Tag Archives: Mystery

An air of the unknown, a puzzle to solve…

Tiger & Bunny – Anime Review

Japanese Title: Tiger & Bunny


Similar: My Hero Academia


Darker than Black


Watched in: Japanese & English

Genre: Science Fiction Action Comedy

Length: 25 episodes



  • Fun premise.
  • Late act 2.
  • More below the surface.


  • Sticks to “heroes doing hero things” for too long.
  • Finale fizzles out.

(Request an anime for review here.)

Now for a completely different take on superheroes, Tiger & Bunny is here! To succeed as a superhero in the city of Stern Bild City, a hero needs sponsors. After all, who’s going to pay for all the damage from a battle? The channel Hero TV follows these superheroes on the streets as they fight crime, everything filmed and performed with an eye for entertainment and, above all, a responsibility to the sponsors. You thought superhero work was about catching bad guys? Amateur.

This is a brilliant premise (and a clever way to insert the anime’s sponsors into the series). If you think about it, should a superhero ever exist in the real world, sponsors would be on their doorstep within the hour. Can you imagine how much Coca Cola would pay to have the superhero take a sip of Coke after a successful arrest broadcast to the world?

Our principal corporate patsy in this case is Kotetsu a.k.a. Wild Tiger, a has-been hero that fails to score arrests for points on Hero TV, outstripped by the popular heroes such as the flying Sky High and the young idol Blue Rose (sponsored by Pepsi). The Wild Tiger trading card is worthless. He can’t even give it away! He hits rock bottom when a larger corporation buys out his contract and pairs him with the newer, shinier hero model sponsored by Amazon and Bandai in Barnaby, who has the same power as Tiger – five minutes of super strength and speed. Together, they are Tiger & Bunny (named by Kotetsu).

This anime immediately reminded of a favourite old movie of mine called Mystery Men, which spoofed superheroes to an extreme degree. One hero’s superpower was the ability to shovel very well. The strongest hero was Captain Amazing, plastered with sponsor patches like an F1 driver. There is a strong Western influence in Tiger & Bunny, including a Joker and Harley Quinn-like villain duo.

When Tiger is about to catch a criminal fleeing aboard the monorail, Hero TV’s showrunner tells him to hold off on the capture as they must cut to commercial on a cliffhanger. Tiger & Bunny had me from that moment. As evident by the premise, this is a fun anime. I love the makeup of the world with its reality TV obsession and the un-super superheroes.

Tiger & Bunny does do more than comedy by expanding the major characters. Kotetsu is trying to balance hero life with his responsibilities as the single father to a daughter, who doesn’t know of his alter ego. He makes promises he can’t keep. It goes into lives of washed up heroes, saviours fallen from grace. What happens in retirement? What if forced to retire? Blue Rose, on the other hand, hates doing hero work when she just wishes to be a singer.

The most conflict goes to Barnaby, though. Despite outward appearances of a young hero on top of life, the death of his parents during childhood torments him to this day. His thread, which properly kicks in during the second half, is the best of the series. Until the midpoint, episodes are just “heroes doing hero things” without much story. Fun, sure, but lacking depth. Barnaby’s story and the villain he confronts elevated the anime.

It’s a shame then that the quality slouches back to basic hero vs. villain for the finale. Tiger & Bunny doesn’t quite grab all of its potential and run with it. Greatest fumble of all is the handling of the vigilante Lunatic that incinerates heroes and villains alike he deems unworthy. He comes into the story early on and makes several appearances that both aid and hinder the protagonists, but by the end, his story arc goes unexplored except for his origin story. You could suppose that they saved him for a sequel series, if meant for anything at all, yet even so, you can’t bring in such a significant element and seemingly forget about him by the end. It would be akin to forgetting Two-Face’s story in The Dark Knight. I need a little more of that conflict sauce. Give it to me!

Despite the fumbles, I had a blast with Tiger & Bunny and I can easily recommend it to anyone. The premise alone is worth your time. Let’s hope My Hero Academia, which I am watching at a snail’s pace, is at least half as inventive as this anime.

Art – Medium

The glitzy metropolis design is a pleasure, as are the sponsor-plastered heroes. CG for several of the armoured characters isn’t as bad as it could have been.

Sound – Medium

The acting is strong in Japanese and English. They managed to capture the goofiness of the heroes in this weird world quite well. The music, however, isn’t “superhero” enough. It doesn’t have the fanfare you would expect (WWE wrestlers get it right).

Story – Medium

In a world of superheroes sponsored by big corporations for profits, a has-been hero finds himself paired with the new, handsome hero to perform for the crowd while catching criminals. The fun concept of Tiger & Bunny elevates it above a generic superhero anime.

Overall Quality – Medium

Recommendation: Try it. Tiger & Bunny has such a wacky idea that even if you have grown tired of superhero stories, this could refresh your interest. Do note that most episodes have an after credit scene that is necessary viewing to avoid small confusion.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None


ACCA: 13-Territory Inspection Department – Anime Review

Japanese Title: ACCA: 13-ku Kansatsu-ka


Similar: Kino’s Journey

House of Five Leaves

Joker Game


Watched in: Japanese & English

Genre: Mystery Drama

Length: 12 episodes



  • And now for something completely different.
  • The grander plot.
  • Mauve is gorgeous.


  • Second acts of most episodes are dull.
  • The comic office staff are out of place.

(Request an anime for review here.)

What an unusual anime. When a dear reader requested ACCA: 13-Territory Inspection Department for review, I wasn’t really looking forward to it, if I can be brutally honest for a moment. A bureaucrat goes around the states of a peaceful nation to audit the peace? What…? Where’s the conflict if everything is peaceful? I had to force myself to start it for the sake of the review.

The first episode didn’t impress me beyond the visuals. We learn that the kingdom of Dowa has known peace for a century thanks to a government initiative called ACCA that cares for the needs of citizens. Rumours have started stirring, however, of a coup d’état against the king. Jean Otus of ACCA now has the job of auditing the Dowa’s 13 territories to see how peace suits them and to uncover the truth of these rumours.

The slow start and lightweight feel, for lack of a better word, to the mystery of the rumours didn’t compel me to keep watching. If not for the “peace” in the blurb, one would expect ACCA to be in the vein of Bridge of Spies and similar Cold War films, where tension holds the very fabric of reality at peace. But because Dowa is at peace and the storytelling slant is tranquil, I found myself questioning why this story needed telling. I don’t joke when I tell you that only my love for the visuals kept me going. (If I’m not feeling an anime for review, I will often take forever to get through it.)

By the second episode, I’m starting to love the opening song (I wouldn’t skip it from here on) and the protagonist Jean is growing on me. Let’s not forget Mauve, one of anime’s most gorgeous women and her role in the plot. She has a mysterious air about her and this sultry confidence that made me unsure if she truly was Jean’s ally. Then we learn of someone spying on Jean, who himself is acting like a spy in his tour of the states. The layers of spying go all the way to the top. I’m not hooked, but I’m no longer dreading it.

The problem with ACCA is the overrepresentation of daily life. I understand that this is a country at peace and peace breeds routine, monotony in society. But! They should have worked in more spying as an undercurrent to the ordinary events, extracting bits of information during chitchat, and everyone suspicious of something, all with a fun angle like The Man from U.N.C.L.E. and Kingsman. From the outside, it would seem like daily life, but underneath that is spy work. The existing second acts of most episode are boring. Most third acts of episodes interested me enough to keep going.

The second issue I have with ACCA relates to the territories. Each territory has a specialty – one is agriculture, another makes all the movies, and so on – yet most of them don’t feel much different and aren’t interesting, unlike Kino’s Journey where every location brought something new. It wasn’t until Jean visits the territory that lives akin to 17th century France, with electronics such as mobile phones banned, that my interest piqued. Alright, some variety!

The core of the plot also comes to light soon. As the coup builds, Jean needs to learn which side each district will fall on, should a power play occur – with the crown or the conspirators.

ACCA had slowly built my interest until the third act, where it delivers its best episodes as all the secrets come tumbling out. If anything, its story is too end-loaded and could have measured it out more to boost engagement earlier. Still, the strong finish left me with a good impression.

ACCA’s aversion to anime tropes also helps its case. In fact, the one notable trope it does use – goofy co-workers from Jean’s home office – is an eyesore. Their comedic relief isn’t funny and doesn’t fit the tone of the show. Their inclusion was to counterbalance the drama, though the fun spy work I mention above would have been more fitting. It could have done without them.

ACCA: 13-Territory Inspection Department isn’t going to blow you away nor is it a great anime, and yet, because it’s something different, you don’t have the feeling of “same old, same old” when watching it. I urge you to give it a chance.

Art – High

ACCA looks different yet familiar to anime. I love the colours and character designs. This anime adores animating things fluttering in the wind. It also uses small visual techniques you rarely see in anime, such as characters fading into view as the camera reverse dollies through them.

Sound – High

The OP is great and went on my playlist before I finished the series. The woman’s vocals struck me. As for the acting, it’s good in either language, so go with your default preference.

Story – Medium

An inspector from ACCA, the government department responsible for the country’s peace, travels to the 13 states after rumours of a coup d’état surface. ACCA overcomes its dull segments with an unusual concept executed through interesting characters.

Overall Quality – Medium

Recommendation: Try it, I urge you. ACCA: 13-Territory Inspection Department won’t be for everyone. In fact, this little-known anime will interest very few among us, but it’s worth trying in case you are one of those few. I wouldn’t want you to miss out.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Durarara!! – Anime Review

Japanese Title: Durarara!!


Related: Durarara!!x2 Shou, Ten, and Ketsu (sequels)

Similar: Baccano!


Darker than Black

Death Note


Watched in: Japanese & English

Genre: Supernatural Action Mystery

Length: 24 episodes



  • High visual and audio production values.


  • Excess dialogue.
  • Get to the point already!
  • Poor structure and storytelling.
  • Many characters have no purpose.

(Request an anime for review here.)

Durarara is Baccano, but bad. I consider few anime that I’ve finished as a waste of time. Even the worst anime has value to me, for it gives something to discuss and lessons to learn in character and storytelling. This is one of the few exceptions. A chore to finish, an effort to enjoy, and with little to discuss or learn, Durarara was a waste of time.

The story focuses on the legend of the Black Rider, a headless motorbike rider that prowls the streets of Tokyo’s Ikebukuro district amid increasing gang activity. Mikado is caught up in the commotion when he witnesses the Black Rider on his first day in Tokyo. He will rely on friend and failed flirt Masaomi to guide him through the supernatural events and all manner of strange characters.

Durarara doesn’t open with great promise that derails later on. This is a case of never showing any promise to begin with, leaving us waiting for when it will get to the point, show us it purpose. It seems to do everything it can to avoid showing us its story, as if under the misapprehension that by doing this, it will make the final revelation a masterstroke.

Durarara wants to be character driven with its large cast, each exhibiting grey qualities, which is one of the elements that made Baccano a success. However, it wastes far too much time repeating conversations where characters explain their motivations. Because so little time is spent on events to drive story, characters don’t have much opportunity to show us who they are. As a result, they have to tell us and then repeat it again later. This is only for major characters. Minor characters, on the other hand, don’t even exposit or discuss events. They chat about random nonsense that tests one’s patience. There is so much excess dialogue.

All of this makes Durarara comes across as more slice of life than action.

Most story is end loaded in the final few episodes. When the big revelations about character identities and gang power plays come out, the series goes, “While all those useless characters where chatting about whatever, these other characters were secretly manoeuvring behind the scenes. Surprised you, didn’t I?” Yes, I’m surprised – surprised that you managed to squeeze out any story at all.

I had wanted to watch Durarara for the longest time after Baccano, one of my first reviews, hoping to find a similar experience. What a letdown. Had the characters been close to the level of Baccano’s cast, I likely would have enjoyed it despite the poor story, but these aren’t interesting. One guy’s gimmick is getting angry at the slightest provocation. It’s funny the first time, sure, but it’s the same joke every episode. Grow some dimension! The black Russian advertising his sushi restaurant on a street corner is also amusing, yet that joke too grows old.

Everyone is forgettable save for perhaps the Black Rider searching of her head. Bringing the Dullahan myth to modern Tokyo on a bike instead of a horse is a cool idea. Her story is decent as well, though she only has material for a few episodes – not enough to carry the team.

This anime was a personal choice I wanted to watch amidst the reader requests. I was certain this would be a hit. I don’t blame the production crew – Durarara looks and sounds great. The source light novel is a mess to begin with, as are the Baccano light novels, incidentally, which make me more impressed with the latter’s anime adaptation.

The first season wraps up its plot, so I have no attraction to watch the sequels. I usually finish every direct sequel for my reviews, but I won’t bother with Durarara.

Art – High

Durarara uses the same style as Baccano, crazy opening included (without the great song, though), has great animation, and with normal yet distinct character designs. However, background characters are often greyed out – budget or style?

Sound – Medium

The acting is great, in either language, but the script is so damn bloated. Characters repeat themselves often and minor character dialogues are a waste of time. The ED is catchy.

Story – Low

The new kid in Tokyo finds himself mixed up in gang wars amidst events involving the mysterious Black Rider, a supernatural biker in search of her head. A single strand of good story resides among the tangle of threads that is the mess called Durarara.

Overall Quality – Low

Recommendation: Don’t bother. Durarara takes such effort to enjoy that I would recommend almost any other anime instead.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None


Poor PacingShallow

Ergo Proxy – Anime Review

Japanese Title: Ergo Proxy


Similar: Psycho-Pass

Serial Experiments Lain


Ghost in the Shell


Watched in: Japanese & English

Genre: Psychological Mystery Science Fiction

Length: 23 episodes



  • Delightfully grim art.
  • The side story episodes.
  • Moments of brilliance.


  • Muddle storytelling obfuscates greatness.
  • Several useless episodes.

(Request an anime for review here.)

One of humanity’s last civilisations resides within the domed city of Romdo, where robots called AutoReivs supplement the low population on the path to humanity’s recovery. When a virus begins to infect these robots, Re-l Mayer gets on the case with her AutoReiv Iggy, but the case grows beyond her imagination and out of her control when a sentient and independent robot confronts her at home.

Despite what the setup may tell you, Ergo Proxy isn’t a crime series along the lines of Psycho-Pass and Ghost in the Shell. This focuses on the psychological, taking Re-l, Iggy, and AutoReiv engineer Vincent on a mind-altering adventure into the heart of Romdo and beyond its walls.

A favourite old movie of mine is Logan’s Run, which also uses the premise of escaping humanity’s last bastion, a domed city where the rulers justify the control they exert over the people. Such a similarity had me excited for Ergo Proxy, as did the dark style. I love the AutoReiv designs – they recall Jhin from League of Legends. Their masks give the feeling that they’re hiding something, made even more suspicious by their “natural” personalities. Iggy follows the rules to the letter, though will bend if you present a loophole.

The story starts strong with plenty of intrigue. No one believes Re-l’s story of the demonic ‘Proxy’ AutoReiv and someone has modified Iggy’s memory. The journey beyond the dome continues the intrigue. However, it isn’t long before the story takes a backseat to psychology. Rather than weave it into story, Ergo Proxy pauses to dump psychology through a jumble of mind-numbing scenes.

Have you ever watched two similar stories, found one engaging and the other boring or difficult to finish, and couldn’t put your finger on what made the difference? They were both well made and had good actors, so why weren’t they of equal quality? It’s in the storytelling techniques. You often see this distinction between great crime serials and the mediocre. The better series will show you the criminal mind and the detective’s process, whereas the other will sit you down and tell you what you should take away from the drama. Ergo Proxy has this problem with its psychology.

It’s hard to convey without showing the series, so I will use an example. One character suffers from an identity crisis with possible split-personality disorder. Instead of showing us this condition, this character has another character over the shoulder saying, “This is not your true self. The other you is your reality. Search your feelings; you know it be true,” (or something similar). For two episodes! It is nonsensical babbling, unneeded because later episodes gives us the relevant information again. This isn’t the only instance.

Ergo Proxy strikes at mind-bending scenarios about mistaken identities, existential crises, and philosophy, but it often gets lost in itself at the expense of cohesion. This results from being ‘too close’ to the art as the creator. When you write a story, you become the worst person to check if it makes sense, for the complete, sensible story in your mind automatically fixes any problems on the page before you have a chance to notice them.

Oddly enough, side episodes with no direct story relevance are my favourite. One episode has Vincent participate in a quiz show with the questions revealing lore and history about the world. A later episode is set in a bizzaro Disneyland, where the animal mascots are real, as made by a tyrannical Walt Disney. These episodes are refreshing in their clarity and fast pace. Yes, they are allegories about the society in which they live and they still have undercurrents of psychology, just without the drudgery.

I heard someone say that to “get” Ergo Proxy you must understand all of its symbolism and metaphors, which isn’t true. The core plot is a simple one of identity crisis – the symbolism is mere fluff that impedes more than it assists.

The psychological focus over crime wasn’t a mistake – I love psychology – but the narrative techniques to convey this psychology were a mistake. Some would have you believe that Ergo Proxy is a truly mind boggling experience requiring a very high IQ and a solid grasp in theoretical physics to appreciate its subtle genius. Is it pretentious? No, I wouldn’t say so. You don’t get the sense that Studio Manglobe wanted to come across as artsy. They tried something different and it simply didn’t work as well as they had hoped. They were too caught up in the process to step back and see what worked.

Art – High

The dark and grim visual style is perfect for Ergo Proxy and it has great cinematography.

Sound – Medium

I love the choir music. The acting is good in either language – needs a tighter script.

Story – Medium

In a domed city of people and robots, a routine investigation leads a woman to question her world and venture beyond the city walls. Ergo Proxy’s good ideas lie behind walls of unsound storytelling techniques that make it an effort to finish.

Overall Quality – Medium

Recommendation: Try it. Ergo Proxy has limited appeal, but this psychological tale’s strange world and style will enrapture a select few.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Kino’s Journey – Anime Review

Japanese Title: Kino no Tabi: The Beautiful World


Related: Kino’s Journey: Life Goes On (prequel)

Kino’s Journey: The Land of Sickness (sequel)

Kino’s Journey: Tower Country (OVA)

Kino’s Journey: The Beautiful World Animated Series (2017 remake)

Similar: Mushishi

Girl’s Last Tour

Humanity has Declined

Spice & Wolf


Watched in: Japanese & English

Genre: Psychological Slice of Life Adventure

Length: 13 episodes



  • Philosophy without the boredom.
  • Intriguing exploration of society.
  • Pleasant yet disturbing.


  • The art is jank.

(Request an anime for review here.)

What a pleasant surprise to find an anime pitched as philosophical that is interesting! Usually, the best philosophy we find in anime is from series that don’t advertise this element, while those that do often curse us into a vegetative state of boredom.

Kino’s Journey follows the titular character Kino on her journey to see everything the world has to offer, meet its people, and learn of its societies accompanied by her talking motorcycle Hermes. They will pass through a town that believes the Apocalypse is tomorrow, discover what happened to a telepathically connected society, meet a robot nanny that cares for a wealthy family, and Kino will even fight for her right to first class citizenship in the most magnificent city.

The magic ingredient to the success of Kino’s Journey is in the ever crucial ‘show don’t tell’ story technique. It’s important in all stories, but particularly so for a philosophical piece if it means to engage the audience. At no point does this story tell you how you should feel or what you should think of a person or society. Do you agree with a town that forces kids to go from 12 years old to adulthood in a day, skipping the teenage years if it means making them better adults in society? What about two countries that go to war without casualties on either side at the expense a few tribesmen between the two? Less people die than if there were a real war, even in the tribe. Is it right? Kino’s Journey allows you to answer for yourself. At no point does it tie you down while it vomits philosophy down your throat until you get the message.

Mystery plays an important part, keeping you curious until the often-disturbing end each episode. Many of the stories are low-key disturbing. No one will overreact or show abhorrence to those involved, which only makes you, the audience, more uneasy. Kino’s Journey is pleasant even when it disturbs you. I love this subtlety.

One episode has Kino visit the greatest library in the land, where one can borrow any book in exchange for another – a bibliophile’s dream! However, writing books is banned. Why? The answer is a great commentary on the balance between creativity and criticism.

Outside of a two parter, each episode is a different story in a different location with vastly different people. The episodes always mix things up. You could easily see another series having dragged out each story for two to three episodes, but not Kino – it takes as little time as is necessary for you to connect to the characters and for the effect to sink in. This is an unpredictable world with threats around every corner. Kino doesn’t know whom to trust. Even during happier episodes, I anticipated it all going wrong in some sick twist at the last second. The nicer stories are a heart-warming change of pace.

I can’t finish without mentioning Kino herself. She is an unusual protagonist, though a perfect fit to the subdued tone. From her soft voice to her contemplative nature, she has subtlety to match the philosophy and rarely shows emotion. It’s rare to have an adventure protagonist that doesn’t explode with excitement at new discoveries. She may seem dull at first – she was for me – but she’s deceptively deep and you soon realise that a more animated lead wouldn’t work.

Like its protagonist, Kino’s Journey doesn’t look like much, yet its exploration of society, psychology, the meaning of life, and the human animal is a must watch for any anime fan.

Art – Low

Though I like the vintage art style, the animation leaves much to be desired. Kino’s Journey secured the budget of a niche title, which is regrettable if understandable. They couldn’t be sure a philosophical series would find success even when adapted from bestselling novels. The folk tale sequences are good storybook moments.

Sound – High

The acting is good in English, though the Japanese has the edge with a better Kino. Pleasant music, even when it gets disturbing – rarely shifts from that pleasant tone.

Story – Very High

A girl rides her talking motorcycle around the world to learn everything its societies have to offer in the understanding of humanity. The use of subtlety, pace, and deep exploration of Kino’s Journey’s themes makes it a resounding success.

Overall Quality – Very High

Recommendation: A must watch. Kino’s Journey is an excellent anime that even the philosophy-averse should watch. Stick to the original over the 2017 remake despite the polished visuals of the latter.

(Request reviews here. Find out more about the rating system here.)


Awards: (hover over each award to see descriptions; click award for more recipients)


Deep NarrativeStrong Lead Characters

Negative: None