Tag Archives: Music

The conflict and goals are based around music.

Bang Dream / IDOLiSH7 / White Album 2 – Quick Review

Bang Dream!

Japanese Title: Bang Dream!

Genre: Music

Length: 13 episodes

I touched on the notion of creating anime to sell idol singers in Fancy Lala. As with all good ideas, someone will boil it down the laziest corporate product. Enter Bang Dream.

The story centres on Kasumi and her goal to start a band in high school. Her journey will require making friends, learning music, and putting on a show.

Bang Dream encapsulates everything that keeps me away from music anime. The predictability of the cast of characters coupled with the barely-there conflict and music indistinguishable from your average J-pop band has no appeal to me. This story and its characters is as paint-by-numbers as you can imagine. Kasumi is so “genki” to forbid you from disliking her an iota. The cat ears hair is the least sickly sweet thing about her. No one in this series has any real problems, for conflict may alienate a potential customer from buying the CDs, figures, and games. The voice actors also perform in live concerts.

The intent of Bang Dream is clearly to sell merchandise. This is a 13-episode ad. And there are more seasons.

Watching Kasumi is exhausting with her impossibly upbeat personality and squeaky lines about wanting to become a pop star. The marketing department is so desperate to have you fall in love with her that they make her brainless. She has this “Disney eyed” moment when she discovers that strumming a guitar produces sound. Furthermore, she goes from mind blown that guitars make music to smash hit professional concert in the span of a year? I mean, of course she does. The figurines and miniskirts (the camera is obsessed with the swish of skirts) are pouring out of factories by the hour. Can’t allow something as trivial as plotting and development to get in the way of merchandise.

I can imagine that if you like the music, then none of this bothers you. Fans probably know this is an ad – they just like seeing the characters on screen and realised through animation. I don’t fit in that group, so this is far from what I’m after.

Overall Quality – Low

Recommendation: For fans of the band only.

*     *     *     *     *

IDOLiSH7

Japanese Title: IDOLiSH7

Genre: Music

Length: 17 episodes

Similar to Bang Dream, the purpose of Idolish7 is to sell music and the rhythm game from whence it came. The game was first with a manga series commissioned shortly after, followed by more manga, another game, and the anime a few years later, which will be our subject today.

At first impression, Idolish7 seems to be like Bang Dream, a soulless corporate product to flog more merch across the waiting palms of fan girls. Early episodes introduce us to the seven guys of the group and their new young manager, Tsumugi, on her first managerial assignment. The first point of conflict is that four of them must go. This is an audition for a three-man group, like that of their rival company. However, Tsumugi convinces the president of the agency (and her father) that the group works best as a seven-man unit because of the power of friendship, teamwork, and all that jazz pop. With this resolved, I assume that’s as complex a plot that we are going to get. A concert for a theatre of thousands is on the cards.

To my surprise, their first concert is a commercial failure. You can count the members of the audience on two hands. Alright, no instant success. That’s good. Tsumugi’s optimism and go-getter personality is also a plus (she would become my favourite character – great design too).

Unlike Bang Dream dealing with amateurs, these guys are already professional – they can sing and dance, no problem – so the writer can’t rely on the usual plot of learning the skill with the goal of winning in the final showdown. Instead, focus shifts to the challenges of the idol industry and its crushing competitiveness. These are handsome guys (the anime makes no secret of it) with several talents. It should be a breeze. But in the idol industry, nothing is good enough.

These guys have to start by handing out flyers, hand selling music, and just hitting the streets to entice potential fans. We learn about the guys a little, each one coded by hair colour, of course. The series is quite decent.

Then around the halfway point, the story ups the tempo. We have drama – both internal from the pressure to succeed and external from rival group Trigger – meltdowns, dark pasts, and even plagiarism. The cylinders are firing! It’s no Beck, but it’s a ton better than Bang Dream. The plagiarism plot is solid.

In case you’re wondering, the group Trigger had no association with Studio Trigger. That was until Studio Trigger made a music video for Trigger in collaboration with Bandai Namco. I wonder if that was the writer’s intention all along. Hmm…excuse me while I name a character Maaya Sakamoto in my very real anime.

If only Studio Trigger animated the whole series. And here we come to the negatives, of which there are two notable ones. The first is the inconsistent visual quality. We have unrefined edges, such as the crowds repeating one stiff motion during performances, and some truly lousy CG animation for the guys when they dance. I can’t decide which is worse: the constant flipping between 2D (close ups) and CG (sweeping long shots) or the fact that they don’t look like the same people. The character models aren’t of the highest quality. The rigging is certainly not up to par. When they raise their arms in the air, as they often do for a routine, one can’t help but notice the lack of armpits. It’s a smooth pack of flesh from pectoral to lateral muscle. So distracting.

The other issue is the oversized cast. This first season is 17 episodes, yet has introduced the cast of a 52-episode anime. Seven guys for Idolish7, three for Trigger, other idol groups, their managers, production staff, key fans, and more populate this world. It’s too much. This is an unfortunate side effect of the source material, where I’m sure the longer game works better with the larger cast. If I were to edit this, as an original anime, I would cut the main group to four members. Some of these guys become lost in the crowd and could do with merging personalities. Why four? One of Trigger’s three members is brother to one from Idolish7. I would create a point of conflict centred on the Idolish7 brother’s insecurity in the shadow of his brother. Are the other three carrying him? If Trigger only has three, then is he of any use as the “fourth wheel” on Idolish4? The growth would come from the realisation that they can do more as four, which Trigger can’t compete with.

Anyways, the cast is too big. I don’t remember much about most of these characters, though to a fan of the franchise, it’s probably common to know everything about them, right down to their shoe size.

If I were a fan of the game or other material, I would be happy with this. I’d want more, of course, as most fans do, but this wouldn’t give me the impression that the company is just taking advantage of me to swipe a quick buck.

Overall Quality – Medium

Recommendation: For J-pop fans. Even if you aren’t a fan of the group, there is enough of a story and plot here to interest the J-pop crowd in general.

*     *     *     *     *

White Album 2

Japanese Title: White Album 2

Genre: Drama Music Romance

Length: 13 episodes

Now for a different type of music anime, we have the music drama, where music is the centrepiece but drama is the story. In White Album 2, we follow Kitahara on his mission to revive the ailing music club ahead of the school festival. He hears an angelic voice coming from the school roof, finding it belongs to the kind Setsuna. Along with her and the aloof Touma, a piano prodigy that keeps everyone at room’s length, the trio works hard to put on a good show at the festival. Along the way, Kitahara needs to learn that it takes dedication and hard work – something Touma has no shortage of – to master the language of music, while he will teach Touma that it’s worth having friends, that it’s worth letting people in. Setsuna will also need to emerge from her shell and show her true self as more than just the popular girl outlined by everyone in school.

On a surface level, the story is about practicing music and going about the anime school life. However, underlying these fun youthful months is a brewing love triangle of melodrama. By being the one to crack their emotional armours, Kitahara draws the attention and feelings of both girls and neither is sure what the other wants him too or if he likes them, for that matter.

Quick aside. This isn’t a sequel despite the 2 in the title. It’s merely set in the same world as White Album and covers some of its songs. To confuse matters further, should you be interested in the source material, White Album 2 is its own trilogy of visual novels (if the character designs didn’t it away). No, there is no reference to The Beatles’ White Album, which is surprising (let me know, should this not be the case).

Music is only a focus of White Album for the first half of the series until the big performance at the school festival, marking the midpoint rather than the finale, as one would expect. A definite coupling occurs as well around this time, which I didn’t expect either. In a scenario like this this, especially one adapted from a multi-choice visual novel, you predict it to leave things vague as to not upset anyone in the “waifu wars” or to make the “one true pairing” clear from the start to commit to in act three. So when there’s a commitment halfway, my drama sensors tingle and ask, “How is this all going to go wrong?” The protagonist does look similar to the guy from School Days

White Album proceeds down an interesting road by rewinding time and showing us the perspective of the “other girl”, as if this were a visual novel with two equally valid romantic candidates. Quite often in romance VNs, once the player commits to the one love interest, the rest of the prospects suddenly act as though there was never anything between the MC and them. The story pretends that the choice made by the player was the plan all along. There was never any doubt of this coupling. So it’s interesting to see this second perspective and it extracts sorrow for the other girl. Her emotions tug at my heartstrings.

It’s a shame they choked on the final verse. After all this building, all this emotional turmoil, all this drama, the best this story can deliver is an unsatisfactory ending without commitment to one direction and it makes all three characters look like bad people. Flawed characters are good, mistakes are good, but you need to nail that high note if you want to audience to walk away a worthwhile impression. I know the story continues in the next visual novel, yet this would still be a bad ending to the first book of a trilogy.

It wasn’t half-bad until then.

Do I recommend it? The music is nice and most to my taste of the three anime featured here. The drama, however, is heavy on the melodrama side of the scale and thus is likely to depress or tire those not into all the crying, dramatic hugs, and Dutch angles.

Overall Quality – Medium

Recommendation: For melodrama fans only.

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p.s. These “Quick Reviews” are becoming far from quick.

Detroit Metal City – Anime Review

Japanese Title: Detroit Metal City

 

Similar: Aggretsuko

Legend of Black Heaven

Beck

The Tatami Galaxy

Back Street Girls: Gokudolls

 

Watched in: Japanese

Genre: Music Dark Comedy

Length: 12 episodes (half length each)

 

Positives:

  • Vulgar hilarity.
  • The premise is perfect.
  • Fast talking matches the humour’s pace and half-length episodes.

Negatives:

  • Visual creativity doesn’t always work.

(Request an anime for review here.)

College graduate Souichi dreams of becoming a wholesome popstar. Shame then he became a death metal frontman so vulgar that Satan himself would evict him from Hell. Johannes Krauser II of Detroit Metal City (DMC) is said to have killed his own parents and then raped them. Or was it other way round? Either way, he can vocalise ten rapes a second! He killed his parents and so should you.

Detroit Metal City has one of the most absurd premises I have ever seen and it is hilarious! The shift back and forth from meek-mannered Souichi to indecency incarnated Krauser had me laughing every episode.

Problems most often arise when Souichi tries to put the moves on his crush, only to have Krauser’s crazed fans enter the scene and bring out his inner Demon King. He can’t supress his alter ego at the sound of DMC’s music, and pity any fool that dares challenge his might. In the first episode, DMC fans attack him for badmouthing the band to his crush after she says death metal is horrid. As a defence, he must air guitar Krauser’s moves to prove that he didn’t really mean it. This turn into a head banging, air banding romp and blurts out a line from his song – to do unsavoury things to the girl. She runs off in tears. Each episode’s scenario is funny. The rap battle may be the best. When Krauser raps, he destroys your life with shameful facts about your past.

Possibly my favourite character would be the band manager, who gauges how well a performance went by how wet she is and how many orgasms the music gave her. If she’s as dry as sandpaper, then the performance was trash!

This dark humour won’t be for everyone. Certainly not. Out of context, this all sounds horrid. Fans of the darker side will be in pain, however. One of the best decisions the team made with Detroit Metal City was to have half-length episodes (excluding OP and ED) with accelerated dialogue. It keeps the pace quick and the jokes rolling.

I had a ton of fun with the hidden gem that is Detroit Metal City. And don’t worry; Souichi’s parents are alive and well living peacefully in the countryside.

Art – Medium

Like South Park, Detroit Metal City uses intentionally jank art and seems recorded by someone holding their phone vertically at times. Shame! SHAME! But seriously, the art adds to the humour, though more visual variety and quirky animation would be better.

Sound – Very High

The acting is sharp, fast, and hilarious – the manager’s random English swearing is great. The music sucks in the perfect way.

Story – High

A soft-spoken boy dreams of singing innocent pop music, but transforms into the Demon King of death metal against his will when inconvenient. This premise works far better than expected to hilarious results.

Overall Quality – High

Recommendation: A must watch for dark humour fans. Detroit Metal City’s compact size packed with vulgarity of ludicrous proportions is a hilarious watch.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Hilarious

Negative: None

Key the Metal Idol – Anime Review

Japanese Title: KEY THE METAL IDOL

 

Similar: Chobits

Serial Experiments Lain

Ghost in the Shell

Video Girl Ai

 

Watched in: Japanese & English

Genre: Science Fiction Music Drama

Length: 15 episodes

 

Positives:

  • Eerie tone.

Negatives:

  • A ‘Nothing’ protagonist.
  • 30,000 friends to become human.
  • Villain’s plan.
  • Out of its depth.

(Request an anime for review here.)

In his dying message, an old man tells his robot granddaughter, Key, that she can turn human if she makes 30,000 friends. She has until her battery runs out. Key becomes enamoured with pop idol Miho and desires to be a singer herself, believing she will gain the requisite friends through the big stage.

I can’t be the only one who thinks that 30,000 friends as the secret to becoming a ‘real girl’ is ridiculous. What an odd solution. I wonder if they considered that for Pinocchio in 1883. Believe it or not, Key the Metal Idol does find a way to justify the mass friend request gimmick, but that doesn’t make it any less illogical. If you can’t accept this goal, then stop the anime right there – the story doesn’t get better.

When all you need is 30,000 friends, I’d say going on TV as an automaton would do the trick. If people can create fan clubs from their favourite waifu, then a real android would have millions of adoring fans. She certainly doesn’t try to be discrete about her identity, so what the hell, go for it.

Before aiming at pop-stardom, Key finds herself roped into an adult video company. Hey, the producer wasn’t lying – she would receive many “friends” in a short time. Just sayin’. Thankfully, her friend Sakura rescues her from the casting couch. The adult video producer pursues her since. Key later becomes the faith healer of a cult, which is admittedly quite humorous (and the cult leader looks like the drunk boxing coach from Tomorrow’s Joe). Once another friend rescues her, the cult is now in pursuit as well.

Key the Metal Idol takes a while to reach its main plot of her trying to become a pop star (I thought this was a subplot for act one). The narrative is often distracted by subplots tangentially related to Key. She feels like a supporting character in her own series until the finale.

Once the main plot does begin, the conflicts stem from the choreographer obsessed with her, and from the evil robot scientists that wants the secret behind her autonomy beyond any other android. She is said to contain an immense amount ‘Gel’ (android power source). The main villain seems…special. Let me see if I understand you rightly, Mr Villain. You have created robots that pass for human and have complete remote control features, and your grand plan is to make a pop music group? Are you sure your PhD is real?

From the adult video producer to the scientist, all the villains are corny one-note characters, stereotypes. “I am evil!” yelled the mad scientist. “I am abusive!” yelled the abusive artist.

Key the Metal Idol’s best quality, if I had to give you one, is its eerie feel. From Key’s wide, unblinking eyes to the muted, unwavering music contrasted by the pop songs, the atmosphere does convey the feel of a child in a dangerous adult world. A better protagonist could have taken this atmosphere and chilled you to the bone.

Emotionless characters in anime rarely work. Rather than give us a pitiable character to care for, these writers give us empty characters with no personality for us to accept as deep. However, the ‘Nothing’ character is usually part of the supporting cast (50% of harems have one). In Key the Metal Idol, the Nothing is protagonist. You can see what the writer wanted. He expected us to feel for Key, similar to her inspirator Pinocchio, an innocent child lost in the dark world of reality as nefarious entities seek her power. But with no personality, this is like asking me to care for a gun in an action movie. There is no emotion to latch onto. We do see attempts at bridging a connection between her and the audience. For example, she drinks water in episode one in an attempt to fit in with the other school kids, despite it damaging her systems. The presentation— in fact, the presentation of this anime as whole, lacks style and weight to affect the audience. Even within the confines of Key as she is, the story doesn’t use her well.

I commend the team for trying, but it tackles subjects far beyond its ability. Key the Metal Idol is out of its depth.

Art – Low

The animation is surprisingly good for the time, but the cels weren’t lined up well, which results in screen jitter. For those who may not know, traditional animation uses cels (short for ‘celluloid’) with the background and each character painted on separate transparent layers. To make sure the cels align for each frame of photography, they have ‘registration holes’ on the edges (out of frame) that give consistent placement. I’m wondering if Key the Metal Idol used registration holes because every layer jitters more often than acceptable. It feels like they guessed the positioning of frames.

Sound – Low

Key is better in English – actually sounds like a robot in both cadence and filter – but the Japanese takes the rest. I like that they redid the music in English for the dub. It works within context.

Story – Low

Should an android make 30,000 friends before her battery runs out, she will become human. Key the Metal Idol reaches too far and the goal slips through its fingers.

Overall Quality – Low

Recommendation: For Serial Experiments Lain fans. I don’t know any better way to describe who will enjoy this anime. If you like that “oddness” and not-quite-there cohesion, then Key the Metal Idol may just be for you.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Incoherent

Nana – Anime Review

Japanese Title: Nana

 

Similar: Paradise Kiss

Beck: Mongolian Chop Squad

Kids on the Slope

 

Watched in: Japanese & English

Genre: Music Comedy Drama Romance

Length: 47 episodes

 

Positives:

  • Instantly likeable characters, flaws and all.
  • Balance of comedy and drama.
  • Punishes mistakes.

Negatives:

  • Poor structuring at times interferes with the flow.
  • Doesn’t do the music element as strong as other music-centric anime.
  • The end.

(Request an anime for review here.)

A train delayed by snow brings two women called Nana together. One Nana has no goals in life other than to be independent, hopefully breaking away from her incessant need to fall in love with every guy she meets. The other Nana, fiercely independent, seeks stardom as a punk rock vocalist while burying the hurt she feels from her ex-boyfriend, who abandoned her for another band. Love is far from her mind.

To make things simpler, I will refer to one Nana as Hachiko (her nickname given in the show) and the other as Punk Nana. As always, the anime’s name is in italics – Nana.

These women present themselves as likeable characters right away, conveying their personalities in an authentic manner on the train. Hachiko’s bubbliness spills forth as she gives Punk Nana an earful on her amazing current boyfriend. Meanwhile, Punk Nana’s reserved nature and maturity billows off her like the smoke from her cigarette. The two may be opposites but she can’t help smiling at the endearing Hachiko. The first encounter between these two girls is a masterclass in giving the audience a feel for the characters in minutes.

After the opening episode, we go back several years with Hachiko to her high school life of moving from one love to the next (Punk Nana receives similar flashback treatment later). Hachiko keeps falling for one guy after another, each older than her. She gives new meaning to falling in love at first sight. Guy delivers pizza – she’s in love. Guy cooks at the restaurant – it must be love. Guy breathes – love! Get a grip, Hachiko! None of these men return her attention except for a married man a decade her senior. Like the introductions, this is another case of excellent writing, for it establishes her flaw and its resulting conflict without a drawn out explanation.

Hachiko is a stupid girl, a girl that claims independence, but is entirely dependent on others, has no skills and no direction in life. She sounds like a terrible character, so why do I like her? She is authentic and the story doesn’t let her get away with anything. Her hypocrisy about independence leads to the negative turn after act 1. Her stupidity results in…well, to avoid spoilers, let’s just say I hope none of you, dear readers, makes the same mistakes she does. Her romantic view of life and love is punched in the ovaries by reality and maturity. A craving for love or rather, what she thinks is love leads her down a path of mistakes – to put it mildly. And as any great writer will tell you, the theme for your ultimate conflict works best when you start it early, giving the conflict time to resonate throughout the story until it builds from a ripple into a tidal wave that crashes over the protagonist.

Ever wonder why a story that suddenly goes dark in the finale never feels right, even if you can’t quite put your finger on the reason? It’s because it lacks that resonance. The story didn’t foreshadow properly, obfuscating its goal for the sake of shock value. Nana doesn’t make that error. Now, it never becomes dark like those other anime, but my point is that its heavy drama never comes out of nowhere, even when it barges into what we thought was a comedy episode. When a dramatic change occurs, it feels right because Nana never lied to us. It makes sense.

The relationship pacing for both Nanas and their respective boyfriends recalls His & Her Circumstances (don’t remind me of that ending! T_T) in how well they move forward, free of artificial stalling. The story does slow when needed through effective use of internal monologue in contemplative moments, which unlike Honey and Clover doesn’t tell us how the characters feel.

Due to the strong writing and fast pace, I couldn’t stop going from one episode to the next, watching 20 in my first sitting – even the terrible idea to repeat episode 1 as episode 6 didn’t stop me. However, the second act seems to double the cast overnight and both old- and new-comers must have their dedicated arcs. Like the author’s other famous work, Paradise Kiss, this doesn’t work. Side characters are side characters for a reason. You can’t make everyone lead singer. This is especially noticeable in the third act, where seemingly everyone must wrap their respective arcs before the Nanas can take their bows. The finale feels like having to shake everyone’s hand at the end of a wedding rather than riding off to the honeymoon. Between the flashbacks, repeats, and tangents, I could make a case to remove near 10 episodes’ worth of content from the total. The worst part? A random time-skip in the final episode raises several new questions with the Nanas and gives no answers. The manga is on permanent hiatus, I understand, but one has to choose such a weak end by design.

The end is similar in unconventionality to Paradise Kiss, which I liked in that anime, but Nana doesn’t guide us to that end with the thoroughness it requires. Relegating protagonists to the sidelines before the finale is not a good idea.

My other serious complaint would be with the music side of the story. After Beck, Nodame Cantabile, and Your Lie in April had such strong understanding of music and the industry, it’s a shame to see Nana offer so little. The bands don’t have many songs, there are no standout musical performances (the aforementioned three feel like nothing but standout performances at times), the concerts lack animation, and the industry insight only meets minimum requirements for fiction. The best music is in the opening and ending credits, not within the story. The sole detail of the music plot that stood out to me was its exploration of one’s fame affecting friends and family around you. I like how some react with joy, others with jealousy.

Ultimately, the characters carry Nana, especially with many being such engaging train wrecks. You can learn many lessons on what not to do in life here, which is where great drama originates.

Art – Medium

The characters have a distinct style and their animations are expressive, but that’s really it. Everything else from environments to animation is average.

Sound – High

I listened to the OP and ED most episodes. Sadly, music within the story is nowhere near the level achieved by other music anime. The voice work is great in Japanese and English, though I preferred the latter for giving Punk Nana a raspier voice.

Story – High

A fateful encounter brings two women with the same name yet opposing personalities together as they deal with love and life in Tokyo. Nana’s strong characters, complemented by punishing drama, make this anime an engaging ride despite some excess fat in the structure.

Overall Quality – High

Recommendation: A must for fans of intense drama meets comedy. Though Nana is a great anime, its crazy drama and ditzy protagonist may make your head spin before you reach the end of its long runtime.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Strong Lead Characters

Negative:

Weak End

Your Lie in April – Anime Review

Japanese Title: Shigatsu wa Kimi no Uso

 

Similar: AnoHana

Kids on the Slope

A Silent Voice

Nodame Cantabile

Chihayafuru

 

Watched in: Japanese & English

Genre: Music Drama Romance

Length: 22 episodes, 1 OVA

 

Positives:

  • The protagonist’s arc and conflicts.
  • Balance of humour and drama.
  • Gorgeous music in both audio and visuals.

Negatives:

  • Love interest lacks a dimension.
  • Finale climax isn’t as strong as the mid-point.

(Request an anime for review here.)

Your Lie in April was the fan darling of the fall/autumn 2014 and winter 2015 seasons and though I avoided discussions, morsels still fell off the grapevine to inform me of its heavy emotional content. I feared another Clannad. But after several requests for review, it was time to step up.

Since the death of his mother, former piano prodigy Kousei can no longer ‘hear his music.’ The world is monotone in his eyes. Along comes Kaori, his opposite, a violinist with energy, colour, and humour he has never had. Her exuberance forces him back onto the stage to play a duet with her in a contest. She sees the potential to revive his passion.

Your Lie in April shows its strengths within minutes. First, I love the humour, which punctuates the drama to avoid depressing the audience – “The school shouldn’t be standing in the ball’s path!” Kousei’s childhood friend says after she smashed a baseball through a classroom window. In contrast, we have the foreshadowing, hinting of the sobriety and weight that is to come. The absence of his mother, the abuse he received by her cane, his lifeless view of the world, and his lack of joy are excellent foreshadowing. This is how you do dramatic storytelling – not by suddenly throwing it in for the final act.

As Kousei’s backstory unravels and his arc progresses, we see April’s most brilliant quality – the love-hate relationship between Kousei and his mother. The writer could have left the backstory at child abuse or even just having a dead mother, but this delves so much deeper. Boy abused by his mother – that’s the basic level. Boy abused by his mother, who wants him to be the prodigy she couldn’t be after illness claimed her motor functions – interesting. Boy abused by his voyeuristic mother, whom he still loves and wants to impress despite an awareness of the abuse – now you have my full attention. And she affects him more in death than in life? I can only be so engaged! Remember, this is just one thread in his arc.

The way the narrative shows this internal drama is spectacular. The spectre of his mother leering over his shoulder during a performance conveys all we need to know in a single image. That said, his inner monologue could do with trimming in parts.

Where Your Lie in April stumbles is in Kaori. If someone has recommended this anime to you, they have most likely done so by focusing on her and her arc as the best aspects. However, Kaori lacks the dimensions seen in Kousei. Earlier, I talked of the several layers in Kousei’s conflict with his mother, but for Kaori, she stops at the first level. She’s a girl with a serious illness. And that’s it for her conflict layers. By no means does this make her a bad character, yet for someone that is near equal protagonist to Kousei, it isn’t enough. Having a tragic circumstance doesn’t make a character deep – that way lies emotional manipulation.

Her main purpose is to be Kousei’s opposite as she brings him back to life, which she does excellently. The problem dwells in the two-way exchange. Because her own conflict is only surface deep, Kousei does not have much to help with in exchange. She complements him, but he doesn’t complement her with even a tenth of the effectiveness. For a great example of her role done right, look to Kimi ga Nozomu Ein, where the love interest also has to bring the protagonist back to life. The difference between Kaori and Nozomu’s girl is that the latter has her own intangible weakness to interfere with her good qualities. She’s helpful and kind, but also selfish, never mind the seed of resentment buried deep within her towards the protagonist’s previous girlfriend, who was also her best friend (drama!). This gives the protagonist an angle to help the love interest in return. Kaori is kind – no but. Yes, she’s sick, though as mentioned earlier, that doesn’t automatically give emotional flaws. Now, if the illness made her bitter or some such, then we’d be talking.

Kaori’s design problems also result in her finale having half the impact of Kousei’s dramatic high note at the mid-point. If their relationship had had more give and take, her finale would have struck better. The finale is still good regardless because of his perspective on the events and the spectacular final performance (bloody hell that is beautiful).

Also, she’s too whimsical. Her introduction has her dancing and playing music atop a kids’ igloo, tears in her eyes, as birds fly around her. I know her liveliness is to juxtapose his introduction – the episode is titled ‘Monotone/Colourful’ after all – but this is so whimsical that a flock of tweety birds now serenade me awake every morning and bring me my slippers.

Again, I want to stress that Kaori is not a bad character. She is plenty of fun and complements Kousei well, but is average beyond this and not the reason to watch Your Lie in April.

I wish I had more space to explore the childhood friend’s arc – my word count is already high – so a quick note, since it’s worth mention. She realises she has feelings for Kousei only once he takes an interest in Kaori. She was there for him through the worst and now…he’s turning away. This is an effective subplot in showing another consequence of Kousei’s actions. I feel so sorry for her.

Well, here we are, the end of an anime I both looked forward to and dreaded. Your Lie in April turned out much better than I anticipated (Kousei’s arc, honestly, brilliant) and I would recommend it to most viewers.

Art – High

Colourful and vibrant art makes this anime leap off the screen, especially in the spectacular final performance. Full animation when playing music is great to see and they mask the CG well.

Sound – Very High

Piano and violin? You truly are trying to make me love you, aren’t you? The VO is great in both languages, as should be expected these days.

Story – High

An aimless pianist has colour injected back into his life when a girl his opposite forces him to tickle ivory again. Your Lie in April has one of anime’s greatest character arcs in its multi-layered protagonist, but the love interest, who should by all right be his match in quality, doesn’t leave his shadow.

Overall Quality – High

Recommendation: Watch it. Your Lie in April is a great anime, worth it for the protagonist alone. Even viewers averse to heavy drama will find the humour enough to stave off depression after the story’s darkest moments.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Deep NarrativeExtensive Character DevelopmentGreat Music

Negative: None