Tag Archives: Romance

One or more romantic relationships play an important role. Not applied to tacked-on or minor romances.

The Devil Is a Part-Timer – Anime Review

Japanese Title: Hataraku Maou-sama!

 

Similar: The World God Only Knows

Noragami

Maoyu: Archenemy & Hero

 

Watched in: Japanese & English

Genre: Supernatural Comedy Romance

Length: 13 episodes

 

Positives:

  • Funny for a few episodes.

Negatives:

  • Initial setup is barely relevant.
  • Satan starts as a generic good guy.
  • The extra girls.

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The premise of The Devil is a Part-Timer is straightforward. Satan, ruler of darkness, snuffer of light, finds himself torn from his world of magic and thrust into modern Tokyo, where he must get a part-time job at “MgRonald’s” to pay for life in the big city.

This premise also has almost nothing to do with The Devil is a Part-Timer.

One would imagine that the master of evil, as depicted in the prologue, would be, well, you know, evil. Instead, we have a generic good guy protagonist with no defining traits. Satan starts out good!

There is no point to him being the devil. I am not exaggerating when I say that he does nothing evil whatsoever. He starts as a good guy; he ends as a good guy. No arc, no development, no point. This wouldn’t necessarily be a problem, as plenty of stories invert the roles – angels and nuns are evil, while devils and gangsters are good. Nothing new there. But the problem by doing this in The Devil is a Part-Timer, beyond going against the setup, is that the series leads nowhere. When a protagonist starts at the end of his arc, he has nowhere to go. His story is already over, so why is he protagonist? I expected some “twist” to reveal that the prologue was a lie, that Satan had been trying to save the world and the angels were evil from the start, at least. The actual plot events, which have a little action, feel so irrelevant because there is no lasting effect.

Furthermore, this leads to stale humour. Satan runs into Emi in the first episode, one of the angels that followed through the portal hunt him down. She works in a call centre now. Predictably, she uses the good ol’ “I must stay close by to kill you when I can” excuse to hang around the guy she’s secretly falling for. It’s funny, at first. However, since he doesn’t change and she’s already friendly with him in that tsundere sort of way, the scenario doesn’t evolve to generate new humour.

Change in this series arrives in the form of more characters – Satan’s generals and the other angels. Much like Emi, these join the good guys under one low-rent roof almost immediately. The Devil is a Part-Timer becomes borderline harem. Only two girls throw themselves at Satan – Emi and his little co-worker – but the vibe and social dynamics are reminiscent of a tame harem. They don’t shift the status quo.

It is funny for a few episodes – I laughed at these fish out of water figuring out how to open a bank account and managing a budget – and it isn’t awful like most harem anime, but the lack of relevance to the setup and absence of direction wears thin before long. If you go in knowing the title matters little and want an easy comedy, requiring no effort, there might be enough for you here. And the 13-episode length isn’t demanding. It just needed more effort to be anything beyond that.

Art – Medium

The opening scenes of backstory that paint a dark fantasy picture are far better than the rest of the series, which is average.

Sound – Medium

The acting is fine. However, the fictional language akin to a mix of English and Latin makes it tough to watch in Japanese, where the actors aren’t even in the ballpark of pronunciation. I suppose, as a fictional language, you technically can’t get it wrong. It’s mostly in the first episode, so once past that, go with whichever language you prefer.

Story – Low

Ripped through a portal into modern Tokyo, Satan must find part-time work to earn a living with his general as angels and other demons seek him out. It starts funny, but the choice to make Satan a good guy immediately and to have several girls around him, turns The Devil Is a Part-Timer into a rather bland comedy.

Overall Quality – Low

Recommendation: For anime comedy fans only. The Devil Is a Part-Timer is for fans of the “anime version” of a common premise. Its execution isn’t good enough for most.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

No Development

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Maison Ikkoku – Anime Review

Japanese Title: Maison Ikkoku

 

Related: Maison Ikkoku: Final Chapter (sequel movie)

Similar: Kimagure Orange Road

Ah! My Goddess

Ai Yori Aoshi

 

Watched in: Japanese & English

Genre: Slice of Life Romance Comedy

Length: 96 episodes, 3 OVA

 

Positives:

  • Supporting cast is better than the main.
  • Occasional good comedy.

Negatives:

  • One season of content stretched across four.
  • Side relationships amount to nothing.
  • So repetitive.
  • That dog’s eyes…

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Maison Ikkoku is a classic of anime romance. Does this timeless classic endure, appreciable by anyone whether watched at release or 30 years later?

It follows 20-year-old Godai, a failed student looking to pass his exams this year, who finds himself unable to study when surrounded by the rowdiest tenants imaginable in his boarding house. A greater distraction arrives in the form of the beautiful Kyoko, new manager at Maison Ikkoku, but Godai’s feelings of instant love look forever unrequited when he learns she is a widow clinging to her dead husband.

I like this premise for three reasons. One: she’s a young widow, a rarity amid a sea of “first love only” anime teen romance. Her experience promises a more mature relationship. Two: the challenge Godai faces in her husband’s shadow is ripe for conflict and emotion. Three: the cosy nature of having everyone under one roof makes it an intimate affair.

Maison Ikkoku doesn’t take advantage of this potential.

On the first point, Godai and Kyoko’s coupling is anything but mature. Godai is a child. This would be good as the starting point of Godai’s character arc, but we never see him mature into a man. He is ever the child in love and life. My big problem with Maison Ikkoku, regardless of any other issues I cover, is the lack of chemistry between these two and how poor of a job it does at convincing us that this is a real relationship. You could count on one hand the number of meaningful moments between these two – with fingers to spare. His first romantic act is trying to kiss her while she’s napping on the roof. We have a Casanova over here!

Their relationship is “cockblocking the anime.” The first few episodes consist of Godai trying to tell her how he feels and to give her a present, only to have someone or a random event stop him. This isn’t story. It is no adversity. It’s just distraction after distraction thrown at him by the writer.

You might imagine that this is just the slow start to a 96-episode series. Except, this is the series. Their first truly romantic moment is in episodes 39 & 40, only to have it regress into meaningless distractions afterwards.

The story has a love polygon for the two leads, yet even these are just cockblockers instead of opportunities at character development. For Kyoko, we have her handsome tennis coach that falls for her charms against his parents’ wishes, who have arranged a marriage with the woman of peak meekness. You know the type – eyes always downcast as if it is an offence to look at others, hands clasped in prayer to her chest, and not a bone in her spine. Godai, on the other hand, has a headstrong and naïve teenage stalker. I thought she would be a one-off character for a few episodes, a gimmick to create misunderstandings with Kyoko, but she returns. And for longer!

I must reiterate that the problem isn’t with the ideas and slice of life episodes. Execution is the culprit. When Godai and the coach compete for affection, it isn’t through conflict that promotes growth. They’re petty squabbles made worse by the fact that they go nowhere. Honestly, Maison Ikkoku has barely enough content for 24 episodes and stretches it to 96 with every fake-out and anti-climax in the book. The dead husband element also doesn’t feel like a source of turmoil for Kyoko. Instead, it comes across as a crutch by the writer to keep the couple apart. “She would kiss him, but she’s still not over the dead guy. Oh well. Maybe I’ll have them kiss next episode. Stay tuned to find out!”

It’s not as though it’s a slow burn building and building to this great romance where you cheer for the couple when united, your heart lifted with joy. If the romance was worth it in the end, that would be the quality to make it a lasting classic. The fact that it’s slow and rather repetitive would be fine when threaded by a great relationship. We would criticise it for these issues but always add on, “It’s worth it for the romance.” I sadly cannot say that here.

 

Look, this anime isn’t bad. It’s bloated and hard to recommend when you could complete three to six other romances in the same time. If you have a love for old anime and go in knowing not to care about relationship growth, you could enjoy Maison Ikkoku. The comedy is decent thanks to the eccentric support cast (except the ever-annoying kids). My favourite is the tenant that dresses like an old FBI agent. He comes and goes from the house to escapades unknown and infiltrates other people’s rooms when at home. (No respect for privacy.) The older lady looks for any excuse to throw an alcohol-fuelled party and leads the charge in disrupting Godai’s studies. There’s a lot more fun when it spotlights them.

I wanted Maison Ikkoku to be great. Imagine, 96 episodes of romantic goodness. Anime could do with more romance series, as much of the best romantic relationships are subplots to other genres, like an action series. Or they’re in heavy dramas, which I love of course, but it’s good to balance it with a wholesome romance. My search continues.

Art – Medium

This is 80s anime art at its most classic – poufy hair included. What is with that dog’s eyes though? Are they mouths!? The animation is decent for the time and the exterior establishing shots are nice at setting mood.

Sound – Medium

It sounds old in Japanese, as expected, though the dub doesn’t sound much better either, which is odd considering how much later it released in the West. I’m not fond of either version. That has more to do with my lack of character interest, however.

Story – Low

A failed student joins a boarding house to focus on his studies, where he falls in love with a young widow chained to the past. Maison Ikkoku’s suffers from constant delays, setbacks, and side relationships that go nowhere to drag out the main relationship, which in itself is rather shallow.

Overall Quality – Low

Recommendation: For vintage anime fans only. I can’t imagine many people will want to sit through a romance as drawn out as Maison Ikkoku when we have so much choice today.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Repetitive

Angel Sanctuary – Anime Review

Japanese Title: Tenshi Kinryouku

 

Similar: Koi Kaze

X

Ceres, Celestial Legend

 

Watched in: Japanese & English

Genre: Supernatural Action Drama Romance

Length: 3 episodes

 

Positives:

  • May be the worst anime of all time.

Negatives:

  • The writing.
  • The art.
  • The acting.
  • The romance.
  • The lore.
  • The characters.

(Request an anime for review here.)

We may have done it. We may have found the worst anime, dear readers. I don’t want to make a definitive statement without seeing a few other candidates first, but Angel Sanctuary may be the slurry of the septic tank.

This is a story of a guy, Setsuna, who may really be a woman – an angel woman called Alexiel – in love with his sister. Every supernatural entity seems interested in him, for reasons that aren’t made too clear. One character – a princess, apparently – wants him because his previous angel incarnation saved her life. Alexiel’s brother, who looks more like her sister, wants Setsuna to revert to his angel self so they can fight, for some reason. The story throws in random thugs to fight Setsuna as well, as if this wasn’t bloated enough already. And of course there’s the “romance” with his sister.

The immediate problem you notice with Angel Sanctuary, after supressing the bile in your throat at the animation, is the muddled nature of the story. It never bothers to let events sink in – it is one scene, one concept to the next, one after the other in a ratatatat, each said to be of great importance, yet not treated as such. The manga is 20 volumes long, which I imagine expands upon proceedings and likely lessens the ridiculousness of having everyone chase Setsuna at once by spreading out events. I haven’t mentioned several sub-stories either. It’s a mess.

Some guy’s father “has a premonition” that turns him around to see his son before he dies. Where did he gain this power? Why are you asking me?

The writing is something else. The credits for the edition I watched had behind the scenes of the VO recording and Crispin Freeman, the one good dub performance, is reading one of the lines but stops, asking what it even means. “The only thing of beauty to come out of God’s refuse that I am…” You’ll often find yourself asking that same question.

Angel Sanctuary loves its weird lore, dumping specialist terms you will never remember and fantasy names you won’t care about at a dozen per scene. You can’t overload three episodes like this and expect the audience to remember.

Giving the characters actual character and personality to associate with the lore would help. No one develops throughout this story. The development is so bad that I expected the incest sub-plot (or is it the main plot? Never clear) to have no conflict, but to my surprise, it had some. Now, don’t mistake this for praise – I would never praise Angel Sanctuary. The conflict is terrible. “I’m so conflicted about my feelings. It’s tearing me apart [Lisa]!” Two seconds later: “Oh hey, I’m no longer conflicted.”

The romance is, predictably at this point, one of no substance. Why do these two love each other? Haven’t the foggiest. I suspect that with the angel versus demon battle alluding to Christian mythology, the incest romance is just to complete the theme. Like everything in Angel Sanctuary, it doesn’t make sense or work towards the overall cohesion of the narrative.

You would have to see this anime for yourself to believe how bad it is. Too difficult to put into words.

How did Angel Sanctuary even get on my list when it is so obviously bad? It was advertised in one of the first anime DVDs I bought ages ago and I, for some reason, had to watch it at some point, on principle. It’s worse than I could have ever hoped for.

Art – Very Low

This low key frame animations, inconsistent anatomy, digital light effect using, no cinematography, eyesore of an anime is painful to witness.

Sound – Very Low

No level of acting could make this awful writing work. The dub is something special.

Story – Very Low

A guy with a supernatural secret grapples with feelings for his sister as angels and demons want a piece of him. What is this story trying to show?

Overall Quality – Very Low

Recommendation: So baffling that you have to see it to believe it. Angel Sanctuary is garbage – the sort of garbage that is fascinating to watch, like a fireworks factory on fire.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Atrocious PlotAwful DialogueEar Grating Voice WorkIncoherentNo DevelopmentPoor PacingRubbish Major CharactersUgly Artistic DesignUseless Side Cast

My Bride is a Mermaid – Anime Review

Japanese Title: Seto no Hanayome

 

Similar: Ah! My Goddess

School Rumble

To LOVE Ru

 

Watched in: Japanese & English

Genre: Comedy Romance

Length: 26 episodes, 2 OVA

 

Positives:

  • So many great laughs.
  • Visual humour.

Negatives:

  • Art is cheap.
  • All attempts at drama fail.
  • Final two episodes.

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When Nagasumi drowns one summer, he considers himself fortunate to be saved by the mermaid Sun. However, according to the laws of Yakuza mermaids, once a human catches sight of a mermaid, he must swim with the fishes – either by death or by marriage. Nagasumi has no choice. He becomes engaged to Sun and she joins his school to be close to her beloved, against her Yakuza family’s wishes. So not only does he have to contend with a sea dwelling gang after his hide, he must also keep Sun’s true nature secret from classmates.

Yakuza mermaids, a ridiculous concept to be sure, but an effective one. Sun’s father sends his best henchmen to kill Nagasumi and free his daughter from the shackles of marriage to such a loser. His enforcer can morph into a shark – he does this a lot in the heat of the moment. My Bride is a Mermaid is unexpectedly hilarious. The art gives an impression of mid 2000s harem with lame comedy.

Instead of turning into a full harem, as one would expect, the other girls must either kill or protect him. A tiny girl that lives in a conch has the job of assassinating the guy while pretending to be sweet and innocent in front of Sun. The disciplinarian girl from his class with a crush on him acts the police officer role, like her father, making her the perfect rival to the mermaids.

The Yakuza take up positions in the school to accomplish their mission, including the boss as a class teacher, while the bookkeeper teaches maths through criminal means. This black man with curly hair is considered so charming and attractive that the mere sight of him renders everyone enamoured. This recurring joke never failed to make me laugh. It reaches a new level when Nagasumi drinks a charm potion and becomes the apple of everyone’s eye (and loins).

Some of the gang aren’t so successful. The giant octopus teaches cooking, though often includes bits of his tentacles in the process. It isn’t long before a rival gang joins the fun to take the humour to yet greater heights. Their leader, a Terminator of a man, is a riot. He doesn’t understand his daughter at all, so plays gal games and re-enacts them as the girl to get closer to his daughter.

Mermaid has a ton of visual humour in the facial expressions, reminiscent of Great Teacher Onizuka, which alleviates the subpar art quality. One classmate is called “chimp”, but he acts like a real chimp, face included. Does anyone realise this?

The jokes come fast and they come often in this one. It is comedic beat after comedic beat, sharply timed with barely a dull moment in between. Just about every joke lands. These aren’t the greatest jokes of all time – it’s no Fumoffu – but they are fun.

My Bride is a Mermaid fails, however, in the tradition of most comedy from that era, when it attempts to inject drama in a place where it doesn’t belong. All drama fails here. Unlike Ah! My Goddess, one of the few light-hearted comedies to manage a little drama, which worked it in slowly without compromising the identity of the anime, Mermaid’s drama comes out of nowhere and contributes nothing of value.

The drama is at its worst in the final two episodes with the introduction of a new villain that goes against the tone thanks to his persistent rape vibes. Why did all of these comedies just have to finish with drama? Is comedy alone never enough? I like a story that can manage both of course, but I equally love others that stick to comedy. In the end, quality matters. Was it studio mandate at the time to have a dramatic finish, much like how every drama this decade must end in a tragic death to extract fake tears from you? Or that every fantasy has to be inside a game?

I’ve said it before, but bad final episodes leave the strongest impressions on a dissatisfied audience. My Bride is a Mermaid isn’t one of the greats. Even so, it didn’t deserve such a careless end. I went in with no expectations and came out having had a good time thanks to the comedy. Don’t let the garbage drama stop you from enjoying a laugh.

Art – Low

This cheap-looking, budget-animated, too-cutesy anime’s visuals are partially redeemed by great use of visual humour, particularly with the faces.

Sound – Medium

The acting is just as silly as the script, which it should be. I prefer the dub, for the Japanese made several poor casting choices that turn funny characters into annoyances.

Story – Low

A guy agrees to marry a mermaid to avoid death at the hands of her yakuza merman father, later bringing her to school for endless hijinks. My Bride is a Mermaid’s comedy far outshines the feeble drama.

Overall Quality – Medium

Recommendation: A must for anime comedy fans. The story may go nowhere and the drama may fall flat on every occasion, but the comedy in My Bride is a Mermaid is certainly worth sticking around for.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Weak End

Full Metal Panic! Invisible Victory – Anime Review

Japanese Title: Full Metal Panic! Invisible Victory

 

Related: Full Metal Panic! The Second Raid (prequel)

 

Watched in: Japanese

Genre: Mecha Action

Length: 12 episodes

 

Positives:

  • Fight choreography.
  • Sagara’s emotional arc.

Negatives:

  • Main villain still hasn’t done anything.
  • Dull second act.
  • CG scenes are noticeable.

(Request an anime for review here.)

The original Full Metal Panic concluded without need for a sequel, followed by the pure comedy spin-off Fumoffu, until Full Metal Panic: The Second Raid reopened the story a few years later with the introduction of new villain Leonard, brother to Tessa, young captain of the anti-terrorist Mithril organisation. TSR took a darker tone as it pushed Sargent Sagara of Mithril to the edge in a satisfying conflict. However, Leonard evaded capture and it seemed the franchise would stop there, leaving us in limbo for 13 years.

Full Metal Panic is a franchise I never expected to see more of (please, Twelve Kingdoms, please come back). After a few years of silence, the finality of the situation sets in and there’s no point wasting hope anymore.

So, it’s back! And what a letdown it is.

Full Metal Panic: Invisible Victory isn’t bad – in fact, it’s rather decent, when seen from a distance. Sadly, we return to that old enemy of art, disappointment, the worst enemy, perhaps only second to that other evil called boring. As a continuation of the series, Invisible Victory brings so little to the table.

It picks up shortly after TSR, with Mithril in conflict against Amalgam, Leonard’s organisation, as it launches an attack on Mithril HQ. The start is strong with a series of high stakes conflicts and added tension by being much closer to home than usual. Sagara’s work has caught up with his personal life.

Leonard points out that Sagara has killed over 100 people so far, yet pretends to live life as though he isn’t a killer. Sagara’s reaction to this fact reflected against him is perfect. I love this wrinkle to his arc. It is ripe with conflict opportunities and consequences that could cost him everything. For instance, while dragging Chidori out of harm’s way from Amalgam, he uses a grenade to destroy a pursuing robot, but injures a passing student in the process. Sagara coldly abandons the kid against Chidori’s protests.

The problem with the story is what happens next.

A few episodes in after a devastating attack, we find Sagara on his own in a foreign land partaking in mech pit fights. For two episodes, we have no idea what he’s doing and it takes too long to get to the point, unengaging all the while. Furthermore, it introduces us to an entirely new cast of characters, none of which are memorable and at the expense of the core cast, who don’t do much this series. FMP did this before in season one with the four-part arc in Helmajistan, Sagara’s home country, to stop the sale of a nuke. The difference there was three fold. One: it didn’t waste our time wondering why he was there, away from the regular team. Two: the new characters were interesting for their short stay. Three: it was four episodes and not the focus of the season. To see that scenario imitated in Invisible Victory and done without excitement is disappointing. Some may argue that I shouldn’t compare it so much to the old, that this should be judged on its own. That’s not how direct sequels work, especially if one were to watch all seasons in succession now without the 13-year gap.

The most irritating fact of IV is how little it matters by the end. Leonard, who was the only incomplete thread from TSR, is still at large after having done little to nothing yet again. We are on the hook yet again to wait for another season, of which we have no confirmation.

One final aspect I must touch on is the use of CG for mechs and vehicles. It is undeniably rushed. FMP has used CG on occasion successfully – one of the few series to manage it. So to see Invisible Victory look worse than The Second Raid from thirteen years ago is baffling. It’s particularly noticeable when switching from a 2D close-up, detailed with battle wear, dents, and minor plays on light and shadow, to a CG long shot where the mechs no longer have detail. The models are too smooth, too clean. I understand why they resorted to CG. IV has a lot of mecha action, which would take time and effort to animate, and these fights have excellent choreography. The action is fast, fluid, and to the point. Sagara executes his opponents with the efficiency befitting his reputation. One skirmish in the suburbs between Sagara and several enemy mechs is particularly good.

I understand why. Yet, other series have managed to deliver a better product in similar situations – Studio Trigger regularly puts out great animation and Production I.G. often nails the CG used for vehicles in its titles. Full Metal Panic isn’t some small, untested franchise that can’t risk a larger budget. Why did this go to Xebec, a quick-and-cheap studio? It feels as though whoever was in charge didn’t care enough about the series, as if he had this forced upon him and just wanted it done, out of the way.

Full Metal Panic: Invisible Victory is a wasted opportunity above all else. The good elements of Sagara’s emotional arc, the fight choreography, and moments of surprising grit pale under the weight of disappointment.

Art – Medium

Looks fine, outside of the CG during action scenes.

Sound – High

The voice acting and music is still strong. Go with the original Japanese like in past seasons.

Story – Medium

Sagara’s story continues as the enemy attacks and takes Chidori. With little progress made in the plot and a dull second act, Invisible Victory doesn’t carry the momentum of its predecessor.

Overall Quality – Medium

Recommendation: For Full Metal Panic fans only. You will feel lost if you haven’t seen the other series, though I highly recommend starting this franchise. Invisible Victory wasn’t worth the wait, however.

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