Tag Archives: Mecha

Giant robots do battle, often with a pilot inside.

Neon Genesis Evangelion – Anime Review

Japanese Title: Neon Genesis Evangelion


Related: Neon Genesis Evangelion: The End of Evangelion (true ending – included in review)

Neon Genesis Evangelion: Death & Rebirth (summary)

Evangelion: 1.0 You Are (Not) Alone (new version)

Similar: RahXephon

Puella Magi Madoka Magica

Ergo Proxy

Guilty Crown


Watched in: Japanese & English

Genre: Psychological Science Fiction Action Drama

Length: 26 episodes, 1 movie



  • World and mecha design.
  • Oppressive atmosphere.
  • The restraint in unfolding mysteries.
  • Varied enemies and action.
  • A cast of complex characters.


  • Handling of the 17th Angel.
  • The original episodes 25 & 26.
  • Final 20 minutes of the new ending.

(Request an anime for review here.)

I used to hate Neon Genesis Evangelion – hate with a burning passion, which I alluded to in my ‘Former Favourites’ list. The hatred was so strong that it was part of my core as an anime fan. When I brought up Evangelion to my friend the other day, the first thing he mentioned was my hatred of the series all those years ago.

Why the hatred? Well, it was my teenage mindset. I used to have a problem whereby one significant fault in a series I otherwise enjoyed could ruin the whole thing. My reaction was disproportionate to the fault itself. Evangelion’s fault was with the ending, and nothing has more negative impact on a viewer than a bad ending because it’s the last impression you leave with, the bad aftertaste of a banquet. It takes effort to override the feeling of a bad ending to remember your enjoyment before that moment. That was my weakness, to the point of venom.

To understand the significance of this ending, let’s go back to the start.

The world is nearing its end as Angels are descending from above to wipe out humanity. It has suffered two cataclysms already; it cannot withstand a third. The last hope lies with Nerv, a military agency in Tokyo 3 with only one weapon: the Evangelions, giant robots that can match the Angels. To unlock their full potential, they need pilots, 14-year-olds to be precise, capable of maximum synchronisation between human and machine. Shinji Ikari has been chosen to pilot EVA Unit-01, tearing him from his ordinary life to the frontlines where is father, who hasn’t cared for him in years, leads Nerv. He joins Rei, pilot of Unit-00, and Asuka of Unit-02 later.

Neon Genesis Evangelion has a perfect first episode, showcasing ‘in medias res’ (in the middle of things) with Shinji’s arrival in Tokyo 3. Misato, his guardian, is late as an Angel attacks, almost killing him, then a mine intended for the Angel detonates and rolls Misato’s car with him inside, ending the episode in him having to pilot the EVA. Rough first day. When you watch it, note how you understand the world and the situation without feeling lost, despite having zero lines of exposition. This episode and the three that follow are so strong that I watched the first DVD several times within a week as I waited to borrow the remainder from a friend at school. It sucked me into the world and I had to see more.

The first element that grabs me is the visual design. Evangelion wouldn’t have been so iconic without the unique look and feel to its world and mech designs. Everything was Gundam or a pale Gundam imitation at the time, so to see something so human and monstrous infused with mecha was revolutionary. The designs alone aren’t the reason for success. The use of the Evangelions cements them into memory. How often do you see a mech or vehicle so flashy, so overdesigned never justified by the anime? (“Why does that mech have giant spikes everywhere if it never uses them?”) Evangelions look the way they do for a reason and when that full potential blooms, it makes for the anime’s most memorable moments. That is to say, copying a Gundam design but keeping every Evangelion event the same wouldn’t have had half the impact than what we have here.

The second element of notice is the action and Angels. The action doesn’t simply look great; it’s creative. Hideaki Anno could have made the Angels straightforward Godzilla monsters that rampage about and take many shots to kill without effect on the grand plot. Instead, each Angel is creative in both design and threat. One Angel splits in two upon death only to regenerate a moment later, requiring both halves to die at the same moment, while another Angel is a nanoscopic virus that hacks Nerv’s central brains. Each encounter brings something new for the viewer and the characters. When Angels go after the mind or allies, Evangelion is at its best.

The human conflict adds a dozen layers of depth to humanity’s end. Shinji is a kid who just wants to feel needed, particularly by his arsehole of a father, though he is saving humanity, to be fair. His father has the weight of the world in his decisions. Not making him straight evil was a good choice.

Misato is another great character. She’s a total slob, drinks more beer than water and is a little pervy, but she has a good heart and cares for the kids – one of the few who does – making her the most human element of the series. Each supporting character receives enough attention for depth without breaking the hierarchy of importance to the plot.

I had it in memory that each DVD was worse than the previous until the final one nosedived. Rewatching Evangelion now though, I loved every episode until the 24th (rushed despite an amazing finale) because I can appreciate the points of view and purposes of characters I once didn’t like. For instance, I used to find Asuka annoying. She still is annoying, but I can see that she is a well-designed annoying. Perhaps it was Anno’s intent for teenage boys to find her annoying, much as Shinji does.

What turned me around on the majority of episodes was the craft that went into the mysteries that make the reader want to know more. As a teenager, I couldn’t perceive how the story metered out bits and pieces of information, foreshadowing greater reveals in the final act. Where did the technology for EVAs come from? What happened to Shinji’s mother? Who is Rei? So many questions. Study Evangelion if you want to learn the importance of mystery in narrative.

Neon Genesis Evangelion is well known for its psychological brutality and insane imagery, but there is a good amount of levity to stop the audience from wanting to completely blow their brains out quitting. Much of the humour revolves around Misato or takes place at school. She has this penguin living with her, not as a pet – maybe? More like a roommate. Who is this penguin? The strategic censorship is also funny and when Asuka moves in with Misato and Shinji, we get one of the greatest lines. Asuka wants to make-out with Shinji, you know, for fun, ‘cause that’s what girls do (?), but he hesitates and she mocks him. “I’m not afraid – pucker up!” he yells in retaliation.

Humour is important even to the darkest narratives, as it keeps the audience sustained and gives the dark moments more impact through contrast.

Evangelion reaches its darkest point in the two-episode finale, both in real life and in fiction. The original episodes 25 & 26 I still find terrible, if not worse because I can see more writing problems than before. The budget and time ran out, leaving almost no animation. Without going into spoilers, these episodes are mostly still shots of text, real life photos, and characters vomiting expository dialogue. Most attribute the poor quality to the visuals. Had the team had the budget, the episodes would have been great, they say. This isn’t true. Everything about these episodes is trash. The dialogue, the writing, the ideas, the imagery, the characterisation – all trash.

I hunted and bought The End of Evangelion after my school friends had mentioned a remake, though they hadn’t seen it. I eagerly booted it up and all seemed fixed. The visuals were back better than ever with spectacular action. The bad dialogue was gone. Each episode was double length. This was the ending Evangelion deserved. Then the climax began and threw all that the series had worked for, which to teenage me was a deal breaker, a ruiner of all good things. I hated the series since.

The climax is 20-minutes of imagery with a minute’s worth of plot. The visuals are nice and certainly better than the original version, but it’s too much when you don’t have the story to accompany it. The issue is build-up. It escalates and escalates, creating expectations that all will end in spectacular fashion. Instead…nothing. Now, a negative ending is fine but after such build-up, this just wastes the audience’s time. Five minutes of the best shots would have sufficed.

What do I think of the ending now? I don’t mind it as much. It’s still no good for the last 20 minutes, yet it no longer affects my opinion of the series prior. Simple compression would fix most problems.

And that’s where I stand today, at the end of a long journey of hate and love with a mere anime. I have debated at length with myself about where to score Neon Genesis Evangelion (one of the reasons for the review’s delay). I am still unsure. Who knows; perhaps I will change my thoughts again in fifteen years.

Art – Very High

It is incredible to think that we had such good-looking anime series in the 90s, drawn by hand. Evangelion doesn’t have the consistent animation of Cowboy Bebop, but its creative design drips with grit and atmosphere. Of course, this quality took a toll on the final two episodes. This rating assumes End of Evangelion replaces the original ending.

Sound – High

I didn’t notice until this viewing – because you often skip the ED after a few times – that the ending song changes each DVD to a different cover of Bart Howard’s ‘Fly Me to the Moon’ (popularised by Frank Sinatra). Some of these covers don’t work though I like the variety. Everyone knows the theme song ‘Cruel Angel Thesis’, which has become famous beyond its original use. Still a classic. The acting is where quality doesn’t quite hold up, in either language. A few examples: Asuka’s German in Japanese is…what Unit-01 does to the 13th Angel; several supporting English characters are a regular earsore; Japanese Shinji needed a male actor to pull off some scenes.

Story – Very High

Humanity faces the End Times and must place its hopes on three psychologically damaged teenagers and their mechs. Neon Genesis Evangelion never relents in punishing its characters, evoking a sense of hopeless that grips you until the finale disappoints. This rating assumes End of Evangelion replaces the original ending.

Overall Quality – Very High

Recommendation: A must watch. Regardless of how you feel in the end, Neon Genesis Evangelion is a must for any anime fan due to its importance and impact on the medium. Watch the original series with the director’s cut of episodes 21 to 24 (I insist) followed by The End of Evangelion. Return to the original ending for intellectual curiosity afterwards, if you wish (the remake reversed several decisions). Death & Rebirth can be ignored as a recap movie and the new scenes went into the director’s cut of the aforementioned episodes.

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Awards: (hover over each award to see descriptions; click award for more recipients)


Deep NarrativeExtensive Character DevelopmentGreat MusicHoly S***Riveting ActionStrong Lead CharactersStrong Support CharactersStunning Art Quality


Weak End


Iron Man – Anime Review

Japanese Title: Iron Man


Related: Iron Man: Rise of Technovore

Similar: Wolverine

Tiger & Bunny

Bubblegum Crisis Tokyo 2040


Watched in: Japanese & English

Genre: Mecha Action Drama

Length: 12 episodes



  • Looks decent.
  • Better than Blade.


  • This Tony Stark doesn’t have enough charisma.
  • Villain’s plan gets a little silly by the end.

(Request an anime for review here.)

Iron Man was the first of the Marvel anime and like the other titles, this takes place in Japan with billionaire inventor Tony Stark arriving in the land of the rising sun to unveil his Arc Station, which would supply clean energy to the country free of charge. He intends to announce his retirement as Iron Man at the ceremony and have a new generation of armour pilots take over. It all goes wrong, however, when his new armours turn on the people.

The ‘Iron Man in Japan’ conceit may sound forced for the local market, but it has precedence in the comics. Tony had a significant arc in Japan as he dated a Japanese woman (same one as in this anime? I can’t recall), which made this adaptation smoother than the likes of Blade.

Iron Man is decent if you want a straightforward plot with action, life-threating dilemmas, and comic book craziness. The plot later incorporates a virus, mind control, and mechs.

This anime has two huge problems: the Marvel movies and the variety of Western Iron Man/Avengers cartoons available. Why bother with this anime when you can watch those instead? This applies to all Marvel anime productions. They are decent at best, which isn’t good enough to warrant your attention unless you really want to see Marvel characters in anime.

It may be harsh to have much of the criticism relate to other adaptations, but every viewer will make the comparisons regardless. Even standalone, what you have here in Iron Man is your average action series.

Art – Medium

The art is good, but Iron Man’s CG, while not the worst, does standout at times. A hell of a lot better than Blade (effort ran out by the fourth series?)

Sound – Medium

Neither audio track has enough charisma for Tony Stark – decent otherwise.

Story – Low

Tony Stark goes to Japan to unveil his Arc Station and a new line of power armour with hopes of retiring, but a criminal organisation puts those plans on hold. The story get silly in the end, but it’s okay overall.

Overall Quality – Low

Recommendation: Eh… Watch the movies or Western cartoons instead unless you want an anime that requires no concentration to enjoy.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Zegapain – Anime Review

Japanese Title: Zegapain


Similar: RahXephon

Fafner of the Blue Sky

Mobile Suit Gundam SEED


Watched in: Japanese & English

Genre: Mecha Action Science Fiction Romance

Length: 26 episodes



  • A premise worth watching for.


  • Just about everything else.

(Request an anime for review here.)

Look at any poster, video or screenshot of Zegapain. It looks like trash. It requires effort to make characters this generic and to have mecha designs this ugly. This doesn’t happen by accident. The dialogue is just as you imagine accompanying that art. So why would a reader recommend I review Zegapain, likening it to RahXephon in the process? I was even more confused after the first episode – one of anime’s worst starts.

It opens on protagonist Kyo having to kiss a guy disguised as a girl for a student film by his friend Ryoko. He refuses, notices a buxom babe on the high dive outside, strips to his Speedos, and charges off to meet her. (Does he always wear swimmers instead of underwear?) His enthusiasm comes from finding a new recruit to his dying swim club. Next thing he knows, he’s part of a conference call with the military. The girl, Misaki, puts his hand on her boob, pulls him into her chest, and they teleport aboard a mech. (Right…) She tells him to treat the battle like a VR game. I laughed when the mech warns of incoming enemies, but Misaki praises Kyo for spotting them so quickly – girl, he didn’t do anything! He fights perfectly without training. Though there is more to his story, it’s still a cataclysmically stupid idea to bring him to the front line. A better writer would sell the situation.

Before first episode’s end, it is evident that the characters have no depth – I imagine the brainstorm session took five minutes. Only a couple have goals and motivations. The battle tech is a bunch of ‘stuff’ doing ‘things’ cobbled together without thought of how this works or how it came to be.

Needless to say, but Zegapain seems like a bottom-dwelling anime at this point.

However, after a few more battles of floaty CG and meaningless action, Kyo finds a glitch on the battlefield. A message tells him not to believe his world. And that’s where things start to get interesting. We have a Matrix situation here, except he can’t be sure of which world is reality. If his high school is virtual, then who are all these people? And how did the outside world turn to ruin? More and more mysteries unfold as the plot develops, resulting in an intriguing storyline. I’m as astonished as you are.

Of course, it doesn’t erase the fact that the script seems randomly generated or that the characters are surface deep, but this one strength is enough for me to enjoy Zegapain to the end.

Kyo is still a bad protagonist. He’s far too accepting of everything for the convenience of the writer’s laziness. He teleports suddenly from school to the battleship thanks to a gizmo in his forehead, is about to ask where the gizmo came from and how he got it, when he says, “Ah, whatever, it got me here after all.” Even more reason to question it, you idiot! And what is the obsession with returning to this swim club subplot every episode? It doesn’t matter! Hell, why swimming? It isn’t realistic that a swim club in the heat of Japan’s summer would struggle for members. It’s for Misaki in the swimsuit, isn’t it?

Several episodes that lean more slice of life are a waste of time as well and the antagonists are as weak as the heroes. Despite all these faults, something about the reality versus virtual reality plot gets me. It just gets me.

Zegapain is a hidden gem— well, gem is a bit much. More like a peculiar stone on the riverbank with an unusual texture that a few will find interesting.

Art – Very Low

Zegapain approaches Hand Shakers level of CG with its mechs. Furthermore, why make them CG if you aren’t going to take advantage of the easier animation tools? What was the point? The regular art has zero creativity and even randomly drops in quality on occasion.

Sound –Low

The voice actors do the best they can with this bad script. I think the music came royalty free.

Story – Medium

A teen has to distinguish between reality and the virtual world amidst an alien occupation and high school troubles. The characters and action may have no merit, but the plots works well.

Overall Quality – Medium

Recommendation: Give it a chance. Zegapain is most engaging if you can enjoy a good story in the face of weak characters and ugly art.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None


Horrendous ActionUgly Artistic Design

Mobile Suit Gundam: The Origin – Anime Review

Japanese Title: Kidou Senshi Gundam: The Origin


Related: Mobile Suit Gundam: The Origin – Loum Arc (sequel)

Mobile Suit Gundam (original version)

Similar: Code Geass

Legend of the Galactic Heroes


Watched in: Japanese & English

Genre: Mecha Science Fiction Action

Length: 4 episodes (1 hr. each)



  • “Char” Aznable.
  • A Gundam protagonist that earns every step of his power.
  • Mix of politics, assassinations, and war.
  • No Gundam vagueness.


  • Ill-suited slapstick.
  • (Where is my next episode?)

(Request an anime for review here.)

Mobile Suit Gundam: The Origin is pitched as a retelling of the series that started it all, Mobile Suit Gundam. Of course I would watch a remake of a classic I enjoyed. I thought we would open on Amuro, the original protagonist, so when it focused on a blond child called Casval and his little sister, I admit to my confusion. Where’s Amuro?

As it turns out, Gundam: The Origin starts before the original, at the inciting incident that led Char Aznable on the path to become such an enigmatic figure in the wars to come. I am hooked. Char is the most interesting character in Universal Century Gundam, so to see him as protagonist, with his backstory explored in depth, is a delight.

After a teaser of adult Char in a space battle, we return to him as a child on a space colony. His family’s high-class life shatters with the sudden death of his father, an advocate for Spacenoid (citizens of space colonies) independence. The father’s supporters smell foul play in this “natural” death and anarchy breaks loose on the streets. Everything is in disarray. Who’s in charge? Who’s allied with whom? What does each player in the game want? Answers are hard to find.

Char, his sister, and his mother are now valuable pieces in either inciting further action or quelling the riots. Life pushes them around. For Char, however, this isn’t a life worth living. He begins to plot a course towards revenge. Will he get revenge though? And on whom? With so many players in the game, his quest won’t be an easy one.

Gundam: The Origin is a good show in all aspects, but Char makes it great. As an anti-hero, we are never quite sure what he will do to achieve his goal. When he’s friendly with someone, we a never sure if he’s actually friends with them or up to something. Up to something – that’s a good way of summing up Char. He’s always up to something

Beyond him, Gundam: The Origin has an extensive cast, each with a purpose in this political maelstrom. Friends, enemies, or somewhere in between, you will meet all sorts. Barring some random slapstick, the cast feels written for an older audience than typical Gundam, which I suspect stems from having an older protagonist in Char. It’s a refreshing change, especially coupled with him earning power and skill through work rather than having it all thrown at him like other Gundam series (Unicorn) that I will not mention here (Unicorn).

The writing as a whole is leaps better than what I expect from a Universal Century series. Vague dialogue is nowhere in sight. No one stands in the open cockpit of a mech preparing to self-destruct while they spout some “cool” line instead of running clear. The conflict and political landscape is coherent (unless intentionally masked for story), free of the vague nonsense that plagues this franchise. There is no rambling on about the ‘dialogues’ to come, the ‘dialogues’ that will solve all, the bloody ‘dialogues’ that will answer the meaning of bloody life! No complaints about the writing from me this time.

And so, we reach my major gripe. Where is my next episode? I want more, damn it! You can’t just start the story, give me all this good writing, an amazing protagonist, political intrigue that makes me lean forward, and then just end it right there. What are you playing at, Sunrise?

If future Mobile Suit Gundam: The Origin entries maintain this quality, it could very well earn a ‘Very High’ rating from me.

Art – High

The chaotic action scenes use CG for the mechs and ships, but it works well, as spaceships don’t need much work and the particle effects mask it well. Unlike the recent Berserk that has random camera movements, just because, Gundam: The Origin takes advantage of the CG with a dynamic camera that dives into the action. Everything else is clean.

Sound – High

Good voice work. The script is less wishy-washy than other Universal Century Gundam. When a character needs to say something, they say it.

Story – High

A retelling of the original Mobile Suit Gundam, but from before the start with the events that made Char the legend he has become. I expected another Gundam Unicorn; I got something great instead.

Overall Quality – High

Recommendation: Watch it. Mobile Suit Gundam: The Origin is a great place to start for newcomers to the gargantuan franchise, while also giving plenty to veterans.

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Awards: (hover over each award to see descriptions; click award for more recipients)


Deep NarrativeStrong Lead Characters

Negative: None

Aldnoah.Zero – Anime Review

Japanese Title: Aldnoah.Zero


Related: Aldnoah.Zero 2nd Season (included in review)

Similar: Gundam SEED

Code Geass

Mobile Suit Gundam


Watched in: Japanese & English

Genre: Mecha Action Science Fiction

Length: 24 episodes (2 seasons)



  • A few good music tracks.


  • Possibly anime’s worst protagonist.
  • Everyone is an idiot.
  • Illogical story directions.
  • The CG is distracting.
  • Forced exposition dialogue that never ends!
  • Laughable romance chemistry.

(Request an anime for review here.)

Why didn’t I listen? I don’t know why, but whenever I hear of genre plus premise combination I love, I underestimate the warnings. “How bad can it be?”

Humanity spread to space and settled on Mars, where they discovered a machine called ‘Aldnoah’ that gave them immense technological power. Not wanting to share this technology, the Vers Empire of Mars declared war on Earth. This war shattered the Moon’s hypergate that facilitated quick travel to Mars, leading to a ceasefire. Fifteen years later, the war restarts when the Martians assassinate their own Princess Asseylum, peace ambassador to Earth. The war sweeps up high schooler Inaho and his friends into the fight.

If you’ve seen Gundam SEED, Aldnoah.Zero’s story should sound familiar. It’s a shame they didn’t take anything else from SEED, like good characters…or strong conflict…or romantic chemistry…or anything.

Aldnoah.Zero’s problems start with its writing, exposition dialogue in particular, which introduces itself to us a few minutes in as Inaho and the gang ride a bus past a construction site repairing damage from the war. Each character takes their turn to dump exposition on us, all but talking into the camera. They are telling each other things they already know, for the audience’s sake. Could the exposition be any clumsier?

Yes, yes it can. Almost every scene in episode one has someone exposit in this manner. One villain tells another villain about the super secret plan to attack Earth. “We have been setting this plan for 15 years!” “Yes, I know, dumbass, I’m part of the plan.” (If only he had said that.) Even when in the middle of resuscitating someone, Inaho has to exposit about how and when he learnt CPR. (I wish I were the one dying.) Bloody hell, the writer needs to find a different line of work.

Next, let’s talk characters.

I’ve done it. I have found the worst protagonist in anime. I have found the One, the protagonist with no redeeming quality. Let me introduce you to Inaho. He has no personality and no emotion. Oh, they tell us he has personality and emotion, but they lie! One scene has the protagonist witness a missile flying through the air towards the princess’s convoy and he just stares at it. “Oh hey, it’s a missile. Quite interesting. Maybe we should move, I guess…whatever.” I assume he’s supposed to be the stoic type, but he comes across as dead. Delete him from the story and you wouldn’t notice the difference. He also knows how to pilot a mech better than trained veterans can because…reasons.

The chemistry between him and the princess is laughable (surprise, she didn’t die in the assassination – there are no twists in Aldnoah.Zero). You know how when a relationship reaches its emotional peak, series will often flashback to a compilation of ‘best bits’ in their relationship? Well, the most romantic moment Aldnoah.Zero could find in Princess and the Dude’s relationship was him giving her mouth-to-mouth resuscitation. What was supposed to be a dramatic, emotional scene had me laughing into pain. Pro tip: If that’s the most romantic scene you have, then you must rethink your main couple.

As for the rest of the cast, we have a bunch of idiots. An eight-year-old girl is the bodyguard/assistant to the royal princess? Genius! The admiral on the front line to defend your planet is more concerned about the dating lives of her crew than training them for combat? We’re so going to win this war! Every military expert in this anime sounds as though they know nothing about war. Only idiots survived the first war, it seems.

Oh yes, there is a third major character, some Terran servant with the Martians. He has military training and the Martians allow him to pilot, for some inconceivable reason, and give him a promotion in season two, for another inconceivable reason. One would imagine that a Terran among the Martian creates interesting conflict, but no, he’s just there to make a love triangle with the princess. It takes no effort to have more complexity and depth than what Aldnoah.Zero offers. I care for none of these characters. They never develop a character. All they do is state the plot or exposition.

One element that shows promise, at first, is the Martian technology. Where the Terrans use the generic mech seen on the cover, Mars’s Orbital Knights each have a unique mech with some special power granted by Aldnoah. The first such mech has an energy shield that disintegrates any matter it touches. It literally walks through buildings when chasing the heroes, which is rather cool. Yet even this goes bad. You see, Aldnoah.Zero’s plot devolves into a mech-of-the-arc affair. A unique mech appears with some unbeatable power, it blows everything, and all seems lost until Inaho snaps his fingers and finds the weak point. Each mech has a few episodes to shine before the story discards it for the latest model. These mechs have no character. The author had a bunch of ideas for mechs with unique powers, but rather than choose a few to build up for us to invest in, he threw them all at the heroes to die one after the other. Think of the Death Star, just about any main Gundam, or even an iconic sword in anime. Think of the story, the mythos that builds around these devices and the impact it leaves on the audience during those major encounters. “Oh shit, he’s drawing the big sword! You dead!” Aldnoah.Zero’s mechs have the same impact as cannon fodder.

So, even the one good idea dies within a few episodes. Do I have anything nice to say about Aldnoah.Zero? I like some of the music… And that is all. Aldnoah.Zero is the worst mecha anime I have seen and one of the worst anime to air.

Art – Low

The CG mechs are mediocre at best, which isn’t good enough as it’s a constant eyesore. It either needs to be great or not there at all. Anime a decade ago had better CG. Stiff animation in dialogue scenes with only mouth movements.

Sound – Very Low

This on the nose, in your face script is painful. The decent music offers little redemption, like trying to plug a sinking ship with your dingaling.

Story – Very Low

Earth defends against Martian separatists looking to claim the bountiful planet for their own. Aldnoah.Zero boasts an atrocious protagonist swathed in a plot run by idiots to execute the worst of mecha anime.

Overall Quality – Very Low

Recommendation: Avoid it. Aldnoah.Zero, you have reached the bottom. Any mecha anime has to be better than this.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None


Atrocious PlotAwful DialogueHollow World BuildingInduces StupidityRubbish Major CharactersShallowUseless Side Cast