Tag Archives: One piece

One Piece: Alabasta Arc (Season 4) – Anime Review

Related: One Piece: East Blue Arc (Season 1)

One Piece: Grand Line & Chopper Arcs (Seasons 2 & 3)

Length: 38 episodes

 

Positives:

  • Meatier story arc than before
  • Multiple layers to the conflict
  • Nami and the weather sticks
  • Good villains

Negatives:

  • Nothing really

(Request an anime for review here.)

Now this is more like it. I was told that the Alabasta arc was generally seen as the point where One Piece picks up. They were right. Being the first arc that isn’t about recruiting someone – where everything must tie into the new member – allows Alabasta episodes to broaden the scope and delve into a multi-layered cake of story.

The Straw Hats and Princess Vivi arrive at their destination, the kingdom of Alabasta, which is in turmoil from three factions amid a drought – the royal army, the rebels, and the sinister Baroque Works. The situation is bad when the crew arrives. They only become worse by the hour.

Alabasta is the largest dominion in the series so far with multiple territories on the one island. The king of Alabasta (Vivi’s father) is under fire for “stealing” rain from other islands by using a substance called Dance Powder that forces clouds above to rain early. Naturally, this means that those clouds will no longer rain further along the journey. In a desert region, there can be no higher crime than stealing the lifeblood of the people. Did you know that this is based on a real technique called cloud seeding? Scientists can “sow” special particles into clouds to make them rain sooner, often to increase rain in water catchment areas or to weaken incoming storms. Not as effective as the magical Dance Powder, though.

Where to start with great points of this season? The villains. I like the Baroque leader, Crocodile, and his ability – great fights versus Luffy. What an interesting coincidence that the authors for One Piece and Naruto had the idea for a sand-powered villain at the same time, yet luckily made them quite different. As cool as Crocodile is, no villain is better than the shapeshifting ballerina, Mr 2 Bon Clay. I love this crazy dude. Every minute he is on screen is a delight. He’s funny, has an interesting ability, and you never know what he’s thinking. I want to see more of this guy.

As for best fight of the season – no, best fight of all seasons so far, it has to go to Nami versus Ms Doublefinger. As Nami has no special power, she consults fellow power-free pirate, Usopp, for a weapon to match Baroque Works. (Good idea to address their “normal” status, by the way.) Usopp provides her with a staff that breaks into three segments, each capable of various weather based abilities. It is so goofy that I love it. This fight keeps growing sillier and sillier to the point where I have my head in my hands in disbelief at what they will do next. This is One Piece action to me. And as someone who values time more than anything else, I appreciate the brevity of these fights.

On the good guys team, Vivi has more opportunities for development and works well as a “guest” character. The appearance of Luffy’s brother Ace was a surprise. Funny story: I have seen Ace many times before, often featured in display cases of Akihabara figure stores. Thing is, I thought that was older Luffy. One Piece has been going for so long that I figured the characters aged, like in Naruto, at a certain point and this guy was Luffy Shippuden. He was a good addition to the story for adding a little more to Luffy, though he didn’t stay long enough. He doesn’t feel relevant yet. I look forward to his return.

Can’t forget Smoker, one of my favourites, whom I never say no to see more of. It is a good idea to have players in the game with direct conflict to Luffy, increasing personal tension. You don’t want the protagonist’s sole motivation to be helping others – one of Bleach’s many flaws after a few seasons. If the protagonist is only around because there are random bad guys to fight, the audience loses connection.

We’ve had good characters and good fights before, so those alone wouldn’t make Alabasta great. The layers and effort in a more complex story place this season well above previous ones. This feels like the first season where the author could flex some storytelling, now that introductions are out of the way. Crocodile’s plan is interesting, with many moving parts that involve the whole kingdom and every character, coated in a nice layer of politics, justifying the time spent on developing an entirely new society. It makes everything feel relevant. No filler. These 38 episodes could almost be a standalone anime.

In fact, I would use this season as the selling point for those hesitant to start One Piece. Rewind a bit and begin at the island where they meet Vivi and go from there. After Alabasta, which ends on a satisfying cut off, then there is investment to sit through over 60 episodes of backstory and introduction. If someone isn’t feeling it after watching Alabasta, then I can’t imagine any other season would sell them on One Piece. This has everything that represents One Piece. However, if someone quits after the third arc in a row about a pirate’s tragic backstory, I can understand. I don’t know if Eiichiro Oda planned the story so far before he began, but it doesn’t feel like it. This needs a bit of a restructure. Shifting most of the backstory arcs to later on helps with more than flow and pacing. It increases mystery. Naruto does character mystery so much better. At this point in One Piece, I don’t have an urge to learn more about the main six. I want to see them do great new things, yes, but who they are, where they come from, ghosts of the past, etc. hold no interest over me. That could change. Oda could retcon in new past mysteries that were “totally planned from the beginning”. It can work.

In short, loved this season. Should have come sooner in the series.

Quality so far – High

Current thoughts: This is easily the best season of One Piece so far. I hope for more of these deeper arcs. See you in the next one!

One Piece: Grand Line & Chopper Arcs (seasons 2 & 3) – Anime Review

Related: One Piece: East Blue Arc (Season 1)

Length: 16 episodes (season 2), 15 episodes (season 3)

 

Positives:

  • Chopper is a good introduction
  • More creative locations and ideas, like the giants

Negatives:

  • Luffy is still uninteresting
  • Still in the introduction

(Request an anime for review here.)

This time in One Piece, we look at two seasons: Grand Line Inrush arc and Chopper on Winter Island arc.

The Grand Line Inrush arc takes Luffy and his crew along the Grand Line, a volatile band of water that divides the oceans and where the laws of nature take a vacation. One could be on a desert island in the morning only to hit a land of perpetual rain by evening. Monsters are a common sight in these parts. After a brief encounter with a lonely giant whale, Luffy arrives at an island of bounty hunters that want that sweet, sweet mullah on his head. This is a mere pit stop in the story to introduce us to Princess Vivi of Alabasta. She employs the talents of the Straw Hats to transport her to safety back to her country, where a rebellion threatens.

Matters become more interesting on the next island. Two giants have been stuck in a duel for 100 years, evenly matched for eternity. The giants turn out to be rather friendly. However, a dastardly organisation called Baroque Works – responsible for the troubles in Alabasta – has plans for the giants and their new friends. Agent “Mr 3” wants to turn everyone into a giant wax wedding cake. Our heroes are to remain as cake toppers for all time!

What an unusual power. Similar to Gaara’s sand tomb, it’s a terrifying ability to imagine as it would suffocate you to death. One Piece, of course, tempers it with humour. These quirky villains are a riot. The guy literally has his hair styled into a 3 with the end lit like a candle!

The story gets a little more serious in the Chopper on Winter Island arc, where the team need to find a witch to cure Nami’s illness. The island, as the arc title would indicate, is in perpetual winter. And what is synonymous with winter? Reindeer. The witch’s small reindeer assistant is Chopper. Of all the character backstories so far, I like his the most. He was assistant to a crazy doctor reminiscent of a good Rick from Rick & Morty until his death, wish unfulfilled. It’s a touching story of regret, powerlessness, and ambition. He becomes the Straw Hats’ doctor after they help him fulfil his old teacher’s dying wish. This cute reindeer is the show’s mascot. Just don’t make him angry. You won’t like him when he’s angry. I want to see more of him, though I hope he isn’t relegated to mere comedy relief.

One Piece’s adventurous feel continues to be its greatest asset, aided by a good pace on a micro level wherein no story lasts too long. However, we still seem to be in the introduction stage. On a macro level, these 92 episodes haven’t gone far in the grand scheme and I wonder how long it will take a real plot to develop.

There isn’t much more to say about these seasons. They continue in much the same vein as what came before. See you in the next season.

Quality so far – Medium (still)

Current Thoughts: I like the addition of Hulk the Reindeer to the team. It is also great to see the continued feel of adventure with the locations and cultures. Two giants stuck in an eternal battle – why not? An island covered in snow in the middle of the ocean? Let’s do it.

(Request reviews here. Find out more about the rating system here.)

One Piece: East Blue Arc (season 1) – Anime Review

Related: One Piece: Grand Line Inrush (season 2)

 

Watched in: Japanese & English

Genre: Action Adventure Fantasy

Length: 61 episodes (season 1)

 

Positives:

  • Textured art holds up in the remastered version
  • A brilliant variety of character
  • The world is already full of adventure and promises so much more

Negatives:

  • Shouting = dialogue
  • Luffy hasn’t done much so far

(Request an anime for review here.)

Never has the saying “better late than never” been more applicable to my anime viewing timeline. At over 900 episodes as of this writing, One Piece has reached proportions that seem impossible to tackle (read all about my recurring nightmare here, in One Piece and the Curse of the Backlog). However, I shall take this one episode at a time and finally conquer the seas! (Or until I no longer find it entertaining. Whichever comes first.)

For those of you marooned on an island in the South Pacific since 1999, One Piece follows the adventures of Luffy, a boy with ambitions of becoming king of the pirates and who has the power to stretch his body like Mr Fantastic. First, he needs a crew if he means to survive all that the ocean and other pirates have to throw at him. Much of this first season is travelling to various locations, where he meets and recruits crewmates. Among them, we have Zoro the three-sword pirate, Sanji the chef, Nami the cartographer, and Usopp the best pirate to have ever lived.

I had tried One Piece many years ago – a few times, in fact, but had given up within an episode or two. Revisiting it now hasn’t changed my mind on those opening few. They give a terrible first impression. What is with the shouting? Of the approximately 190 lines of dialogue in the first episodes, over 100 are shouted – that doesn’t even include the action/reaction yells and one-word screams. Some pink-haired kid yells just about every line he has! Yelling for dialogue is a trait of cartoons for little kids, as it holds their attention better. This coupled with Luffy’s laissez-faire attitude to the most dangerous situations (more on him later) makes One Piece feels so bloody juvenile. Is this for five-year-olds? Thankfully, this only holds true for the first few episodes. Once they reach the Usopp recruitment story (starts episode nine), the tone jumps up two age demographics.

I think back to the start of Naruto, which also had a weak few episodes. Who can forget the second episode where Naruto hangs out with that brat Konohamaru? However, Naruto was clever enough to include the scene when a teacher betrays him and shows him how life isn’t friendly or fair. This is a promise from the author that despite the juvenile tone of the early episodes, this isn’t a “happy go lucky” anime. One Piece needed that moment.

It’s obvious One Piece isn’t for small children with all the guns, alcohol, and smoking, which leads me into an aside about the original 4Kids dub, having gone down in infamy. I watched the new Funimation dub, which is unedited and matches the original Japanese, but I also looked into the 4Kids atrocity that removed blood, replaced all the guns with…something, swapped Sanji’s cigarette for a lollipop, skipped entire episodes, and cut the alcohol, amongst many other changes. This was their most censored import. Why bother bringing it over at all if they’re going to change everything, you ask? As I’ve discovered, the decision makers at 4Kids did not watch One Piece before acquiring the licence. It was a package deal with other anime, likely for a younger audience than One Piece. So when it came time to dub it, they realised it didn’t fit their target demographic and thus began the massacre. Funimation, thankfully, took over the project years later and undid all of the changes to release it remastered in HD.

This HD re-release was a fantastic idea. When I thought back to One Piece’s art style before this viewing, all I could remember was those giant mouths. I still hate them of course (they add to the screaming as well). However, outside of this pet peeve, One Piece’s art holds up well because of the textured environments and the character designs. Imagine if it had gone for the standard style of the day with those flat colours, two-tone shading/lighting, and shallow backgrounds. It wouldn’t have aged well at all! As for the character designs, I find some great examples here. I love the fish people from the octopus guy to the sawfish captain. The fat pirate queen in episode one and her look later in the season (plus her perfect skin power) has me laughing. Best design award has to go to Captain Smoker, a marine in pursuit of Luffy who smokes not one but two cigars at all times and has belts of cigars strapped across his massive biceps and chest. Bloody hilarious! More than having good individual designs, there is strong cohesion for such a large cast.

By contrast, I find audio to be One Piece’s weakest department. The original Japanese performances are a mixed bag, as is often the case in battle shounen, while the dub is quite good (the new one). The lack of great music so far most surprises me. I think back to how many iconic tracks Naruto already had by this point, though that is probably a genre exception. For many battle anime, the OPs are all people remember, sometimes just the songs created by the dub studio such as Pokémon and Dragon Ball Z.

As for story, I am mixed so far. It is better than my past impressions had led me to believe, there is no doubt here. This is very much a romanticised view of pirates and is rather tame, despite all of the “not safe 4Kids” content. Almost all story arcs so far have been about recruiting someone to Luffy’s crew and/or giving us their backstory. We have Zoro the edgelord with a sword in his mouth (I don’t like this design) who kept losing to a girl, Nami and the death of her mother at the hands of the fishmen she works for, Usopp the greatest pirate to have sailed the four seas and his tissue of lies, and so on. These are fine stories, some better (Nami) than others (Zoro). However, when I think of what Naruto and Bleach have accomplished by the 60-episode mark, they far outshine One Piece. Naruto has completed the Zabuza arc and is mid-chunin exam, while Bleach is at the climax of the Soul Society Arc. That said, anyone who has seen Bleach would tell you that one good arc doesn’t make for a great anime. One Piece has plenty more to show off, so I hope it delivers something great.

 

I don’t mean to say an anime such as this needs to turn dark right away as Naruto did. What I want is depth. Even if it’s just a few promises of what is to come. The biggest disappointment has to be Luffy. Battle protagonists are rarely the most interesting of the cast since they have little flexibility in demographic marketing, yet even by those standards, Luffy is a thumbs down from me at the moment. I hate how he doesn’t care about anything or how he laughs at every predicament. In a more serious setting, they would all be dead because of him. Not to keep drawing comparisons to Naruto, but when the orange ninja laughs and brushes off dangerous situations, there are consequences. Most of all, I hate how half of Luffy’s dialogue is yelling about how he’s going to be “king of the pirates”. We get it!

The action is quite good. Standard shounen content on the positive side of the scale. It doesn’t have the flashiness of Bleach or the strategy of Naruto or the brisk pacing in Yu Yu Hakusho. However, it doesn’t have any glaring problems either. One Piece hasn’t had the action drag for ages (Bleach, Naruto) or power reset (Bleach) or repeated some trope to death (there is always a bigger fish in Yu Yu Hakusho). I will want something more soon though or I’ll stop paying attention when a fight starts.

To end on a positive, I want to discuss One Piece’s greatest promise for the future of the series – the world. There is such variety and limitless possibilities for a world where you can sail to a new island, meet a new culture, a new species of person. It reminds me of a simpler classic Star Trek (one of my favourite franchises) and that is always a plus. I love the restaurant ship that roams the seas to feed one and all in a scrumptious experience. There are rules (“more what you’d call guidelines”) that vary by location. One gets a strong sense of character and personality at each destination. When the crew gets on that ship and hits the open blue, I want to see what island they will discover next. One Piece delivers a true feeling of adventure.

Quality so far – Medium

Current thoughts: The early episodes don’t give a good first impression, but once the longer story begins, One Piece stretches it’s creativity to give a good opening season with promises of so much more adventure. Luffy needs to grow up and do something. See you in the next season.

(Request reviews here. Find out more about the rating system here.)

One Piece and the Curse of the Backlog

Naruto, Bleach, One Piece – the trinity, the hotness at one time. It started with Naruto for me and Bleach came not long after. I was in the door early for both, keeping me hooked on a weekly basis. I didn’t need more, so I never tried One Piece. I’m sure that if any of my friends were interested in it, I would have started it to keep up with weekly conversation as I had with the other two.

Years passed, Naruto and Bleach descending into the filler nightmares (Bleach turned to garbage as well, but that wasn’t enough to stop me watching yet). I needed my shounen fix. Twelve years ago, I tried One Piece for the first time. I had heard good things. “If you like Naruto, you’ll like One Piece, for sure.”

Episodes aired: ~250

Five episodes and I couldn’t go any further. The art was just too ugly. I particularly hated the hyper-stretched mouths and expressions. The immature protagonist, the try-hard guy with a sword in his teeth, the screech acting – I couldn’t do it. I was already sick of Naruto’s – the character’s – immaturity. I couldn’t take another such protagonist for hundreds of episodes. Luffy didn’t have the legacy status in my mind to make me look past his issues.

I dropped One Piece.

Leap forward five years. I was talking with a friend about our early anime days and the topic of shounen series came up. I had long since moved past such drawn out, poorly paced stories. When One Piece came up and I told him of how I hadn’t managed to stomach it, he said how he had felt the same, but pushed through and come to love it. He re-recommended it to me with conviction. So I looked it up again.

Episodes aired: ~500

Well, I could get through that eventually, I supposed. And I was willing to try it again. I was just going to get through a bunch of smaller series first, get them out of the way before I sink into the behemoth.

That bunch turned into a field of smaller series, which, coupled with my on-and-off interest in anime, delayed the trial more and more. But I was going to try it. I made certain of that.

We leap another few years forward and my passion for anime has reignited to the point where a desire to write anime reviews for my own enjoyment has started to burn. The idea swims around in my head for a while longer, until I decide to go for it.

Okay, now it’s serious. I couldn’t review anime and not review One Piece. Writing a review would be motivation to watch because now, even if I didn’t like it, I could write about what I thought of this ever-growing monster.

Episodes aired: ~700

Not a problem – I would review a few dozen 13 or 26-episode anime first, likely ones I had seen before and could rewatch quicker, build up a backlog of reviews ready to go before I tackle One Piece. There wasn’t anything to worry about. I had a plan.

“Remember that series Monster you had failed to finish over a decade ago? Yeah, it’s one of the greatest anime, so you have to complete and review it.” Sure, it was only 74 episodes, nothing like the near 750 episodes of One Piece. I could just get that out the way first. Oh, and, of course, I had to review Naruto, at least the classic series, to use as a point of comparison. A mere 136 episodes against One Piece. I could get through Naruto in a month with the Naruto Kai edit. That would add, what, four or five episodes to One Piece? No problem.

What about those sports anime like Ippo? I needed more variety to balance out the action heavy landscape of my anime reviews and sports was a niche in my library. Full Metal Alchemist: Brotherhood, how could I leave such a great on the backlog for so long?

“Have you heard of Korean dramas? What about British panel shows? How long has it been since you watched a Bollywood film? And you haven’t rewatched Top Gear in a while.”

Good point. I needed more than just anime or I would burn out. Plus, the gaming backlog was growing ever larger and needed trimming.

“Have you watched your favourite anime, Legend of the Galactic Heroes, yet? That’s only 110 episodes – much quicker to get through than One Piece.”

Episodes aired: ~800

Alright, that was it. I was never going to get around to One Piece! I knew it. My friends knew it. It had become an inside joke for how many small things I would just “get out of the way” first, after which I assured them I would get to One Piece. In truth, it was only on the backlist because it took no effort to keep it. Saying you are going to do something is less meaningful than a fart in the wind until you commit.

A time came about a year or so ago for me to cull the backlog. I went through the list, briefly checking each title to see if there was any hope or even the slightest interest in getting to them in my lifetime. I axed 50 titles with ease. Except, there was still One Piece. I was about to drop it when I saw a video about one of the characters. I was so beyond the fantasy of ever watching this anime that I didn’t care about spoilers. The video was great, and you know what? It made want to watch it, even if it meant skipping through the early content to reach the arc where it “gets good”.

Sadly, and as no surprise to anyone, I am sure, I still haven’t touched the series. It has surpassed 860 episodes (and growing) and I still have no idea when, or even if, I will watch a single episode of One Piece. See, I have it in my mind that it would be more productive and enjoyable for me to get through other, smaller anime instead. Allow me to illustrate.

Following is my complete backlog of anime. Not all titles will be completed, nor do all have equal weight and priority. Everything on this list has a good chance of getting my eyeballs for a few episodes, at least. And yes, the garbage is there intentionally.

In rough alphabetical order (series flagged red are very long):

  1. Angel Beats
  2. Baby Steps
  3. Beast Slayer Erin
  4. Big Order TV
  5. Cells at Work
  6. Code Geass: Akito the Exiled
  7. Cross Game / Ace of Diamond / Major (try all, finish the best one)
  8. Den-noh Coil
  9. Devilman Crybaby
  10. Drifters
  11. Galaxy Express 999
  12. Garzey’s Wing
  13. Ghost in the Shell 2
  14. Ghost in the Shell Arise
  15. Ghost Stories
  16. Gintama
  17. Glasslip
  18. Grimgar, Ashes and Illusions
  19. Gundam Thunderbolt
  20. Gundam: Iron-Blooded Orphans
  21. Gundam: The 08th MS Team
  22. Haikyuu Season 3 (only if truly enjoying it)
  23. Harlock / Cosmo Warrior Zero / Endless Orbit SSX / Harlock Saga / Space Pirate / Battleship Yamato (finish one or more, depending on enjoyment)
  24. Hikaru no Go
  25. JoJo sequels (only if enjoying it)
  26. Katanagatari
  27. Kemonozume
  28. King’s Avatar
  29. K-ON
  30. Last 5 Ghibli movies
  31. Legend of the Galactic Heroes Gaidens
  32. Lovely Complex
  33. Macross franchise (finish one or more, depending on enjoyment)
  34. Magi: The Kingdom of Magic
  35. Monogatari sequels (only if enjoying it)
  36. Mononoke
  37. Moribito – Guardian of the Spirit
  38. Mushi-Shi
  39. Naruto Shippuden (finally finish it)
  40. No 6
  41. No Game No Life
  42. One Piece ?
  43. Paranoia Agent
  44. Penguindrum
  45. Pet Girl of Sakurasou
  46. Princess Tutu
  47. Qwaser of Stigmata
  48. Sayonara Zetsubou Sensei
  49. School Days
  50. Skip Beat
  51. Slam Dunk
  52. Slayers sequels (only if enjoying it)
  53. Space Brothers
  54. Striking Daughter
  55. Texhnolyze
  56. Time of Eve
  57. Towards the Terra
  58. Turn A Gundam
  59. Wandering Son
  60. Wotakoi: Love is Hard for Otaku
  61. Xam’d: Lost Memories
  62. Yu Yu Hakusho
  63. Various shorts and films

The following are anime I’ve completed (or nearly), but not published the reviews yet (the holidays were good for tackling the backlog):

In total, that comes to about 80 unique series and movies with possibly more, depending on how much I want to see of the larger franchises. Let’s not forget any upcoming releases and requests from you, dear readers, either.

As of this article’s writing, One Piece is about to air its 869th episode. If we assume each episode is roughly 20 minutes, skipping OP and ED, it would take over 289 hours to finish the series! Of course, I would skip the 107 filler episodes, bringing the total runtime down to 254 hours. In that same time, I could finish between 40 and 50 of the series listed above.

What would I rather do? Experience a large variety or stick to one long series? Naturally, I’d want to do both if possible. So, what’s the solution?

I probably need to turn to the manga first. I can read volumes at a fast pace, allowing me to clear the same story in a fraction of the time, free of filler and stall tactics to lengthen scenes. However, I prefer anime to manga assuming both are of equal quality, though in the case of shounen, especially once the filler starts, the manga is often better. On the other hand, it’s nice to see key fights in motion. Perhaps I could read the majority and just watch the best arcs? That’s my current thinking.

Oh, but before I can read 91 volumes of One Piece, what about the shorter manga on my backlog? (Here we go again…) Noblesse, Lone Wolf and Cub, Vagabond, and 20th Century Boys, to name a few.

Regardless of what route I take, there are plenty of smaller series I want to finish first. My goal is to complete (or drop) every series in the above list that has 50 episodes or less by the end of the 2019.

One final thing to keep in mind is that I have barely rewatched any media (excluding anime I had to rewatch for their reviews) or replayed any games since I started this site, and I’m getting the strong urge to revisit some favourites, which equates to more delays for One Piece. So will it ever be done? I don’t know… I truly don’t know, but I will try.

(What if it turns out I still can’t stand One Piece a few volumes in, dropping it and rendering all of this redundant? Wouldn’t that be hilarious?)

UPDATE! The One Piece journey has started – click here!