Tag Archives: Monsters

Rawr! From the large (Godzilla) to the small (Zombie).

Kemonozume – Anime Review

Japanese Title: Kemonozume

 

Similar: Devilman Crybaby

Basilisk

Parasyte –the maxim-

 

Watched in: Japanese

Genre: Supernatural Action Horror Romance

Length: 13 episodes

 

Positives:

  • Stands out.
  • Great romantic conflict.
  • Fast pace.
  • Satisfying conclusion.

Negatives:

  • Third act focuses too much on action.

(Request an anime for review here.)

I wouldn’t be surprised if you haven’t seen this anime. Nor would I blame you. It doesn’t look the most appealing. I only watched it after seeing the following scene (and it’s not even representative of the story):

Kemonozume is a Romeo & Juliet story that pits a monster slayer against the monster he loves. In this world, a species of monsters slinks through society disguised as humans, consuming people to survive in plain sight. The samurai-like Kifuuken clan has one purpose: killing Flesh Eaters. Toshihiko is their leader’s son and an expert slayer who falls in love with beautiful Yuka at first sight. She shows him that there is more to life than the warrior’s code – she even takes him tandem skydiving – and he gives her love she had been taught didn’t exist in return. Their whirlwind romance derails when he discovers her to be a Flesh Eater. Toshihiko must now choose between love and duty.

I do not enjoy Romeo & Juliet. Like every other poor unfortunate soul, I had to study it at school. Hated it then. Hate it now. So to see this anime, with its ragged art and surreal palette that intrigued me, reveal itself as a Romeo & Juliet romance, I braced for stupid. However, Kemonozume did two things that rallied my spirits. First, they are a threat to each other just as much as their respective sides are a threat to them. And secondly, the romance isn’t chaste. This couple doesn’t shy away from sex, from lust, from passion.

I maintain that sex scenes (or risqué fan service, if we’re talking teen anime) are often the biggest waste of screen time in any medium. Even Game of Thrones, which I love, could benefit from removing 90% of the sex scenes. Such scenes rarely add anything to the story.

Kemonozume differs because much of this couple’s personal story occurs during the sex scenes. See, Yuka’s true form is at greatest risk of coming out during moments of heightened sexual ecstasy, a problem made worse by how much these two adore and crave each other. The theme of rebelling against what they were born to be isn’t just seen in them running away from home to go on an adventure. We see it in their most intimate moments. The sex doesn’t overstay its welcome. There’s always a justification for making that scene a sex scene rather than something else. It also helps that the weird art makes these moments something you’ve probably never seen before, visually, and the exaggerated lines amplify the emotions they feel.

Another strength of Kemonozume is its humour. For instance, after encountering Yuka for the first time, falling for her instantly, he starts to see her face on everyone else’s heads in this hilarious scene. Like the rest of this anime, it exaggerates the joke three steps beyond the norm, but it works here. Distracting Flesh Eaters with holograms of dancing nude women is also a good laugh. I will concede that some humorous moments could do with better timing.

Sadly, Kemonozume falls short of excellence with a third act that contains too much action. It’s not that action has no place in this romance. Rather, the action become a bit too shounen, so to speak, albeit surreal shounen action – like the sex, this looks different from other action scenes. Without this third act, it wouldn’t be fitting to give this anime the “Action” label. On the positive side, it’s only a few episodes (being a short, fast-paced anime helps here) and the conclusion is satisfying. If the end weren’t satisfying, I would leave Kemonozume bitterly disappointed. I can thankfully say the opposite.

Now, despite my praises, do keep in mind that this is wildly different from “normal” anime. Should Kemonozume not grab your interest within one episode, you most likely won’t change your mind by the end. Don’t force yourself to watch it on my account – on anyone’s account.

Art – Medium

Visually unusual art – highly stylised on a budget. It’s clear they didn’t have much money to work with, but made the most of it to create something distinct. Allows for plenty of animation, but the art itself is very rough. This style could be a deal breaker for some.

Sound – Medium

The nice jazz soundtrack is stronger than the decent voice acting.

Story – High

The son and heir of a monster hunting clan falls in love with one of the very maneating women he’s born to kill. Fast, savage, and racy, Kemonozume is a unique take on the forbidden love romance.

Overall Quality – High

Recommendation: Try it. I greatly enjoyed Kemonozume, but I know it won’t appeal to many, so give it a try and see if you feel as I did.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Blood Blockade Battlefront – Anime Review

Japanese Title: Kekkai Sensen

 

Related: Blood Blockade Battlefront & Beyond (season 2 – included in review)

Similar: Baccano!

Jormungand

Tiger & Bunny

Trigun

 

Watched in: Japanese & English

Genre: Supernatural Action Comedy Science Fiction

Length: 24 episodes (2 seasons), 2 OVA

 

Positives:

  • NYC looks great.
  • Character focused standalone episodes.

Negatives:

  • Shounen protagonist doesn’t fit.
  • Lacks focus for the first act.

(Request an anime for review here.)

I can’t help but wonder if Blood Blockade Battlefront wasn’t intended for an older audience originally, until an editor/studio said it couldn’t succeed without the shounen demographic and so the protagonist lost a few years to meet that new audience. I say this because Leonardo, our protagonist, doesn’t fit with the rest of the cast.

Leonardo is a teenager who recently acquired the “All-seeing Eyes of the Gods”, which gives him immense power beyond his comprehension, so he heads to Hellsalem’s Lot (New York City) where the supernatural is an everyday part of life to look for help. There, he unexpectedly joins Libra, a crime-fighting organisation that deals with the supernatural and the mundane through use of powers of their own and modern technology.

Libra is a group of adults. While the focus is on the supernatural action with a comedy slant, when it does focus on characters, these Libra members have adult problems, which doesn’t gel with the themes of Leonardo’s character. Furthermore, there are too many episodes where he feels like a tagalong to the plot (or isn’t present at all), as if the author couldn’t figure out how to use his shounen protagonist in a seinen series. The adults are just more interesting in Blood Blockade Battlefront.

There is one episode where Leonardo works – the mushroom guy episode. He meets this mushroom guy (no better way to put it) with an appetite for burgers, who has spores that can erase memories. Criminals prize his spores. Imagine you could commit a crime and wipe everyone’s memory of the event – free money. Unfortunately, the spores affect mushroom guy as much as anyone else, which means he doesn’t know anyone because he forgets after each mugging. The standalone episode regarding his and Leonardo’s friendship is a good one. In fact, I find the standalone episodes to be the best of the series.

Another one that comes to mind deals with the work/family balance that many career adults face. A woman in Libra needs to assist with an important mission to intercept a drug shipment, but the day of the mission happens to coincide with parents’ day at her son’s school – a day she has missed for several years already due to work. The episode has a great moment on parenting when her husband explains to the son that it hurts her more than it does him when she can’t keep her promises. The humour works too (same author as Trigun). When she tries to get off the mission roster, her boss guilts her into staying by laying out the consequences of mission failure on other children – in a comedic way. In the end, she has to do both concurrently.

As I said, Leonardo is a side character to most missions, so he doesn’t drag down the series too much. He’s okay. The unclear motives and goals for early episodes are a bigger problem. The start is too hectic for its own good.

I do love the feel of this city matched with the tone of the characters. Mermaids, vampires, werewolves, monkeys, and aliens living alongside humans in a towering metropolis gives me a Baccano meets Tiger & Bunny meets The Fifth Element with a dash of One Punch Man vibe. The creative visuals and light humour, yet balanced by some heart, make Blood Blockade Battlefront an easy anime to watch once you clear the initial hurdle of not knowing what the hell is going on.

Art – High

It’s Studio Bones, so the art has a good minimum quality. I particularly like the look of New York City – fantastic colour depth and detail. The notable flaws are moments of repeated animation and the protagonist’s eye effect looks slapped in the scene.

Sound – Medium

Can’t stand the protagonist’s voice in English, so I switch to Japanese and he sounds the same! Don’t like either of their nasal voices. Other than that, the acting is good, though there is a missed opportunity in not having accents from New York’s various boroughs akin to Baccano.

Story – Medium

A kid with magic eyes joins a crime-fighting organisation in the big city populated by human and supernatural denizens alike. Blood Blockade Battlefront works best when following individual characters and is in need of a more adult protagonist.

Overall Quality – Medium

Recommendation: For action comedy fans only. Blood Blockade Battlefront isn’t a remarkable anime, but it has enough to entertain fans of the contemporary action genre. (Still can’t say Blood Blockade Battlefront quickly without fumbling my words.)

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Grandmaster of Demonic Cultivation – Anime Review

Chinese Title: Mo Dao Zu Shi

 

Related: Grandmaster of Demonic Cultivation 2 (sequel – TBR 2019)

Similar: Avatar: The Last Airbender

Twelve Kingdoms

Castlevania

 

Watched in: Chinese

Genre: Historical Action Fantasy

Length: 15 episodes

 

Positives:

  • Great characters.
  • Gorgeous backgrounds.
  • Action looks fantastic.
  • Such lovely music.
  • Perfect finale to end the season.

Negatives:

  • Magic is a little inconsistent.
  • Jarring time skips.
  • Occasional bad CG.

(Request an anime for review here.)

Now this is more like it! Grandmaster of Demonic Cultivation gives a far better first impression to donghua (Chinese anime) than The King’s Avatar did. It still has that unrefined edge from this new market, but combining Avatar: The Last Airbender and Twelve Kingdoms with a touch of Game of Thrones still makes this a great series well worth the time of fantasy fans.

The story is set in a province of fantasy China where five clans of cultivators of magic live an uneasy peace. Of these cultivators, most peculiar is Wei Wuxian. He is the reincarnation of the legendary cultivator of demons and necromancy, one feared by all. Contrary to his infamous reputation however, Wuxian is a likeable goof known for his cheek and mischief at the monastery colloquially known as the “Wall of Rules” (for its list of 4000 rules, of course), when he should be studying with the other cultivators. Opposite him is Lan Wangji, who takes life too seriously as the perfect student that never smiles. He’s responsible for turning Wuxian into the monastery instructors more than once. Life becomes more than fun and games for Wuxian and his friends when one clan closes its iron grip around the others.

The comparison series I used above are perfect descriptors for Demonic Cultivation. We have the might of one clan against everyone else similar to Avatar. Wuxian has Aang’s playfulness amidst all the violence. The etiquette and Chinese mythology influences seen in Twelve Kingdoms have ingrained themselves within the fibres of society. The brutality of war and politics like in Game of Thrones plays its role too. And I am pleased to say this series succeeds in all these elements.

The characters, the action, the environments – god, the environments! – reassure you this is quality fantasy. I love how Wuxian controls the dead by playing unnerving music on a flute (recalls that villain from Naruto who used to control her ogres). It tells much about his character. Even the product placement works.

If I may go on a tangent, the sponsorship ads are great. How would you fit modern products in an ancient fantasy series, you ask? Well, Demonic Cultivation achieves it by taking a scene from the episode (saves on animation budget) and makes it about the product instead during the ad break. For example, the episode has a scene with a tiff between Wuxian and Wangji over something story related, while the ad takes the same tiff and makes it about the fact that Wangji is such a stick in the mud because he hasn’t eaten a Cornetto yet (“You’re not yourself when you’re hungry” type ad). They’re amusing. More like skits instead of ads.

Anyway, back to the show.

Grandmaster of Demonic Cultivation is full high fantasy. The most common reason I hear for people being put off high fantasy is all the specialist terms and names you have to learn (Hobbit, Rivendell, Mordor, Nazgul, Dunedain, Numenoreans, Eldar, Vanyar, etc. for The Lord of the Rings). It’s especially important to have some sense of who’s who and what’s what when reading high fantasy, as the story isn’t fed to you like when watching a film. In the case of Demonic Cultivation, the barrier to most people reading this review comes from it being foreign fantasy, where the conventions aren’t the same as what we are used to. Once you grasp one Western high fantasy series, it’s much easier to move onto the next. But going to another language, another culture, another history, it’s almost like starting fresh.

For me, the greatest challenge was those damn names. The subtitlers – Sigmar bless them – did their best to note cultural context and meanings for name and titles, but I still had characters and relationships confused. You hear the same surname, so you think the characters are related, right? No, they aren’t. Other times have a character named one thing, only for it to be something else in another scene. Turns out, pre-20th century China had a convention called “courtesy names”, where people would receive another name upon reaching adulthood. Couple this with the fact that these names – Wei Wuxian, Wei Ying, Lan Xichen, Nie Huaisang, Yu Ziyuan, to name a few – are nothing like Western or the usual anime names and it becomes difficult to remember any names at all. (I had to look up Lan Wangji’s full name for the blurb above and he’s second billing!)

Now I’m sure this isn’t an issue whatsoever to Chinese locals, just as Western or Japanese high fantasy is second nature to me, yet for the uninitiated, it will take time. Stick to it because the payoff is well worth it. Even if you can just remember how characters connect and who’s superior to whom, it will work out in the end. (Little easier said than done though, with characters from the same clan looking like each other in the same uniform and same hairstyles. They love that long hair.)

While this adherence to traditional naming schemes is a positive even if it increases the barrier for entry, since it enriches the world and its lore (in fact, I wish they had applied the same complexity to the magic by laying out rules), the frequent timeskips are a definite negative.

Timeskips bookend each story arc, often leaping over what seem like important events. The most notable is when the villain clan makes their move. One episode ends, everything seemingly fine, before the next opens to the clan in near total control of the others. How the hell did that happen? Did anyone say no or did everyone surrender unconditionally? How did we get here? It isn’t implausible that this conclusion would occur, but it would be nice to see the events that led there.

These timeskips remind me of watching a TV series before the advent of DVR and video on demand/downloading. You would watch an episode, then miss a few weeks because scheduling conflicts, and when you finally catch another episode, you wonder how it got here from where it was the last time you watched. “Weren’t those two madly in love? Why are they trying to kill each other? Wait, isn’t that guy dead?”

If you go in blind, the point of the story can be confusing because it takes a few episodes to get into the real plot. I thought at first the story was about other cultivators hunting Wuxian for his use of necromancy. Turns out, they just hate him because he’s a troublemaker at school. Early episodes make up the “school years” arc.

Demonic Cultivation also doesn’t wow the audience (outside of its amazing backgrounds) these few episodes. Once the story gets going however, it grabs you and doesn’t let go until it ends on a fantastic final act. That finale has left me craving more. (Season 2 in July!)

If you haven’t tried any donghua yet, let Grandmaster of Demonic Cultivation be your first. It’s a little rough and a little difficult for those foreign to Chinese fantasy like me, but don’t let that stop you enjoying this new perspective on anime.

Art – High

Picturesque backgrounds, varied environments, fluid animation, and impactful spell effects should earn an art rating of the highest tier. Unfortunately, 5% of this art is early 2000s CG monsters and buildings, and it looks bad. The CG in some important scenes looks so bad that you can’t help but wonder why they didn’t take an extra two weeks to do them normally. Some CG shots don’t even need to be there. Just cut them. A still painting to establish setting would have sufficed – the environment artists are certainly talented enough to make it beautiful. Also, supporting character faces and hairstyles could use more variety.

Sound – High

Unlike The King’s Avatar, the audio is spatial and uncompressed (characters on the right sound from the right), which is a huge improvement. The acting has a little ways to go yet. Such lovely music though! I love classical Chinese music with traditional instruments and I could listen that opening song forever.

Story – Very High

A demonic necromancer reincarnated in the body of a trickster gets up to no good against the backdrop of a brewing war between clans of magic. Great characters in a story of complex interpersonal and political conflicts makes for a great series.

Overall Quality – Very High

Recommendation: Watch it. If there is the right donghua to begin with, Grandmaster of Demonic Cultivation is it.

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Awards: (hover over each award to see descriptions; click award for more recipients

Positive: 

Deep NarrativeFluid AnimationGreat MusicGreat OP or ED SequenceStrong Lead CharactersStrong Support Characters

Negative: None

KonoSuba: God’s Blessing on This Wonderful World! – Anime Review

Japanese Title: Kono Subarashii Sekai ni Shukufuku wo!

 

Similar: No Game No Life

Ixion Saga DT

Slayers

Log Horizon

 

Watched in: Japanese

Genre: Adventure Comedy Fantasy

Length: 20 episodes (2 seasons), 1 OVA

 

Positives:

  • Consistently funny characters.
  • Fun, colourful style.
  • Great parody of otherworld anime.

Negatives:

  • Weak story lacks progression.
  • World could do with greater exploration.

(Request an anime for review here.)

Kazuma is useless. Darkness is useless. Megumin is also useless. Aqua is especially useless. Everyone is useless in the world of KonoSuba! And it is great.

After an embarrassing death, high schooler Kazuma has the chance at another life in a fantasy world. A nerd’s dream come true! Unfortunately, he spawns as the worst class in the game and Aqua, the goddess that granted the new life, is a companion without talents to speak of. They soon recruit descendant from a powerful magical bloodline, arch wizard Megumin, master of explosion magic. At last, some strength to the group!

Nope. She can only cast one spell before collapsing. Well, at least they have a resilient tank in the form of paladin Darkness. She will save them! Nope. She’s has zero accuracy in combat and is a masochist that loves taking a beating from monsters – the more people that watch her sweet arse and bountiful breasts get beat the better.

KonoSuba is a refreshing change after trudging through the endless mire of isekai (otherworld) anime. This parody is better and funnier than the vast majority of titles in the genre, not to suggest there is stiff competition.

Everything works and make sense in this take on the genre, Kazuma being utter trash most of all. His team starting out at the bottom doing menial quests such as slaying killer cabbages and painting houses that barely pay enough for living expenses (note how most isekai forget expenses), just like in any MMO, makes sense. Every isekai fan believes that if they woke up in a fantasy world, they would be a powerful knight or wizard at the top of the food chain (just like how advocates for communism think they would be part of the small ruling class and not one of a billion peasants at the bottom). Who knew that being an otaku NEET doesn’t train you for life in a dangerous fantasy world? KonoSuba shows the reality of how garbage everyone would be and leans into it for great comedic effect.

The characters in particular bring this series together. They are such fun, such a riot to hang out with that they overshadow problems. I did think there was a risk of repetition at the start. For example, Darkness’s love of masochism could have quickly become her running into the fray to get smashed, we laugh at the joke and repeat next episode. However, the joke stays fresh because it isn’t about having her armour stripped off each battle. Instead, it’s about the ridiculous lengths she will go to for arousal and how much more desperate she is each time. Just when I thought it wouldn’t be funny anymore, she surprised me next episode.

The big problem with KonoSuba is the story, or lack thereof. The main goal is to defeat the Demon King, something I forgot about a few episodes in since they ignore this in favour of episodic stories. Now, these small stories work well in facilitating the characters and comedy, but they don’t progress the plot. Watching these episodes in the moment wasn’t a problem until it cares about the Demon King again, where it reminds you of how little the plot has moved. The overarching story feels like an afterthought. “Oh damn, I wrote all these great jokes but forgot the story. Quick, make something up – kill bad guy…big monster…demon…yes, demon king! All done. Phew.”

As such, if you are going to watch KonoSuba, you have to do so for the characters and humour. The world itself lacks depth, having used the generic fantasy template, and the story is just as straightforward as can be. If after you meet the whole team you don’t find it funny, then don’t proceed further.

Art – Medium

I like the colours and character designs. It’s a shame little effort went into making the environments anything but generic. If you removed characters from the shot, you wouldn’t know which anime the environment was from. The animation is strong, particularly in the spell effects that took the largest portion of the budget.

Sound – High

The acting is strong, though it may take a little getting used to Kazuma’s voice, as he sounds too old for a teen, but hey, at least it’s something different from the usual forgettable isekai protagonists. (Note: There is a dub on the way, for those interested.)

Story – Medium

A teen revives in a fantasy world, but has no talents and is surrounded by others with no talent either. Characters and humour hold up this rather barebones story.

Overall Quality – High

Recommendation: A must for comedy fans. KonoSuba is greater than the sum of its parts thanks to its characters and hilarious comedy. This is an easy anime to watch and recommend.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

The Garden of Sinners – Anime Review

Japanese Title: Kara no Kyoukai

 

Similar: Rin: Daughters of Mnemosyne

Darker than Black

Ghost Hunt

Key the Metal Idol

 

Watched in: Japanese

Genre: Supernatural Action Mystery Thriller

Length: 9 movies (35 min. to 2 hrs. each)

 

Positives:

  • Beautiful environments.
  • Fantastic soundtrack.

Negatives:

  • Dead eyes syndrome.
  • Atrocious editing and pacing.
  • No one has a personality.

(Request an anime for review here.)

The Garden of Sinners is an unusual anime series. I’m not sure if you can refer to it as a series, in the standard sense, for it is nine movies of vastly varying length – 35 minutes to 2 hours long. Furthermore, the movies aren’t connected much beyond the main characters and subject matter. It’s akin to older British detective serials like Poirot, where little of the story carries from one episode to the next, which allows the audience to join any week in the series on TV without feeling lost.

Using this series structure, The Garden of Sinners tells of a detective agency that takes on cases involving the supernatural – spirits, curses, and the like. The agency has three members: the sorceress Touko, able to create human-like dolls, the ordinary human Kokutou, and part-doll protagonist Shiki. She has the “Mystic Eyes of Death Perception”, a power that allows her to see a target’s “lifelines” that will kill them when cut. (That’s how they deal with the supernatural entities.)

The first movie follows a string of suicides by schoolgirls all leaping from the same skyscraper set for demolishment. On paper, this is an interesting anime, just my sort of thing. I love contemporary supernatural stories and I am a ravenous consumer of detective serials. This should be a direct feed of serotonin to my brain injected via a syringe of intriguing mystery, complex characters, fascinating mysticism, and unpredictable story. The Garden of Sinners has none of that.

The most glaring issue is that none of these characters has a personality. This should come as no surprise from the same author who brought us the worse-than-Twilight of anime that is Fate/stay night. Shiki is, by intention, an emotionally repressed person. However, once again, like a bloody broken record, I must stress that emotionally repressed does not equate to zero personality, never mind the other characters who are meant to be real people. I can’t imagine what the authors of these soulless characters think mute people must be like in real life. Do they think that mutes will have no personality because they can’t speak?

This lack of soul bleeds into the mysteries themselves. The narrative never makes an effort to have the audience care for the answers to its questions. It assumes that because it hasn’t given us an answer, we must therefore care to know the answer. I hear my neighbour arguing with her daughter in Mandarin on occasion. I’m not interested to translate what they are saying (daughter probably stays out too late). Have the police turn up to cart away a third person I never knew was there and then you have my attention.

The Garden of Sinners tries to con the audience into thinking it has an intricate plot full of hidden details and deeper meaning, when in fact, it is poor structure and storytelling. “This is really complicated – it must be good!”

To compound problems, the editing is a slog. Many shots hold for too long. It’s just a few seconds here and there, but it doesn’t feel right and adds up over time. Directors and editors don’t have to follow set rules for how long a shot should be. Breaking the rules can create an effect. One can let the camera linger for a few seconds to make the audience feel awkward. An extreme close-up, right in a character’s face as they’re talking creates extreme discomfort in the viewer as desired. However, when breaking the rules, it must be with care. Should the effect backfire, it makes the editing seem amateur, as is often the case in The Garden of Sinners. This isn’t deal breaking, but these long shots do allow us to ponder on the fact that the story and characters are empty.

The exception is the fifth movie about a double homicide that never happened. The visuals take a hit in quality, though do get more consistent, and the editing is much tighter. It feels like a different studio’s production. Despite it being nearly 2 hours long, it’s much easier to get through than the movies half its length because things are happening at pace. There is more energy, more life to it all. Doesn’t magically turn into a great movie, mind you, but it shows how much of a difference editing makes.

Before I leave you, I must touch upon the most forced product placement I have seen in anime. The first movie opens on Häagen-Dazs strawberry ice cream, drawing some equation between it and Shiki’s personality. And it returns to the ice cream again later. It is…fascinatingly shocking how blatant this advertising is. I don’t know what to make of it.

Art – High

The good old “dead eyes” syndrome studio ufotable is known for makes a return. The editing needs a lot of work, except in movie five. The animation is a mix of long stills broken up by shots of high animation, some in first person. The environments and atmospherics are beautiful.

Sound – Medium

The one and only thing I will take away from this is the soundtrack. I love the melodies and I am a sucker for ethereal vocals. As for the acting, it seems the actors were told to never have emotion in their voice, and under no circumstances are they to have any range. No talent allowed here!

Story – Low

A detective agency dealing with the supernatural investigates a series of mysterious cases. There is no adequate reason The Garden of Sinners needed to be so long and so slow, nor is there a reason to have such soulless characters.

Overall Quality – Medium

Recommendation: Don’t bother. The Garden of Sinners isn’t the worst anime – rather average, all things considered – but it is certainly one of the dullest. I can’t recommend anyone waste their time. If you must, then just watch the fifth entry as a standalone movie.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Great Music

Negative:

Poor Pacing