Tag Archives: Shounen

Young Adult boys as the target audience.

Sword Art Online 2 – Anime Review

Japanese Title: Sword Art Online 2

 

Related: Sword Art Online (1st season)

Similar: Log Horizon

No Game No Life

Zegapain

 

Watched in: Japanese & English

Genre: Action Fantasy Science Fiction

Length: 24 episodes

 

Positives:

  • Makes the first season seem amazing

Negatives:

  • Kirito is more Mary Sue than ever
  • New girl’s backstory is hysterical
  • Act 3 is filler, yet again!
  • Exposition dumps everywhere
  • The garbage keeps piling up

(Request an anime for review here.)

I don’t know how he did it, but he managed to make Sword Art Online look like a masterpiece. Sword Art Online 2 is such trash that you’re going to need a hazmat suit to sit through all the cancer this anime jabs into your eyeballs.

Shortly after the events of the first season, where thousands died trapped in a virtual MMO, everyone has forgotten about the incident and nothing came of the disaster. Utterly incompetent at everything, the government hires Mary “Kirito” Sue to enter the latest virtual MMO craze, Gun Gale Online, and figure out how a player can kill people in real life by shooting them in game with a “Death Gun” (not kidding). He teams up with the useless sniper Plumber’s “Sinon” Crack, who has the tragic backstory of being terrified of finger guns (not kidding). Meanwhile, Mary Sue’s harem of useless women (including his sister and “daughter”) are stuck in last year’s game, some fantasy trash no one cares about anymore, while they circlejill about how amazing Mary Sue is. They don’t matter, their game doesn’t matter, so let’s forget them there.

Where to begin?

The exposition dumps! I lost count of the amount of time spent with characters sitting down – often in a diner – just vomiting exposition. The first episode alone spends over half of its time on one such scene. I get that Sword Art Online is made for the lowest tier, but have some respect for their intelligence. When it isn’t farting exposition in your mouth after having eaten five too many spicy burritos the night before, Sword Art Online 2 graces you with filler dialogue and some of the dumbest lines in anime history. Mary Sue acts like a dimwit before the show’s big tournament just so the girl can explain everything. The narrative dumps everything beforehand rather than showing it to the audience along the way. Let’s not forget the repetition. It repeats a flashback of a fight with the villain group from SAO four times!

Then we have the new game of the season, Gun Gale Online. This game is reason enough to slam this anime in the dumpster. First, they advertise it as the only game with pro players (what?), then the way they talk about character builds and the metagame doesn’t make sense for a shooter (even one with RPG elements). The system for getting paid – converting virtual currency to real money – is also illegal yet never questioned (remember, the government sent Mary Sue into this game, so wouldn’t they do something?) Once inside the game, it only gets worse. You know what would be better than an empty shell of a new world each season? One fully developed world instead.

How do players not die in a single hit if everyone uses guns? Well, in Gun Gale Online, you can see the trajectory of a bullet before it fires. Did the author put any thought into this? Look, if I pointed a gun at you and told you where I was aiming, you still wouldn’t dodge in time. The only way this works is if the bullets are as slow as molasses, in which case, why bother with guns at all? It’s so stupid it hurts.

Apparently, the character creator is random. Mary Sue has a female avatar generated for him (oh the sweet irony), which is just an excuse to have him be a girl this season – a girl, by the way, that looks just like him, though that may be down to A-1 Pictures’ inability to draw more than one face. Yeah, “random”.

You know SAO 2 is going to be shite in episode 4 – well, from the first scene really, but episode 4 cements it at the bottom of the ocean. Mary Sue needs money as a new player and sees a gambling game where one has to reach a gunslinger down the street while dodging his bullets. No one has ever won, adding to the prize pool with each failure. After seeing only one person’s attempt, Mary Sue breezes through it as easy as a stroll down the street. Of course. He gives us some nonsense about “predicting the prediction” to dodge bullets. So you’re telling that in the most hardcore, competitive PvP VRMMO, none of these professional players ever did the same? What sort of an idiot wrote this?

What does he do with this instant jackpot? He buys a Lightsaber. Yes, in a game about guns, where all swords are known to be useless, they conveniently have Lightsabers – sound effects included (and the villain is a Darth Vader rip-off) – just so Mary Sue can wield a sword like he did in other games. And to nobody’s surprise, he is amazing with it right away. He is so good that he can cut down every bullet from full auto machine gun fire. The author is so bad that he forced a FPS game upon the audience, yet couldn’t even commit and had to give Mary Sue an invincible sword. He can also drive motorbikes instantly and better than anyone else, having learnt this skill from playing racing games in the past. You know, regular racers on screen… (“Is it possible to learn this laziness?” “Not from a good writer.”) There is no attempt at hiding his power.

You have one guess on who wins the big tournament with Sinon.

Speaking of Plumber’s Crack (her character designer made sure she had her crack visible at all times for Mary Sue’s convenience, for we all know he wants to eat that ass), allow me to present to you the worst female character ever written. Her first introduction gives the impression of a sniper at the highest tier of play. As soon as Ass Muncher enters the game, however, she becomes useless all so that he can save and grope her at every turn. It goes so far that the climax has Ass Muncher telling her exactly what to do because she now has the skill of a noob. Every girl, no matter how strong, becomes a puddle of piss around this guy.

The funniest part is her backstory. During an armed robbery in her childhood, Plumber’s Crack managed to get the robber’s gun and shot him dead. This event left her traumatised of everything gun related (did you catch the subtle theming with the new MMO, did ya, well, DID YA?) to such a degree that even finger guns reduces her to a sobbing mess. Yes, pointing is her weakness. This idiotic writing is hands down one of the funniest things I have ever seen.

Finally, we come to the villain (full spoilers ahead; I don’t recommend this anime). The big twist is that the Death Gun can’t actually kill people IRL. A second person would break into the target’s house while they’re strapped into the VR set and poison them in time with the virtual accomplice shooting them in game, thus giving the impression that the player could kill for real. (Let’s not forget that an autopsy would reveal it wasn’t some magical death from the beginning.) The villain turns out to be one of Plumber’s Crack’s clingy IRL friends, who believes she owes him love for caring for her during her previous depression. What is it with every SAO villain being a rapist?

I forgot to mention: Ass Muncher figures out everything about the villain, right down to his psychology and the fact that he’s in the room with Plumber’s Crack right now by merely thinking about him.

What a pathetic anime. I have barely scratched the surface with this travesty. I did not even cover how bad Ass Muncher is at handling the case he’s hired for, not passing on information just so he can play the hero. One could go through every single scene and point out why that is the worst scene ever put to anime. And like SAO, the story ends in act 2 and act 3 is filler in another MMO. Again! Sword Art Online 2 rapes anime.

Art – Low

There is a significant quality drop on the previous Sword Art Online. Less animation, less effects, more reliance on mediocre CG, and there’s less effort in character and world design – naturally.

Sound – Very Low

The acting is bad and the script is utter trash. All exposition and backstory is in the wrong place and much of the dialogue is filler. Good music from the same composer as .hack//SIGN, but it can’t save the show.

Story – Very Low

A girl faces her fear of guns by playing a shooter MMO, until she needs rescuing by a boy called Kiri Sue. Bloody hell…what shit.

Overall Quality – Very Low

Recommendation: Avoid it. Sword Art Online 2 is so bad that it makes Sword Art Online seem like a masterpiece.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Atrocious PlotAwful DialogueDeus Ex MachinaHollow World BuildingHorrendous ActionInduces StupidityMary SueNo DevelopmentPoor PacingRepetitiveRubbish Major CharactersShallowUseless Side Cast

Blood Blockade Battlefront – Anime Review

Japanese Title: Kekkai Sensen

 

Related: Blood Blockade Battlefront & Beyond (season 2 – included in review)

Similar: Baccano!

Jormungand

Tiger & Bunny

Trigun

 

Watched in: Japanese & English

Genre: Supernatural Action Comedy Science Fiction

Length: 24 episodes (2 seasons), 2 OVA

 

Positives:

  • NYC looks great.
  • Character focused standalone episodes.

Negatives:

  • Shounen protagonist doesn’t fit.
  • Lacks focus for the first act.

(Request an anime for review here.)

I can’t help but wonder if Blood Blockade Battlefront wasn’t intended for an older audience originally, until an editor/studio said it couldn’t succeed without the shounen demographic and so the protagonist lost a few years to meet that new audience. I say this because Leonardo, our protagonist, doesn’t fit with the rest of the cast.

Leonardo is a teenager who recently acquired the “All-seeing Eyes of the Gods”, which gives him immense power beyond his comprehension, so he heads to Hellsalem’s Lot (New York City) where the supernatural is an everyday part of life to look for help. There, he unexpectedly joins Libra, a crime-fighting organisation that deals with the supernatural and the mundane through use of powers of their own and modern technology.

Libra is a group of adults. While the focus is on the supernatural action with a comedy slant, when it does focus on characters, these Libra members have adult problems, which doesn’t gel with the themes of Leonardo’s character. Furthermore, there are too many episodes where he feels like a tagalong to the plot (or isn’t present at all), as if the author couldn’t figure out how to use his shounen protagonist in a seinen series. The adults are just more interesting in Blood Blockade Battlefront.

There is one episode where Leonardo works – the mushroom guy episode. He meets this mushroom guy (no better way to put it) with an appetite for burgers, who has spores that can erase memories. Criminals prize his spores. Imagine you could commit a crime and wipe everyone’s memory of the event – free money. Unfortunately, the spores affect mushroom guy as much as anyone else, which means he doesn’t know anyone because he forgets after each mugging. The standalone episode regarding his and Leonardo’s friendship is a good one. In fact, I find the standalone episodes to be the best of the series.

Another one that comes to mind deals with the work/family balance that many career adults face. A woman in Libra needs to assist with an important mission to intercept a drug shipment, but the day of the mission happens to coincide with parents’ day at her son’s school – a day she has missed for several years already due to work. The episode has a great moment on parenting when her husband explains to the son that it hurts her more than it does him when she can’t keep her promises. The humour works too (same author as Trigun). When she tries to get off the mission roster, her boss guilts her into staying by laying out the consequences of mission failure on other children – in a comedic way. In the end, she has to do both concurrently.

As I said, Leonardo is a side character to most missions, so he doesn’t drag down the series too much. He’s okay. The unclear motives and goals for early episodes are a bigger problem. The start is too hectic for its own good.

I do love the feel of this city matched with the tone of the characters. Mermaids, vampires, werewolves, monkeys, and aliens living alongside humans in a towering metropolis gives me a Baccano meets Tiger & Bunny meets The Fifth Element with a dash of One Punch Man vibe. The creative visuals and light humour, yet balanced by some heart, make Blood Blockade Battlefront an easy anime to watch once you clear the initial hurdle of not knowing what the hell is going on.

Art – High

It’s Studio Bones, so the art has a good minimum quality. I particularly like the look of New York City – fantastic colour depth and detail. The notable flaws are moments of repeated animation and the protagonist’s eye effect looks slapped in the scene.

Sound – Medium

Can’t stand the protagonist’s voice in English, so I switch to Japanese and he sounds the same! Don’t like either of their nasal voices. Other than that, the acting is good, though there is a missed opportunity in not having accents from New York’s various boroughs akin to Baccano.

Story – Medium

A kid with magic eyes joins a crime-fighting organisation in the big city populated by human and supernatural denizens alike. Blood Blockade Battlefront works best when following individual characters and is in need of a more adult protagonist.

Overall Quality – Medium

Recommendation: For action comedy fans only. Blood Blockade Battlefront isn’t a remarkable anime, but it has enough to entertain fans of the contemporary action genre. (Still can’t say Blood Blockade Battlefront quickly without fumbling my words.)

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

My Teen Romantic Comedy SNAFU – Anime Review

Japanese Title: Yahari Ore no Seishun Love Comedy wa Machigatteiru

 

Similar: Toradora

Bakemonogatari

Saekano: How to Raise a Boring Girlfriend

 

Watched in: Japanese

Genre: Slice of Life Comedy Drama Romance

Length: 26 episodes (2 seasons), 2 OVA

 

Positives:

  • Second season looks better.

Negatives:

  • Unlikeable protagonist throughout.
  • “Deep” thoughts.
  • The drama isn’t really drama.
  • Hard to care.

(Request an anime for review here.)

I only watched this anime because of the title (“What is a snafu…?”) and came out wishing I hadn’t bothered. There is a subreddit called r/im14andthisisdeep that collects “deep” thoughts that are actually basic to the average person. My Teen Romantic Comedy SNAFU is that subreddit in anime form.

It follows the nihilistic high school years of Hachiman, who is forced to join the Volunteer Service Club as punishment for imposing his “deep” worldview on everyone. This club, which includes the ice queen Yukino, has the sole purpose of helping students in need achieve their goals. It’s a club about helping people, in short, with the hope of making Hachiman less of a douche.

As an example of the club’s activities, the first case is helping a girl who can’t cook, where the real lesson is that it’s the thought and effort that counts among friends. She soon joins the duo along with several others to create the typical group of high school friends.

SNAFU presents itself as a meta anime on the “high school friendships” genre, commenting on how much the genre overblows high school and how it doesn’t define your life, but ends up eating its own tail to become a pretentious, overblown high school friendship anime. It goes through the usual episodes – beach, summer festival, sports day, etc. However, instead of thinking, “You’re right, it is really stupid how big of a deal they make out of these events,” I just see SNAFU doing the same as the anime on which it comments.

The one differentiating factor is that the characters aren’t cheerful. Hachiman is anti-social, Yukino is anti-social, another girl is bad at socialising, and even the popular girl doesn’t have anyone who cares for her. Despite this difference, the story and characters play out much the same way as your average anime from this genre.

Initially, I thought that Hachiman’s musings were meant to be taken as the pretentious ramblings of some kid who thinks he has the world figured out, that we were meant to see him as unlikable before the story turns our opinion of him. He does grow less unlikeable, sure, but I don’t know anyone who would want to hang around such a boring person.

I considered the idea that the author was trying to emulate the deep (read: stupid) thoughts we all had as teenagers, and that this nonsense was accurate for a kid his age, but it never calls him out on it. Hachiman doesn’t sound like a teenager in over his head; he sounds like an adult failing to write a teenager. No one with any life experience would believe this author’s life lessons and witty advice – and by any, I mean any, even a few months out of high school would dissolve such notions. It’s weak.

The drama isn’t really drama either. It’s just students interacting lightly in a slice of life way to resolve petty affairs. It’s hard to care about such minor problems. Oh, your life hinges on being elected class president? Oh wow, so rough. It takes a council of 40 students to organise the same sports day as every year and if it fails, all is lost? What a tough life. Perhaps this is meant as satire, though if the case, then it flops.

It also bothers me that there is seemingly only one teacher in this school, who acts like one of the students and barely looks older than they do. This world, this anime feels so empty.

SNAFU isn’t funny enough to recommend as a comedy, doesn’t have enough tension for a drama, and shouldn’t even have the romance label. The worst thing about My Teen Romantic Comedy SNAFU is to see studio Brain’s Base, responsible for unconventional greats like Baccano and Princess Jellyfish, forced to make an anime so visually and narratively bland.

Art – Medium

Average art, indistinguishable for other anime of the era, until a different studio takes over in season 2 and does a better job. Cinematography is still stock.

Sound – Medium

Acting is average as well. Not bad, though nothing memorable.

Story – Low

A nihilistic student is forced to join the Volunteer Service Club, which helps other students achieve their goals. This story and its unlikable protagonist won’t appeal to anyone with a drop of life experience.

Overall Quality – Low

Recommendation: For 14-year-olds only. If you are above that age, My Teen Romantic Comedy SNAFU’s deep messages will be laughable.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Shallow

Toward the Terra – Anime Review

Japanese Title: Terra e… (TV)

 

Related: Terra e… (Movie – old version)

Similar: RahXephon

Gundam SEED

No. 6

Xam’d Lost Memories

 

Watched in: Japanese

Genre: Action Drama Science Fiction

Length: 24 episodes

 

Positives:

  • Grand scope with proper closure.
  • Intriguing open.
  • The sci-fi elements make for an engaging story.

Negatives:

  • Needs stronger key villains.

(Request an anime for review here.)

In another anime with the premise of a protagonist realising his world is a lie, we have Toward the Terra. Where No. 6 setup an ordinary world for the protagonist to exit from, Terra echoes events closer to the likes of The Island or Logan’s Run with a dash of RahXephon and Battlestar Galactica.

In Jomy’s world, talented people join the elites of humanity on the day they reach adulthood. This is an exciting occasion. Who wouldn’t want their child to lead humanity to greatness? This is also a lie. The test of adulthood is actually to identify any potential “Mu” among the populace. They are an evolved race of humans possessing psychic abilities that strike fear in the government. All Mu are executed.

Jomy’s birthday takes a turn for the weird when a mouse starts talking to him telepathically at an amusement park. It’s not long before he’s on the run as one of the Mu and the lie that is his world tears at the seams. Not only is there a race of psychics that live on a ship among the clouds, their leader Soldier Blue has fallen into a coma and wants Jomy to inherit his power and the burden of leading the Mu to a brighter future.

Toward the Terra immediately differentiates itself from the pack of like-minded stories by going off in a wild direction. This story spans years and ventures to places I didn’t predict. One could watch the first episode of Terra followed by the final episode and have no idea how it got from A to Z. No character is the same by the end of this series.

The first act sets up so many questions about this world and its characters. Where did the Mu come from? How blind is the average human to reality? Did Jomy’s human parents really love him? Is it possible for Jomy to undo the brainwashing on society? Who is leading the humans? Why are they so insistent on killing the Mu that aren’t a part of their society? Unlike No. 6, which setup many question but either forgot to answer them or gave meaningless payoffs, Terra delivers some great arcs and story conclusions.

This is my kind of sci-fi anime.

That said, it doesn’t reach greatness when looked at as a whole. There are moments of greatness – the setup episodes and other key events I won’t give away – but the problems are intrusive. The one that has stuck with me since having finished Terra months ago is the switch from Jomy’s perspective to one of the human elites in training.

We follow Keith, a Spock-like character except boring and with no personality. Furthermore, we have no clear idea why the focus is on him for so many episodes (turns out, he’s a major villain – no spoiler, they should have alluded as much from the start). Even furthermore, we don’t see Jomy during this section. It all makes sense in the end, of course, yet the structure of this early second act feels so disconnected from the plot that instead of enjoying the story, I’m asking, “Why does any of this matter?” for too long. It needed a back and forth of perspectives.

Oh yes, almost forgot – Keith’s main rival at the academy is a smiley evil guy. A laughable character. No one would just stand there and take his sneering for more than a day before removing all his teeth. When at this stage of the story, I thought all the good the premise had setup was going down a black hole. Thankfully, it picks up again once Jomy re-enters the scene and Keith’s role matters – he even becomes interesting after the academy years are over. The villains in general are on the weaker side.

Several other moments also standout as blots in the story. I can’t go into detail without revealing too much (as I said, this story goes in such unexpected directions), but they are in the vein of characters doing stupid things for the sake of forced conflict.

There is also a minor annoyance where each episode starts with several minutes from the previous episode. This isn’t a “last time on Terra…” bit, but a straight repeat of scenes. Could do without it, though not a deal breaker.

In all, the good outweigh the bad with the premise being a story type I love accompanied by strong sci-fi elements. I enjoyed Toward the Terra and may even rewatch it in future.

Art – Medium

The technical quality is average, but the creativity of the sci-fi world is good old retro-futurism. Beautiful skies. There is this one character, an alien scientist with the dumbest and most out of place design, like a stick figure in a scene of elfin people. I laughed every time she came on.

Sound – Medium

Solid acting and the soundtrack is suitable to the anime, though you won’t remember the details.

Story – Medium

On the cusp of adulthood, a boy learns he is an alien linked to the first of his race, which makes him an enemy of society and all humanity. This grand space voyage has a lot in it that works for the most part.

Overall Quality – Medium

Recommendation: For sci-fi fans. Toward the Terra’s sci-fi elements will make it a pleasure to fans of the genre, but those same elements will alienate others. And the characters aren’t strong enough to carry interest if sci-fi the premise doesn’t hook you.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Soul Eater – Anime Review

Japanese Title: Soul Eater

 

Related: Soul Eater NOT! (spin-off)

Similar: Blue Exorcist

Noragami

Bleach

 

Watched in: Japanese & English

Genre: Fantasy Action Comedy

Length: 51 episodes

 

Positives:

  • Creative visual design.
  • Fluid action animation.
  • Often funny.

Negatives:

  • Weak third act.
  • Narrow world building.

(Request an anime for review here.)

So, Soul Eater – this one took me a while to finish despite getting through the first 30 episodes in a week. It’s fun for the most part, but once it reaches the latter half, the increased action focus and reduced comedy coupled with stagnating development dampened my motivation. Before I explain why, let’s get on the same page with the premise.

Soul Eater is a Bleach-esque anime set in the realm of death where Shinigami train at Death Weapon Meister Academy and fight off supernatural evils. Its distinguishing characteristic is the living weapons, Demon Scythes, which switch between human and weapon form to fight for their masters. The ultimate goal of any Shinigami is to harvest 99 souls and one witch’s soul to turn their weapon into a mighty Death Scythe. The principal characters are the straight-laced Maka, wielding the scythe Soul Eater Evans, the brash Black Star contrasted by his kind weapon Tsubaki, and the OCD-riddled Death the Kid with his twin pistols Patty and Liz.

The first aspect one notices of Soul Eater is its distinct visual style. The urban anime art reminds me of the game The World Ends with You, which is a great fit to the character and world design. The drooling sun and laughing moon look like graffiti you would find in an abandoned train yard. It stands out from other battle anime.

However, in spite of this distinct looking world there is something missing from it. For a time, I could not put my finger on it, on why Soul Eater didn’t draw me in. The action is good, similar to other good battle anime, and the cast, though nothing new for the genre (except perhaps Death the Kid) is solid. You’ll likely find a favourite and enjoy the powers. So what’s missing?

The larger world is missing.

It took me far longer than I would like to admit to realise that there is nothing in this world outside of the main plot. It’s like a rail network with only one line. You can look outside the windows and see a city around you, but no trains go there and you only see story-relevant passengers on board. This city is a mere background like North Korea’s fake “Peace Village”. Soul Eater has a narrow world. You know how most fantasy anime have main characters travel to distant places and meet other cultures? Soul Eater not only doesn’t do this, but it also gives the impression that no such places exist. All of this adds up to a difficulty in finding reason to invest in this world and its characters. If you can attach to the characters otherwise, then I assume this won’t be as much of an issue for you as it was for me.

For the characters themselves, as I said, they are solid. My favourite is Death the Kid (even though the way he holds the guns with his pinkies is the stupidest thing ever). The school exam episode is hilarious. Seeing Kid’s OCD cripple him so badly that he can’t start until he writes his name perfectly on the paper had me rolling. It’s a shame the series shifts from this fun battle anime in the first half to a serious-action-only second half. Honestly, if the fun angle had persisted, I would have finished this much sooner.

The third act is the weakest section. My understanding is that this act is a wild deviation from the manga, which wasn’t finished at the time (the manga continued for four years after the anime). It shows.

The final battle in particular is one of the weakest I have seen in this genre. Off the top of my head, only something garbage from start to finish like Beet the Vandal Buster delivers a worse showdown. Soul Eater’s finale feels like the filler it is, written by someone with no investment in the manga or experience in writing. For one, it focuses on Black Star almost exclusively, who is the most “annoying shounen kid” of the cast. He’s not even the protagonist! For two, the win condition for this fight is just nonsensical. I won’t give it away, though you can watch the final episode (51) for yourself – even out of context you will see what I mean. A wet tissue of an ending.

I’ve said it before, but a bad end feels worse than poor quality in any other section. Soul Eater is a lot better than the end presents to us. If you do want to watch this, I recommend switching to the manga afterwards.

Art – High

Soul Eater’s distinctive designs make it a memorable look. Also, the animation shines during action scenes.

Sound – Medium

T.M.Revolution, one of my favourite artists responsible for much of the excellent Gundam SEED soundtrack, does the first opening here – I never skipped it. The music in general is decent, as is the voice acting in both languages. The dialogue does need trimming and less shounen clichés during combat though.

Story – Medium

A group of young Shinigami battle supernatural entities to collect souls for their living weapons and to protect their city. The story follows a normal shounen structure, but is truly let down by its end.

Overall Quality – Medium

Recommendation: For action fans. While a little different from the norm, Soul Eater is still a battle anime at heart so won’t extend beyond its demographic. You will need to continue with the manga for a proper end.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None