Tag Archives: Shounen

Young Adult boys as the target audience.

Blood Blockade Battlefront – Anime Review

Japanese Title: Kekkai Sensen

 

Related: Blood Blockade Battlefront & Beyond (season 2 – included in review)

Similar: Baccano!

Jormungand

Tiger & Bunny

Trigun

 

Watched in: Japanese & English

Genre: Supernatural Action Comedy Science Fiction

Length: 24 episodes (2 seasons), 2 OVA

 

Positives:

  • NYC looks great.
  • Character focused standalone episodes.

Negatives:

  • Shounen protagonist doesn’t fit.
  • Lacks focus for the first act.

(Request an anime for review here.)

I can’t help but wonder if Blood Blockade Battlefront wasn’t intended for an older audience originally, until an editor/studio said it couldn’t succeed without the shounen demographic and so the protagonist lost a few years to meet that new audience. I say this because Leonardo, our protagonist, doesn’t fit with the rest of the cast.

Leonardo is a teenager who recently acquired the “All-seeing Eyes of the Gods”, which gives him immense power beyond his comprehension, so he heads to Hellsalem’s Lot (New York City) where the supernatural is an everyday part of life to look for help. There, he unexpectedly joins Libra, a crime-fighting organisation that deals with the supernatural and the mundane through use of powers of their own and modern technology.

Libra is a group of adults. While the focus is on the supernatural action with a comedy slant, when it does focus on characters, these Libra members have adult problems, which doesn’t gel with the themes of Leonardo’s character. Furthermore, there are too many episodes where he feels like a tagalong to the plot (or isn’t present at all), as if the author couldn’t figure out how to use his shounen protagonist in a seinen series. The adults are just more interesting in Blood Blockade Battlefront.

There is one episode where Leonardo works – the mushroom guy episode. He meets this mushroom guy (no better way to put it) with an appetite for burgers, who has spores that can erase memories. Criminals prize his spores. Imagine you could commit a crime and wipe everyone’s memory of the event – free money. Unfortunately, the spores affect mushroom guy as much as anyone else, which means he doesn’t know anyone because he forgets after each mugging. The standalone episode regarding his and Leonardo’s friendship is a good one. In fact, I find the standalone episodes to be the best of the series.

Another one that comes to mind deals with the work/family balance that many career adults face. A woman in Libra needs to assist with an important mission to intercept a drug shipment, but the day of the mission happens to coincide with parents’ day at her son’s school – a day she has missed for several years already due to work. The episode has a great moment on parenting when her husband explains to the son that it hurts her more than it does him when she can’t keep her promises. The humour works too (same author as Trigun). When she tries to get off the mission roster, her boss guilts her into staying by laying out the consequences of mission failure on other children – in a comedic way. In the end, she has to do both concurrently.

As I said, Leonardo is a side character to most missions, so he doesn’t drag down the series too much. He’s okay. The unclear motives and goals for early episodes are a bigger problem. The start is too hectic for its own good.

I do love the feel of this city matched with the tone of the characters. Mermaids, vampires, werewolves, monkeys, and aliens living alongside humans in a towering metropolis gives me a Baccano meets Tiger & Bunny meets The Fifth Element with a dash of One Punch Man vibe. The creative visuals and light humour, yet balanced by some heart, make Blood Blockade Battlefront an easy anime to watch once you clear the initial hurdle of not knowing what the hell is going on.

Art – High

It’s Studio Bones, so the art has a good minimum quality. I particularly like the look of New York City – fantastic colour depth and detail. The notable flaws are moments of repeated animation and the protagonist’s eye effect looks slapped in the scene.

Sound – Medium

Can’t stand the protagonist’s voice in English, so I switch to Japanese and he sounds the same! Don’t like either of their nasal voices. Other than that, the acting is good, though there is a missed opportunity in not having accents from New York’s various boroughs akin to Baccano.

Story – Medium

A kid with magic eyes joins a crime-fighting organisation in the big city populated by human and supernatural denizens alike. Blood Blockade Battlefront works best when following individual characters and is in need of a more adult protagonist.

Overall Quality – Medium

Recommendation: For action comedy fans only. Blood Blockade Battlefront isn’t a remarkable anime, but it has enough to entertain fans of the contemporary action genre. (Still can’t say Blood Blockade Battlefront quickly without fumbling my words.)

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

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My Teen Romantic Comedy SNAFU – Anime Review

Japanese Title: Yahari Ore no Seishun Love Comedy wa Machigatteiru

 

Similar: Toradora

Bakemonogatari

Saekano: How to Raise a Boring Girlfriend

 

Watched in: Japanese

Genre: Slice of Life Comedy Drama Romance

Length: 26 episodes (2 seasons), 2 OVA

 

Positives:

  • Second season looks better.

Negatives:

  • Unlikeable protagonist throughout.
  • “Deep” thoughts.
  • The drama isn’t really drama.
  • Hard to care.

(Request an anime for review here.)

I only watched this anime because of the title (“What is a snafu…?”) and came out wishing I hadn’t bothered. There is a subreddit called r/im14andthisisdeep that collects “deep” thoughts that are actually basic to the average person. My Teen Romantic Comedy SNAFU is that subreddit in anime form.

It follows the nihilistic high school years of Hachiman, who is forced to join the Volunteer Service Club as punishment for imposing his “deep” worldview on everyone. This club, which includes the ice queen Yukino, has the sole purpose of helping students in need achieve their goals. It’s a club about helping people, in short, with the hope of making Hachiman less of a douche.

As an example of the club’s activities, the first case is helping a girl who can’t cook, where the real lesson is that it’s the thought and effort that counts among friends. She soon joins the duo along with several others to create the typical group of high school friends.

SNAFU presents itself as a meta anime on the “high school friendships” genre, commenting on how much the genre overblows high school and how it doesn’t define your life, but ends up eating its own tail to become a pretentious, overblown high school friendship anime. It goes through the usual episodes – beach, summer festival, sports day, etc. However, instead of thinking, “You’re right, it is really stupid how big of a deal they make out of these events,” I just see SNAFU doing the same as the anime on which it comments.

The one differentiating factor is that the characters aren’t cheerful. Hachiman is anti-social, Yukino is anti-social, another girl is bad at socialising, and even the popular girl doesn’t have anyone who cares for her. Despite this difference, the story and characters play out much the same way as your average anime from this genre.

Initially, I thought that Hachiman’s musings were meant to be taken as the pretentious ramblings of some kid who thinks he has the world figured out, that we were meant to see him as unlikable before the story turns our opinion of him. He does grow less unlikeable, sure, but I don’t know anyone who would want to hang around such a boring person.

I considered the idea that the author was trying to emulate the deep (read: stupid) thoughts we all had as teenagers, and that this nonsense was accurate for a kid his age, but it never calls him out on it. Hachiman doesn’t sound like a teenager in over his head; he sounds like an adult failing to write a teenager. No one with any life experience would believe this author’s life lessons and witty advice – and by any, I mean any, even a few months out of high school would dissolve such notions. It’s weak.

The drama isn’t really drama either. It’s just students interacting lightly in a slice of life way to resolve petty affairs. It’s hard to care about such minor problems. Oh, your life hinges on being elected class president? Oh wow, so rough. It takes a council of 40 students to organise the same sports day as every year and if it fails, all is lost? What a tough life. Perhaps this is meant as satire, though if the case, then it flops.

It also bothers me that there is seemingly only one teacher in this school, who acts like one of the students and barely looks older than they do. This world, this anime feels so empty.

SNAFU isn’t funny enough to recommend as a comedy, doesn’t have enough tension for a drama, and shouldn’t even have the romance label. The worst thing about My Teen Romantic Comedy SNAFU is to see studio Brain’s Base, responsible for unconventional greats like Baccano and Princess Jellyfish, forced to make an anime so visually and narratively bland.

Art – Medium

Average art, indistinguishable for other anime of the era, until a different studio takes over in season 2 and does a better job. Cinematography is still stock.

Sound – Medium

Acting is average as well. Not bad, though nothing memorable.

Story – Low

A nihilistic student is forced to join the Volunteer Service Club, which helps other students achieve their goals. This story and its unlikable protagonist won’t appeal to anyone with a drop of life experience.

Overall Quality – Low

Recommendation: For 14-year-olds only. If you are above that age, My Teen Romantic Comedy SNAFU’s deep messages will be laughable.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Shallow

Toward the Terra – Anime Review

Japanese Title: Terra e… (TV)

 

Related: Terra e… (Movie – old version)

Similar: RahXephon

Gundam SEED

No. 6

Xam’d Lost Memories

 

Watched in: Japanese

Genre: Action Drama Science Fiction

Length: 24 episodes

 

Positives:

  • Grand scope with proper closure.
  • Intriguing open.
  • The sci-fi elements make for an engaging story.

Negatives:

  • Needs stronger key villains.

(Request an anime for review here.)

In another anime with the premise of a protagonist realising his world is a lie, we have Toward the Terra. Where No. 6 setup an ordinary world for the protagonist to exit from, Terra echoes events closer to the likes of The Island or Logan’s Run with a dash of RahXephon and Battlestar Galactica.

In Jomy’s world, talented people join the elites of humanity on the day they reach adulthood. This is an exciting occasion. Who wouldn’t want their child to lead humanity to greatness? This is also a lie. The test of adulthood is actually to identify any potential “Mu” among the populace. They are an evolved race of humans possessing psychic abilities that strike fear in the government. All Mu are executed.

Jomy’s birthday takes a turn for the weird when a mouse starts talking to him telepathically at an amusement park. It’s not long before he’s on the run as one of the Mu and the lie that is his world tears at the seams. Not only is there a race of psychics that live on a ship among the clouds, their leader Soldier Blue has fallen into a coma and wants Jomy to inherit his power and the burden of leading the Mu to a brighter future.

Toward the Terra immediately differentiates itself from the pack of like-minded stories by going off in a wild direction. This story spans years and ventures to places I didn’t predict. One could watch the first episode of Terra followed by the final episode and have no idea how it got from A to Z. No character is the same by the end of this series.

The first act sets up so many questions about this world and its characters. Where did the Mu come from? How blind is the average human to reality? Did Jomy’s human parents really love him? Is it possible for Jomy to undo the brainwashing on society? Who is leading the humans? Why are they so insistent on killing the Mu that aren’t a part of their society? Unlike No. 6, which setup many question but either forgot to answer them or gave meaningless payoffs, Terra delivers some great arcs and story conclusions.

This is my kind of sci-fi anime.

That said, it doesn’t reach greatness when looked at as a whole. There are moments of greatness – the setup episodes and other key events I won’t give away – but the problems are intrusive. The one that has stuck with me since having finished Terra months ago is the switch from Jomy’s perspective to one of the human elites in training.

We follow Keith, a Spock-like character except boring and with no personality. Furthermore, we have no clear idea why the focus is on him for so many episodes (turns out, he’s a major villain – no spoiler, they should have alluded as much from the start). Even furthermore, we don’t see Jomy during this section. It all makes sense in the end, of course, yet the structure of this early second act feels so disconnected from the plot that instead of enjoying the story, I’m asking, “Why does any of this matter?” for too long. It needed a back and forth of perspectives.

Oh yes, almost forgot – Keith’s main rival at the academy is a smiley evil guy. A laughable character. No one would just stand there and take his sneering for more than a day before removing all his teeth. When at this stage of the story, I thought all the good the premise had setup was going down a black hole. Thankfully, it picks up again once Jomy re-enters the scene and Keith’s role matters – he even becomes interesting after the academy years are over. The villains in general are on the weaker side.

Several other moments also standout as blots in the story. I can’t go into detail without revealing too much (as I said, this story goes in such unexpected directions), but they are in the vein of characters doing stupid things for the sake of forced conflict.

There is also a minor annoyance where each episode starts with several minutes from the previous episode. This isn’t a “last time on Terra…” bit, but a straight repeat of scenes. Could do without it, though not a deal breaker.

In all, the good outweigh the bad with the premise being a story type I love accompanied by strong sci-fi elements. I enjoyed Toward the Terra and may even rewatch it in future.

Art – Medium

The technical quality is average, but the creativity of the sci-fi world is good old retro-futurism. Beautiful skies. There is this one character, an alien scientist with the dumbest and most out of place design, like a stick figure in a scene of elfin people. I laughed every time she came on.

Sound – Medium

Solid acting and the soundtrack is suitable to the anime, though you won’t remember the details.

Story – Medium

On the cusp of adulthood, a boy learns he is an alien linked to the first of his race, which makes him an enemy of society and all humanity. This grand space voyage has a lot in it that works for the most part.

Overall Quality – Medium

Recommendation: For sci-fi fans. Toward the Terra’s sci-fi elements will make it a pleasure to fans of the genre, but those same elements will alienate others. And the characters aren’t strong enough to carry interest if sci-fi the premise doesn’t hook you.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Soul Eater – Anime Review

Japanese Title: Soul Eater

 

Related: Soul Eater NOT! (spin-off)

Similar: Blue Exorcist

Noragami

Bleach

 

Watched in: Japanese & English

Genre: Fantasy Action Comedy

Length: 51 episodes

 

Positives:

  • Creative visual design.
  • Fluid action animation.
  • Often funny.

Negatives:

  • Weak third act.
  • Narrow world building.

(Request an anime for review here.)

So, Soul Eater – this one took me a while to finish despite getting through the first 30 episodes in a week. It’s fun for the most part, but once it reaches the latter half, the increased action focus and reduced comedy coupled with stagnating development dampened my motivation. Before I explain why, let’s get on the same page with the premise.

Soul Eater is a Bleach-esque anime set in the realm of death where Shinigami train at Death Weapon Meister Academy and fight off supernatural evils. Its distinguishing characteristic is the living weapons, Demon Scythes, which switch between human and weapon form to fight for their masters. The ultimate goal of any Shinigami is to harvest 99 souls and one witch’s soul to turn their weapon into a mighty Death Scythe. The principal characters are the straight-laced Maka, wielding the scythe Soul Eater Evans, the brash Black Star contrasted by his kind weapon Tsubaki, and the OCD-riddled Death the Kid with his twin pistols Patty and Liz.

The first aspect one notices of Soul Eater is its distinct visual style. The urban anime art reminds me of the game The World Ends with You, which is a great fit to the character and world design. The drooling sun and laughing moon look like graffiti you would find in an abandoned train yard. It stands out from other battle anime.

However, in spite of this distinct looking world there is something missing from it. For a time, I could not put my finger on it, on why Soul Eater didn’t draw me in. The action is good, similar to other good battle anime, and the cast, though nothing new for the genre (except perhaps Death the Kid) is solid. You’ll likely find a favourite and enjoy the powers. So what’s missing?

The larger world is missing.

It took me far longer than I would like to admit to realise that there is nothing in this world outside of the main plot. It’s like a rail network with only one line. You can look outside the windows and see a city around you, but no trains go there and you only see story-relevant passengers on board. This city is a mere background like North Korea’s fake “Peace Village”. Soul Eater has a narrow world. You know how most fantasy anime have main characters travel to distant places and meet other cultures? Soul Eater not only doesn’t do this, but it also gives the impression that no such places exist. All of this adds up to a difficulty in finding reason to invest in this world and its characters. If you can attach to the characters otherwise, then I assume this won’t be as much of an issue for you as it was for me.

For the characters themselves, as I said, they are solid. My favourite is Death the Kid (even though the way he holds the guns with his pinkies is the stupidest thing ever). The school exam episode is hilarious. Seeing Kid’s OCD cripple him so badly that he can’t start until he writes his name perfectly on the paper had me rolling. It’s a shame the series shifts from this fun battle anime in the first half to a serious-action-only second half. Honestly, if the fun angle had persisted, I would have finished this much sooner.

The third act is the weakest section. My understanding is that this act is a wild deviation from the manga, which wasn’t finished at the time (the manga continued for four years after the anime). It shows.

The final battle in particular is one of the weakest I have seen in this genre. Off the top of my head, only something garbage from start to finish like Beet the Vandal Buster delivers a worse showdown. Soul Eater’s finale feels like the filler it is, written by someone with no investment in the manga or experience in writing. For one, it focuses on Black Star almost exclusively, who is the most “annoying shounen kid” of the cast. He’s not even the protagonist! For two, the win condition for this fight is just nonsensical. I won’t give it away, though you can watch the final episode (51) for yourself – even out of context you will see what I mean. A wet tissue of an ending.

I’ve said it before, but a bad end feels worse than poor quality in any other section. Soul Eater is a lot better than the end presents to us. If you do want to watch this, I recommend switching to the manga afterwards.

Art – High

Soul Eater’s distinctive designs make it a memorable look. Also, the animation shines during action scenes.

Sound – Medium

T.M.Revolution, one of my favourite artists responsible for much of the excellent Gundam SEED soundtrack, does the first opening here – I never skipped it. The music in general is decent, as is the voice acting in both languages. The dialogue does need trimming and less shounen clichés during combat though.

Story – Medium

A group of young Shinigami battle supernatural entities to collect souls for their living weapons and to protect their city. The story follows a normal shounen structure, but is truly let down by its end.

Overall Quality – Medium

Recommendation: For action fans. While a little different from the norm, Soul Eater is still a battle anime at heart so won’t extend beyond its demographic. You will need to continue with the manga for a proper end.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Nisekoi: False Love – Anime Review

Japanese Title: Nisekoi

 

Similar: Toradora

My Bride is a Mermaid

Golden Time

 

Watched in: Japanese

Genre: Harem Comedy Romance

Length: 32 episodes (2 seasons)

 

Positives:

  • Reasonably funny.
  • Beautiful art.

Negatives:

  • Goes nowhere.
  • Same harem clichés.
  • The promise pendant gimmick is moronic.
  • Initial setup doesn’t matter.

(Request an anime for review here.)

There’s something to be said about watching a certain type of anime for first time. I remember thinking Elfen Lied was great, believing Emma: A Victorian Romance was a superior romance, and dubbing Scryed as one of action anime’s best. These were the first anime of their kind I had seen and as such, I didn’t have a measuring stick to compare. Sure, I had seen other gore stories like Elfen Lied, but never one centred on innocent girls. Emma came to me before my love of period romances and Scryed, despite being action – one of the few genres I watched back then – was so different in its powers and commitment to characters. Not to suggest that I find these series bad today. However, I have seen many better cases since. I am sure you can all relate.

Coming to Nisekoi, it is the 30th of its kind that I have seen, which does no favours for its cliché-riddled characters and head-smacking plot. I had heard sound bites of negativity from several people, including from some of my readers. This seemed odd, for Nisekoi is from studio Shaft known for quality works like Bakemonogatari and Madoka Magica. And what screenshots I had glimpsed looked great.

Having finally seen it, the art is great – better than I had imagined – but the story…well, I’ll get to that. 

Nisekoi is a comedic reverse Romeo & Juliet, of sorts. Raku, heir to a yakuza family, enters into a forced engagement with Chitoge, granddaughter of the mafia’s leader, as a way to bring peace between the gangs. The only problem is that they hate each other and thus must pretend to be in love for the sake of duty. To further complicate matters, Raku made a promise with a girl 10 years ago, but he can’t remember who she was. He just knows she will have the matching key to the pendant around his neck. Also, he has a crush on his school friend Onodera. 

The first episode has so many clichés – toast in mouth, guy falls on top of girl, fawning over transfer student, girl punching guy – that it immediately makes one lose hope. However, once episode two introduces the key event of Raku’s engagement to Chitoge, my opinion reverses. The premise is genuinely funny. Seeing these two pretend to be in love while yakuza and mafia thugs spy on them from behind trees, yet not be in love when classmates are around to make sure everyone knows they hate each other had me laughing plenty.

So where does it go wrong? If you’ve noticed the harem genre above (or tag below) and this isn’t your first rodeo, you can guess with 100% accuracy. More girls for the harem. 

Nisekoi’s premise barely lasts a few episodes before it spirals into harem wheel spinning. A third girl joins the cast, and then another soon after. Each settles into her dutiful role as a harem girl, never deviating from the mould or advancing the plot. Even the Raku-Chitoge relationship that gave hope earlier thanks to their stronger personalities falls right into place. The wrong place.

It’s the same harem garbage you see everywhere. The bathhouse, beach, and school play episodes are the same, tsundere behaviour is the same as ever, and even Kamino itself couldn’t have made a better clone for the childhood friend. It is good-looking garbage of course – Shaft brings their signature cinematographic flair and unique art style to make this the most beautiful harem of all time (sorry, War on Geminar; you can’t compete anymore). 

The one story distinction Nisekoi has over its kin is the idea of his “one true waifu” to end up with, but even that goes nowhere, so it doesn’t matter.

In reality, the plot centres on that pendant of his. The gimmick is lame. For one, the pendant looks too stupid for anyone to wear at all times. Second, it’s a contrived way of tying two people together because we are somehow to believe that a 10-year-old promise magically makes people compatible. It hints early on that Onodera has the key. Turns out, it may not be her but Chitoge he made the promise with (she too has a key). But wait! It may not be either of them. Yet another girl from his childhood has a key and swears they made a promise. (She is from the city’s third “gang” – the police.)

Give me a break. 

See, I can imagine that had Nisekoi been my first harem anime, I would have enjoyed it. I would have still been disappointed by the lack of direction, naturally, but I would have laughed a lot (remember, the clichés wouldn’t have been clichéd to me yet) and the visuals would have suckered me in. Now though, having been through the trenches fighting off the same old harem thots for years, my eyes glaze over. Unless you’re new to the genre, don’t bother with this one. 

Art – High

Nisekoi looks great with extensive effort gone into the cinematography, colouring, and animation. That’s how it gets you. It looks too good for a bad anime. Several girls do look too much like Monogatari characters.

Sound – Medium

I like the lead girl’s performance and the others are fine too. Music is serviceable.

Story – Low

The son of a yakuza leader must pretend to love another gang leader’s daughter – someone he hates – to keep the two groups from war, all while searching for the girl he made a promise with in childhood. Nisekoi is as generic a harem as any other that goes nowhere.

Overall Quality – Low

Recommendation: Skip it. No amount of fancy art can turn Nisekoi into a good anime.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Induces Stupidity