Tag Archives: Shounen

Young Adult boys as the target audience.

Yowamushi Pedal – Anime Review

Japanese Title: Yowamushi Pedal

 

Related: Yowamushi Pedal: Grande Road (sequel)

Similar: Haikyuu!!

Initial D

Baby Steps

 

Watched in: Japanese

Genre: Comedy Sports

Length: 38 episodes

 

Positives:

  • Strong acting.
  • Loveable protagonist.
  • Good at teaching the mechanics of cycling as a sport.

Negatives:

  • Heavy reliance on CG environments.
  • Main antagonist is a nightmare.

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Onoda is the type of kid who cycles four hours each way to Akihabara instead of taking the train because it’s free. A train fare worth less than an hour’s work saved at the expense of eight hours cycling? I love this kid’s dumb innocence. Seeing Onoda tackle the incline to school with ease, cycle club member Imaizumi challenges him to a race and soon ropes him into joining the club.

I was going to watch just a few episodes of Yowamushi Pedal before dropping it, but I ended up finishing the season. The protagonist is so likeable and the technical explanations do a good job of engaging you in cycling as a sport. Onoda makes an outgoing friend in Akiba, Naruko, who teaches him how to gearshift like a pro and draft while chasing a punk in a car that threw his trash out the window. It’s a tad unrealistic, of course, but it’s good fun.

Yowamushi Pedal gives off similar vibes to Haikyuu (not as good though), so if you liked that, you will enjoy this. Where Yowamushi differs is in the protagonist, Onoda. What personality type do you think of when someone says “boys’ sports anime”? Most would imagine an energetic, hot-blooded guy with endless determination to be the best, always the centre of attention. Onoda is the opposite (he’s almost Mob from Mob Psycho 100 levels of opposite). He’s timid, introverted, doesn’t like having the spotlight, barely speaks up for any reason, and has confidence in the negatives. He’s not someone you’d cast as a shounen sports protagonist.

However, he works as lead in Yowamushi because one, the explanation for his sporting ability makes sense (they didn’t have him scale the mountain the first time on a bike after some ancient master “saw something special” in him), and two, his evolution from this starting point is believable. The supporting cast works on his aforementioned weaknesses.

Naruko teaching him how to cycle properly and not just on sheer determination is perfect. He justifies his place as a support character and it establishes who he is (he’s the sort to help a newbie in need). Great way of inserting shounen “ability exposition” in a natural manner, by the way. Onada’s cycling team is a good make up of characters. You have some of your usual archetypes here, though an unusual one is Makishima, a creepy looking dude with long green hair and a bizarre notion of what can pass for fashion. On first introduction, he’s a bit of douche with his bluntness, made worse by his attitude and appearance, but as time goes on, you learn why he is this way, and how he cares about the team even when rude to them. He provides a balance to an otherwise “good guys” team.

Unfortunately, the same can’t be said for the antagonists. The competing racers aren’t interesting or memorable. Well, one guy is memorable, yet for all of the wrong reasons. The antagonist focus goes to (I had to look up his name) Midousuji, a design mix of the Cheshire cat meets Orochimaru. He has a broad grin of grinding teeth, bulging eyes, a reptile’s tongue, and a personality that transcends human limits into the comical realm. With a personality so over the top and played up to a grotesque degree, you can’t take him seriously, even when he strangles teammates. He’s so ridiculous that I think he walked into the wrong anime. He does not fit. At all.

Worse still, he just doesn’t stop with the cackling, the grinding teeth, the leering, and the lolloping tongue. Terrible antagonist. I find myself more interested in the small rivalries within the team than the main conflicts against this guy.

As for the cycling itself, you know, the core of the show, it’s solid. You won’t feel lost if you have no idea how it works at a professional level. I dare say, you may even find the intricacies of working as a team and pushing the man and machine symbiosis to the limit surprisingly interesting. It isn’t about pedalling as hard as you can.

Yowamushi Pedal is still a sports anime for sports anime fans at the end of the day. It’s a good one at that, though I don’t imagine it will draw in many outsiders. Want a lesser featured sport in anime? Yowamushi Pedal has you covered.

Art – Medium

Yowamushi Pedal has a good amount of animation, but as a sport that’s constantly in motion, they had to rely on CG roads and environments when cycling, so you will need to get used to it. Animations repeat often as well, but seeing as cycling is a repeated motion, it isn’t a notable problem and the camerawork mixes things up. I like the character designs, reminding me of Haikyuu with the easy distinction among the cast.

Sound – High

Strong acting. Honestly, even if you aren’t into cycling, the characters keep you entertained. The background music is solid as well, though the OP and ED aren’t hype enough for a sports anime.

Story – Medium

An otaku who cycles long distance to save money has his arm twisted into joining the school racing team. Yowamushi Pedal follows the standard sports formula, not that this is a bad thing, but it doesn’t take any risks.

Overall Quality – Medium

Recommendation: For sports fans. Yowamushi Pedal is the perfect example of a sports anime that delivers every aspect to a good standard without excelling in any way either. Good for sports anime beginners.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

GetBackers / Kiddy Grade / Witchblade – Quick Thoughts

GetBackers

Genre: Supernatural Action Comedy Science Fiction

Length: 49 episodes

Today theme of quick reviews is action anime I liked at one point, yet haven’t seen in a long time and haven’t reviewed. When I did my “Watched but Not Reviewed” list (missing quite a few titles, in hindsight), it brought many anime back to my attention that simmered to the surface until I had the urge to check them out again. Are they as I remember?

We start with GetBackers, my favourite of the three in the past. It even featured an honourable mention in my “Former Favourite Anime” list, so this was important to me. I need to say this right away though: GetBackers does not live up to my memory whatsoever. The art is super budget for this super powered series. The animation is far more of a slideshow than I remember and the characters have little detail, though their designs are unique so clarity isn’t an issue. I swear it looked better in my head.

GetBackers is set in an alternate Earth where some people have superpowers akin to The X-Men (each can do their one thing) and most of these superhumans work as either Retrievers, Transporters, or Bodyguards at odds with one another. It’s like John Wick – you have to accept this is how the world works or we aren’t going anywhere. Main duo Ban and Ginji work as Retrievers, the GetBackers, guaranteeing satisfaction no matter how small or impossible the request. Unfortunately, they are horrendous with money even after a big payday and so live in squalor.

To give a few positives, the main duo is good fun and the humour is successful, for the most part. GetBackers also feature the best – the best – use of chibification in all of anime. If I will forever remember one element of GetBackers for the rest of my life, it will be the chibification perfection. I still laugh whenever Ginji turns into a scared chibi after realising he’s alone with Dr Jackal.

Now for a dose of memory versus reality. I remember GetBackers as an awesome action series with cool powers, varied characters, and a mysterious plot. In reality, we have repetitive action, cool though limited powers, varied but one-note characters, and puddle-deep mystery. It astonishes me how different this is from memory.

GetBackers was in the early years of when I really got into anime and when one is at that early stage, everything is so much more impressive. I believe this was my first super power variety anime (saw Scryed later). I can imagine past me having a conversation with present me, gushing about how cool the powers are and how there are so many, how unique it is, only for present me to pull out 30 anime that do the same and often better. Conversation over.

It’s why I don’t blame newcomers for thinking everything is amazing. Everyone has been there. Every anime is a 10 when you have only seen seven of them. As one’s mental library builds, the flaws start to come out when a superior example is available.

A key detail I never noticed was the repetition. Nowadays, repetition almost guarantees to kill my interest, never mind rewatching the series, as I did several times with GetBackers in its heyday. Ban has the power to make people see illusions for one minute after eye contact. Let me tell you, no word of a lie, that this resolves every case. I love illusion powers and I thought this was the coolest thing ever, but man is it the same resolution every time. A common scene is to have the villain kill the heroes, immediately vocalise his plan/list of compatriots, and then for Ban to say “Just one minute”, revealing it was all an illusion. This is no Sharingan level of cool.

On rewatch now, GetBackers was okay for the first few cases. Once they enter the Infinite Fortress – a labyrinthine slum filled with superpowers – it loses the fun. The anime also didn’t adapt the biggest reveal of the story, which would have explained why people have these powers and why the Infinite Fortress matters. Knowing the twist, however, I’m not sure I entirely disagree with cutting it.

I tried the dub for the first time (none of these anime had a dub at the time) and holy Pokéballs, Shinji, is it not good. It isn’t “they recorded random people on the street” levels of bad. These are clearly actors, just not voice actors. This is a great example of a professional dub that studios thought were fine once upon a time, which thankfully doesn’t fly anymore (at least, I hope not). The lack of energy in the voices, the stiff reads, the monotones, bloody hell, what a disaster. The acting starts bad and only gets worse with each new character introduced. It’s hard to believe the likes of Cowboy Bebop managed a perfect dub when this was normal.

Almost forgot – the OP song may just be the worst I’ve heard in anime. If you want to know my taste in music, then take this and imagine the opposite.

*     *     *     *     *

 

Kiddy Grade

Genre: Ecchi Action Science Fiction

Length: 24 episodes

Next we have Kiddy Grade, an anime similar to GetBackers with a variety of super powered pairs facing off, but in a heavy sci-fi setting. Our leading ladies are Éclair and Lumière, agents of the Galactic Organisation of Trade and Tariffs. While the organisation’s name implies involvement only in commerce, it actually has fingers in every space pie (everything comes back to money if you look far enough).

This is a spy thriller with Éclair donning a number of disguises, undercover missions, and gadgets for every conundrum. It explores several “what if” questions from the setting and sci-fi concepts for drama. Even the powers have sci-fi roots. Lumière can talk to computers, for example, and Éclair’s strength comes from body modification. There is effort in the world building.

After the stark difference between memory and reality with GetBackers, Kiddy Grade is about as I recall. I should note that this anime came to me later in the experience track and that I didn’t love it at the time, just enjoyed it enough for a rewatch (when you didn’t have much variety, rewatches were common). My opinion of it has fallen – I lost interest by the end of act one this time – as this is a case where once you’ve seen so many better versions of this story, this setting, this idea, you can’t help but wish for something else. Also, my distaste for lolis has only increased, of which there are too many here.

The similarities between Kiddy Grade and the previous anime are uncanny, right down to espousing the same basic morality lessons – “Being evil is bad.” “Don’t kick puppies.” I never put the two together until this rewatch.

However, Kiddy Grade works better than GetBackers by having more variety, more effort in the narrative through line, and significantly better art. Without looking it up, I want you to guess how far apart these anime released.

Five years? Three years? Three months? Try five days apart. Kiddy Grade is better representative of how standard anime looked in the early 2000s. The production holds up from studio GONZO and the dub is so much better than GetBackers that you’d never guess they came from the same year. It’s fascinating to see.

*     *     *     *     *

Witchblade

Genre: Action Science Fiction

Length: 24 episodes

And finally, we have Witchblade, based on the American comic series of the same name and the anime I had watched last of the three. By the time I got to this, I had seen plenty of anime, so I was under no illusions towards its quality. The question is whether my slightly favourable memories are too kind or too harsh.

This is a more mature series than the other two. A sci-fi action series like the others, except hyper sexualised in the ass kicking. Kiddy Grade has panty shots; Witchblade has death by snu snu. If the shot in the OP of the protagonist wiping streaks of blood across her bare arse, vagina blade in full view, isn’t enough to tell you what this anime is going for, then no one can help. Witchblade is about tall, leggy, busty women in scant armour beating the life out of one another (toned down from the comics, if you can believe it). The Witchblade lusts for battle – literally – as combat turns it on to orgasmic peaks.

And if it were in the hands of a worse team, that’s all Witchblade would be. However, this anime has more to it, for at its heart is the story of Masane doing everything she can to give her daughter Rihoko a better life. Their relationship, not the action, is the spine of Witchblade. In fact, of these three anime, Witchblade has the least action with far more time spent on character and relationships. Furthermore, despite being more sexual than the others by leagues, it is the most mature (and certainly less creepy than Kiddy Grade). It has a surprising romance that doesn’t forget Masane’s status as a single mother. Long before the end of the story, I care for this woman and her daughter. I feel for the struggles they go through as a child welfare agency wants to separate them. And I appreciate how grown up the romance is without changing the tone into a heavy drama.

Should action be your main draw, then Witchblade also delivers. It isn’t repetitive, unlike the other two, nor does it drag beyond its welcome and doesn’t pause to exposit on how the powers work every fight. This isn’t some spectacular anime, of course – more lore, a darker mystery, and more development to the antagonists wouldn’t have gone amiss. It engaged me to the end, however, and that is worth something.

I also like the scientific approach to the Witchblade. If you supposed this device and its power was real, how would scientists approach it? Masane ends up working for a corporation doing such research (they pay her to kill rabid mutants and machines on the streets) and the antagonists come from a rival corporation developing other Witchblades, exploring the genetics of it all. They are trying to make it work with men as well (the device only functions on women).

So much to my surprise after this trio revisit, Witchblade turns out to be the best of the three, no contest. The production quality is also the highest, though it is newest. When considering my opinion of these three at the time I first watched them, Witchblade was the lowest. Now, it’s the best.

Recommendation: I recommend Witchblade – I give it a medium rating, with a low for the other two, which I don’t recommend. GetBackers is too dated, too repetitive, and too long for me to justify, while Kiddy Grade is somewhere in the middle. There is simply so much better these days. If you do want similar from that era, go with Scryed. Witchblade’s focus on a much older protagonist than usual with an older relationship too makes it stand out from the crowd.

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The Promised Neverland – Anime Review

Japanese Title: Yakusoku no Neverland

 

Related: The Promised Neverland 2nd Season (2021)

Similar: Now and Then, Here and There

Made in Abyss

From the New World

 

Watched in: Japanese & English

Genre: Horror Mystery Thriller

Length: 12 episodes

 

Positives:

  • Tense atmosphere
  • Good animation
  • Shows the workings

Negatives:

  • Gives away the mystery too early
  • Villains are comical

(Request an anime for review here.)

The Promised Neverland should be an anime that you want to go in blind for, as I did, but its great mystery comes out within the first episode, so that magic is gone. Does make it easier to talk about in review.

This story takes place in an orphanage where children await adoption while under the loving gaze of Mother Isabella. The children live a peaceful life studying, helping around the house, and playing together within the safety of the walls. One day, they receive the bittersweet news that a family has selected one among them. Two of the oldest kids run after her to return her stuffed bunny, only to find horror instead as demons drop her lifeless body into a jar. She’ll keep for later.

The orphanage turns out to be nothing more than a child farm and Isabella is the shepherd. The three smartest, Emma, Norman, and Ray, begin to plot their escape. Can they take everyone?

As alluded to in my opener, I am disappointed that The Promised Neverland reveals the truth behind the orphanage in the first episode. It could have held onto that secret for another episode or two. This isn’t a case like Death Note, where seeing the story from both sides enhances the conflict and drama. See, a major problem – really, the core problem – of this anime is the bad villains. Improving this single area would alleviate several other problems, such as the too-brief mystery, which itself isn’t automatically a problem. As I said, Death Note gives it away and it works in favour of the story. Seeing the villains’ perspectives here adds little of value.

The Promised Neverland has three villains: Isabella, Sister Krone, and the demons. The demons are a shadowy entity in the background with scant minutes of airtime across the series and don’t matter beyond the catalyst for child farming. They don’t need explanation. The two women, however, are central to the plot. Isabella is the quiet, measured, plotting type who knows more than she lets on. With each passing episode, I expect some deeper revelation to her character that will explain who she is, why she is. All we get is a few seconds of backstory that barely explain anything. She is flat. Nor do we see her cunning actions enough to become a smart antagonist.

Worse is Sister Krone (subtle name, you got there). She comes in to assist Isabella, but harbours ambitions of becoming a Mother herself. She is comically bad. The performance, both in English and Japanese, is horrendous on a level up there with Jared Leto’s Joker. I don’t blame the actors for this. No performance could save her writing. It’s so over the top and manic, meant to be frightening (akin to the Joker pretending to be a loving nun) that it elicits only laughter. Her impact on the story is negligible as well. I image later seasons will bring he back for some ungodly reason.

Speaking of, I think this story would have worked better as a single season narrative. Despite remaining engaged from start to finish, I have no motivation to watch the next season unless I hear great things from a trusted source. I get the impression that future arcs will focus on the demons and the unresolved issues at the orphanage. The demons, I don’t need an explanation; the resolution of the orphanage, I expect to find repetitive.

If a single season of 12 episodes was it, complete story start to finish, I can’t imagine we would have wasted time on Krone or had Isabella remain puddle deep (one can see they are “saving her for later”). Restrictions often increase creativity and quality because there are only so many minutes on screen, so many words on the page that when the editing starts, the weak links hit the cutting room floor. If you have any familiarity with multi-season American TV shows, you will know what it’s like to see weak content added for the sake of extending the story to a fifth, sixth, seventh season when the studio renews.

So, I have vehement criticisms, yet I stay engaged to the end – why? Well, the main characters, primarily. Emma, Norman, and Ray work great. Upon first seeing their designs, I predicted their roles and arcs in the story (the energetic yet naïve one, the clever yet emotionless one, and the emo yet ruthless one, respectively). They surprise me though. Yes, they are the archetypes I predicted, but they aren’t the stereotypes I expected. Emma is naïve and idealistic, saying she would even take snitches when they escape (they suspect some kids feed information to Isabella), which is a truly dumb idea when many lives are on the line. However, she also displays moments of brilliance in both mind and heart. Remember, these three kids are supposed to be the smartest. Unlike most anime with “genius” characters that are actually dumb as bricks and only win because the author says so, these three show real brains (not in the way the demons would prefer, of course). It helps that they aren’t pitched as reality altering geniuses.

My favourite element of this story is seeing the kids figure it all out. How does Isabella know where they are at all times? Who is snitching on them? Is someone snitching? How can they escape with kids who still pick their noses and eat it? Why do the demons want them and what determines the next “adopted” child? How do they train for escape with Isabella surveying their every move? Seeing them work through this systematically is most engaging. It would have been that much better if the villains were equally engaging obstacles to the goal though.

The Promised Neverland, in the face my criticisms, receives my easy recommendation. The core of the story and its characters are sound, pulling you from one episode to the next with fast pacing and clever cliffhangers. You will want to watch just one more episode.

Art – High

The art is good, notably in animation. The demon designs are freaky, though the world itself could do with more creativity.

Sound – High

You can go with either language here. The music infuses a creepy atmosphere and I like the OP song – will probably add it to my playlist.

Story – High

A group of orphans realise that the promised land of a family is a one-way trip down a demon’s gullet in reality and the orphanage is a farm. Other than revealing the mystery too soon, The Promised Neverland delivers a tense thriller that captures your attention to the end.

Overall Quality – High

Recommendation: Watch it. The Promised Neverland is an easy recommendation from me to anyone unless child abuse in any form is too much for you.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Silver Spoon – Anime Review

Japanese Title: Gin no Saji

 

Similar: Barakamon

Moyashimon

Space Brothers

 

Watched in: Japanese

Genre: Comedy Slice of Life

Length: 22 episodes

 

Positives:

  • Knowledgeable about animal husbandry & agriculture
  • Quite fun

Negatives:

  • Plays it too safe
  • Overblown “City boy” reactions

(Request an anime for review here.)

Silver Spoon comes from Hiromu Arakawa, the mind behind Fullmetal Alchemist. While this shares a theme or two with her more famous work, you are in for a much easier time here.

Hachiken flees to a rural school to escape the stress of the city, thinking rural life will be easy. Babysit a few animals, water a few plants – how hard can it be? This hard working student expects to breeze through classes against these country bumpkins. He’s in for a shock when he learns how they really make the sausage and the backbreaking labour that goes into agriculture. He can barely compete with the country kids who grew up around this. Trying not to vomit during the lecture on the biology of egg laying is the least of his trials ahead.

Silver Spoon’s primary focus is to teach about farm life, agriculture, and animal husbandry. The author grew up on a farm and her passion for country life is clear. And in this respect, Silver Spoon is a success. If you are green to the field, you will learn plenty about where your food comes from, including some of the more disgusting details (though it doesn’t go full slaughterhouse).

Hachiken has to learn to skin a deer before they eat it. The school also makes him raise a piglet to maturity for later consumption. Calls him Pork Bowl. I enjoy the educational side of the anime. It’s engaging, doesn’t preach, and is honest. This isn’t an anime for those who can’t handle animal slaughter, even in an animated form.

The less engaging side is the story and the characters. The characters’ country antics are decently fun, but there is nothing special here. The humour also relies too much on Hachiken’s fish out of water experience. Everything is exaggerated with how incompetant he is at this. After a few instances, you just want to say, “Okay, we get it. Move on.” Perhaps this is where the author’s lack of city life experience bleeds through? Who knows.

The character relationships lack drama. By that, I don’t mean we need a Shou Tucker storyline in Silver Spoon. We do need, however, conflicts between the kids (and their teachers) that challenge who they are and ultimately grow them into stronger people. Almost all challenge and conflict in this story comes from the school and farm work. Audiences tend to remember characters for those great character moments, where we see them struggle, see them fail, and see them shine. Without these moments, nothing makes this particular character stick to the story. Let’s use a simple example. Think of a generic action film, a “bang bang, shooty shoot” type. Could you replace the protagonist with another protagonist, changing little in the process? If so, then the character doesn’t matter, no matter how good the action is.

Hachiken and company aren’t quite that replaceable, of course. However, they aren’t memorable. They serve their function to carry you through the episodes and education segments. You’ll find them pleasant people for a few hours, part on good terms, and not think of them again.

Barakamon is an example of doing the simple slice of life story with memorable characters. Even though that anime has less physical challenges, the conflict is greater because of the personality clashes. Those characters are so full of life that they stick with you.

Silver Spoon plays it too safe. You should predict the story and characters arcs from the outset, something one cannot say about Fullmetal Alchemist. The association with the author’s pedigree will likely set expectations too high here. This is a good anime to watch if you need a break from the heavy stuff.

Art – Medium

The art is average in a positive way. It has a clean consistency and enough animation to avoid becoming a slideshow.

Sound – Medium

The acting is quite good, though I can’t say the same for the music.

Story – Medium

A city boy must hold his lunch as he learns of agriculture and animal husbandry in the country. A typical and predictable story carries the interesting and detailed knowledge of these professions and country life.

Overall Quality – Medium

Recommendation: Try it. Silver Spoon is quite fun despite the simplistic story, though it may not be enough to keep your attention to the end. You will learn more than you may every want to know about farming and animals though.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Yu Yu Hakusho: Ghost Files – Anime Review

Japanese Title: Yuu Yuu Hakusho

 

Similar: Bleach

Hunter x Hunter

InuYasha

 

Watched in: Japanese & English

Genre: Action Comedy Fantasy

Length: 112 episodes

 

Positives:

  • Fun, likeable characters
  • Good pace for a battle anime
  • Surprisingly strong dub considering age
  • Foreground artwork holds up…

Negatives:

  • …most background artwork doesn’t
  • Overuse of several battle tropes

(Request an anime for review here.)

There are many classic battle anime from the hand drawn age, few of them any good. I thought I would look at one – just one – in full to get a feel for the classic era outside of Dragon Ball Z. Yu Yu Hakusho: Ghost Files comes the highest recommended so let’s go with that. And at a mere 112 episodes, it can’t be that hard to suffer through if the worst comes to the worst.

However, to my delight, one of Yu Yu Hakusho’s strengths is a good pace. You don’t feel its length across the four arcs as no fight drags beyond a few episodes. But I’m getting ahead of myself.

Yu Yu Hakusho is about a 14-year-old delinquent who dies one day saving a boy from being hit by a car, which goes against his nature. The kid baby in charge of spirit realm admin gives Yusuke a chance at revival if he can complete several tasks to prove himself as a Spirit Detective. Under the guidance of Shinigami Botan, he races against the clock to keep his spirit alive and his dead body intact. The story starts off, as most shounen do, with a series of smaller stories before it dives into longer arcs with bigger action.

Something I immediately like about Yu Yu Hakusho are these smaller stories. It avoids the tedious “monster of the week” structure found in the likes of Bleach, instead foregoing action in favour of a character focus. Early episodes are about Yusuke’s soon-to-be friendship with Kuwabara, another delinquent always hungering for a fight, who can’t handle that his rival is dead. He’s my favourite character, voiced brilliantly in the dub by Christopher Sabat (you wouldn’t know he voices Vegeta when you hear him here). Great dub, by the way. Kuwabara is such a meathead but you love him more for it.

These early episodes are the best of the show, for me. Perhaps I have seen too much shounen action – this action is good, mind you, and we’ll get there – but I like the character and humour focus of the first season, where Yusuke goes on mini capers taking care of incidents around town. The demon world is also a rather unimaginative setting (think a wasteland like any other). As such, later seasons aren’t as engaging. I suspect, however, I am in the minority for this opinion.

Yusuke also enlists the help of, begrudgingly at first, two demons when it comes to fighting the stronger denizens of the other realm. Kurama the fox spirit and manipulator of plants acts as the brains of the operation, while Hiei the fire demon born to a tribe of ice demons brings pint sized firepower. Get used to the idea of enemies becoming friends, for this writer loves the trope. As a set, the team make for a good balance of characters that don’t feel like usual archetype slots of a shounen cast.

Now to the action. Yu Yu Hakusho defies expectations of shounen action. Fights don’t last a dozen episodes – most are over in one. It knows when a fight is insignificant in the grand scheme and doesn’t drag it out. If this were Bleach or DBZ, every minor squabble would take 10 episodes at least. Here, the fight lasts long enough to have meaning and for the combatants to entertain, but then it moves on. It also mixes things up in who wins or loses. Only major fights take a few episodes, usually as the big finale for the season, and there aren’t many of these. Yes, one could tighten a few encounters, though not a major issue.

Villain designs, while dated, are entertaining at times. This anime has the most hilarious muscled villains. Muscles on top of muscles. It’s like a parody – “Oh yeah, you reckon going Super Saiyan was ridiculous? Check this out!” Straight out of botched surgeries.

Furthermore, Yu Yu Hakusho skips over training arcs. It shows a little to give the audience an idea of what Yusuke’s up to before the narrator says, “In this way, two months of training passed.” More anime should do this. The one notable training arc it doesn’t skip over in a later season has other threads woven through to avoid hitting a dead stop (rasengan training in Naruto still haunts me).

There has been a fair amount of praise from me so far, so let me temper this with criticisms, all of which revolve around the action. I despise the trope of enemies explaining how their ability work to the hero for the sake of the audience. This makes them stupid and I hate stupid. One opponent even tells of his technique before the fight. You can perhaps get away with a single enemy cocky enough to do this, not the majority, as seen here. Then we have the constant commentary from the sidelines that the hero can’t possibly win…right before they win. Lastly, it also overuses the trope of:

“You may have beaten my teammate, but he was weaker than me.”

“You may have beaten those two, but I am stronger.”

“I may be the last of my team, but the other guys were nothing compared to me.”

This happens with just about every enemy team, particularly in season 2, which is a tournament arc. These tropes are fine in moderation. Yu Yu Hakusho likes to wolf them down like a kid at the desert buffet going back for fifths. This repetition hurts the series the most and contributes to times when the pace feels off. And once you notice the pattern emerge, what’s to stop you from skipping a few episodes when you’ve seen this already?

Even so, Yu Yu Hakusho is an overall success. This isn’t the battle shounen to change your mind on the genre. It’s still for that core demographic. However, if you are part of that core and are tired of modern series going on forever, look no further than Yu Yu Hakusho with its complete story at a mere 112 episodes.

Art – Medium

The art is a mixed bag. We have moments of great animation (usually the battles) and some quality backgrounds. We also have sliding animation, bland backgrounds, and streaks. Done by hand with texture is a plus.

Sound – High

With a surprisingly good dub for such an old anime, you can go with either track here. The opening song, which stays throughout the series, doesn’t seem to fit a battle anime, but it grows on you.

Story – High

A delinquent and his unlikely allies have to deal with all manner of supernatural entities on the streets and in the arena. Fun characters, good pacing, and solid action make Yu Yu Hakusho a ride to the finish.

Overall Quality – High

Recommendation: For classic shounen fans. Yu Yu Hakusho won’t convince those averse to battle anime to change their minds, but it is a good classic of the genre and doesn’t drag for 100s of episodes.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None