Tag Archives: Nudity

Contains partial or prominent nudity. Not explicitly graphic.

Jormungand – Anime Review

Japanese Title: Jormungand

 

Similar: Black Lagoon

Canaan

Phantom: Requiem for the Phantom

 

Watched in: Japanese & English

Genre: Action Adventure

Length: 24 episodes (2 seasons)

 

Positives:

  • Strong production values.
  • Knows it’s weapons.

Negatives:

  • Unmemorable for the genre.
  • Tries too hard with some characters.

(Request an anime for review here.)

Jormungand was pitched to me as the Black Lagoon of its year. I can see why, for the similarities are obvious – an action series with a ragtag bunch of misfits circumventing the law to fight bad guys around the world. I am sad to report however, that Jormungand isn’t in the same league as Black Lagoon. That doesn’t mean we can’t look at this title as a lesson in the difference between an okay series and a great series.

The story follows international arms dealer Koko and her band of bodyguards made up of former soldiers. The latest addition to her team is child soldier Jonah, who doesn’t really want to be there. Her mission is to bring world peace by breaking every law seemingly possible while escaping intelligence agencies and other outlaw organisations.

The core of any story is its characters. In Black Lagoon, the characters had personalities larger than life, injecting the narrative with a constant stream of humour and energy. Importantly, they didn’t have gimmicks; they had personalities. Jormungand, on the other hand, uses gimmicks to define its characters. When one relies on gimmicks, each encounter with those characters starts to become repetitive with little room for growth because the writer didn’t establish their foundations. For instance, one woman’s gimmick is that she doesn’t wear panties in battle because it “increases accuracy”. This joke repeats for every scene with a focus on her. The first time, it says, “Hey, I’m not wearing panties – aren’t I quirky?” Next scene: “Hey, I’m still not wearing panties – quirky, right?” And the next: “Still nothing down there – bet you love how quirky I am.” Another woman’s quirk is her lustful crush on Koko, which also rears up every time she sees her.

You can’t do this to a character that’s supposed to matter. That’s throwaway character material. Jormungand tries too hard to make these people wacky. Without the personalities to back them up like in Black Lagoon, the quirks come across as annoying and random because they don’t tie to characters through a personality. Keep the panty-less gunslinger joke if you find it sidesplittingly hilarious, but it should be no more than the garnish to well-rounded attributes. Koko is the only character I would consider to have depth among the cast.

On the flipside, you have the problem of Jonah. He’s the “man of few words” archetype that, as I’ve said many times before, isn’t an easy one to make interesting because of how little there is to work with. One would think that having less pieces to construct a character is easier, when in reality every piece must be perfect. It’s like a chef trying to make a Michelin star dish of only three ingredients. Jonah’s counterpart in Black Lagoon is “Rock”, an ordinary salaryman who also didn’t want to join the pirates at the start. Comparing the two, you can see the difference it makes when you have a dull mute in one case and guy in over his head in a gunfight yet still dignified enough to do up his tie on the other.

As for the action, which is why most would attend this screening, it is rather good. Studio White Fox brought strong production values to the table to pump the action full of energy and explosions. As it tries to do with the quirky characters, Jormungand goes over the top with action. If your one interest is action, more action and crazier action, you won’t be disappointed. And the writer knows his weapons to impart authenticity.

Perhaps if I had not seen several such similar anime already, I would have liked it more – I suppose it’s the curse of happening to start at the top before working your way down. It’s hard to settle for something around the middle of the pack, where the plot doesn’t stick with me and I can’t remember anyone’s names except the two listed above.

Art – High

The art is sharp and clean with good animation and effort in the cinematography. It’s a seinen action series – it’s as expected.

Sound – Medium

The acting is alright, but with a script that lacks room for the actors to play like in Black Lagoon, it doesn’t reach greatness. It’s similar with the music – alright, though doesn’t go as crazy as it should.

Story – Medium

An arms dealer takes a child soldier under her wing to show him the ropes as a merchant of war. Jormungand doesn’t push itself far enough to become memorable in the competitive modern action genre.

Overall Quality – Medium

Recommendation: For action fans only. Jormungand is there for those who can’t get enough action and have exhausted the likes of Black Lagoon, Requiem for the Phantom, and Cowboy Bebop.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

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Devilman: Crybaby – Anime Review

Japanese Title: Devilman: Crybaby

 

Related: Devilman (alternative version)

Similar: Kemonozume

Parasyte –the maxim-

Berserk

 

Watched in: Japanese & English

Genre: Supernatural Action Horror

Length: 10 episodes

 

Positives:

  • Doesn’t hold back. At all.
  • Perfect match of art and narrative.
  • Pacing pulls you from one episode to the next.

Negatives:

  • Main characters are on the weak side.
  • No light and shadow on characters.

(Request an anime for review here.)

Akira has been a crybaby throughout his life. His friend Ryou was always the leader and daredevil. Akira’s willingness to follow Ryou on whatever adventure leads him into a world of devils and derangement. A devil even inhabits his body. With the power of a devil and the heart of a man, he becomes Devilman and joins Ryou in killing other devils. However, the devil inside has an insatiable appetite for food and pleasure. Akira has gone in way over his head.

Alongside Christianity (so much Christian imagery throughout), sex is a big theme of Devilman Crybaby. Akira always has sex on his mind, made worse by trying to fight it. All villains, whether human or devil, have a sexual component to them. One rich devil woman is after Akira for having the devil Amon inside him – he was the best she’d ever had. Miki – Akira’s foster sister that he tries not to perv on – is unknowingly a model for a peddler of underage nude imagery.

Now, unlike Kemonozume, where the sex scenes are about passion and character conflict, Devilman Crybaby’s sex is just about violence. Gory, monstrous, violent sex. In the first episode, we see a woman’s breasts grow like worms and mutate mouths from the nipples to bite someone’s head off during an orgy. Another’s vagina tears open in a shark-like mouth for her to consume sex fiends. Nightmare fuel, I believe they call it.

This is probably the most sexually violent series I’ve ever seen. If this were live action, I don’t imagine they could get away with it in most countries. Furthermore, the art and animation styles are perfect at delivering the intended violence, the debauchery, the delirium of these scenes. It’s disgusting in an artistic way even with the cinematography – how the camera flies up crotches to show precisely where a character is looking, or the way Akira is practically eating the camera when gorging himself on food. It wouldn’t have worked with a “standard” anime style. These scenes aren’t mere shock value either. They allow you to feel the mental state of the characters, allow you to feel the horror of others with the purpose of immersing you in just how messed up the situation is. It recalls Berserk’s climactic scene except it appears throughout the series.

So, if after reading all of that, the thought of such sexual violence seems like too much, then don’t put yourself through it. This could give nightmares. It’s well done, but not to everyone’s taste. I’ve had a few friends put off from watching it after I described this. It’s lucky I’m used to all levels of content, as I went in blind with no idea any of this was coming.

There is humour to give a little balance (though it does diminish in later episodes). The funniest moments have to be the first day at school after Akira’s transformation. He’s suddenly tall, muscular (large package included) with bad boy good looks and all the girls tripping over each other to get near him. They even give him all of their lunches since he can now eat a metric ton in one sitting. It’s like thirsty fans giving a Twitch streamer endless donations. And let’s not forget the way he runs on the track (another good example of the art augmenting the otherworldly nature of the characters and story). Priceless.

What stops Devilman Crybaby from reaching my highest tier is the main characters though. They don’t get enough exploration. I couldn’t put my finger on it at first because I thought the story successful. It can be hard to notice weaker characters in a great story. A good story can carry mediocre characters. The simple way to figure it out is to take your characters and put them in another story, then think of whether you would still want to follow them. If I put Akira and Ryou in Death Note, for example, adapting the story to fit their characters, would it make an interesting story? Well, no, because Akira doesn’t have the layers or nuance required and Ryou isn’t smart, only getting away with the things he does in Devilman Crybaby thanks to the author’s pen.

The first episode is a perfect example. After a trio of street rappers stop Miki to bust a rhyme for her (she’s popular and a known model) and Akira is too weak to help, Ryou arrives on the scene and brandishes a semi-automatic rifle, firing at their feet. Do any consequences come of this? Nope. He does whatever he wants and no one questions it. When hunting devils, he has no problems with collateral damage, which does bother Akira but doesn’t translate into consequences. At first, I thought it was just this anime’s weird style, yet this rule doesn’t apply to anyone else.

As for Akira, he doesn’t get to “flex” his character enough for us to know him fully. There isn’t much more than the soft heart in a devil’s body dichotomy. The story still works in the end with how much it ramps up conflict to biblical proportions, but you are scratching your head a few times too many along the way, wondering if they couldn’t have executed the characters better.

Regardless, I was engaged from start to finish and I love that this is only 10 episodes. Devilman Crybaby went for exactly as long as it needed to.

Art – High

The animation and character designs remind a lot of Kemonozume, allowing for fluidity and extreme distortion that leans into the nightmare imagery. It’s heavily stylised, even in the cinematography and use of light and shadow. However, the lack of highlights and shadows on characters bothers me to the point where it pulls me out of scenes too often.

Sound – High

Devilman Crybaby is available in many languages, thanks to Netflix, so take your pick. I preferred the English for handling the foreign language segments better than the Japanese did. Biblically epic soundtrack – the ED paired with the cliffhangers urges you onto the next episode right away.

Story – High

A weak kid inhabited by a devil works with his best friend to fight devils infiltrating humanity as the situations escalates. A good story carries weaker characters to the end.

Overall Quality – High

Recommendation: Try it. I think Devilman Crybaby is a good anime, but its content is so uncensored and nightmarish that I can’t recommend it to everyone. If it sounds like your sort of anime, then go for it.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Fluid AnimationHoly S***

Negative: None

Kemonozume – Anime Review

Japanese Title: Kemonozume

 

Similar: Devilman Crybaby

Basilisk

Parasyte –the maxim-

 

Watched in: Japanese

Genre: Supernatural Action Horror Romance

Length: 13 episodes

 

Positives:

  • Stands out.
  • Great romantic conflict.
  • Fast pace.
  • Satisfying conclusion.

Negatives:

  • Third act focuses too much on action.

(Request an anime for review here.)

I wouldn’t be surprised if you haven’t seen this anime. Nor would I blame you. It doesn’t look the most appealing. I only watched it after seeing the following scene (and it’s not even representative of the story):

Kemonozume is a Romeo & Juliet story that pits a monster slayer against the monster he loves. In this world, a species of monsters slinks through society disguised as humans, consuming people to survive in plain sight. The samurai-like Kifuuken clan has one purpose: killing Flesh Eaters. Toshihiko is their leader’s son and an expert slayer who falls in love with beautiful Yuka at first sight. She shows him that there is more to life than the warrior’s code – she even takes him tandem skydiving – and he gives her love she had been taught didn’t exist in return. Their whirlwind romance derails when he discovers her to be a Flesh Eater. Toshihiko must now choose between love and duty.

I do not enjoy Romeo & Juliet. Like every other poor unfortunate soul, I had to study it at school. Hated it then. Hate it now. So to see this anime, with its ragged art and surreal palette that intrigued me, reveal itself as a Romeo & Juliet romance, I braced for stupid. However, Kemonozume did two things that rallied my spirits. First, they are a threat to each other just as much as their respective sides are a threat to them. And secondly, the romance isn’t chaste. This couple doesn’t shy away from sex, from lust, from passion.

I maintain that sex scenes (or risqué fan service, if we’re talking teen anime) are often the biggest waste of screen time in any medium. Even Game of Thrones, which I love, could benefit from removing 90% of the sex scenes. Such scenes rarely add anything to the story.

Kemonozume differs because much of this couple’s personal story occurs during the sex scenes. See, Yuka’s true form is at greatest risk of coming out during moments of heightened sexual ecstasy, a problem made worse by how much these two adore and crave each other. The theme of rebelling against what they were born to be isn’t just seen in them running away from home to go on an adventure. We see it in their most intimate moments. The sex doesn’t overstay its welcome. There’s always a justification for making that scene a sex scene rather than something else. It also helps that the weird art makes these moments something you’ve probably never seen before, visually, and the exaggerated lines amplify the emotions they feel.

Another strength of Kemonozume is its humour. For instance, after encountering Yuka for the first time, falling for her instantly, he starts to see her face on everyone else’s heads in this hilarious scene. Like the rest of this anime, it exaggerates the joke three steps beyond the norm, but it works here. Distracting Flesh Eaters with holograms of dancing nude women is also a good laugh. I will concede that some humorous moments could do with better timing.

Sadly, Kemonozume falls short of excellence with a third act that contains too much action. It’s not that action has no place in this romance. Rather, the action become a bit too shounen, so to speak, albeit surreal shounen action – like the sex, this looks different from other action scenes. Without this third act, it wouldn’t be fitting to give this anime the “Action” label. On the positive side, it’s only a few episodes (being a short, fast-paced anime helps here) and the conclusion is satisfying. If the end weren’t satisfying, I would leave Kemonozume bitterly disappointed. I can thankfully say the opposite.

Now, despite my praises, do keep in mind that this is wildly different from “normal” anime. Should Kemonozume not grab your interest within one episode, you most likely won’t change your mind by the end. Don’t force yourself to watch it on my account – on anyone’s account.

Art – Medium

Visually unusual art – highly stylised on a budget. It’s clear they didn’t have much money to work with, but made the most of it to create something distinct. Allows for plenty of animation, but the art itself is very rough. This style could be a deal breaker for some.

Sound – Medium

The nice jazz soundtrack is stronger than the decent voice acting.

Story – High

The son and heir of a monster hunting clan falls in love with one of the very maneating women he’s born to kill. Fast, savage, and racy, Kemonozume is a unique take on the forbidden love romance.

Overall Quality – High

Recommendation: Try it. I greatly enjoyed Kemonozume, but I know it won’t appeal to many, so give it a try and see if you feel as I did.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Nisekoi: False Love – Anime Review

Japanese Title: Nisekoi

 

Similar: Toradora

My Bride is a Mermaid

Golden Time

 

Watched in: Japanese

Genre: Harem Comedy Romance

Length: 32 episodes (2 seasons)

 

Positives:

  • Reasonably funny.
  • Beautiful art.

Negatives:

  • Goes nowhere.
  • Same harem clichés.
  • The promise pendant gimmick is moronic.
  • Initial setup doesn’t matter.

(Request an anime for review here.)

There’s something to be said about watching a certain type of anime for first time. I remember thinking Elfen Lied was great, believing Emma: A Victorian Romance was a superior romance, and dubbing Scryed as one of action anime’s best. These were the first anime of their kind I had seen and as such, I didn’t have a measuring stick to compare. Sure, I had seen other gore stories like Elfen Lied, but never one centred on innocent girls. Emma came to me before my love of period romances and Scryed, despite being action – one of the few genres I watched back then – was so different in its powers and commitment to characters. Not to suggest that I find these series bad today. However, I have seen many better cases since. I am sure you can all relate.

Coming to Nisekoi, it is the 30th of its kind that I have seen, which does no favours for its cliché-riddled characters and head-smacking plot. I had heard sound bites of negativity from several people, including from some of my readers. This seemed odd, for Nisekoi is from studio Shaft known for quality works like Bakemonogatari and Madoka Magica. And what screenshots I had glimpsed looked great.

Having finally seen it, the art is great – better than I had imagined – but the story…well, I’ll get to that. 

Nisekoi is a comedic reverse Romeo & Juliet, of sorts. Raku, heir to a yakuza family, enters into a forced engagement with Chitoge, granddaughter of the mafia’s leader, as a way to bring peace between the gangs. The only problem is that they hate each other and thus must pretend to be in love for the sake of duty. To further complicate matters, Raku made a promise with a girl 10 years ago, but he can’t remember who she was. He just knows she will have the matching key to the pendant around his neck. Also, he has a crush on his school friend Onodera. 

The first episode has so many clichés – toast in mouth, guy falls on top of girl, fawning over transfer student, girl punching guy – that it immediately makes one lose hope. However, once episode two introduces the key event of Raku’s engagement to Chitoge, my opinion reverses. The premise is genuinely funny. Seeing these two pretend to be in love while yakuza and mafia thugs spy on them from behind trees, yet not be in love when classmates are around to make sure everyone knows they hate each other had me laughing plenty.

So where does it go wrong? If you’ve noticed the harem genre above (or tag below) and this isn’t your first rodeo, you can guess with 100% accuracy. More girls for the harem. 

Nisekoi’s premise barely lasts a few episodes before it spirals into harem wheel spinning. A third girl joins the cast, and then another soon after. Each settles into her dutiful role as a harem girl, never deviating from the mould or advancing the plot. Even the Raku-Chitoge relationship that gave hope earlier thanks to their stronger personalities falls right into place. The wrong place.

It’s the same harem garbage you see everywhere. The bathhouse, beach, and school play episodes are the same, tsundere behaviour is the same as ever, and even Kamino itself couldn’t have made a better clone for the childhood friend. It is good-looking garbage of course – Shaft brings their signature cinematographic flair and unique art style to make this the most beautiful harem of all time (sorry, War on Geminar; you can’t compete anymore). 

The one story distinction Nisekoi has over its kin is the idea of his “one true waifu” to end up with, but even that goes nowhere, so it doesn’t matter.

In reality, the plot centres on that pendant of his. The gimmick is lame. For one, the pendant looks too stupid for anyone to wear at all times. Second, it’s a contrived way of tying two people together because we are somehow to believe that a 10-year-old promise magically makes people compatible. It hints early on that Onodera has the key. Turns out, it may not be her but Chitoge he made the promise with (she too has a key). But wait! It may not be either of them. Yet another girl from his childhood has a key and swears they made a promise. (She is from the city’s third “gang” – the police.)

Give me a break. 

See, I can imagine that had Nisekoi been my first harem anime, I would have enjoyed it. I would have still been disappointed by the lack of direction, naturally, but I would have laughed a lot (remember, the clichés wouldn’t have been clichéd to me yet) and the visuals would have suckered me in. Now though, having been through the trenches fighting off the same old harem thots for years, my eyes glaze over. Unless you’re new to the genre, don’t bother with this one. 

Art – High

Nisekoi looks great with extensive effort gone into the cinematography, colouring, and animation. That’s how it gets you. It looks too good for a bad anime. Several girls do look too much like Monogatari characters.

Sound – Medium

I like the lead girl’s performance and the others are fine too. Music is serviceable.

Story – Low

The son of a yakuza leader must pretend to love another gang leader’s daughter – someone he hates – to keep the two groups from war, all while searching for the girl he made a promise with in childhood. Nisekoi is as generic a harem as any other that goes nowhere.

Overall Quality – Low

Recommendation: Skip it. No amount of fancy art can turn Nisekoi into a good anime.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Induces Stupidity

KonoSuba: God’s Blessing on This Wonderful World! – Anime Review

Japanese Title: Kono Subarashii Sekai ni Shukufuku wo!

 

Similar: No Game No Life

Ixion Saga DT

Slayers

Log Horizon

 

Watched in: Japanese

Genre: Adventure Comedy Fantasy

Length: 20 episodes (2 seasons), 1 OVA

 

Positives:

  • Consistently funny characters.
  • Fun, colourful style.
  • Great parody of otherworld anime.

Negatives:

  • Weak story lacks progression.
  • World could do with greater exploration.

(Request an anime for review here.)

Kazuma is useless. Darkness is useless. Megumin is also useless. Aqua is especially useless. Everyone is useless in the world of KonoSuba! And it is great.

After an embarrassing death, high schooler Kazuma has the chance at another life in a fantasy world. A nerd’s dream come true! Unfortunately, he spawns as the worst class in the game and Aqua, the goddess that granted the new life, is a companion without talents to speak of. They soon recruit descendant from a powerful magical bloodline, arch wizard Megumin, master of explosion magic. At last, some strength to the group!

Nope. She can only cast one spell before collapsing. Well, at least they have a resilient tank in the form of paladin Darkness. She will save them! Nope. She’s has zero accuracy in combat and is a masochist that loves taking a beating from monsters – the more people that watch her sweet arse and bountiful breasts get beat the better.

KonoSuba is a refreshing change after trudging through the endless mire of isekai (otherworld) anime. This parody is better and funnier than the vast majority of titles in the genre, not to suggest there is stiff competition.

Everything works and make sense in this take on the genre, Kazuma being utter trash most of all. His team starting out at the bottom doing menial quests such as slaying killer cabbages and painting houses that barely pay enough for living expenses (note how most isekai forget expenses), just like in any MMO, makes sense. Every isekai fan believes that if they woke up in a fantasy world, they would be a powerful knight or wizard at the top of the food chain (just like how advocates for communism think they would be part of the small ruling class and not one of a billion peasants at the bottom). Who knew that being an otaku NEET doesn’t train you for life in a dangerous fantasy world? KonoSuba shows the reality of how garbage everyone would be and leans into it for great comedic effect.

The characters in particular bring this series together. They are such fun, such a riot to hang out with that they overshadow problems. I did think there was a risk of repetition at the start. For example, Darkness’s love of masochism could have quickly become her running into the fray to get smashed, we laugh at the joke and repeat next episode. However, the joke stays fresh because it isn’t about having her armour stripped off each battle. Instead, it’s about the ridiculous lengths she will go to for arousal and how much more desperate she is each time. Just when I thought it wouldn’t be funny anymore, she surprised me next episode.

The big problem with KonoSuba is the story, or lack thereof. The main goal is to defeat the Demon King, something I forgot about a few episodes in since they ignore this in favour of episodic stories. Now, these small stories work well in facilitating the characters and comedy, but they don’t progress the plot. Watching these episodes in the moment wasn’t a problem until it cares about the Demon King again, where it reminds you of how little the plot has moved. The overarching story feels like an afterthought. “Oh damn, I wrote all these great jokes but forgot the story. Quick, make something up – kill bad guy…big monster…demon…yes, demon king! All done. Phew.”

As such, if you are going to watch KonoSuba, you have to do so for the characters and humour. The world itself lacks depth, having used the generic fantasy template, and the story is just as straightforward as can be. If after you meet the whole team you don’t find it funny, then don’t proceed further.

Art – Medium

I like the colours and character designs. It’s a shame little effort went into making the environments anything but generic. If you removed characters from the shot, you wouldn’t know which anime the environment was from. The animation is strong, particularly in the spell effects that took the largest portion of the budget.

Sound – High

The acting is strong, though it may take a little getting used to Kazuma’s voice, as he sounds too old for a teen, but hey, at least it’s something different from the usual forgettable isekai protagonists. (Note: There is a dub on the way, for those interested.)

Story – Medium

A teen revives in a fantasy world, but has no talents and is surrounded by others with no talent either. Characters and humour hold up this rather barebones story.

Overall Quality – High

Recommendation: A must for comedy fans. KonoSuba is greater than the sum of its parts thanks to its characters and hilarious comedy. This is an easy anime to watch and recommend.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None