Tag Archives: Shounen

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Tenchi Muyo! War on Geminar – Anime Review

Japanese Title: Isekai no Seikishi Monogatari

 

Related: Tenchi Muyo (main series)

Similar: Vision of Escaflowne

Vandread

Familiar of Zero

 

Watched in: Japanese & English

Genre: Action Comedy Ecchi Harem Fantasy

Length: 13 episodes (45 min. each)

 

Positives:

  • Pretty cool world design.

Negatives:

  • The perfect protagonist.
  • So much stupid.
  • Glaring audio and visual hiccups.
  • Really, really

(Request an anime for review here.)

The original, janky, and rather rubbish Tenchi Muyo was an anime I occasionally caught on TV an eon ago. I never made an effort to watch much of it, since it was a harem with awful art. A decade later, I stumbled upon a page regarding Tenchi Muyo! War on Geminar, which had far superior art and positive buzz from fans. How could Tenchi Muyo have produced anything that wasn’t garbage? And so, with many more years passed since then, it’s finally time to end my curiosity and see the fuss.

This story has Kenshi, younger brother of original Tenchi Muyo’s protagonist, teleported to the fantasy world of Geminar with a mission to assassinate Princess Lashara, but he fails and becomes her slave before eventually fighting for her against his summoners.

War on Geminar makes a good first impression with its visual production. While not unusual by today’s standards, it was rare for what is evidently an otaku-only anime to have an animation budget – sliding stills and big boobs were the expectation. The world design also has creativity. The reptilian mech designs look good, animated fluidly in duels, and I love the idea of an airship being a landmass with a palace and forest on top. Sure, the first episode has harem markers and some fan service barf, but my impression is positive. This is nothing like the Tenchi Muyo I remember. What is this grand magi-tech fantasy kingdom?

However, once the story settles in and starts churning through daily life in Geminar, everything turns to crap. We meet all the girls of his harem, covering every harem archetype to draw in the maximum otaku audience (see cover image of this review up top for the full selection). Whatever one’s preference, War on Geminar has the girl for you. Of course, none of them has an iota of depth, their sole purpose in the anime being to fulfil the obligations of their archetype. It’s stupid interaction after moronic interaction with Kenshi. They almost have depth, right up until the harem tropes undermine their arc to keep them in the pit of trash.

Where it becomes truly atrocious though, is with Kenshi. Allow me to introduce you to the most Mary Sue character in anime. You think you know, but you don’t.

Lashara puts Kenshi to work in the high-class girls’ school as handyman, a Jack-of-All-Trades; except, the writer forgot the “master of none” part of the Jack-of-All-Trades. Kenshi is perfect at everything on his first day. Housekeeping, brick laying, shoemaking, construction work, five-star cooking, delivery, climbing, running, sword fighting – you name it, Kenshi is the best at it first try. Every girl in school is after him, but because he’s so fast and never tires, they all drop of exhaustion. His massage skills are so great that a single grope from him will leave any girl in a permanent state of crippling arousal, for some reason. Then every girl wants him to wash her back during bath time.

Wait, wasn’t this some fantasy anime with mechs? Yep, that’s what it claims.

War on Geminar has an identity problem. It can’t decide if it wants to be a fantasy war series or a high school harem. Once you strip away all art (which has weakened after a few episodes) and all the flash, this is just another bad harem. The highest budget harem you should perhaps watch for its terribleness, certainly, but still a bad harem like any other at its core.

Art – Medium

War on Geminar appears to have great art at first glance. From characters to world design, this looks far better than the original Tenchi Muyo. I like the mech designs and flying palace. There is good animation during duels, but has so much awful outside that – static shots, repeating animations that linger, and some horrible shots. One instance has smoke billowing out of a building, and when the building tips over, so does the smoke pillar. Yes, the smoke in the air “tips” over.

Sound – Very Low

The writing turns you into an idiot. The princess who speaks in third person is especially dumb. Full of kewl quips and one-liners. Even the sound design is poor, which is rare – I mean rare. For example, the guy running on grass makes the sound of heels on tiles. Why?

Story – Very Low

A boy mysteriously teleported to another world joins a cast of girls to defend the empire. This is the highest budget harem garbage ever made, Mary Sue protagonist included.

Overall Quality – Very Low

Recommendation: Avoid it or a must watch for garbage. Tenchi Muyo! War on Geminar’s production values make it easier to watch that other “so bad it’s good” titles, so if you want some absolute trash, then have fun with this one.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Awful DialogueInduces StupidityMary SueRubbish Major Characters

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Pokémon: The Movie 2000 – Anime Review

Japanese Title: Pokémon: Maboroshi no Pokémon Lugia Bakutan

 

Related: Pokémon: The First Movie

 

Watched in: Japanese & English

Genre: Action Adventure

Length: 1 hr. 20 min. movie

 

Positives:

  • The legendary Pokémon feel legendary.
  • High tension.

Negatives:

  • Most forgettable villain.
  • Romance between Ash and Misty?

(Request an anime for review here.)

I had watched Pokémon: The Movie 2000 so many times as a child, even more than the Pokémon: The First Movie, that I lost count. It is perhaps third behind Disney’s The Aristocats and 101 Dalmatians for my most watched kids’ movies. It was a perfect storm of factors to make me love it. It was a Pokémon movie released at the height of my Pokémon mania, it featured Pokémon from Gold & Silver games, which are still my favourites, while also incorporating the legendary birds of the three elements at the centre, and gave it epic an scope to threaten the world. It’s as if Nintendo had asked little me what kind of Pokémon movie I wanted. It goes without saying, but I bloody loved this movie.

I hadn’t seen it in over a decade until I rewatched it for this review. So many memories came back to me, recalling a simpler time when I didn’t even know this was called anime, when I had no responsibilities and could waste time as though it wasn’t a limited resource. Fond memories.

Unfortunately, I doesn’t hold up as well as The First Movie. But before I get into why, let me cover the scenario in brief.

Lawrence, a man with more money than sense, likes to collect the rarest Pokémon in his gigantic flying fortress. On his crosshairs are the three legendary birds of ice, lightning, and fire – Articuno, Zapdos, and Moltres – which, when disturbed according to the prophecy, will summon the ultimate prize: Lugia. Disturbance of these legendary birds results in climate change that Al Gore can only dream of and is the reason for Lugia’s awakening. Ash Ketchum and company find themselves washed into this conflict when a storm carries their boat off course. Only Lugia and “the chosen one” (spoiler: it’s Ash) can restore balance to the elements and save the world.

I’ll go over a few positives first. I like that no one takes the prophecy seriously at first, that it’s just a story for the tourists to add character to this holiday island they end up on. By the end, it isn’t even clear if the “chosen one” aspect of the prophecy was true or if Ash just happened to be in the right place at the right time to help. As mentioned before, I love the legendary birds and their world-ending conflict feels appropriate to hype they receive in Pokémon lore. Later legendaries would power creep them to the point where one Pokémon is the God and still not feel as cool. The tension is also high from the moment the first storm hits.

Where The Movie 2000 falls flat is in the villain. Think about how many times I have seen this movie and know that I still can’t remember any of Lawrence’s character (even forgot his name). He is utterly forgettable. You compare him to Mewtwo from the previous movie and it’s night and day. Mewtwo has a clear motivation, with reasoning, a complete arc, and memorable lines. Lawrence has nothing to recommend himself as the star villain of your movie. The only positive I can give is that he’s not from Team Rocket, which is something different.

When you have a villain who isn’t a personal threat to the protagonist, it weakens the villain-hero conflict, which you need to make up for in other areas. For instance, you can have more conflict between allies to heighten the emotional drama. Looking at the previous movie once more, Mewtwo threatened Ash’s Pokémon and made them fight to the death. Now that’s heavy conflict. This apocalyptic scenario, while a tense rollercoaster, requires no emotional investment from the heroes.

As a kid, you’re first priority in a movie is the cool factor and the fun factor. Who cares about baby stuff like emotions and drama? Pokémon: The Movie 2000 is certainly cool and fun, but as an adult, it no longer contains the factors I desire most.

Before I go, I want to touch on something I didn’t properly notice when I was but a wee lad. Did they try to push a romance between Ash and Misty? The story introduces a new girl who tells them the prophecy and teases Misty about her feelings for Ash. I never got that sense from the series. Perhaps this was a test ground. Either way, it isn’t particularly relevant nor affect enjoyment. It’s just odd.

Art – Medium

The art is a little better than The First Movie, except in the case of the CG fortress, though that isn’t a serious issue. I like the texture of the environments.

Sound – Medium

I have no comment on the Japanese. No matter what I do, I can’t get used to it. Meowth, as always, is the best. There is another cover song of the main theme like before.

Story – Medium

A storm will destroy the world unless Ash can restore balance between ice, lightning and fire with the aid of an ancient Pokémon. This is a fun Pokémon side adventure, albeit one that needs a better villain.

Overall Quality – Medium

Recommendation: For Pokémon fans only. Not only is this tailored to Pokémon fans, most references won’t make sense without prior knowledge.

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Ga-Rei-Zero – Anime Review

Japanese Title: Ga-Rei: Zero

 

Similar: Canaan

Blood+

Elfen Lied

 

Watched in: Japanese & English

Genre: Supernatural Action

Length: 12 episodes

 

Positives:

  • Music is rather good.

Negatives:

  • Lacks weight.
  • Fails at connecting us to characters.
  • Meaningless yuri bait.
  • Narrative doesn’t resonate.

(Request an anime for review here.)

Ga-Rei-Zero is the prequel anime to the manga Ga-Rei, following the tale of Kagura and the fate that forced her to fight her sister Yomi. They are agents of the Supernatural Disaster Countermeasures Division (SDCD) to slay monsters.

I love a good tragedy, especially one that pits ally against ally before the end. The key to a tragic tale, such as this one, is to make the audience care about the characters and their relationship before they must kill each other. This is especially true when you know events are going to turn for the worse and you’re pleading for them to stay allies, stay happy, but nothing you say can change the inevitable. So tragic. So good!

I’m sad to say that Ga-Rei-Zero doesn’t succeed in that respect. These girls are too boring, too clichéd to care an ounce about. The have the typical dynamic of yuri bait anime, with one as the strong katana girl, the other as timid and weak. To be fair, as a slight defence of Yomi, the generic katana girl type wasn’t as oversaturated at time of release in 2008.

These foster sisters have no development. Their relationship grows by way of fan service for character “building” – naked baths with boobs squished against the other’s back, making out randomly, and other yuri bait that is incongruous to the tone they try to convey. Emotional development comes in the form of staring off into space accompanied by a slow pan. That’s another problem. The cinematography is so boring. Every composition is stock standard with a slow pan. Moving manga, as they call it. There’s no detail, no art to anything in the visuals.

The writing is similar, though it’s not so bad that makes it to the ranks of Vampire Knight. It’s just so dull, without any creativity. And the exposition. The first time these girls meet, Yomi dumps the full backstory for Kagura, her father, and herself. Wow! If you told me they made Ga-Rei-Zero by plugging parameters into an anime-creating AI to generate a series, I’d believe you.

The world building lacks artistry. The powers are vague, they try mixing things up with new weapons, such as a gun sword and combat wheelchair, but there’s no cohesion to any of these. (That AI theory is sounding more plausible by the minute.)

Ga-Rei-Zero also needs better narrative resonance – the tying up of a story from start to finish. It opens with an SDCD squad called to fight monsters and dying, followed by the reveal of Yomi as the evil sister to Kagura. They went for a “flashforward” opening, wherein we see an event later in the story with dramatic implications before we rewind back to the start in happier times. Flashforwards elicit one question: “What happened to make things go so wrong?” The mistake they made was having such a long flashforward. They didn’t need to introduce the SDCD. We could get to that later. All we needed to know is the following: monsters are attacking, led by protagonist’s sister, and the good guys are fighting back. The relevant information is in the last few minutes of episode 2 – first episode isn’t needed.

What this does is set the wrong expectations. For the entire series, we are wondering when the SDCD will become a major part of the narrative. It would be as if you opened an Avengers movie on a team fight, but 20 minutes in, you focus solely on Captain America for the rest of the narrative. The longer it goes, the more the audience expects and questions why the rest of the Avengers haven’t joined. If you’d called the film Captain America and had a cameo scene featuring the Avengers at some point in act one, then the expectation isn’t there. It’s all about that initial presentation. I suspect they started this way to have a ton of gore and death immediately, which can be effective shock value, but rings hollow when superfluous.

One defence of this you’ll here is that Ga-Rei-Zero is a prequel to the manga and that the narrative will resonate if you finish the story. But we aren’t here for a manga. Furthermore, it was a simple fix. Cut episodes 1 and 2 save for the last few minutes and play that before the opening credits.

Even if you ignore this poor opening, you can feel that lack of synergy between elements of the series. For instance, the theme of the battle against monsters doesn’t complement the conflict theme between Kagura and Yomi except in the one case where Kagura has to kill a mind-controlled civilian she liked. Good theming has the sub-plots/conflicts support the main theme.

Then we have Yomi’s engagement to the heir of another important family. It doesn’t contribute much, nor does it lend to the theme. Once again, that AI thought, “Every story has a romance, therefore I must put one in.”

What I dislike most about Ga-Rei-Zero is how Yomi’s turn to evil happens. She doesn’t descend into evil like in Gungrave or fall to greed as seen in Madoka Magica. No poor decisions, no character conflict, no slow creeping corruption that seduces her. Nope, mind control does it. The ultimate sin with a tragedy like this is to have an ally turn foe by anything other than their own choices and actions.

All of this dullness and lack of synergy results in a boring anime. There is far worse out there – Ga-Rei-Zero isn’t that bad – but let’s just say that I have more fun with worse anime than this.

Art – Very Low

The CG is hideous for the special vision that allows agents to see spectres and the monsters look even worse. It doesn’t even justify the CG with complex animation. On top of that, the cinematography, character designs, and environments have no creativity whatsoever.

Sound – Low

The music and acting are quite good, but the script has no weight to it, dragging down everything around it. Also, the music doesn’t sync with the action as it should, often going too long as if they have to play the entire track.

Story – Low

Two sisters that slay monsters must eventually fight each other. The story doesn’t do enough to create an emotional connection to the characters for us to care about their fates.

Overall Quality – Low

Recommendation: Skip it. Ga-Rei-Zero is one of those anime that only select fans will remember as the years go by.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

No Development

My Bride is a Mermaid – Anime Review

Japanese Title: Seto no Hanayome

 

Similar: Ah! My Goddess

School Rumble

To LOVE Ru

 

Watched in: Japanese & English

Genre: Comedy Romance

Length: 26 episodes, 2 OVA

 

Positives:

  • So many great laughs.
  • Visual humour.

Negatives:

  • Art is cheap.
  • All attempts at drama fail.
  • Final two episodes.

(Request an anime for review here.)

When Nagasumi drowns one summer, he considers himself fortunate to be saved by the mermaid Sun. However, according to the laws of Yakuza mermaids, once a human catches sight of a mermaid, he must swim with the fishes – either by death or by marriage. Nagasumi has no choice. He becomes engaged to Sun and she joins his school to be close to her beloved, against her Yakuza family’s wishes. So not only does he have to contend with a sea dwelling gang after his hide, he must also keep Sun’s true nature secret from classmates.

Yakuza mermaids, a ridiculous concept to be sure, but an effective one. Sun’s father sends his best henchmen to kill Nagasumi and free his daughter from the shackles of marriage to such a loser. His enforcer can morph into a shark – he does this a lot in the heat of the moment. My Bride is a Mermaid is unexpectedly hilarious. The art gives an impression of mid 2000s harem with lame comedy.

Instead of turning into a full harem, as one would expect, the other girls must either kill or protect him. A tiny girl that lives in a conch has the job of assassinating the guy while pretending to be sweet and innocent in front of Sun. The disciplinarian girl from his class with a crush on him acts the police officer role, like her father, making her the perfect rival to the mermaids.

The Yakuza take up positions in the school to accomplish their mission, including the boss as a class teacher, while the bookkeeper teaches maths through criminal means. This black man with curly hair is considered so charming and attractive that the mere sight of him renders everyone enamoured. This recurring joke never failed to make me laugh. It reaches a new level when Nagasumi drinks a charm potion and becomes the apple of everyone’s eye (and loins).

Some of the gang aren’t so successful. The giant octopus teaches cooking, though often includes bits of his tentacles in the process. It isn’t long before a rival gang joins the fun to take the humour to yet greater heights. Their leader, a Terminator of a man, is a riot. He doesn’t understand his daughter at all, so plays gal games and re-enacts them as the girl to get closer to his daughter.

Mermaid has a ton of visual humour in the facial expressions, reminiscent of Great Teacher Onizuka, which alleviates the subpar art quality. One classmate is called “chimp”, but he acts like a real chimp, face included. Does anyone realise this?

The jokes come fast and they come often in this one. It is comedic beat after comedic beat, sharply timed with barely a dull moment in between. Just about every joke lands. These aren’t the greatest jokes of all time – it’s no Fumoffu – but they are fun.

My Bride is a Mermaid fails, however, in the tradition of most comedy from that era, when it attempts to inject drama in a place where it doesn’t belong. All drama fails here. Unlike Ah! My Goddess, one of the few light-hearted comedies to manage a little drama, which worked it in slowly without compromising the identity of the anime, Mermaid’s drama comes out of nowhere and contributes nothing of value.

The drama is at its worst in the final two episodes with the introduction of a new villain that goes against the tone thanks to his persistent rape vibes. Why did all of these comedies just have to finish with drama? Is comedy alone never enough? I like a story that can manage both of course, but I equally love others that stick to comedy. In the end, quality matters. Was it studio mandate at the time to have a dramatic finish, much like how every drama this decade must end in a tragic death to extract fake tears from you? Or that every fantasy has to be inside a game?

I’ve said it before, but bad final episodes leave the strongest impressions on a dissatisfied audience. My Bride is a Mermaid isn’t one of the greats. Even so, it didn’t deserve such a careless end. I went in with no expectations and came out having had a good time thanks to the comedy. Don’t let the garbage drama stop you from enjoying a laugh.

Art – Low

This cheap-looking, budget-animated, too-cutesy anime’s visuals are partially redeemed by great use of visual humour, particularly with the faces.

Sound – Medium

The acting is just as silly as the script, which it should be. I prefer the dub, for the Japanese made several poor casting choices that turn funny characters into annoyances.

Story – Low

A guy agrees to marry a mermaid to avoid death at the hands of her yakuza merman father, later bringing her to school for endless hijinks. My Bride is a Mermaid’s comedy far outshines the feeble drama.

Overall Quality – Medium

Recommendation: A must for anime comedy fans. The story may go nowhere and the drama may fall flat on every occasion, but the comedy in My Bride is a Mermaid is certainly worth sticking around for.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Weak End

Future Diary – Anime Review

Japanese Title: Mirai Nikki

 

Similar: Deadman Wonderland

Death Note

Another

Eden of the East

 

Watched in: Japanese & English

Genre: Psychological Supernatural Action Horror Thriller

Length: 26 episodes, 1 OVA

 

Positives:

  • Interesting premise.

Negatives:

  • No smart characters.
  • Alliance flip-flopping.
  • Inconsistent powers.
  • Yuno’s obsessiveness is weak.

(Request an anime for review here.)

Everyone knows of Mirai Nikki, or Future Diary in English, if not by name then by the yandere character of Yuno and her repeated pronouncements of “Yuki”. What I didn’t know, despite having heard of this series in 2011, was the premise of Future Diary. I always thought it was about an obsessive girl (Yuno) trying to kill the guy she loved. There is far more to the story than that, though not necessarily to its benefit.

Yuki has a cellphone diary that tells him the future, forewarning him of the many possible eventualities from his competitors in the battle royale. However, it doesn’t reveal his future unless tied to someone else. He teams up with his stalker Yuno, who also possesses a “future diary”, except hers only reports on Yuki’s status every ten minutes. When paired with his diary, it makes her the perfect guardian in this battle. What is the prize for victory? Godhood.

I was disappointed when they introduced the battle royale angle. I had hoped for a smaller scale story with the duo avoiding one fatality after the other, delaying the inevitable, akin to The Time Machine and Steins;Gate. The battle royale turned this into generic shounen horror, pointless ecchi included. Not that it couldn’t have succeeded, but the writer evidently could not handle the complexity of a story with so many possible outcomes and 12 time altering powers to track. Each diary is different and creates a 12-pointed rock-paper-scissors game.

Juggling all of these elements is Future Diary’s greatest failing. For one, the diaries for each character conveniently don’t forewarn of something or don’t function as they should when the plot needs a character to die. Comparing to the similar Death Note, the rules there are set and don’t waver, which makes it all the smarter when one player outsmarts the other. Bending the rules when convenient makes the audience lose trust in the author.

This also extends to the inherent supernatural abilities of some characters. A character can have the strength to break out of a bind one moment, and then be rendered useless the next in a similar situation. I’m not even sure if they are meant to have superpowers, but some characters defy human boundaries of ability.

Future Diary also has an overreliance on crazy over smarts. None of these contestants are smart. Instead, just about everyone is “lol I’m a crazy psycho, aren’t I interesting?” There’s little variety in the showdowns against the various competitors, lasting 2-3 episodes a kill, and it makes much of it feel like padding. Future Diary is like taking the Batman versus Joker story but with 11 different Jokers and one of them is on Batman’s side (sort of). The more copies of “the psycho” you include, the more it dilutes the strength of the individual. I thought that the battle royale direction would be about producing a variety of opponents with some clever trick to besting them. The only real difference between them is their diary’s ability, which even then isn’t that varied.

Then we have the allegiance switching every other episode. “You know these two allies? Let’s have them fight each other next episode.” “But, sir, that doesn’t make sen—” “Who cares – it will surprise the audience!” It reminds me of Pirates of the Caribbean 3, where Jack Sparrow and company flip-flopped allegiances every few minutes because the producers heard the audience liked Jack’s triple cross in the first movie. Future Diary does the same to generate dumb conflict.

Lastly, we come to the main couple, the one thing that gave Future Diary any popularity. Yuno’s obsession with Yuki doesn’t work for me. I don’t buy into her reason for being so possessive of him, even once the story provides an explanation later on. The best psychotic characters, as unhinged as they are, have a well-defined reason for their behaviour that we can understand, from their perspective, without agreeing with them. Yuno is just psychotic because that’s what the story needed.

And Yuki? You won’t remember him before the series is over.

I was rather bored with Future Diary for the most part. It doesn’t have that quality reminiscent of bad horror, where you can enjoy the silliness of the violence regardless of story quality (a bad story likely enhances the experience). The deaths needed to be more ridiculous like in Another, an anime that I didn’t find great either but had advantage of over the top deaths. It’s strange that Future Diary, so full of psychos, has such tame kills. I guess being generic shounen horror will do that to you.

Art – Medium

The visuals are rather good, though needs more atmosphere for this type of series. Scenes don’t feel as frightening as they should as a result.

Sound – Low

The Japanese and English acting is roughly the same. English Yuno is less annoying, but you may want her more psychotic Japanese counterpart. Regardless of language track, the writing sucks.

Story – Low

A boy with a mobile phone that tells the future enters a battle royale against others with similar devices, as a psycho chick protects him against everything except herself. Future Diary’s good idea crumbles under bad writing, incoherent storytelling, and shallow characters.

Overall Quality – Low

Recommendation: Skip it. Future Diary is too much of a mess for me to recommend and the deaths aren’t inventive or ridiculous enough to enjoy with friends.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Incoherent