Tag Archives: Seinen

Adult Men as the target audience.

GetBackers / Kiddy Grade / Witchblade – Quick Thoughts

GetBackers

Genre: Supernatural Action Comedy Science Fiction

Length: 49 episodes

Today theme of quick reviews is action anime I liked at one point, yet haven’t seen in a long time and haven’t reviewed. When I did my “Watched but Not Reviewed” list (missing quite a few titles, in hindsight), it brought many anime back to my attention that simmered to the surface until I had the urge to check them out again. Are they as I remember?

We start with GetBackers, my favourite of the three in the past. It even featured an honourable mention in my “Former Favourite Anime” list, so this was important to me. I need to say this right away though: GetBackers does not live up to my memory whatsoever. The art is super budget for this super powered series. The animation is far more of a slideshow than I remember and the characters have little detail, though their designs are unique so clarity isn’t an issue. I swear it looked better in my head.

GetBackers is set in an alternate Earth where some people have superpowers akin to The X-Men (each can do their one thing) and most of these superhumans work as either Retrievers, Transporters, or Bodyguards at odds with one another. It’s like John Wick – you have to accept this is how the world works or we aren’t going anywhere. Main duo Ban and Ginji work as Retrievers, the GetBackers, guaranteeing satisfaction no matter how small or impossible the request. Unfortunately, they are horrendous with money even after a big payday and so live in squalor.

To give a few positives, the main duo is good fun and the humour is successful, for the most part. GetBackers also feature the best – the best – use of chibification in all of anime. If I will forever remember one element of GetBackers for the rest of my life, it will be the chibification perfection. I still laugh whenever Ginji turns into a scared chibi after realising he’s alone with Dr Jackal.

Now for a dose of memory versus reality. I remember GetBackers as an awesome action series with cool powers, varied characters, and a mysterious plot. In reality, we have repetitive action, cool though limited powers, varied but one-note characters, and puddle-deep mystery. It astonishes me how different this is from memory.

GetBackers was in the early years of when I really got into anime and when one is at that early stage, everything is so much more impressive. I believe this was my first super power variety anime (saw Scryed later). I can imagine past me having a conversation with present me, gushing about how cool the powers are and how there are so many, how unique it is, only for present me to pull out 30 anime that do the same and often better. Conversation over.

It’s why I don’t blame newcomers for thinking everything is amazing. Everyone has been there. Every anime is a 10 when you have only seen seven of them. As one’s mental library builds, the flaws start to come out when a superior example is available.

A key detail I never noticed was the repetition. Nowadays, repetition almost guarantees to kill my interest, never mind rewatching the series, as I did several times with GetBackers in its heyday. Ban has the power to make people see illusions for one minute after eye contact. Let me tell you, no word of a lie, that this resolves every case. I love illusion powers and I thought this was the coolest thing ever, but man is it the same resolution every time. A common scene is to have the villain kill the heroes, immediately vocalise his plan/list of compatriots, and then for Ban to say “Just one minute”, revealing it was all an illusion. This is no Sharingan level of cool.

On rewatch now, GetBackers was okay for the first few cases. Once they enter the Infinite Fortress – a labyrinthine slum filled with superpowers – it loses the fun. The anime also didn’t adapt the biggest reveal of the story, which would have explained why people have these powers and why the Infinite Fortress matters. Knowing the twist, however, I’m not sure I entirely disagree with cutting it.

I tried the dub for the first time (none of these anime had a dub at the time) and holy Pokéballs, Shinji, is it not good. It isn’t “they recorded random people on the street” levels of bad. These are clearly actors, just not voice actors. This is a great example of a professional dub that studios thought were fine once upon a time, which thankfully doesn’t fly anymore (at least, I hope not). The lack of energy in the voices, the stiff reads, the monotones, bloody hell, what a disaster. The acting starts bad and only gets worse with each new character introduced. It’s hard to believe the likes of Cowboy Bebop managed a perfect dub when this was normal.

Almost forgot – the OP song may just be the worst I’ve heard in anime. If you want to know my taste in music, then take this and imagine the opposite.

*     *     *     *     *

 

Kiddy Grade

Genre: Ecchi Action Science Fiction

Length: 24 episodes

Next we have Kiddy Grade, an anime similar to GetBackers with a variety of super powered pairs facing off, but in a heavy sci-fi setting. Our leading ladies are Éclair and Lumière, agents of the Galactic Organisation of Trade and Tariffs. While the organisation’s name implies involvement only in commerce, it actually has fingers in every space pie (everything comes back to money if you look far enough).

This is a spy thriller with Éclair donning a number of disguises, undercover missions, and gadgets for every conundrum. It explores several “what if” questions from the setting and sci-fi concepts for drama. Even the powers have sci-fi roots. Lumière can talk to computers, for example, and Éclair’s strength comes from body modification. There is effort in the world building.

After the stark difference between memory and reality with GetBackers, Kiddy Grade is about as I recall. I should note that this anime came to me later in the experience track and that I didn’t love it at the time, just enjoyed it enough for a rewatch (when you didn’t have much variety, rewatches were common). My opinion of it has fallen – I lost interest by the end of act one this time – as this is a case where once you’ve seen so many better versions of this story, this setting, this idea, you can’t help but wish for something else. Also, my distaste for lolis has only increased, of which there are too many here.

The similarities between Kiddy Grade and the previous anime are uncanny, right down to espousing the same basic morality lessons – “Being evil is bad.” “Don’t kick puppies.” I never put the two together until this rewatch.

However, Kiddy Grade works better than GetBackers by having more variety, more effort in the narrative through line, and significantly better art. Without looking it up, I want you to guess how far apart these anime released.

Five years? Three years? Three months? Try five days apart. Kiddy Grade is better representative of how standard anime looked in the early 2000s. The production holds up from studio GONZO and the dub is so much better than GetBackers that you’d never guess they came from the same year. It’s fascinating to see.

*     *     *     *     *

Witchblade

Genre: Action Science Fiction

Length: 24 episodes

And finally, we have Witchblade, based on the American comic series of the same name and the anime I had watched last of the three. By the time I got to this, I had seen plenty of anime, so I was under no illusions towards its quality. The question is whether my slightly favourable memories are too kind or too harsh.

This is a more mature series than the other two. A sci-fi action series like the others, except hyper sexualised in the ass kicking. Kiddy Grade has panty shots; Witchblade has death by snu snu. If the shot in the OP of the protagonist wiping streaks of blood across her bare arse, vagina blade in full view, isn’t enough to tell you what this anime is going for, then no one can help. Witchblade is about tall, leggy, busty women in scant armour beating the life out of one another (toned down from the comics, if you can believe it). The Witchblade lusts for battle – literally – as combat turns it on to orgasmic peaks.

And if it were in the hands of a worse team, that’s all Witchblade would be. However, this anime has more to it, for at its heart is the story of Masane doing everything she can to give her daughter Rihoko a better life. Their relationship, not the action, is the spine of Witchblade. In fact, of these three anime, Witchblade has the least action with far more time spent on character and relationships. Furthermore, despite being more sexual than the others by leagues, it is the most mature (and certainly less creepy than Kiddy Grade). It has a surprising romance that doesn’t forget Masane’s status as a single mother. Long before the end of the story, I care for this woman and her daughter. I feel for the struggles they go through as a child welfare agency wants to separate them. And I appreciate how grown up the romance is without changing the tone into a heavy drama.

Should action be your main draw, then Witchblade also delivers. It isn’t repetitive, unlike the other two, nor does it drag beyond its welcome and doesn’t pause to exposit on how the powers work every fight. This isn’t some spectacular anime, of course – more lore, a darker mystery, and more development to the antagonists wouldn’t have gone amiss. It engaged me to the end, however, and that is worth something.

I also like the scientific approach to the Witchblade. If you supposed this device and its power was real, how would scientists approach it? Masane ends up working for a corporation doing such research (they pay her to kill rabid mutants and machines on the streets) and the antagonists come from a rival corporation developing other Witchblades, exploring the genetics of it all. They are trying to make it work with men as well (the device only functions on women).

So much to my surprise after this trio revisit, Witchblade turns out to be the best of the three, no contest. The production quality is also the highest, though it is newest. When considering my opinion of these three at the time I first watched them, Witchblade was the lowest. Now, it’s the best.

Recommendation: I recommend Witchblade – I give it a medium rating, with a low for the other two, which I don’t recommend. GetBackers is too dated, too repetitive, and too long for me to justify, while Kiddy Grade is somewhere in the middle. There is simply so much better these days. If you do want similar from that era, go with Scryed. Witchblade’s focus on a much older protagonist than usual with an older relationship too makes it stand out from the crowd.

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Hanebado – Anime Review

Japanese Title: Hanebado

 

Similar: Haikyu!!

Free! Iwatobi Swim Club

Stars Align

 

Watched in: Japanese & English

Genre: Sports

Length: 13 episodes

 

Positives:

  • The badminton is great

Negatives:

  • What is with the protagonist?
  • Who is the protagonist?
  • Split personality storytelling
  • Worst parent in anime

(Request an anime for review here.)

What a rollercoaster of opinion Hanebado is for me! This was a request from a dear reader for an anime I hadn’t heard of (though did see a clip of the badminton). When I looked it up to see what it was about, I noted the poor ratings. Didn’t think anything of them at the time. We fast-forward to this week, where I am supposed to review Yowamushi Pedal (finished watching it over a month ago) and am watching Hanebado for the future. Hanebado turns out to be such a baffling anime that I must talk of it immediately.

The story is about high school girl Ayano who reluctantly joins the badminton team. This prodigy had stayed away from the game for a while after her mother, a 10-time badminton champion, abandoned her.

Or!

The story is about Nagisa, captain of a high school badminton team, who hasn’t gotten over a 0-21 loss at the hands of prodigy Ayano last Nationals. She takes out her frustrations on members of the team. One day, an Olympic player joins as their coach and he recruits Ayano to the team with sights on Nationals.

I’ll get to the reason for these two versions of the story in a moment. I want to start positive with my first impressions.

Hanebado opens on the Nationals match between Nagisa and Ayano on the verge of a 0-21 finish (perfect game). The animation is fluid, the choreography is tight, and sound design is flawless. Everything about this scene draws you into the sport. If you’ve ever played badminton, you’ll know the feel of flicking the racquet, that ping of resistance when the shuttlecock hits the strings, and the swiftness of your shot into the opponent’s court. Hanebado captures this.

With such a good first impression, those poor ratings return to mind. What could possibly go so wrong?

The first negative, though not a critical one, is indecisiveness on the protagonist. This relates to my two story angles above. It starts by presenting Nagisa as protagonist, but then from episode four, Nagisa is barely in it and Ayano takes the position. It switches again later. Whoever wrote this (or adapted it, if different from the manga), could not decide on a clear direction. We even see a smaller version of this problem later, where some guy we barely know form the boys’ badminton team gets a dedicated episode. If you only watch this one episode, you would be excused for thinking him protagonist. It’s a mess.

Not a deal breaker though.

Early episodes are standard sports anime fair. You meet the team, there’s a bit of comedy, a bit of personality, ambitious speeches, the shy one, the mean one, and the cocky one. The usual. Then it gets stuck into the matches and we see Ayano’s competitive side. During a serious game, this timid girl turns into a coldblooded killer of badminton. She even has the dead anime eyes when “in the zone”. It’s cheesy as hell. More than this, her whole personality changes into a bitch. She becomes so nasty to everyone that no sane person would want to associate with her again. When a friend wishes her good luck, she insults her for it. She even badmouths a teammate for trying hard to win.

What a failure at portraying a “tough” character. She has split personality disorder, surely, but the writer doesn’t treat it as such. Barely anyone even comments on how nasty she is. I cannot emphasise enough how disparate her two versions are, as if replaced by a different character. And if I haven’t made it clear yet, she is trash writing. This also ties back to the protagonist confusion, as when Ayano is “in the zone” she comes across as the antagonist!

The justification for her personality is from past trauma. This is where I introduce you to an even worse character – the mother. Let me give you the 411, as they say, on this woman. She abandons her daughter after she loses a match while sick (the opponent pinned her down and coughed on her because it wouldn’t be fair if only one person was sick). And her justification for this? It’s for Ayano’s good, that it would make her a better player. Which parenting school did she go to? Abandon your kid for years out of some sense that it will be good for her? Ayano spots her years later in a magazine alongside a Danish girl, a badminton champion and her adopted daughter. Replaced… Harsh.

It would be one thing if she were a neglectful parent antagonist to Ayano’s arc. However, Hanebado doesn’t see her that way. When she comes back to Japan, there’s barely a criticism against her. The grandparents on the father’s side don’t seem to care whatsoever for abandoning her infant. Their response is akin to having missed her daughter’s school play. “Oh that’s too bad. Maybe next time.”

As for Ayano’s response, she’s mad at her mother at first, but the final episode cops out and ends with, “Eh, I’m over it.” What just happened?

Usually when a story has a poor writing decision, I can see what the author was trying for. The result may not have worked, but the idea makes sense. In Hanebado, I don’t know what the author was thinking. Either it doesn’t make sense, like I have perceived it, or the author somehow thinks that the mother’s parenting is good and the split personality behaviour is praiseworthy.

When I say author, I want to be clear that I don’t know if it’s this way in the manga. I’m questioning whoever is responsible for putting it on screen.

It’s a shame that the characters and story have such problems, as the badminton itself is great. I love the matches. The animation, the cinematography, and the sound design – all fantastic. Sadly, there isn’t much outside of that to praise.

Art – High

Easily the best aspect of Hanebado, the art is clean, the animation fluid, and the opening sequence is beautiful. Such a waste on this story. I like the practical character designs that make sense in badminton, except for the pink haired girl (should have tied her hair up during the game).

Sound – Medium

The acting is fine in either Japanese or English and the casting is similar. The music is solid as well. Fine all around here.

Story – Very Low

A girl reluctantly joins the badminton team after bad memories of her mother kept her away from the game. Hanebado starts as a standard sports anime before it takes a turn for the stupid with baffling character choices and drama.

Overall Quality – Low

Recommendation: Skip it. Unless you want to see some well-animated badminton, stay away from Hanebado. I still don’t understand the story choices.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Fluid Animation

Negative: 

Induces StupidityRubbish Major Characters

Vinland Saga – Anime Review

Japanese Title: Vinland Saga

 

Similar: Dororo

The Heroic Legend of Arslan

Berserk

 

Watched in: Japanese

Genre: Historical Action Drama

Length: 24 episodes

 

Positives:

  • Good music

Negatives:

  • No effort at historical realism
  • Empty protagonist
  • No likeable characters
  • Super powered warriors when convenient
  • Art is riddled with problems

(Request an anime for review here.)

It shouldn’t be difficult to write a story about Vikings marauding the coasts of Europe. At minimum, it shouldn’t be difficult to know that Vikings didn’t act like high school anime characters. It should be easy, yet Vinland Saga fails in nearly all possible measures.

I need to go from the start, where an early sign warned of the direction for which this anime headed. Thors, leader of the village and father to Thorfinn, finds a runaway slave on his land. His family tries to rehabilitate the slave, but he soon dies. Worse yet, his owners come to collect and Thors, being the honourable Viking that he is, refuses to return him even as a dead body, offering a few cows instead. He buries the slave.

I understand what the author is going for here – difficult not to – however, the execution shows a lack of thought into the time and place of this story. Thors acts like a modern day person objecting to slavery. This likely stems from the author’s inability to separate his personal feelings from the characters within the story. Some authors think it makes them noble or better people if they write moral characters, regardless of whether it fits the story. This only makes them bad writers. A great writer doesn’t just write the good guys that align with their personal morals, while all villains are everything they see as reprehensible.

This slave incident is minor, in the grand scheme, yet it is an early indicator of problems to come. In 99% of fiction, every core problem has a presence within the first chapter or two (or first episode or two, in the case of anime). It’s why author agents and publishers can reject a novel within a few pages. If characters are shallow in the finale, they will be so in the opening as well. Mistakes echo in every chapter.

The author wants you to know how noble Thors is so that when he gets into an ambush later, executed by the mercenary Askeladd at the behest of the Danish king (Thors deserted his army years ago), you buy into the idea that he would let himself die for the sake of his honour and morals. Thors challenges Askeladd to a duel and wins. It doesn’t take a genius intelligence to foresee that a sellsword driven by gold wouldn’t hold up the terms of the duel. That isn’t the problem. We run into heightened levels of stupidity when Thors, who up until now has outsmarted and outfought the entire mercenary crew singlehanded, refuses to dishonour himself and “cheat”, even though his death leaves his village without a leader, without their strongest (possibly only) fighter, and his family without a father. For honour.

I hate stupid characters. An honourable character isn’t stupid. Someone who doesn’t save themselves, not even for the sake of others, just to preserve their honour is loathsome, however.

And so, Thorfinn makes it his life’s mission to kill Askeladd. Does he turn himself into a killer so he can stab him at the first opportunity? No. Thorfinn joins Askeladd’s crew, fights for him, does his dirty work, all so he can prove himself worthy of an honourable duel to the death.

Mistakes echo in every chapter.

This stupidity compounds further when we talk fighting prowess. After a jump of some years, Thorfinn is a trained warrior, often sent in first like a scout or assassin capable to dispatching a dozen enemy soldiers with ease. There is no doubt of his deadliness. He could kill Askeladd any day now, whether in his sleep or with his back turned. That wouldn’t be honourable though.

I hate stupid characters and Thorfinn is the stupidest in the lot.

Speaking of his deadliness, Vinland Saga has a crippling issue of nonsensical character strength. Looking at this show, you would imagine we were in for a realistic Viking saga. It couldn’t further from. This first rears its nonsensical head when Thors leaps five metres into the air in the battle against Askeladd’s crew.

At first, I thought it was a minor exaggeration of strength, as was often done in folk tales of legendary warriors. However, one warrior fighting for the English can hurl boulders with the strength of a trebuchet using his bare hands. He can also mow down a half dozen soldiers with a single throw of a hand axe. It’s ridiculous.

The issue isn’t the strength (anime is no stranger to super powers). Rather, there is a problem in how it affects tone and breaks the in-story logic of the world. If a warrior were that strong, he could conquer the world. Just give him a cart of boulders and no fort stands a chance. The story avoids this pickle by conveniently forgetting that some characters are super powered when required. Thorfinn does duel Askeladd early on – after we see him massacre a squad – and one would think the kid had never held a weapon with the way he fought. Vinland Saga can’t decide if it wants to be a realistic Viking drama or a battle anime.

Not only is inconsistency a problem, it also makes action less interesting. One battle has Askeladd and co hired by a French nobleman to siege the castle of a rival nobleman. The enemy has a fortified position with view of open ground in front of their castle and a river protecting their rear, guarded up and down stream. The Vikings manage to bypass this defence by hoisting their longships on their shoulders and charging full tilt from the forest into the water. They run as if these boats are as heavy as a paperweight. No one gets tired either. If all trained warriors were this strong, that castle wouldn’t have lasted a day even without Viking help. Let’s not forget to make these same Vikings weak in the next fight so we can kill some off. It would have been better to go more supernatural – incorporate powers bestowed by the Norse gods or something – and work out clever uses than to have this nonsense. Or you go grounded and use some brainpower.

When I talk of realism, I don’t mean everything has to be exactly as it was in real Viking times. I’m talking of getting the tone and feel right. The recently reviewed Dororo is more realistic than this despite having monsters and magic. I praised it for how it truly feels like a nation gripped by famine during samurai times. The way the characters act – the way the monsters and magic affect them and the world all makes sense. Everything fits together.

In Vinland Saga, nothing works. You have these stupid overpowered characters that turn weak when needed. You have a protagonist with no depth beyond his “I’m angry and will kill you” attitude 24/7. Everyone acts like a modern day anime character. The big twist of the story makes Askeladd protagonist (he should have been from the start) and introduces enough allegiance flip-flopping to make you want to hook your brain through your nose.

Is Vinland Saga the worst anime? It is the worst Viking anime, sure. I hated Vinland Saga more and more with each passing episode. I do not recommend this to anyone. If you want Viking content, go watch the History channels Vikings instead.

Art – Low

I could show you many nice still of Vinland Saga. I would however be hiding the insane amount of CG and poor implementation. The number of scenes with characters running (read: sliding) across a CG ground are too many to count. Even the OP has one. This anime almost looks great, except there is something wrong in every shot.

Sound – Medium

Thorfinn’s performance is laughable. The script is rubbish for a historical Viking show. The one redeeming quality is the great soundtrack.

Story – Low

A Viking boy swears revenge against the mercenary that killed his father. With so many stupid character and inconsistent strengths, the feeble plot is the least of the problems here.

Overall Quality – Low

Recommendation: Skip it. I don’t recommend Vinland Saga, especially to Viking fans.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: 

Hollow World BuildingInduces Stupidity

Grand Blue – Anime Review

Japanese Title: Grand Blue

 

Similar: Golden Time

School Rumble

Daily Lives of High School Boys

Watched in: Japanese

Genre: Comedy Slice of Life

Length: 12 episodes

 

Positives:

  • Nothing

Negatives:

  • Relies on the same few jokes
  • No likeable or funny characters
  • Not about diving
  • Poor animation
  • Too much post processing

(Request an anime for review here.)

I hate this anime. Maybe it’s because I’m not a drunken frat boy nor have I been one that this humour isn’t for me. Yet, I can tell you why Grand Blue is a failure beyond taste.

It follows Iori as he moves to a coastal town for university and stays with his uncle, who owns the diving shop Grand Blue. The debauchery begins immediately. Seniors of the uni’s diving club convince him – with little effort, mind you – to have a drink. It isn’t long before he’s as drunk as a sailor and puking his guts all over town.

That’s all there is Grand Blue. It’s one drunken party after the other – naked, of course (just the men) – with a sprinkling of class time and the fleeting mention of a scuba diving lesson. Grand Blue is amusing for a moment in episode 1, when there is a difference between Iori and the frat boys. One imagines this comedy is about a normal guy trying to survive university amongst the worst his institute has to offer (a little like Keiichi and his seniors from Ah! My Goddess). However, he goes from outsider to one of the boys in two episode flat, so we lose that contrast. Then the jokes go on repeat.

It is amusing the first time you see the seniors, stark naked, chasing someone down to join their club (would have been great as part of the “university survival” plot I talked of earlier). Once you see a variation of this each episode though, it no longer gets the sharp exhalation of air from my nose that it did the first time. I only realise, as I write this, how desensitised I became to the nude humour. These guys are naked so often that another arse barely registers in one’s eyes. The jokes are: get naked, get drunk, pull an ugly face. No more.

More to the plot could help break repetition. An early episode promises diving to be a core of the story (don’t forget the OP is all about diving). To my great disappointment as a lover of diving, this doesn’t come to fruition. Late in the series, they take the occasional break from drinking to scuba dive, but the author couldn’t bear to see a sober person, so that doesn’t last. There is also a hint at romance (Iori wants to bang his cousin, amongst other girls), which amounts to little.

Then we end on the characters. Not a likeable quality between them. I don’t want any of them to succeed in uni or life. The girls are probably the worst with their one-note characters. One hates him (the cousin), the other is bashful, which doesn’t make sense as she sees these nude frat boys every day working her job in the scuba store. She blushes at the cover of a raunchy manga. Why am I surprised though? As much effort went into giving her a personality as went into the decision to use the naked joke for the umpteenth time.

Grand Blue isn’t the worst anime I’ve seen. I considered drowning this in the lowest rating tier for how I felt after the final episode concluded. Then I remembered some of truly worst anime out there – Clannad’s support of threatening suicide to solve problems, Vampire Knight’s incest love triangle, Hand Shakers’ mere existence, to recall a few – and Grand Blue doesn’t seem that bad anymore. I still have no positives to say other than, perhaps, it could be worse.

Grand Blue isn’t an anime about youth, about grabbing life by the horns, about giving it your all. It’s about unlikeable drunks spewing the same jokes on a loop.

Art – Low

The ugly character art is intentional for comedic effect, even if overused, so that is excusable. The poor animation isn’t passable though. Also, ease up on the post processing for underwater scenes.

Sound – Low

I like the OP song, but it is deceptive. Promises adventure; delivers none. Shouty acting.

Story – Very Low

A university freshman joins the drunken diving club when he moves to a coastal town. With a shallow pool of jokes to draw from and even less creative characters, Grand Blue is not one to watch.

Overall Quality – Low

Recommendation: Avoid it. Stay away from Grand Blue unless you like drunk humour repeated endlessly.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: 

Not FunnyRepetitive

Drifters – Anime Review

Japanese Title: Drifters

 

Similar: Hellsing Ultimate

Fate/Zero

Re:Creators

 

Watched in: Japanese & English

Genre: Historical Action Comedy Fantasy

Length: 12 episodes, 3 OVA

 

Positives:

  • Harsh visual style
  • Effort in the fantasy and samurai speech mannerisms

Negatives:

  • Constant random humour is jarring
  • Unfortunate use of CG
  • No profiling for elf ears

(Request an anime for review here.)

I loved Drifters for about one episode. The distinct visual style, gritty action, and commitment to bloodlust had me sold. Then the comedy started and I recoiled in disgust. Why? Why do this to me?

Drifters opens in the midst of a clash between samurai armies during the Battle of Sekigahara, year 1600. Bodies litter the muddy fields as screams echo through the trees. Amongst this carnage stands Toyohisa, blood crazed and hungry for battle. Upon spotting an enemy commander, he charges the cavalry line as one soldier against many. This foolhardy act goes as well as expected and he finds himself on the receiving end of a dozen spears. He cuts down several enemies before oblivion takes hold.

However, instead of the afterlife, a white corridor lined with doors and a solitary office clerk awaits him. At a mere gesture from the clerk, one of these doors opens and sucks Toyohisa to another world, a world where knights of the human Orte Empire reap the land and oppress other races such as elves and dwarves. Toyohisa, almost involuntarily, comes to the aid of elves and makes it his mission to free them of tyranny. The fact that he gets to wage war and taste more blood is a coincidence. It should be an easy matter, after all, with his superior combat prowess and the famed Nobunaga – also ripped from his time alongside other historical figures – on this team. He didn’t anticipate that whatever supernatural being the clerk was fighting against would summon fighters of his own. Nor did he anticipate they would be so twisted by malice at the manner of their deaths that they developed powers beyond imagining.

If you told me all of the above, I would say, “Sold! I will watch Drifters.” What you would have failed to mention was the damned humour.

Have you seen Hellsing Ultimate (same manga author as Drifters)? Remember those jarring cuts to comedy in a caricature art style that punched all dramatic tension out of your gut? Remember how the few times they used it in Hellsing was bad enough? Yeah, well, now imagine it first happening once an episode, then once an act, until is ramps up to once per scene and more. If you haven’t seen the like before, I want you to imagine cartoon sound effects added to any dramatic scene you like. It is intolerable.

I cannot impress upon you enough how much they overuse this technique. How is anyone supposed to take the slaughter of innocent elves seriously when it’s going to cut to Nobunaga honking some woman’s boobs at any moment? That joke makes an appearance once per episode – at least – after the woman joins the party. Joan of Arc is on fire, literally, in perpetuity out of spite for how the Church betrayed and burned her alive. She now has the power to incinerate others. But that isn’t as important as using the same moronic cut away reaction as last episode. The opener doesn’t give any indication of this.

One could improve Drifters by simply editing out these cuts. It wouldn’t be difficult either because they are almost forgotten when we return to the actual scene. The only humour that made me laugh was Toyohisa telling Nobunaga what happened to Japan and his legacy after his death.

This negative was enough of a detractor to me that I was sick of Drifters halfway through. I found it so bad that the stylish action, harsh visuals, and even the introduction of many interesting historical figures bringing their specialities to the battlefield barely made a difference. I mean, a WWII pilot joins mid battle amongst a squad of real dragons. If a meeting of Nobunaga, Hannibal, Butch Cassidy and the Sundance Kid, Rasputin, Joan of Arc, Anastasia Romanova, and the machinations of Adolf God Damn Hitler can’t save a series, nothing can.

The action is good in all of its gory stylishness and insanity. But that unfunny humour every damn time! Look, I need to stop here before I think of it any further and dwell on how it ruined a fun action series.

Art – Medium

I am torn on Drifter’s art. On one hand, I love the harsh style, thick outlines, and high contrast shadows. On the other hand, I hate the CG characters (crowds, I can understand, but principal characters?) and how lazy the art is come characters in profile. It’s most noticeable with the elves’ ears – they look the same from the front and side, which is goofy.

Sound – High

In contrast to the low effort of the elf ears, their fictional language is well done. You feel like you can understand it, though not quite. Similarly, the samurai era speech (or a good representation of it) imitates the serious and forceful mannerisms of samurai films. And the OP is dope as hell. The real letdown is the poor timing and overuse of random comedy in the script.

Story – Low

Various historical figures find themselves dragged into a fantasy world to fight a war for supernatural beings. A fun concept brought down by insisting we suffer through lame comedy every five seconds.

Overall Quality – Low

Recommendation: For action fans only. Drifters is a lot of fun and would be an easy recommendation if not for the bad humour.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:  None

Negative:

Not Funny