

Also, she can’t go anywhere without an armed guard due to her rogue nature, yet they give her an all access key to go where the other kids can’t? It bites them an episode later. Shocker.

What cracks me up are the commanders. Despite humanity’s existence hanging in the balance, the command crew consists of two or three people. That’s it? I thought we were all about to die.

By now, I am asking myself if there is anything good about Darling in the FranXX. The art is good, as usual from Trigger. It’s likely what’s stopping me from dumping this anime straight into the bottom tier. I don’t want to rely on impulse with this viewing so fresh in my mind, so I will err on the side of caution for now and ruminate on it. And it all could be worse, even in the face of so many faults. Some of the small character moments and interactions are fun, as seen in the dormitory war, for example. The mobile fortresses as humanity’s last homes is also an interesting idea – if only they had explored them!

If only they had explored anything.

Art – High

You can rely on Studio Trigger to do a good job with the art and animation, though this isn’t on the level of Kill la Kill or Little Witch Academia. FranXX designs are so damn silly.

Sound – Medium

The voice acting is fine, as is the music. The protagonist in English sounds like a middle-aged man.

Story – Low

Boys and girls paired as couples fight in mechs to protect humanity from Dinobots. The boy pilots by manoeuvring the girl’s arse – that is the least of this anime’s problems.

Overall Quality – Low

Recommendation: Skip it. The memes are better than Darling in the FranXX.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Hollow World BuildingRubbish Major CharactersShallow