Tag Archives: Science Fiction

Technology and civilisation have advanced beyond our current situation.

Sword Art Online 2 – Anime Review

Japanese Title: Sword Art Online 2

 

Related: Sword Art Online (1st season)

Similar: Log Horizon

No Game No Life

Zegapain

 

Watched in: Japanese & English

Genre: Action Fantasy Science Fiction

Length: 24 episodes

 

Positives:

  • Makes the first season seem amazing

Negatives:

  • Kirito is more Mary Sue than ever
  • New girl’s backstory is hysterical
  • Act 3 is filler, yet again!
  • Exposition dumps everywhere
  • The garbage keeps piling up

(Request an anime for review here.)

I don’t know how he did it, but he managed to make Sword Art Online look like a masterpiece. Sword Art Online 2 is such trash that you’re going to need a hazmat suit to sit through all the cancer this anime jabs into your eyeballs.

Shortly after the events of the first season, where thousands died trapped in a virtual MMO, everyone has forgotten about the incident and nothing came of the disaster. Utterly incompetent at everything, the government hires Mary “Kirito” Sue to enter the latest virtual MMO craze, Gun Gale Online, and figure out how a player can kill people in real life by shooting them in game with a “Death Gun” (not kidding). He teams up with the useless sniper Plumber’s “Sinon” Crack, who has the tragic backstory of being terrified of finger guns (not kidding). Meanwhile, Mary Sue’s harem of useless women (including his sister and “daughter”) are stuck in last year’s game, some fantasy trash no one cares about anymore, while they circlejill about how amazing Mary Sue is. They don’t matter, their game doesn’t matter, so let’s forget them there.

Where to begin?

The exposition dumps! I lost count of the amount of time spent with characters sitting down – often in a diner – just vomiting exposition. The first episode alone spends over half of its time on one such scene. I get that Sword Art Online is made for the lowest tier, but have some respect for their intelligence. When it isn’t farting exposition in your mouth after having eaten five too many spicy burritos the night before, Sword Art Online 2 graces you with filler dialogue and some of the dumbest lines in anime history. Mary Sue acts like a dimwit before the show’s big tournament just so the girl can explain everything. The narrative dumps everything beforehand rather than showing it to the audience along the way. Let’s not forget the repetition. It repeats a flashback of a fight with the villain group from SAO four times!

Then we have the new game of the season, Gun Gale Online. This game is reason enough to slam this anime in the dumpster. First, they advertise it as the only game with pro players (what?), then the way they talk about character builds and the metagame doesn’t make sense for a shooter (even one with RPG elements). The system for getting paid – converting virtual currency to real money – is also illegal yet never questioned (remember, the government sent Mary Sue into this game, so wouldn’t they do something?) Once inside the game, it only gets worse. You know what would be better than an empty shell of a new world each season? One fully developed world instead.

How do players not die in a single hit if everyone uses guns? Well, in Gun Gale Online, you can see the trajectory of a bullet before it fires. Did the author put any thought into this? Look, if I pointed a gun at you and told you where I was aiming, you still wouldn’t dodge in time. The only way this works is if the bullets are as slow as molasses, in which case, why bother with guns at all? It’s so stupid it hurts.

Apparently, the character creator is random. Mary Sue has a female avatar generated for him (oh the sweet irony), which is just an excuse to have him be a girl this season – a girl, by the way, that looks just like him, though that may be down to A-1 Pictures’ inability to draw more than one face. Yeah, “random”.

You know SAO 2 is going to be shite in episode 4 – well, from the first scene really, but episode 4 cements it at the bottom of the ocean. Mary Sue needs money as a new player and sees a gambling game where one has to reach a gunslinger down the street while dodging his bullets. No one has ever won, adding to the prize pool with each failure. After seeing only one person’s attempt, Mary Sue breezes through it as easy as a stroll down the street. Of course. He gives us some nonsense about “predicting the prediction” to dodge bullets. So you’re telling that in the most hardcore, competitive PvP VRMMO, none of these professional players ever did the same? What sort of an idiot wrote this?

What does he do with this instant jackpot? He buys a Lightsaber. Yes, in a game about guns, where all swords are known to be useless, they conveniently have Lightsabers – sound effects included (and the villain is a Darth Vader rip-off) – just so Mary Sue can wield a sword like he did in other games. And to nobody’s surprise, he is amazing with it right away. He is so good that he can cut down every bullet from full auto machine gun fire. The author is so bad that he forced a FPS game upon the audience, yet couldn’t even commit and had to give Mary Sue an invincible sword. He can also drive motorbikes instantly and better than anyone else, having learnt this skill from playing racing games in the past. You know, regular racers on screen… (“Is it possible to learn this laziness?” “Not from a good writer.”) There is no attempt at hiding his power.

You have one guess on who wins the big tournament with Sinon.

Speaking of Plumber’s Crack (her character designer made sure she had her crack visible at all times for Mary Sue’s convenience, for we all know he wants to eat that ass), allow me to present to you the worst female character ever written. Her first introduction gives the impression of a sniper at the highest tier of play. As soon as Ass Muncher enters the game, however, she becomes useless all so that he can save and grope her at every turn. It goes so far that the climax has Ass Muncher telling her exactly what to do because she now has the skill of a noob. Every girl, no matter how strong, becomes a puddle of piss around this guy.

The funniest part is her backstory. During an armed robbery in her childhood, Plumber’s Crack managed to get the robber’s gun and shot him dead. This event left her traumatised of everything gun related (did you catch the subtle theming with the new MMO, did ya, well, DID YA?) to such a degree that even finger guns reduces her to a sobbing mess. Yes, pointing is her weakness. This idiotic writing is hands down one of the funniest things I have ever seen.

Finally, we come to the villain (full spoilers ahead; I don’t recommend this anime). The big twist is that the Death Gun can’t actually kill people IRL. A second person would break into the target’s house while they’re strapped into the VR set and poison them in time with the virtual accomplice shooting them in game, thus giving the impression that the player could kill for real. (Let’s not forget that an autopsy would reveal it wasn’t some magical death from the beginning.) The villain turns out to be one of Plumber’s Crack’s clingy IRL friends, who believes she owes him love for caring for her during her previous depression. What is it with every SAO villain being a rapist?

I forgot to mention: Ass Muncher figures out everything about the villain, right down to his psychology and the fact that he’s in the room with Plumber’s Crack right now by merely thinking about him.

What a pathetic anime. I have barely scratched the surface with this travesty. I did not even cover how bad Ass Muncher is at handling the case he’s hired for, not passing on information just so he can play the hero. One could go through every single scene and point out why that is the worst scene ever put to anime. And like SAO, the story ends in act 2 and act 3 is filler in another MMO. Again! Sword Art Online 2 rapes anime.

Art – Low

There is a significant quality drop on the previous Sword Art Online. Less animation, less effects, more reliance on mediocre CG, and there’s less effort in character and world design – naturally.

Sound – Very Low

The acting is bad and the script is utter trash. All exposition and backstory is in the wrong place and much of the dialogue is filler. Good music from the same composer as .hack//SIGN, but it can’t save the show.

Story – Very Low

A girl faces her fear of guns by playing a shooter MMO, until she needs rescuing by a boy called Kiri Sue. Bloody hell…what shit.

Overall Quality – Very Low

Recommendation: Avoid it. Sword Art Online 2 is so bad that it makes Sword Art Online seem like a masterpiece.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Atrocious PlotAwful DialogueDeus Ex MachinaHollow World BuildingHorrendous ActionInduces StupidityMary SueNo DevelopmentPoor PacingRepetitiveRubbish Major CharactersShallowUseless Side Cast

Advertisements

Blood Blockade Battlefront – Anime Review

Japanese Title: Kekkai Sensen

 

Related: Blood Blockade Battlefront & Beyond (season 2 – included in review)

Similar: Baccano!

Jormungand

Tiger & Bunny

Trigun

 

Watched in: Japanese & English

Genre: Supernatural Action Comedy Science Fiction

Length: 24 episodes (2 seasons), 2 OVA

 

Positives:

  • NYC looks great.
  • Character focused standalone episodes.

Negatives:

  • Shounen protagonist doesn’t fit.
  • Lacks focus for the first act.

(Request an anime for review here.)

I can’t help but wonder if Blood Blockade Battlefront wasn’t intended for an older audience originally, until an editor/studio said it couldn’t succeed without the shounen demographic and so the protagonist lost a few years to meet that new audience. I say this because Leonardo, our protagonist, doesn’t fit with the rest of the cast.

Leonardo is a teenager who recently acquired the “All-seeing Eyes of the Gods”, which gives him immense power beyond his comprehension, so he heads to Hellsalem’s Lot (New York City) where the supernatural is an everyday part of life to look for help. There, he unexpectedly joins Libra, a crime-fighting organisation that deals with the supernatural and the mundane through use of powers of their own and modern technology.

Libra is a group of adults. While the focus is on the supernatural action with a comedy slant, when it does focus on characters, these Libra members have adult problems, which doesn’t gel with the themes of Leonardo’s character. Furthermore, there are too many episodes where he feels like a tagalong to the plot (or isn’t present at all), as if the author couldn’t figure out how to use his shounen protagonist in a seinen series. The adults are just more interesting in Blood Blockade Battlefront.

There is one episode where Leonardo works – the mushroom guy episode. He meets this mushroom guy (no better way to put it) with an appetite for burgers, who has spores that can erase memories. Criminals prize his spores. Imagine you could commit a crime and wipe everyone’s memory of the event – free money. Unfortunately, the spores affect mushroom guy as much as anyone else, which means he doesn’t know anyone because he forgets after each mugging. The standalone episode regarding his and Leonardo’s friendship is a good one. In fact, I find the standalone episodes to be the best of the series.

Another one that comes to mind deals with the work/family balance that many career adults face. A woman in Libra needs to assist with an important mission to intercept a drug shipment, but the day of the mission happens to coincide with parents’ day at her son’s school – a day she has missed for several years already due to work. The episode has a great moment on parenting when her husband explains to the son that it hurts her more than it does him when she can’t keep her promises. The humour works too (same author as Trigun). When she tries to get off the mission roster, her boss guilts her into staying by laying out the consequences of mission failure on other children – in a comedic way. In the end, she has to do both concurrently.

As I said, Leonardo is a side character to most missions, so he doesn’t drag down the series too much. He’s okay. The unclear motives and goals for early episodes are a bigger problem. The start is too hectic for its own good.

I do love the feel of this city matched with the tone of the characters. Mermaids, vampires, werewolves, monkeys, and aliens living alongside humans in a towering metropolis gives me a Baccano meets Tiger & Bunny meets The Fifth Element with a dash of One Punch Man vibe. The creative visuals and light humour, yet balanced by some heart, make Blood Blockade Battlefront an easy anime to watch once you clear the initial hurdle of not knowing what the hell is going on.

Art – High

It’s Studio Bones, so the art has a good minimum quality. I particularly like the look of New York City – fantastic colour depth and detail. The notable flaws are moments of repeated animation and the protagonist’s eye effect looks slapped in the scene.

Sound – Medium

Can’t stand the protagonist’s voice in English, so I switch to Japanese and he sounds the same! Don’t like either of their nasal voices. Other than that, the acting is good, though there is a missed opportunity in not having accents from New York’s various boroughs akin to Baccano.

Story – Medium

A kid with magic eyes joins a crime-fighting organisation in the big city populated by human and supernatural denizens alike. Blood Blockade Battlefront works best when following individual characters and is in need of a more adult protagonist.

Overall Quality – Medium

Recommendation: For action comedy fans only. Blood Blockade Battlefront isn’t a remarkable anime, but it has enough to entertain fans of the contemporary action genre. (Still can’t say Blood Blockade Battlefront quickly without fumbling my words.)

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Toward the Terra – Anime Review

Japanese Title: Terra e… (TV)

 

Related: Terra e… (Movie – old version)

Similar: RahXephon

Gundam SEED

No. 6

Xam’d Lost Memories

 

Watched in: Japanese

Genre: Action Drama Science Fiction

Length: 24 episodes

 

Positives:

  • Grand scope with proper closure.
  • Intriguing open.
  • The sci-fi elements make for an engaging story.

Negatives:

  • Needs stronger key villains.

(Request an anime for review here.)

In another anime with the premise of a protagonist realising his world is a lie, we have Toward the Terra. Where No. 6 setup an ordinary world for the protagonist to exit from, Terra echoes events closer to the likes of The Island or Logan’s Run with a dash of RahXephon and Battlestar Galactica.

In Jomy’s world, talented people join the elites of humanity on the day they reach adulthood. This is an exciting occasion. Who wouldn’t want their child to lead humanity to greatness? This is also a lie. The test of adulthood is actually to identify any potential “Mu” among the populace. They are an evolved race of humans possessing psychic abilities that strike fear in the government. All Mu are executed.

Jomy’s birthday takes a turn for the weird when a mouse starts talking to him telepathically at an amusement park. It’s not long before he’s on the run as one of the Mu and the lie that is his world tears at the seams. Not only is there a race of psychics that live on a ship among the clouds, their leader Soldier Blue has fallen into a coma and wants Jomy to inherit his power and the burden of leading the Mu to a brighter future.

Toward the Terra immediately differentiates itself from the pack of like-minded stories by going off in a wild direction. This story spans years and ventures to places I didn’t predict. One could watch the first episode of Terra followed by the final episode and have no idea how it got from A to Z. No character is the same by the end of this series.

The first act sets up so many questions about this world and its characters. Where did the Mu come from? How blind is the average human to reality? Did Jomy’s human parents really love him? Is it possible for Jomy to undo the brainwashing on society? Who is leading the humans? Why are they so insistent on killing the Mu that aren’t a part of their society? Unlike No. 6, which setup many question but either forgot to answer them or gave meaningless payoffs, Terra delivers some great arcs and story conclusions.

This is my kind of sci-fi anime.

That said, it doesn’t reach greatness when looked at as a whole. There are moments of greatness – the setup episodes and other key events I won’t give away – but the problems are intrusive. The one that has stuck with me since having finished Terra months ago is the switch from Jomy’s perspective to one of the human elites in training.

We follow Keith, a Spock-like character except boring and with no personality. Furthermore, we have no clear idea why the focus is on him for so many episodes (turns out, he’s a major villain – no spoiler, they should have alluded as much from the start). Even furthermore, we don’t see Jomy during this section. It all makes sense in the end, of course, yet the structure of this early second act feels so disconnected from the plot that instead of enjoying the story, I’m asking, “Why does any of this matter?” for too long. It needed a back and forth of perspectives.

Oh yes, almost forgot – Keith’s main rival at the academy is a smiley evil guy. A laughable character. No one would just stand there and take his sneering for more than a day before removing all his teeth. When at this stage of the story, I thought all the good the premise had setup was going down a black hole. Thankfully, it picks up again once Jomy re-enters the scene and Keith’s role matters – he even becomes interesting after the academy years are over. The villains in general are on the weaker side.

Several other moments also standout as blots in the story. I can’t go into detail without revealing too much (as I said, this story goes in such unexpected directions), but they are in the vein of characters doing stupid things for the sake of forced conflict.

There is also a minor annoyance where each episode starts with several minutes from the previous episode. This isn’t a “last time on Terra…” bit, but a straight repeat of scenes. Could do without it, though not a deal breaker.

In all, the good outweigh the bad with the premise being a story type I love accompanied by strong sci-fi elements. I enjoyed Toward the Terra and may even rewatch it in future.

Art – Medium

The technical quality is average, but the creativity of the sci-fi world is good old retro-futurism. Beautiful skies. There is this one character, an alien scientist with the dumbest and most out of place design, like a stick figure in a scene of elfin people. I laughed every time she came on.

Sound – Medium

Solid acting and the soundtrack is suitable to the anime, though you won’t remember the details.

Story – Medium

On the cusp of adulthood, a boy learns he is an alien linked to the first of his race, which makes him an enemy of society and all humanity. This grand space voyage has a lot in it that works for the most part.

Overall Quality – Medium

Recommendation: For sci-fi fans. Toward the Terra’s sci-fi elements will make it a pleasure to fans of the genre, but those same elements will alienate others. And the characters aren’t strong enough to carry interest if sci-fi the premise doesn’t hook you.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Battle Angel Alita – Anime Review

Japanese Title: GUNNM

 

Related: Alita: Battle Angel (live-action movie – included in review)

Similar: Ghost in the Shell

Texhnolyze

Metropolis

 

Watched in: Japanese & English

Genre: Action Science Fiction

Length: 2 episodes

 

Positives:

  • Good art and animation.
  • Grimy cyberpunk world.

Negatives:

  • Severely clipped version of the full story.
  • Little connection with the characters.

(Request an anime for review here.)

Having seen the recent Hollywood release of Alita: Battle Angel in cinema and received a reader request, I thought it fitting to visit the anime version of Battle Angel Alita. This will be a combined review of sorts for the anime and movie.

Based on the nine-volume manga Gunnm from the 90s, this franchise is a classic of sci-fi. It follows Dr Ido and the cyborg Alita (or “Gally”) he reconstructed from a severed head found in the scrapyard. With no memory of her origins, Alita explores this cyberpunk city of bounty hunters and criminals as she learns to live and love.

Two episodes for nine volumes of content? It should come as no surprise to you when I say that Battle Angel Alita is an emaciated anime adaptation. Even if we ignore the manga for the moment and look at this on its own merits, there are notable issues. The story hops from key scene to key scene without the “in between” scenes where the non-crucial moments happen, yet these in betweens are often what bring a story to life and make us connect to characters.

I find this most notable in the first act, where Alita awakens with a new body and familiarises herself with the world around her. In the movie, we stay with her as she learns to control her body, wanders the city and makes friends. This is effective at endearing us to her so that when the action and suffering starts, we care about what happens to her. In the anime however, she wakes up and has no adjustment period. It skips over the first act character development. Furthermore, the movie’s take ingrains within us that she is a cyborg, whereas anime Alita just feels like a regular girl, which is rather important as a core theme is an exploration of what it means to be human.

The anime’s real focus is on the action and main events from the first half of the manga (the movie covers almost the same portion of story, though expanded upon). And when it comes to action, the anime delivers gory goodness. There are several brutal scenes.

Surprisingly, the movie doesn’t tone the violence down as much as one would imagine. Tearing the arms off a machine gets you a lower age rating than if they were flesh, so there’s plenty of brutality to go around. There is even one scene involving a severed head that is more unsettling in the movie than in the anime. I am surprised by some of the things they got away with.

The main plot events are similar across the manga, anime, and movie. The manga will of course have the most detail, but the movie isn’t short on story. It doesn’t feel like a time lapse of a longer story, unlike much of the anime.

I enjoy the story of Alita: Battle Angel. It has an endearing protagonist, some nasty villains, good exploration of theme, and a few turns I didn’t expect it to take. I greatly appreciate a story that claims it lives in a brutal world and delivers on that promise by making characters vulnerable at all times.

Something interesting I learnt after the fact was that the character of Chiren was a creation for the anime, which the movie took and expanded upon further. She is Dr Ido’s ex-wife (works as a cyberphysician like him) and a villain willing to do whatever it takes to return to the city in the sky for the elite. She is a good addition in giving more to Ido’s personal story. And she’s involved in two of the most disturbing scenes in the movie, which I won’t give away here.

A significant element of the movie and manga that is absent in the anime is the fictional sport of motorball. Imagine high-speed rollerblade racing mixed with basketball where anything goes, including shattering opponents to pieces. As long as your head survives, you can comeback back next time. Alita discovers an early passion for the sport thanks to the film’s love interest and it continues to play an important role throughout. The movie brings the visceral sport to life.

Lastly, I want to talk of the visuals. All three versions look great. Though the film version has more colour and visual variety, all versions paint a harsh world full of details. I am a huge cyberpunk fan and setting alone can often make or break my interest. The setting was the best of all elements in the movie for me. It’s rich with life and society. One gets a sense of how people would live in such a place, of how things work in this world. The bounty hunters (called “hunter-warriors”) in particular are great representations of the city with their rough personalities, rough morals, and equally rough cyborg bodies. They also generate good action in all mediums.

As for Alita herself in the movie, you will immediately notice how strange she looks with her large anime eyes. Interestingly, the director didn’t do this to make her look more anime-like. If that were the case, why was no one else given that look? It was a conscious decision to have Alita in full CG that gives an uncanny valley effect to remind the audience that she isn’t human. For myself, the eyes didn’t bother me after a while. What gets me is her smile. I don’t know why, but every time she smiles, it hits me with the uncanny valley. Whether you like the look or not, it does succeed in that regard, so don’t let it put you off watching the movie if the premise interests you.

So, to summarise: the manga is the fullest and most in depth version, while the movie is a good experience that doesn’t feel incomplete (barring the future sequel). The anime, unfortunately, is only worth watching after you have gone through one of the other versions, for it will lack any emotional weight otherwise. The anime is good supplementary material when you can fill in the gaps.

Overall Quality (for the anime) – Medium

Recommendation: Read the manga or watch the movie instead. While Battle Angel Alita is a nice looking OVA, the clipped story and lack of character moments makes it more of an ad for the manga. The live action film is also a better alternative for those who don’t want to read nine volumes.

(Request reviews here. Find out more about the rating system here.)

A Certain Magical Index – Anime Review

Japanese Title: Toaru Majutsu no Index

 

Related: A Certain Scientific Railgun (spin-off – included in review)

Similar: Strike the Blood

Guilty Crown

Shakugan no Shana

 

Watched in: Japanese & English

Genre: Supernatural Action Science Fiction

Length: 48 episodes (Index – 2 seasons), 48 episodes (Railgun – 2 seasons), 4 OVA, 1 movie

 

Positives:

  • Nothing.

Negatives:

  • Won’t shut up about character names.
  • Talks more about abilities rather than using them.
  • Insufferable characters.
  • Moronic through and through.
  • Almost all dialogue is useless.

(Request an anime for review here.)

So close. So close! We were this close to peak stupidity. We have idiotic characters, some of anime’s tropes at their worst, and fantasy mechanics so lazy that you could shuffle a fantasy/sci-fi deck and pick at random to create something better.

A Certain Magical Index is set in Academy City, a place where magic meets science and most citizens have a supernatural power. Kamijou is unique among the populace, for his ability cancels out the abilities of others. He doesn’t need it though since he keeps his nose out of trouble. This easy life changes when a nun girl called Index Librorum Prohibitorum containing over 100,000 magical texts in her brain comes under his protection. A powerful organisation of psychics would love to crack that skull of hers and see what knowledge comes tumbling out.

The first issue the author should have nixed in the planning phase was Kamijou’s tension nullifying ability – sorry, I meant his ability to nullify others. The most powerful enemies throw everything they have at him and he flicks them away as if it’s nothing. What’s the point? Nullifying characters aren’t new and have worked in other fiction. Usually, the character has to hold onto the enemy to nullify their power, thus limiting the range and giving a counter (throw him off), or the nullification puts them on even footing but the character still has to win a standard sword fight (a.k.a. No Items, Fox Only, Final Destination). For Kamijou, it’s a free win. So again I ask, what’s the point?

Needless to say, the action sucks.

Then we come to the characters, each of which are insufferable from the first meeting. Where to start? The eight-year-old girl we’re supposed to believe is a 30-year-old teacher? The 25-year-old guy we’re supposed to believe is 14? The character who thinks being able to tell the time without a clock is the coolest skill ever? Or each character’s obsession with secret names? Every fight, half the dialogue is about their stupid names, as if anyone would care. If it revealed some secret identity or twist that changed the flow of battle, sure, but it doesn’t.

What I said about the 8-year-old looking teacher and the middle-aged teen is serious, by the way. Index takes anime tropes and cranks them up to the max unironically. It’s possible the author was trying to be ironic, but I suspect he just copied from all other supernatural high school anime like a hack. Wouldn’t it be cool if allies fought each other for no discernible reason?

Oh yeah, I haven’t talked about Kamijou himself. There’s nothing to say. He’s the generic “nice guy” protagonist of this genre. Meanwhile, Index is a typical moe genki girl that should have taken a shotgun to the jaw in episode 1.

The worst aspect of Index has to be the dialogue, which is almost entirely exposition to explain the awful mechanics and lore of this world. We aren’t watching a story. We are hearing the author read aloud his world-building diary (a bad world build at that) instead.

There is so much useless dialogue. It doesn’t get any worse than when it introduces the Misaka clones that talk in the third person with dialogue tags. Not only is it overused, but also makes no sense. And just when you think the clones are finally gone, one returns as a naked loli – still narrating in the third person – with the added twist of saying her name twice each line. Yay! (If ISIS ever takes me, all they need to break me is her dialogue on repeat.) And she has clones!

The audience has no reason to care about anything. Characters talk and talk instead of having personalities and development. They even talk about their abilities more than they use them! Not that it really matters. The abilities are unimaginative and as mentioned previously, don’t affect the protagonist.

Yet with all that said, this isn’t as bad as it could be. The abilities look alright and I’ve seen worse animation. The pacing is fine as well. I wish they had put more effort into making A Certain Magical Index so bad it’s good. It’s just bad.

In the end, I only have one question. How in hell did this garbage get multiple seasons and spin-offs?

Art – Low

The character designs are among the worst in anime. The spell effects are alright though and the animation could be worse.

Sound – Very Low

This awful script has padding, not characters. There is so much dumb here that it will leave you speechless.

Story – Very Low

One super powered teen in a city of many must protect a walking library from a villainous organisation. No one could save this story.

Overall Quality – Very Low

Recommendation: Avoid it. Unless you want to walk into the den of stupidity, avoid A Certain Magical Index and all its spin-offs at all costs.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: 

Awful DialogueHollow World BuildingHorrendous ActionInduces StupidityNo DevelopmentRubbish Major CharactersUseless Side Cast