Tag Archives: Shoujo

Young Adult Girls as the target audience.

Glass Mask – Anime Review

Japanese Title: Glass no Kamen

 

Similar: Skip Beat

Kaleido Star

Searching for the Full Moon

Hikaru no Go

 

Watched in: Japanese

Genre: Drama

Length: 51 episodes

 

Positives:

  • Faithful recreation of Yokohama.

Negatives:

  • Teaches bad acting practices.
  • Insufferable protagonist.
  • Lead actress isn’t good enough to play a chameleon character.
  • Every role is Oscar bait.

(Request an anime for review here.)

How is it that one can make an anime about acting only to end up with a Mary Sue that can’t act?

Glass Mask is a frustrating anime. It’s something different and about acting, an art form I love, so I wanted it to succeed in the same way that Nodame Cantabile did with music. I kept giving it chances to improve, but it did nothing other than disappoint me further at each stage.

We follow Maya Kitajima, a 13-year old girl with big dreams of stardom on stage and screen as she toils away as a ramen delivery worker. She loves to perform for anyone that will watch. While playing with kids in the park, a crone-like lady comes up and proclaims that Maya is the star she’s been looking for all these years! Maya rightfully screams and runs.

This is the first red flag. Never believe anyone who tells you, “I knew it from the first that they would be the best.” When a teacher finds a future star, they don’t see the greatest to have ever existed. They don’t witness perfect pitch or hear the perfect note on the piano – many can do that in a vacuum. They see something more, a quality that could take them further, whether it is determination, focus, a different take on the art, or unexpected creativity. (And remember, more stars fail than succeed.) In Glass Mask, Tsukikage instantly sees the greatest actress that will live in a 13-year-old girl with no training and no experience. Sigh…

We can forgive that as the typical exaggeration of anime. It’s common for the protagonist to have some amazing quality right away, so it’s not a death sentence.

Acting is an obsession to Maya. While out on deliveries, she often finds herself distracted by the local theatre or cinema with the latest dramas from her favourite stars. We see an early example of how far her obsession goes when she makes a bet with the bratty daughter of the ramen shop. If Maya can complete all deliveries on New Year’s Eve, the busiest night of the year, on time and by herself, the other girl will give her tickets to the latest hit play starring her favourite actress.

This takes place in Yokohama (well recreated here, by the way, with the warehouses by the wharf, the downtown amusement park, and beautiful skyline). The restaurant is in the city’s Chinatown and I recognise several of her delivery destinations. I have toured Yokohama (love it!) and let me assure you that no one would be able to cover the ground she does in so little time, even if they had bike. Oh yeah, did I mention she does this on foot? In the middle of a winter night? While carrying two cabinets with several of ramen? Which, as a minor aside, means she has to return to the restaurant after every few customers. Did I forget to mention that? Before one would even consider the feasibility of her task, there is no way the owner would hinge her restaurant’s reputation on a child’s bet.

Of course, she succeeds.

Okay, perhaps we can forgive this as well. It’s the equivalent to the shounen protagonist beating the “unbeatable” trial set by a teacher to prove that they are worthy of becoming a pupil. What follows, however, is unforgivable.

Through a series of events too long to detail without being here all night, Maya becomes apprentice to the crazy crone from earlier, who turns out to be former diva and legendary actress Chigusa Tsukikage. A director wants to remake her greatest film (imagine Casablanca) with the current popular actress (Maya’s favourite). Tsukikage doesn’t believe she can live up to the role and decrees that there won’t be a remake until she trains Maya. This performance is Glass Mask’s end goal.

So, Maya moves into Tsukikage’s mansion with several other girls to practice acting day and night. And it just gets stupid from here.

First, Maya has the ability to memorise an entire play – everyone’s lines – in a single viewing and recreate it without practice. She also instantly knows how to convey any act on her first try. Glass Mask demonstrates this in one of the most laughably bad scenes in anime.

On their first night at the mansion, they have to mime eating their favourite dish after Tsukikage tricks them. Everyone is blown away – tornado picking up Dorothy’s house levels of blown away – at her imitation of slurping ramen. The way everyone reacts to everything she does is so over the top that it’s pathetic. This is a shounen for girls and her superpower is acting.

Another moronic scene has students pretending to get a bird down from atop a cupboard and back into its cage. Everyone does this normally, but for Maya that isn’t good enough. She acts as though she’s too short to reach the cupboard and this blows everyone’s minds! “Oh my god, we are so stupid! How did we not realise that a cupboard top is high up? Never mind that the exercise was about handling the bird – we should kill ourselves with shame!” They don’t actually say that, but their reactions do.

See, Maya’s defining personality trait is her need to be different, to be special from everyone else. One of her early gigs is the village idiot in a theatre comedy. Her role is comedic relief with the explicit purpose of making the audience laugh. That’s what they pay her for. The ignorant director, in his decades of experience, forgot that comedy is beneath the great Maya. She changes the script mid-act and takes over the play to give her character a tragic backstory, turning the play into a drama. Of course, the audience is in tears as they give a standing ovation.

You know what would happen to her in reality? Fired on the spot and no one wants to work with her again. Only the most gullible and acting ignorant person would fall for Glass Mask’s version of the art.

The stupid doesn’t stop there. Wait until she starts the method acting. Every one of her roles once her career kicks off is Oscar bait.

Her main rival is Ayumi, daughter of the current popular actress mentioned earlier. They compete for a variety of roles of equal pretension. One audition is to play a young Helen Keller, a woman famous for learning to read and speak despite being blind and deaf. Two of the audition judges are Ayumi’s mother and her mother’s manager. No bias, they swear.

After winning each role, Glass Mask takes a few episodes for Maya to go method while implying that if you don’t go method, you are a bad actor. In one role, she plays a bedridden girl; so of course, she goes out in the rain to get sick for the performance. Has Maya ever considered, you know, acting? Your Lie in April is far superior at dramatising the struggle to become a better artist.

In a move of divine irony, none of Maya’s performances – and her voice actress’s by extension – are any good. Not one performance manages to convince me that I am seeing a different character on screen. It’s always the narcissistic Maya. The funniest role has to be that of Wolf Girl, where she has to become a girl raised by wolves. Embarrassing.

I get the impression that the author of Glass Mask knows nothing about acting. Does the writer not know that acting is a collaborative art, where reacting to others in the scene is just as important as acting by yourself? Yet, this show acts as though the job of a performer is to slay your scene partner with sick line reads. This ain’t a rap battle. (Yes, they do have “act offs”. I am not kidding.)

Furthermore, all adults around Maya that have been in the business for years act like amateurs just to make her look better. “What is this…‘a-ku-ting’ you want me to do?” they say, drool slipping from the corner of the mouth.

Above all this, what I hate most about Maya is her false modesty. She wins an Oscar-like award as a teenager, receives a standing ovation after every performance and praise from all, but at the end, she says she isn’t that good. (I mean yes, her voice actress isn’t good, but that’s not what she meant.) What an insufferable character.

The ideas, if you list them out – girl obsessed with acting to the point of insanity, has-been starlet driven to train a protégé, showing the girl has natural skills at an impromptu audition, dedicating one’s life to the art – are all fine on paper. With the over the top execution of Glass Mask though, it takes them beyond the point of believability into laughable territory.

Art – Low

The art is more realistic (ish) than the norm for a shoujo anime. Animations need fluidity.

Sound – Low

Most performances are fine. However, having an actress with no range play a girl said to have the superhuman ability to become any character is a massive failure. The music is dull – OP, ED, BGM – all of it.

Story – Very Low

A young girl with a chameleon acting talent goes under the wing of a once great actress obsessed with raising a successor. On paper, everything sounds great. In execution, the journey is painful to endure alongside an insufferable protagonist and lessons that no actor should follow.

Overall Quality – Very Low

Recommendation: Avoid it. I don’t want people to watch Glass Mask, especially kids, and to think this is a representation of great acting. I almost gave this a Low rating, but I truly hate the lead and everything she represents.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Induces StupidityMary SueRubbish Major Characters

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Banana Fish – Anime Review

Japanese Title: BANANA FISH

 

Similar: Rainbow

Black Lagoon

91 Days

No. 6

 

Watched in: Japanese

Genre: Action Adventure Drama

Length: 24 episodes

 

Positives:

  • Strong protagonist.
  • Great visuals.
  • Doesn’t cringe from the subject matter.

Negatives:

  • Weak villains.
  • Humour doesn’t work.
  • Could use more brains.

(Request an anime for review here.)

Banana Fish is an adaptation of a manga by the same name that ended 24 years ago. Once a manga reaches a certain age, it’s often deemed outdated and financially unviable. Should one receive an anime adaptation, even then it could become “old news” and have no second season in favour of a gamble at the next big hit. So it’s a pleasant surprise to see something as old as Banana Fish on the slate. And when a studio does go out of its way for an old licence, they will put the full production effort behind it, as is the case here.

The story centres on young Ash Lynx, a handsome boy adopted by New York City Mafia Don Dino Golzine, who declares that Ash should inherit his empire. The boy is ruthless, resourceful, and charismatic – all the qualities he desires in an heir (and it helps that Ash is just his type). Unfortunately for the Don, the boy is also rebellious and despises him like the devil. Ash becomes hell-bent on destroying his father and abuser, especially once suspicion arises of his involvement in the death of Ash’s brother and a mind control drug called Banana Fish. This dangerous game becomes more personal when he meets Japanese photographer Eiji, with whom he makes fast friends. Eiji has just entered a world of abuse, drugs, and death.

Ash is an interesting character and the strongest element of the story. He is a mix of violence and pain as he hates just about everything in his life, yet has these moments of intense vulnerability like a lost child that has no idea of the world. As a child, people sexually abused him, particularly in the mafia including Dino, which taught him that his most valuable asset to these monsters is his body. He’s so damaged by this, one isn’t sure if he’s actually gay or if he’s willing to use his asset to gain the upper hand. It’s messed up, but it makes for an interesting protagonist.

Banana Fish opens on a song to hype you up for the action and ends on a ballad of sadness to remind you of Ash’s pain. That is the heart of Banana Fish.

Eiji is the opposite: sweet, innocent, doesn’t know how to handle gun, and hasn’t even kissed someone. He’s the only good in Ash’s life. Nothing was free in Ash’s world, until he made a friend.

The rest of the cast is a motley crew of gangsters, street urchins, and forgotten soldiers. They work fine in their roles. Where Banana Fish fails its characters is with the villains. Not one of them is interesting or has any depth. Dino is just a creep obsessed with getting Ash to come back as his heir. His plan to accomplish this? What plan? The Chinese guy with long hair, said to be a master manipulator, only succeeds through plot convenience and his ultimate desire for death is just nonsensical. He’s more whiny cartoon child than evil genius. The rest are run-of-the-mill thugs and henchmen, as normal.

The focus on action over character does lessen the impact of weak villains, since this isn’t a battle of ideologies or wits. However, the action-dominated story does dampen the initial setup with Ash’s background and his friendship with Eiji. It doesn’t stop long enough for us to absorb these characters.

To compound problems further (it’s chain of problems, at this point, one leading into the next), the action isn’t smart like Code Geass or stylised like John Wick or Mad Max: Fury Road, so I don’t feel the action alone can carry the series to greatness. People take life-threatening injuries only to stand up a minute later as if they won’t die of blood loss any moment now. Also, Ash is supposed to have an IQ of 180, yet his plans are far from genius. One hit on Dino involves standing atop a truck to take the shot while speeding past. Really, that’s your plan? Nothing in Banana Fish lends credence to his genius label. If they simply hadn’t mentioned it in that one episode, it would have been irrelevant. He’s of average intelligence with high charisma, which is perfectly fine.

My other problem with Ash is the overuse of certain tropes. For instance, I lost count the number of times he wiled his way out of captivity by seducing his captor/guard. It’s awfully convenient that every single one of them is gay and falls for the oldest trick in the book. It made sense the first time when his captor was a past abuser that still craved him. After that is pushing it. Even the humour, which is often jarringly out of place, uses this trope in a light-hearted manner.

Banana Fish has a much stronger first half than second. The first has all the tension, tough choices, harsh losses, and less to do with weak villains. It’s still a decent anime in the second half, though you have to love it for the action more than anything else. And if you make it to the end, the final scene is the best in the series.

Art – High

One of the better-looking series of the year, Banana Fish has a colourful style with plenty of detail, nice animation, and consistent quality. Distant characters lack detail though.

Sound – High

From OP to ED, main character to supporting, all the audio is great.

Story – Medium

An heir to a criminal empire rebels against the predator that raised him and finds friendship in an unexpected place. Banana Fish has a strong first half, fluctuates up and down for the rest of the way, but ends on a great moment.

Overall Quality – Medium

Recommendation: For action fans. Banana Fish looks great and has plenty of action to keep the crowd busy. Not for children.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Ghost Hunt – Anime Review

Japanese Title: Ghost Hunt

 

Similar: Psychic Detective Yakumo

Ghost Stories

xxxHOLiC

 

Watched in: Japanese & English

Genre: Supernatural Comedy Horror Mystery

Length: 25 episodes

 

Positives:

  • Good fun.
  • Everyone is a fraud.
  • Isn’t predictable.
  • The Australian accent.

Negatives:

  • The Australian accent.
  • Low production values.
  • Not scary at all.

(Request an anime for review here.)

Ghost Hunt looks like arse, the performances are half-arsed, and these ghost hunters couldn’t tell the difference between a gust of wind and their arses. And that’s what makes this anime fun.

For reasons that could never see justification, Mai is forced to work as the assistant to 17-year-old Kazuya, sceptical ghost hunter of the Shibuya Psychic Research Company. Their slave-master relationship begins at her school with the case of the abandoned school building, but soon goes on tour to other haunted locations in Japan. They are joined – rather coincidentally – at each site by a rock star Buddhist monk, vain Shinto priestess, TV spirit medium, and (my favourite) an Australian Catholic priest.

The poor visuals and near absence of animation turned me off the series until the full cast of characters assembled at school. Unable to handle the bad PR of having a haunted building on campus, the principal hired someone from every religion he could think of to assist Kazuya. They are great together. I love that they each think everyone else is a fraud. It brings a good level of humour to the story, especially coupled with the inspiration taken from those fake American ghost-hunting series. A chair falls over and everyone freaks out!

However, nothing is funnier than the Catholic priest in the English dub. His accent is so bad that it transcends hilarity, so much so that I recommend watching Ghost Hunt in English. I couldn’t stop laughing every time he spoke.

The other strength of Ghost Hunt is in how they handle the mysteries. Each case takes three to four episodes, building layers to the backstory and throwing twists at the investigators. It isn’t as predictable as I anticipated. I like how Kazuya is a sceptic who doesn’t jump straight to the supernatural answer, instead checking if there is an earthly explanation for the weird occurrences first. Just when you’re sure it’s a phantom, he unveils a logical explanation or vice-versa. Furthermore, these aren’t generic urban myths you see in every horror series. The mysteries are good enough to keep you on the hook, wanting to know what happened, and the group dynamic among these hack frauds maintains decent tension and humour.

In an effort to dispel any notions that Ghost Hunt is a great series after all that praise, let us go through the problems. First, Mai isn’t a useful character. She is your typical audience stand-in – an ordinary person thrust into a paranormal world surrounded by experts (“experts”) that do all the work. Second, there is no need to waste time reintroducing the other exorcists each new case. And third, Ghost Hunt isn’t scary. At all. It could have made more effort with the horror side of being a comedy horror series.

I went in with zero expectations, which dropped further upon seeing the art and hearing the performances, but I came to embrace the goof once the cast gathered and the mysteries developed.

Art – Low

There isn’t much animation (no high detail to compensate either) and the shattering glass is so obviously CG. What else do you need to know?

Sound – Low

You have to watch this in English for the Australian accent. He does have oddities in his Japanese dialect as well, but you won’t notice them if you don’t understand Japanese. The spooky OP is effective, though I wonder if the lack of lyrics was a budget constraint (made the best of what they had, regardless).

Story – Medium

A high school girl becomes assistant to a ghost hunter to pay off a debt. With some possibly unintentional comedy and unpredictable mysteries, Ghost Hunt has enough to be good fun for cheesy horror fans.

Overall Quality – Medium

Recommendation: Try it. Ghost Hunt’s slim budget and cut corners only add to the fun. This is a horror series for those who prefer mystery over gore (see Another for the gore).

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Angel Sanctuary – Anime Review

Japanese Title: Tenshi Kinryouku

 

Similar: Koi Kaze

X

Ceres, Celestial Legend

 

Watched in: Japanese & English

Genre: Supernatural Action Drama Romance

Length: 3 episodes

 

Positives:

  • May be the worst anime of all time.

Negatives:

  • The writing.
  • The art.
  • The acting.
  • The romance.
  • The lore.
  • The characters.

(Request an anime for review here.)

We may have done it. We may have found the worst anime, dear readers. I don’t want to make a definitive statement without seeing a few other candidates first, but Angel Sanctuary may be the slurry of the septic tank.

This is a story of a guy, Setsuna, who may really be a woman – an angel woman called Alexiel – in love with his sister. Every supernatural entity seems interested in him, for reasons that aren’t made too clear. One character – a princess, apparently – wants him because his previous angel incarnation saved her life. Alexiel’s brother, who looks more like her sister, wants Setsuna to revert to his angel self so they can fight, for some reason. The story throws in random thugs to fight Setsuna as well, as if this wasn’t bloated enough already. And of course there’s the “romance” with his sister.

The immediate problem you notice with Angel Sanctuary, after supressing the bile in your throat at the animation, is the muddled nature of the story. It never bothers to let events sink in – it is one scene, one concept to the next, one after the other in a ratatatat, each said to be of great importance, yet not treated as such. The manga is 20 volumes long, which I imagine expands upon proceedings and likely lessens the ridiculousness of having everyone chase Setsuna at once by spreading out events. I haven’t mentioned several sub-stories either. It’s a mess.

Some guy’s father “has a premonition” that turns him around to see his son before he dies. Where did he gain this power? Why are you asking me?

The writing is something else. The credits for the edition I watched had behind the scenes of the VO recording and Crispin Freeman, the one good dub performance, is reading one of the lines but stops, asking what it even means. “The only thing of beauty to come out of God’s refuse that I am…” You’ll often find yourself asking that same question.

Angel Sanctuary loves its weird lore, dumping specialist terms you will never remember and fantasy names you won’t care about at a dozen per scene. You can’t overload three episodes like this and expect the audience to remember.

Giving the characters actual character and personality to associate with the lore would help. No one develops throughout this story. The development is so bad that I expected the incest sub-plot (or is it the main plot? Never clear) to have no conflict, but to my surprise, it had some. Now, don’t mistake this for praise – I would never praise Angel Sanctuary. The conflict is terrible. “I’m so conflicted about my feelings. It’s tearing me apart [Lisa]!” Two seconds later: “Oh hey, I’m no longer conflicted.”

The romance is, predictably at this point, one of no substance. Why do these two love each other? Haven’t the foggiest. I suspect that with the angel versus demon battle alluding to Christian mythology, the incest romance is just to complete the theme. Like everything in Angel Sanctuary, it doesn’t make sense or work towards the overall cohesion of the narrative.

You would have to see this anime for yourself to believe how bad it is. Too difficult to put into words.

How did Angel Sanctuary even get on my list when it is so obviously bad? It was advertised in one of the first anime DVDs I bought ages ago and I, for some reason, had to watch it at some point, on principle. It’s worse than I could have ever hoped for.

Art – Very Low

This low key frame animations, inconsistent anatomy, digital light effect using, no cinematography, eyesore of an anime is painful to witness.

Sound – Very Low

No level of acting could make this awful writing work. The dub is something special.

Story – Very Low

A guy with a supernatural secret grapples with feelings for his sister as angels and demons want a piece of him. What is this story trying to show?

Overall Quality – Very Low

Recommendation: So baffling that you have to see it to believe it. Angel Sanctuary is garbage – the sort of garbage that is fascinating to watch, like a fireworks factory on fire.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Atrocious PlotAwful DialogueEar Grating Voice WorkIncoherentNo DevelopmentPoor PacingRubbish Major CharactersUgly Artistic DesignUseless Side Cast

A Place Further than the Universe – Anime Review

Japanese Title: Sora yori mo Tooi Basho

 

Similar: Yuru Camp

Girls’ Last Tour

Space Brothers

 

Watched in: Japanese

Genre: Slice of Life Adventure

Length: 13 episodes

 

Positives:

  • Good finish.
  • Pleasant art.

Negatives:

  • Frequent immaturity to force cuteness.
  • First act is rather boring.

(Request an anime for review here.)

I don’t have much to say on A Place Further than the Universe, which comes as a pleasant change after Hunter x Hunter’s review.

It is a story about spirit and youth. Mari feels trapped in her ordinary Japanese life and craves to do something impulsive, go on an adventure! But after she chicken’s out on an impromptu adventure, all seems set to return to normal – that is until she meets Shirase, a girl determined to go to Antarctica, where her mother went missing. A third girl joins them soon. However, not just anyone can go on an Antarctic expedition, especially not a trio of high school kids. Their ticket to the frozen land appears in the form of Yuzuki. If they can convince this idol to go, they can accompany her as companions.

Like all anime about cute girls, acting cute is a top priority for the characters and the main reason I’m not into these shows. Cuteness doesn’t bother me – it’s the forced cuteness. The first scene has Mari suddenly bawl her eyes out in front of her mother, which I assume is meant to be cute, but is just immature. Not even an infant would act this way. The difference between A Place Further than the Universe and Girls’ Last Tour, where the cuteness worked for me, is in how much they draw attention to it. Here, the girls have these overreactions and pantomime-like performances as if to say, “Look at me – I’m cute! You agree, right?” The girls in Last Tour simply are cute, so they don’t have to demand your attention every few minutes.

 This immaturity, often from Mari, is a recurring annoyance and seems to replace story and development for act one. Act two is a little more interesting as they train and prepare for the expedition. It’s still too much “cute girls being cute”, but the Antarctic knowledge from a mature adult character improves matters. The episodes aren’t bad, though I routinely found my focus slipping, only to snap back a few minutes later and realise I was still watching this anime.

The Antarctic portion doesn’t start until act three. At last, the girls have things to do other than act cute and seeing daily life in the Antarctic is fascinating – how a ship breaks through the ice, how supplies come in, sunburn, the dangers of a blizzard, and so on. There isn’t any great disaster for them to contend with – things are still light-hearted – but it’s more than just the girls now, as it should have been from the start. It also closes Shirase’s arc in the search for her mother in a heartfelt and satisfying way. The third act is far superior to what came previous and as such, leaves you with a positive impression.

Fans of cute girls anime will love this more than I did, of that I have no doubt. A Place Further than the Universe doesn’t pretend to anything beyond its initial impression. It doesn’t lie, bait, or emotionally manipulate you. It’s about high school girls going on an adventure to Antarctica with a lot of silliness and a touch of emotion. And that’s fine.

Art – High

This anime’s strongest quality, the art, uses bright colours and pure white highlights to complement the energetic and uplifting feel of the story.

Sound – Medium

The acting is alright – a little overdone to the point of becoming pantomime at times.

Story – Medium

A group of high school girls set their adventurous hearts on reaching Antarctica to accomplish something with their youth. A Place Further than the Universe keeps things light, which does limit depth and makes it hard to keep paying attention, but the end is strong enough to leave on a good note.

Overall Quality – Medium

Recommendation: For fans of the cute girls doing things genre. We’ve had cute girls in bands, in tanks, on battleships, and now in Antarctica. Fans of the genre are spoilt for choice!

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None