Tag Archives: Mecha

Giant robots do battle, often with a pilot inside.

Bubblegum Crisis Tokyo 2040 – Anime Review

Japanese Title: Bubblegum Crisis Tokyo 2040


Related: Bubblegum Crisis (original version)

A.D. Police (spin-off)

Similar: Ghost in the Shell


Silent Mobius


Watched in: Japanese & English

Genre: Science Fiction Mecha Action

Length: 26 episodes



  • Powerful and sexy women who punch robot guts.
  • Nice electro-rock music.
  • The cyberpunk world design of Tokyo looks cool.


  • Noticeable animation budget techniques.
  • Not particularly deep.

I came across Bubblegum Crisis Tokyo 2040 by chance while watching SBS (Australia’s international channel) over a decade ago. In the late night block, they had a glorious trio of anime series: Cowboy Bebop, Evangelion, and Bubblegum 2040. While Bubblegum 2040 was the worst of the three, I still made sure to set aside the time to watch it along with the others. I loved the vigilante women in power armour. So, how does it hold up after all these years? Let’s find out.

In response to a mysterious earthquake that crushed Tokyo, the Genom Corporation created organic robots called Boomers to rebuild the city and replace many lower level service jobs. However, some Boomers have been going rogue, mutating into cybernetic monstrosities that attack indiscriminately. Enter the Knight Sabres, a quartet of women in power armour led by beautiful Sylia Stingray, daughter of the Boomers’ inventor. The other three women are Priss the bad girl rock star, Linna the hardworking country girl, and Nene the plucky police officer. Genom, trying to suppress the flaw in their product from the public, doesn’t look at the Knight Sabres favourably and neither do the A.D. Police, jealous of vigilantes doing their job for them.

The characters are solid, fleshed out and have enough drama and flaws to make them interesting as they balance vigilantism against ordinary jobs and personal matters. Like the characters, the story isn’t groundbreaking, hitting many of the standards in cyberpunk sci-fi such as pleasure robots, philosophical questions about robot consciousness, and corporate overreach. Hell, the Genom CEO is an old man stuffed with cables hooked to an electronic throne atop a skyscraper. Even though these tropes are common to the likes of Ghost in the Shell, Blade Runner, A.I., and many cyberpunk works, Bubblegum 2040 uses them well to create a fun action series with girl power. There is also enough in the philosophical questions and drama (one of the A.D. officers has a crush on Priss – drama!) to prevent the action from becoming repetitive and blending into one.

I know that if I hadn’t watched this all those years ago, I wouldn’t have given it a second glance today due to its age. That is why I urge you to give Bubblegum 2040 a shot in spite of its aged visuals, just as I would want someone to urge me if I hadn’t seen it. Bubblegum Crisis Tokyo 2040 is what I describe as the most solid of the solidly good series; it plays it safe and delivers its promise on the tin.

Art – Medium

Dark visuals to match the cyberpunk setting, and the Boomers and Knight Sabres look cool. The budget animation is noticeable, however. In establishing shots, background characters are frozen and action scenes often use streaks and action flashes (charge, swipe arc, flash, and damage with no transitions in between). All considered, the art isn’t poor, but if you need modern visuals, this won’t be for you.

Sound – Medium

The better voice track is up to personal preference, as both are equally good. When Priscilla sings, the lip flaps are out of sync in either language, strangely enough. I thought the heavy metal and rock most appropriate to arse-kicking.

Story – Medium

Bubblegum Crisis Tokyo 2040’s story is as straightforward as it gets – vigilantes fight robots from an evil corporation. Though this plot is not particularly deep, it hits all the right notes for an enjoyable viewing experience.

Overall Quality – Medium

Recommendation: Watch this for solid sci-fi action with vigilante women tearing the cybernetic hearts from robots. Bubblegum Crisis Tokyo 2040 is an anime I like to watch when I don’t want to think deeply about the subject matter and just relax. It doesn’t have any grating problems to irritate either.

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Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Gankutsuou: The Count of Monte Cristo – Anime Review

Japanese Title: Gankutsuou


Similar: Gungrave

Code Geass


Watched in: Japanese & English

Genre: Supernatural Drama Mystery Science Fiction

Length: 24 episodes



  • A thrilling story of revenge and corruption.
  • The Count of Monte Cristo is a multi-layered and fully textured (in more ways than one) character. One of the greats.
  • That creative art style, that texturing, utterly beautiful.
  • Manages to take a 19th century story and place it in the 6th millennium without feeling out of place.
  • A soundtrack fit for the style and themes.


  • Some CG stands out too much.

There’s always a degree of tension when adapting a famous classic, even more so when to a medium that couldn’t be more different from the source. First, you have the fans sitting in their beds, eyes glaring over the top of novels, ears twitching as they sense someone touching “their” property. At the other end, there’s Alexandre Dumas peeking out of his grave in the Pantheon of Paris. And in the middle, you have the small crew of anime artists. It’s a The Good, the Bad, and the Ugly Mexican standoff, each party eyeing the others, wary of disaster. Dr Seuss in the stands screams, “Don’t let ‘em do it, Lex!” waving his ‘I hate The Lorax’ flag. Thankfully, the new team came through.

High up in a private opera box, a man, his hair like rivers of cosmic ink, his skin an ethereal blue, awards a bouquet of flowers to the opera singer. The theatre gasps. Who is this count? The mysterious figure invites young Viscount Albert and his friend Baron Franz over for dinner. He doesn’t eat, though the food is superb. He plays with fate, gambling lives – Albert sets a criminal free. Illusion of choice. The naïve, idealist Albert is enthralled, frightened, by this stranger, yearning to see the galaxy, escape his confined life of arranged marriage. His handshake was cold, like ice.

Gankutsuou is the story of a man out for revenge, adapted from Alexandre Dumas’s The Count of Monte Cristo novel. The narrative doesn’t show the betrayal like in the novel; instead, the anime opens with the first stage of the revenge, using twenty-three episodes to execute every detail of the Count’s plan. If you haven’t read the book or seen the film, this adds extra layers of mystery to the plot; however, if you are familiar with the original, then fear not, as Gankutsuou has plenty of surprises in store. Everything fits to the original, yet feels fresh. They still have duels, only they fight mechs. By setting it in the distant future, the writers could incorporate several new elements like aliens instead of foreigners, some of them supernatural. The Count has a horse for a spy – need I say more?

Though we see through Albert’s perspective, the Count is without a doubt the star. He uses his unfathomable wealth, charm, and guile to play everyone like pieces on his board. The aristocrats of Paris with their decadent lifestyles, worlds of opera, flirtations, and palaces are a feast to his talents. He is a master manipulator. The way he gets into people’s heads without them realising is a delight to watch. He plays on their weakness while charming them as well so they don’t notice his ploy. Rather than outmanoeuvring them on the battlefield, he creates situations where his enemies can’t resist exposing their true natures, where people discover darkness they didn’t realise was there, and they don’t notice it was the Count who set it up.

He has a constant aura of mystery about him (as he intends, I am sure) that is both captivating and frightening. In a world of high tech cars and ships, he rides in a sleek black carriage drawn by black horses – the sort of thing Batman would have. The artists fuse high intensity orchestral pieces of heavy brass, tragic opera, theatre, and literature to create a rich world around him, both beautiful and grim. There are detailed paintings in shots that last a couple of seconds, taking more effort than entire backgrounds from other anime, all to reflect his character and those of his enemies.

A true delight is to understand the Count, or try to, at least. Which actions are manipulations and which are real emotions? Is everything he does part of the grand plan? It’s heart breaking to see a good man so consumed by revenge, as it tore me between my sense of justice for him and wish for him to find peace.

Gankutsuou is the sort of show that keeps me in anime. It reminds me that no matter how bad an anime I have seen, there will always be a few artists who can create something unique and captivating. I leave you with a quote from the Count that illustrates his complexities: “I am now no longer alone in my solitude. For I am now surrounded by the Furies, the goddesses of vengeance. In the darkness, I awaited the dawn. And once dawn came, I cursed my flesh until night fell once more. I even prayed that I would lose my sanity. But those prayers went unheeded. I even strove for death, but the Devil’s cold, pitiless hand held me back.

Art – Very High

The most unique art in anime. A kaleidoscope of texture and colour. You could take just about any screenshot from Gankutsuou and it would be a piece of art. It’s fun figuring out where you have seen that texture before. Is her hair a thumbprint? While the texturing does blend much of the CG into the scene, some of it still looks out of place when in prominence.

Sound – Very High

The voice work is great in either language; it’s a matter of preference. I preferred English for the use of French honorifics in a French setting. Strangely, they changed the French introductions from the Japanese track to English in the English track – I would have thought they would do it even better with a bilingual English actor. The count’s deep voice is suave yet menacing. Gankutsuou exhibits a fantastic soundtrack. There’s no out-of-place J-pop here, just piano, opera, harp, and a few English and French lyrical tracks. The piece used for mystery makes the heart race with excitement at the unfolding drama.

Story – Very High

This anime is excellence in storytelling with well-implemented science fiction changes to the original novel. To see the Count manipulate people in such cunning ways makes for a gripping tale.

Overall Quality – Very High

Recommendation: A must watch. Gankutsuou: The Count of Monte Cristo shows how much the anime medium can achieve when adapting a foreign literary masterpiece, maintaining the core of the source material while making it their own. From the characters to the marvellous art, every facet comes together in an unforgettable series.

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Awards: (hover mouse over each award to see descriptions; click award for more recipients)


Deep NarrativeEngaging DialogueGreat MusicStrategicStrong Lead CharactersStunning Art Quality

Negative: None.

Vision of Escaflowne – Anime Review

Japanese Title: Tenkuu no Escaflowne


Related: Escaflowne the Movie (alternative version of series)

Similar: Avatar – The Last Airbender

Gundam SEED

The Twelve Kingdoms


Watched in: Japanese & English

Genre: Fantasy Action Adventure Romance

Length: 26 episodes



  • Van, the [actual] protagonist, is a strong character with his head on straight.
  • The world has a great blend of magical technology and medieval roots.
  • Surprisingly deep with its character webs and backstories. Cat-women with literal luck flowing through their veins are a cool idea.
  • The mech duels have a sense of weight and power behind them.
  • A soundtrack that inspires epicness.


  • Hitomi, the [supposed] protagonist, doesn’t do enough considering her position in the series.
  • Certain aspects of the animation shows their age.
  • English dub sounds awkward during moments without music or effects.

When Hitomi is practicing sprint at high school one evening, a beam of light opens a portal, summoning a young warrior and a dragon on to the track. The warrior, Van, slays the dragon and teleports back to his planet of Gaea, accidentally taking Hitomi with him. Having slain a dragon, Van ascends to the throne of his kingdom, but alas, the Zaibach Empire obliterates Fanelia. They seek Van’s unique mech, Escaflowne, powered by the heart of a dragon. His country in ruins, Van must flee, bringing Hitomi with him and hopes to rebuild upon his return with allies.

Vision of Escaflowne was the first series to show me that the anime had a high level of sophistication with fantasy. Until I saw this, it was nothing but superpowers, sci-fi, or high school settings when in the real world. The universe of Escaflowne is fully realised with more depth than necessary, which is exactly what every good fantasy has – detail and more detail. We see several kingdoms of different cultures, each based on the major empires of our medieval time, fictional races such as Beastmen, and magical technology that fits in the world. The standout in lore for me is the mecha (referred to as Guymelef) with their Da-Vinci-like inner workings. They are extensions of the warrior, each movement tracked one-for-one by an exoskeleton of gears and cables. Every movement, every swing of a giant sword has weight behind it, selling the size and power behind these machines.

On their adventure, they meet a wide array of characters, most notable of which is Allen, a charming knight from the neighbouring kingdom of Asturia. Hitomi swoons at the sight of him. He may look like a ponce, but he’s a good character. He breaks the mould of his archetype by understanding that there is nothing honourable in fighting a losing battle, just stupidity. Similarly, the main villain hounding Van and crew, Dilandau, fits into the young and bloodthirsty psycho category, but his emotional dependence on the subordinates he abuses brings an extra layer to his character.

Most impressive of all though is Van. I like his indifference to Hitomi at first. A girl doesn’t instantly distract him when he has responsibilities as king. It shows a maturity uncommon in young adult anime. Hitomi has several instantaneous crushes throughout the series, which also make sense, as the greatest dilemma she has faced so far in life is getting her first kiss. Van’s care for her, at first, doesn’t extend further than owing her for warning him of danger with her power to see the future. While Van is impetuous and inexperienced as king, he has no delusions about what it means to be king and knows his responsibilities to Fanelia. It’s good to see the writer didn’t make him a high school kid that we are somehow supposed to accept is king. He is competent; I like competent characters.

Hitomi is a bit of a let-down, sadly. Her power of precognition and the fact that she operates outside of the destiny machine used by the Zaibach emperor to control the tide of battle is crucial to the plot and Van’s quest, but she doesn’t do much beyond that. She spends much of her time as an onlooker to the battles. And for the love of magic, are you seriously going to stay in a school uniform for such a dangerous journey?

Vision of Escaflowne is very much a character story with its relationship dramas, flawed personalities and tenuous alliances. Van and Hitomi must contend with fate in a war-torn world littered by death.

Art – High

The art is good, despite age, though not on the level of Trigun or Cowboy Bebop. Fight animations look great (love the PoV shots from within the cockpit) with weight behind the attacks, but smaller details, like mouth movements, are comparatively poor. Why does everyone have a nose that could spear a rhino?

Sound – High

Excellent soundtrack of chants and choir with the occasional light string or flute pieces. The dub is awkward during several moments without music. You can “hear” the dubbing; the voices seem to come from forefront of the screen, not the characters. It’s alright, but the Japanese spatial audio is better. Also, in Japanese you get Tomokazu Seki (Sagara in Full Metal Panic, Brandon in Gungrave) as Van, one of the best in the business.

Story – High

Van’s struggles to reclaim his kingdom with a group of allies by his side make for an engaging war story infused with fantasy. Hitomi could have stood around a little less as the protagonist.

Overall Quality – High

Recommendation: An easy anime to recommend. Vision of Escaflowne is a classic of anime that mixes action and romance in a world of magic technology and mysticism bound to the machine of fate.

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Awards: (hover mouse over each award to see descriptions; click award for more recipients)


Great Music

Negative: None.

Voices of a Distant Star – Review

Japanese Title: Hoshi no Koe


Related: 5 Centimetres per Second (same director)

The Place Promised in Our Early Days (same director)

The Garden of Words (same director)

Similar: Pale Cocoon



Watched in: Japanese & English

Genre: Science Fiction Romance

Length: 25 min. OVA



  • The tragic narrative hits the right emotional notes with its interesting premise.
  • Beautiful environmental art, especially the grand shots of the cosmos and planets.


  • The use of CG for aliens and mechs looks out of place, never mind the ugly designs.
  • Character art looks unfinished.
  • Little is established. How did the girl become an elite pilot so quickly? Where are the aliens from? What does the boy actually do?
  • The voice work in English is monotone for much of the time. Japanese isn’t much better.
  • Prediction of flip phones as the standard in 2046. I jest, I jest.

Having recently watched Nolan’s Interstellar, I was reminded of Voices of a Distant Star, first anime feature of director Shinkai Makoto (of Garden of Words and 5 Centimetres per Second fame). Both Interstellar and Distant Star make use of time dilation to create drama with its characters. Distant Star tells the story of a fifteen-year-old girl who joins the space fleet in the fight against aliens, leaving her boyfriend behind on Earth with text messages as their only means of communication. The further she travels into deep space, the longer messages take to transmit – days, months, even years – and because of relativity in light speed travel, a couple of days for her is equivalent to years for him.

This story is a tragic one dealing with love separated, literally, by time and space. Distant Star is a powerful piece when it hits its emotional highs; I felt for these two characters. Unfortunately, the side story of the galactic conflict distracts from these heartstring moments. The writer needed a catalyst to launch the girl into deep space, there’s no disputing that; however, a galactic war isn’t a small plot point. It needed more time and space, so to speak, to develop into a full-fledged plot line. We get no backstory on the war, no information about the aliens, and nothing on how the girl became an elite pilot so quickly. (Aside: How is she allowed to wear her school uniform in the mech? I am guessing that it’s a metaphor for her wanting to be back with him during their school days.)


Shinkai could have chosen a simpler premise such as the exploration of distant stars to act as the catalyst rather than a war. This would allow more time to focus on the relationship. All we know about these characters is that they are in love. We know nothing about their interests, strength or weaknesses – who they are, really. Then again, they could have extended the runtime to explore each aspect in depth; at 25 minutes, Distant Star is too short for what it tries to achieve.

When it comes to the art, the war causes more problems. Poor CG was used for the mechs and their alien opponents, which is nothing but jarring, and it doesn’t help that their designs are awful. The cockpit view is cool though, using a lone seat with controls floating in a holographic interface.

Despite all that I have said against Voices of a Distant Star, I enjoyed my time here. The premise alone was worth a watch, and even if you don’t enjoy it, the short length means little time is wasted.

Art – Medium

Beautiful environments and lighting unfortunately tarnished by jarring CG for the hideous alien and mech designs. The character art seems to be in its draft stage.

Sound – Medium

Decent voice work in Japanese, monotone in English. I understand that when people are sad, they speak in sombre tones, but full monotone sounds dull. There are no moments of negative energy, no passion in the words. Half the music doesn’t fit the theme. Also something off about the Foley sounds at times.

Story – Medium

A tragic story of long distance love amid a galactic conflict, which results in neither aspect getting the development they deserve.

Overall Quality – Medium

Recommendation: Worth 25 minutes of your time for what it does right. Voices of a Distant Star is a nice piece of anime that could have done with a longer runtime to develop the relationship and the war further.

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Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive: None


Hollow World BuildingShallow

ZOIDS New Century Zero – Review

Japanese Title: Zoids Shin Seiki/Zero


Related: Zoids (same setting)

Zoids Genesis (same setting)

Similar: Mobile Fighter G Gundam

IGPX Immortal Grand Prix


Watched in: English & Japanese

Genre: Action Science Fiction

Length: 26 Episodes



  • The mecha Zoids are cool in design.
  • Fights are interesting and varied.
  • The English voice work is great.
  • Plenty of humour.


  • Doesn’t explore character and narrative as much as it could have.
  • A couple of reused attack and transformation animations.
  • Dumb luck and contrivance wins some fights.

I first watched Zoids New Century during its release stint in English. My younger sibling was obsessed with the show, which inadvertently got me interested in the series – not that I had a choice with only one TV in the house as a teen. Watching it again a decade later for review, I wasn’t expecting much. I theorised that any positive opinion I had regarding the anime was likely nothing more than nostalgia. Battle anime aimed at a young audience don’t incite high hopes. However, it turns out that Zoids NC is a good show, far better than anticipated.

Zoids New Century is set 4000 years after the classic Zoids series, and other than the use of robot Zoids, the two series have little in common. Where the classic had an adventure narrative, New Century is closer to traditional battle anime with fights lasting an episode or two – this is one of Zoids’s strengths; the fights don’t drag on for a dozen episodes each. In its twenty-six episodes, Zoids has more battles than Dragon Ball Z does in a hundred. These battles centre on protagonist Bit Cloud, pilot of the Liger Zero, and his supporting pilots Brad the mercenary, Leena the rage machine, Jamie the timid tactician, and Doc Toros the Zoid engineer. Together, they make the Blitz Team.

The premise is simple. Teams fight against each other in sanctioned battles, usually 3 vs. 3, though it varies on occasion. Bit infiltrates the Blitz Team and steals the Liger Zero, a temperamental Zoid that refused to allow anyone to pilot it due to its stubborn and impetuous AI. After winning a battle for them, the team allows him aboard (not before Leena rages at him for taking the spotlight in the battle).

The battles have good variety with each opponent bringing their own strengths to overcome that shape the battle’s theme. While not overly strategic, each battle has good back and forth, and not the typical smash faces together until someone wins. The main flaw is that dumb luck wins a few fights early on, but this isn’t a big problem. It also helps that the characters are fun. Sure, they may not have incredible emotional depth or tortured souls, but they bring life and enthusiasm to the narrative, especially in the English voice track, and don’t have anything stupid about them.

The narrative never gets heavy handed, keeping its focus on the battles. Even when the villainous Backdraft Group comes in (similar to Team Rocket – not Jesse and James) humour remains with their focus on cheating to win, even so far as to bring in their own snarky robot judge to favour the villains. Harry Champ, a man destined to be king, is a hilarious antagonist, who keeps trying to defeat Bit with his expensive Zoids because he thinks Leena is Bit’s girlfriend, and Harry has the hots for her.

The creators knew what made for an engaging battle anime and stuck to it. While Zoids is safe, it works and is an enjoyable watch.

Art – Medium

Zoids makes great use of CG for the mechs, blending them into the standard art, one of the early examples to do so successfully, even if repeated on occasion. At first, you may notice the CG, but it doesn’t take long to fade.

Sound – High

Battle sounds and Zoid roars work well. Ocean Group (Vancouver studio known for Black Lagoon and Gundam) did a great job with a strong cast of actors that brought out their personalities much more than the Japanese had. Bit and Leena in particular have much greater range and emotion.

Story – Medium

Though safe, the characters are good enough to carry the show and bring life to the narrative.

Overall Quality – Medium

Recommendation: A good show for anyone looking to have fun with a fast-paced battle anime about dinosaur robots beating the snot out of each other.

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Awards: (hover mouse over each award to see descriptions; click award for more recipients)


Positive Recommended English Voice Track

Negative: None