Tag Archives: Mature

Not suitable for a young audience.

Ninja Scroll the movie – Review

Japanese Title: Juubee Ninpuuchou

 

Related: Ninja Scroll: the Series (sequel)

Similar: Afro Samurai

Basilisk

Sword of the Stranger

 

Watched in: Japanese & English

Genre: Dark Fantasy Action

Length: 1 hr. 30 min. movie

 

Positives:

  • Well-choreographed and brutal action.
  • A variety of cool ninja powers.
  • Dark visuals to match the grim narrative.

Negatives:

  • With the action focus, most characters have little to no development time.
  • Some awkward explanatory dialogue.
  • Weak music.

Jubei is a vagabond swordsman, hiring out his skills to those who can pay. One night, he helps a ninja woman in trouble. She is Kagero, the last of her ninja unit after an investigation into a mysterious plague led them to slaughter at the hands of a ninja who can turn to stone. He is known as one of the eight devils – eight ninja with extraordinary abilities. A government official looking into the matter hires Jubei to defeat these devils. Thus, Jubei and Kagero are drawn into a plot that threatens to overthrow the government.

Ninja Scroll is an action heavy film of blood, nudity, and cool abilities. The action scenes, Ninja Scroll’s focus, are the most exciting aspect with great choreography and variety in techniques. At only an hour and a half long, there isn’t time to drag out the action or have characters stare into each other’s eyes for episodes on end. Each fight in Ninja Scroll is sharp, intense and varied as Jubei faces the eight devils, all with interesting powers. One ninja can live in shadow, while another can summon snakes from anywhere – anywhere… The manner in which these powers are used is the anime’s most creative aspect. Unfortunately, outside of the action, these villains have no development; they are evil and must do evil things with cool powers.

The lack of development is an issue across the board except for Jubei and Kagero, whose motivations and personalities are explored beyond surface level. The government at the core of the plot doesn’t get any screen time to establish and why this overthrow could be so disastrous. Of course, if your interest lies solely with the action, then this won’t matter. The plot itself is constructed enough to support the action; it isn’t vague or full holes, but does lack depth.

Ninja Scroll is a good-looking film, especially when you consider its 1993 release date. If all you saw during its era was Dragon Ball Z, then Ninja Scroll’s gritty quality comes as a surprise. The artists went for a grim atmosphere throughout, shadows filling all corner of the screen. Even when the sun is out, jet-black shadows contrast with the light in every scene. The animation is good – the blood in particular, which there is plenty of. Each villain has interesting visual designs to fit their abilities. I particularly liked the snake woman with her intricate tattoos.

A great failing is the dialogue. There are several moments where a character will explain how someone died even though we just saw them die. Too much stating the obvious, as well. Jubei slashes the rock ninja, who says in a stilted manner, “A very skilful attack, but you must realise I cannot be cut.” Exposition by stating the obvious isn’t good writing. The dialogue in the latter half gets pretty rubbish at points.

Ninja Scroll stands on its great action and dark atmosphere. It’s a shame that they didn’t extend the airtime to allow for character exploration, and they could have hired a better dialogue writer.

Art – High

Ninja Scroll looks good, defying age, and is loaded with blood.

Sound – Medium

A variety of voices well executed; however, the Japanese takes the edge, as the plethora of ancient Japanese names sound odd in English – a minor gripe. The music is underused and weak overall.

Story – Medium

This is purely about action with a decent narrative structure to support it. The villains are cool in design, just not in development.

Overall Quality – High

Recommendation: Ninja Scroll’s action coupled with dark fantasy art is well worth your time. Just don’t expect extensive character development.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive: 

Holy S***Riveting Action

Negative: 

No Development

Paprika – Review

Japanese Title: Paprika

 

Similar: Mind Game

Serial Experiments Lain

Paranoia Agent

Perfect Blue

 

Watched in: Japanese & English

Genre: Horror Mystery Science Fiction

Length: 90-minute movie

 

Positives:

  • Mind-bendingly crazy dream sequences rendered in gorgeous, detailed art.
  • Keeps you guessing on what is reality and what is a dream until the end.
  • Zany music to match the wacky visuals.

Negatives:

  • A few questions left with vague answers.

Have you ever seen the 1971 version of Willy Wonka and the Chocolate Factory with Gene Wilder? You remember that scene where Wonka takes everyone on a boat ride through a psychedelic tunnel? Paprika is a feature length version of that. The dreams are surreal, music weird, characters loopy, and it’s all great. Paprika is the last in director Satoshi Kon’s anime films – Perfect Blue, Millennium Actress, and Tokyo Godfathers. If you have seen his other works, you know what kind of mind-bending and psychology to expect.

Researchers have created a device that allows therapists to enter a patient’s dreams to find the source of anxiety or neurosis. One such therapist uses her red-haired alter ego known as Paprika to explore the dream world. However, when a device is stolen and patients’ dreams start grafting onto the minds of therapists, dreams become indistinguishable from reality. Paprika must navigate the dream world to figure out how it started and who is responsible.

Though this may sound similar to Christopher Nolan’s Inception, they are far from alike outside of the common narrative device – dreams. Where Inception is grounded in the reality of oneirology (study of dreams) to craft a thrilling heist film, Paprika uses the imagination side of dreams where anything and everything can happen free of oneirology. Inception had strange things happen, certainly, but nothing truly weird. Paprika on the other hand, is nothing but weird. There is a parade of fridges, frogs, lucky cats, anatomy mannequins, the Statue of Liberty, Buddha, and whatever else they thought of, all in honour of a loony old man whose body fat absorbs baby dolls. Need I say more? In Paprika, the dreams have no rules, no boundaries, no logic. They are insane and tons of fun.

Paprika requires that you pay attention, particularly to the scene transitions, or you may miss crucial information that establishes what is dream versus what isn’t and risk losing the plot. Unfortunately, even with focus, some of the important questions remain unanswered. However, that doesn’t interfere with the overall enjoyment of the film.

The art does a brilliant job of bringing the craziness to the screen, accompanied by equally weird, yet good, music in a cacophony of electronic sounds and ever-fluctuating vocals. The artists didn’t skimp on animation. Several scenes have so much animation at once that you need to watch them several times through in order to catch everything.

If you enjoyed Inception, but thought it was too realistic and needed a few more talking guitars and nightmare fuel, then I recommend Paprika. Just don’t expect the same sort of narrative as Inception. That would only lead to disappointment.

Art – Very High

A crazy world of dreams filled with imagination brought out by surreal art.

Sound – High

Both Japanese and English voice tracks are great, though the Japanese has the edge. Paprika’s voice in English may grate on you from its ‘squirreliness.’ Love the psychedelic music.

Story – High

A fun story of insanity that breaks the mind with a smattering of horror thrown in.

Overall Quality – High

Recommendation: Paprika is a must watch, even with a few narrative faults. Prepare to dive into some bloody weird dreams.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive:

Holy S***Stunning Art Quality

Negative: None

Karas – Review

Japanese Title: KARAS

 

Similar: Zetman

Blassreiter

 

Watched in: Japanese & English

Genre: Contemporary Fantasy Action

Length: 6 episodes

 

Positives:

  • Dazzling visuals full of energy.
  • Intense action with great cinematography.

Negatives:

  • Too many plot lines that keep shoving each other out of the way.
  • Very little character development across the board.
  • Obvious CG on occasion.
  • Core of the narrative doesn’t become clear until the fourth episode.
  • BLOOM! Ah, my eyes!

Every once in a while, I come across an anime that on the surface looks fantastic, has an interesting premise, and oozes style, but is kicked in the crotch by the most baffling and obvious errors. Karas is one such anime.

Immediately, Karas (Japanese for ‘crow’) dazzles with its intense action as two power-armoured samurai duel among the clouds, gunfire flashing out once they transform into fighter jets before they crash into the city below. The visuals are brilliant and intense, sometimes too intense with excessive use of bloom. It burns the eyes. Karas boasts actual cinematography, often lacking in television anime. Scenes are shot from creative angles, well composited to draw you into the action. The camera shudders against shockwaves, increasing immersion. This anime is beautiful to behold.

However, once the opening action subsides, Karas loses the audience. The premise revolves around a world of demons existing out of sight in a human city. The humans were once aware of the demons’ existence, but have since forgotten and relegated the use of demons to myths and ridicule. (How did they forget?) The Karas tech-fighters exist to keep the balance between the two worlds. Eko, a former Karas, grows tired of human ignorance and raises an army of demons enhanced by his tech-magic to destroy the humans. In response, Yurine uses her own tech-magic to give Otoha the power of the Karas to fight against Eko.

None of this is clear until the halfway mark. The first three episodes largely follow Nue – a rogue demon on humanity’s side – and not the supposed protagonist Otoha. Then episode four hits, and at last, we see the narrative’s core. Nue is all but dropped for Otoha to take his place. This is the obvious problem. Karas has too many plot threads that it can’t manage. I got the impression that the story compositor thought he was plucking a guitar with how fast the scenes jump between threads. Just as a scene is about to reveal its purpose, it cuts away to anoth- no, back again- wait, a third challenger approaches! It’s irritating, particularly in the first two episodes. Two police officers investigating the murders caused by kappa (water demons) also have a meaningless plot thread. Only in the final two episodes, once several plot threads get the Falcon Punch they deserve, can we enjoy the narrative.

None of this is to say that Karas is bad. Rather, it is crippled by baffling choices. It feels as though the first half of the series was in the draft stage, structure wise. Still, Karas is a gorgeous spectacle of action.

Art – High

Karas is a dazzling display of action that blends CG with anime. The CG is noticeable (though not bad) in a few scenes without environmental filters. Wear sunglasses against the bloom.

Sound – Medium

Decent English and Japanese voice tracks with good sound effects.

Story – Medium

Karas has a good narrative to tell between demons and humans, but is unfortunately elbowed across the face by unnecessary side plots.

Overall Quality – Medium

Recommendation: Watch Karas if you want spectacular sights and action. Make sure to read the full review or a synopsis beforehand so you aren’t lost in the early narrative.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive:

Fluid AnimationStunning Art Quality

Negative:

IncoherentUseless Side Cast

Elfen Lied – Review

Japanese Title: Elfen Lied

 

Similar: When They Cry

Mirai Nikki

Deadman Wonderland

 

Watched in: Japanese & English

Genre: Horror Action Romance

Length: 13 episodes & 1 OVA

 

Positives:

  • An unsettling atmosphere crafted by contrasting the innocence of children with hyper-violent gore.
  • Haunting opening theme and soundtrack inspired by Gregorian chant.
  • The telekinetic protagonist’s volatile nature creates plenty of tension.

Negatives:

  • The clichéd humour doesn’t ever lighten the mood, which can make the constant tension exhausting.
  • The male love interest is a weak character that serves little purpose to the core.
  • In trying to imitate the Japanese voice track too closely, the English voices sound awful despite the skilled actors. The Japanese isn’t ideal either.
  • Outside of action scenes, most animation ceases.

A severed arm twitching in a pool of blood. Decapitated heads sail across the room, blood sprays the walls. Screams fill the air. At the centre of the carnage, a young girl, naked. Don’t be fooled by the innocent looking girl; Elfen Lied is violent and bathed in gore, not an anime for the faint of heart.

In the world of Elfen Lied (German for ‘Elven Song’) exists a race known as Diclonius. Human in appearance other than small horns protruding from the skull, Diclonii control telekinetic arms called vectors capable of tearing people in two with a flick. Their purpose is to eliminate humanity and spawn a population of their own. Lucy, the protagonist, is one such Diclonius, who escapes from the laboratory, massacring guards and researchers on the way out. She ends up on a beach in front of Kouta, the male love interest, and his friend Yuka. Her mind traumatised by a gunshot, Lucy now lies dormant, replaced by Nyuu, an innocent alter-personality with the mental development of a child. The laboratory dispatches other Diclonii and a mercenary to hunt Lucy down.

Elfen Lied is an anime of tension. It juxtaposes the young innocence of the characters with the violent nature of their telekinetic powers. How can something so small be so psychotic? Every scene with Nyuu is tense, for she could snap at any moment. A mere second of lost control and a character loses a limb or their head. A Diclonius doesn’t discriminate. Man, woman, child – all die in Elfen Lied. Elfen Lied is brutal and gory, contains child and animal abuse on physical and emotional levels. Do not watch this if you are prone to nightmares.

Nyuu/Lucy duality brings an interesting dynamic to the story. While her innocence is what keeps the power at bay, it is also her greatest weakness, as she is too naïve to control her power. It reminds of the 1931 Frankenstein film (which I highly recommend, by the way) where the monster doesn’t comprehend that actions have consequences, especially when those actions can be so destructive. Elfen Lied explores the nature of humanity, and what can come from it when a child is isolated, abused, and pushed to the limit. It accomplishes this goal rather well.

Music enhances these moments where a character’s psyche breaks and violence paints the screen. The opening is a tragic Latin opera called ‘Lilium,’ set to bizarre symbolist art inspired by Austrian painter Gustav Klimt. The hymn unsettles, a warning for what is to come. Several versions of ‘Lilium’ play throughout the series and are an important role in the narrative.

Unfortunately, that’s where the positives end. Outside of the Diclonii, the rest of the characters are either underdeveloped or dull. Kouta in particular is weak. While his backstory is good and ties with Lucy’s plot line, as a character he has no purpose other than to serve as a romantic device. He is just so dull. A street lamp with a blown bulb would be more interesting. Yuka is even more useless. She is nothing more than the third point for a love triangle. The writers could have cut her from the series with no effect on the plot. The romance between her and Kouta is lame, filled with generic misunderstandings and anime romance tropes. What little humour Elfen Lied has is trite, seen in every anime teen romance – trip over each other, grabbing the breast, up-skirts, etc.

The average voice acting doesn’t help either. Even though Japan records all actors at once, here they sound stilted with no interactions off each other. The dub is even worse. Kouta’s voice actor is as deadpan as the character, and the female actors tried too hard to imitate their Japanese counterparts, resulting in these awful squeaky voices. No child sounds like that! What’s strange is that the English cast has done great work elsewhere (same team as Full Metal Panic and RahXephon, both great English tracks), but here they sound like amateurs.

Despite all Elfen Lied does wrong, I enjoyed the story. It’s a great example of using gore to enhance the narrative surrounding innocent characters.

Art – Medium

Mouth movements comprise all the animation in most non-action scenes; sometimes, even the mouth doesn’t bother, too exhausted it seems. Other than the action scenes, visual details are low. The manga creator intentionally chose a ‘moe’ artist for the anime to enhance the contrast between innocence and violence. However, this style doesn’t look the greatest, especially on Kouta. Gore and action is great.

Sound – Medium

A great Gregorian chant-inspired soundtrack and tension music brought down by an average Japanese voice track, and an even worse English one.

Story – Medium

Protagonist Lucy carries the violent narrative with her dual personas and volatile nature. Shame then that the other pieces of her love triangle are worthless.

Overall Quality – Medium

Recommendation: Elfen Lied is a worthwhile anime for fans of uncensored violence. Watch in doses of three episodes at a time to avoid exhaustion from the constant tension.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive:

Great MusicGreat OP or ED SequenceHoly S***

Negative:

Useless Side Cast

Berserk – Review

Japanese Title: Kenpuu Denki Berserk

 

Related: Berserk: The Golden Age (remake)

Similar: Claymore

Gungrave

 

Watched in: Japanese & English

Genre: Action Horror Fantasy

Length: 25 episodes

 

Positives:

  • Good animation, especially considering the show’s age.
  • Guts is a great lead character that portrays a more believable muscle-bound character than most other anime.
  • English voice track is well done for the most part.
  • Properly used horror in an interesting plot.
  • ‘Forces’ music track fills one with epicness.

Negatives:

  • Incomplete, cliffhanger ending.
  • First episode is deceptive due to the incomplete ending, and the next few episodes are slow to start.
  • Opening and closing sequences will leave you horror-struck with lacklustre quality.
  • Poor use of what little music there is.

Berserk came out during a time when anime in the West was marketed towards a broader audience, even going so far as to censor elements or tone down language to reach the young demographic. Outside of films like Akira and Ghost in the Shell, you had to search high and low for mature anime that wasn’t terrible. Then Berserk came along with its dark themes, unadulterated horror and violence to show us just how adult anime could be.

Berserk centres on Guts, the orphan swordsman, and Griffith, leader of a mercenary band, as they fight for their country of Midland. However, Griffith has ambitions beyond just fighting for a king; he wants to be king. Griffith’s plans test the loyalties of Guts and his mercenaries to the limit. Berserk focuses on themes of loyalty, isolation, and the fundamentals of humanity, the nature of good and evil innate with us. Be forewarned, this anime gets dark, very dark, contains nudity, plenty of violence, and gore everywhere. These aspects are not thrown in at random. No violence for the sake of violence. Gore for the sake of gore. Each use is relevant, an uncensored view of the scene.

Guts is a fantastic protagonist, a badass anti-hero, who wields a giant sword that can cut horses in half. Normally, wielding a giant sword is indicative of a terrible character, one that the creators put no thought into, especially when it comes to physics. With Guts however, he has the look and ferocity of a man who can wield such a weapon. The animators made the effort to show the heft of swinging such a heavy weapon; Guts doesn’t twirl it around like a baton as seen in other anime and games. As a character, Guts goes through a range of emotional and physical trials, exemplifying his depth. When designing a brawny character, look to Guts for the archetype done right.

Griffith too is a suitably complex character with his own strengths and weaknesses, exploring the price of ambition, but to elaborate further would constitute spoilers, so I shall stop there. The supporting cast of mercenaries is a mixed bag of quality, but they are good when it counts, Casca in particular who struggles with her identity as a women in a band of men. Villains, ranging from generals to nobles, are despicably evil, sick and twisted, some with magic elements thrown in.

There are two major narrative faults. The first episode can confuse viewers, being a flash-forward that we never return to because of the second fault, the finale. Berserk is incomplete; after an awesome adventure that keeps getting better and a horrifying finale, the series ends on a cliffhanger. It is clear they intended to have a sequel series, but never got around to it. (They did go back to the beginning again with the recent release of Berserk: The Golden Age; however, that’s a new take on the manga, so you won’t get closure on this version.)

Berserk comes highly recommended. Just don’t watch it if you can’t handle the thought of an incomplete anime. You could read the manga afterwards, however. Also, not for children – can’t stress this enough.

Art – High

You will find higher quality anime these days, of course, but Berserk’s gritty medieval style doesn’t feel dated beyond the use of action lines and slow motion to hide the occasional low frame rate.

Sound – Medium

Has one of the best tracks in anime: ‘Forces.’ Even so, the soundtrack is limited and hardly used. Many battles have no music for some reason, not for added effect. The opening and ending themes are awful, sung in terrible English and don’t fit the series – just…awful. The acting is good in either language, though I found the English suited the characters better, except for Griffith; his English actor can’t command the scene as Griffith should.

Story – High

An excellent fantasy tale of corruption and loyalty with a good cast of characters brought to a halt by a cliffhanger ending and no continuation.

Overall Quality – High

Recommendation: A must for fans of dark fantasy that doesn’t shy away from the realities of battle and horror. No incomplete anime deserved a conclusion more than Berserk.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive:

Extensive Character DevelopmentHoly S***Riveting ActionStrong Lead Characters

Negative: None