Tag Archives: Mature

Not suitable for a young audience.

Scum’s Wish – Anime Review

Japanese Title: Kuzu no Honkai

 

Similar: Rumbling Hearts

White Album

Watched in: Japanese

Genre: Romance Drama

Length: 12 episodes

 

Positives:

  • Beautiful art and shot composition.

Negatives:

  • Immature view of sex, masquerading as maturity.
  • So much ‘almost sex.’
  • Boring lead.
  • Everything is a few beats slow.

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You want a messed up love polygon? Hanabi is in love with her brother and teacher, but he’s interested in another teacher. Meanwhile, Hanabi’s classmate is in love with that other female teacher. To cope with the heartache of unrequited, forbidden love, Hanabi and the guy date each other for sexual and emotional comfort. They are each other’s replacements. However, another girl is in love with Hanabi, while the pretend boyfriend’s loli sister is also in love with him. Got all that? Lesbian -> Hanabi -> brother/teacher -> co-worker/teacher <- pretend boyfriend <- little sister.

Despite the messed up premise, my first thought was to question if Scum’s Wish would go far enough. The crueller the setup, the more likely an anime drama will chicken out before the end and not deliver the promise. When Scum’s Wish revealed that the brother wasn’t Hanabi’s real brother, I knew how this would end.

Scum’s Wish engaged me with its beautiful cinematography and emotional weight. Hanabi latched onto her brother and father figure, thinking they’d be together forever after the lack of a real father left her with emotional issues. It’s tragic.

Then the classmate’s little sister enters the picture, breaking the tone. She feels like a character from a trashy harem, not a tragic romance. Throw in the lesbian best friend with the hots for Hanabi, and the love polygon goes from tragic to comical. The teachers and students were enough. These extras comes across as characters meant to distract you from the shallowness of the main threads.

The ‘doesn’t go far enough’ problem is no more prevalent than in sex scenes. There’s a lot of almost sex. The artists put their all into animating each sex scene with smoothness and detail to maximise sensuality and eroticism. (Just imagine One Punch Man’s action scene animations, but for characters feeling each other up.) Yet, someone always backs out at the last moment.

Scum’s Wish was pitched to me as “the anime most mature about sex in years.” Now I don’t know what to think of the people who told me this – they were adults, too. Look, just because you censor less than a shoujo romance, it doesn’t make the sex any more mature. Almost every sex scene is “Gyaaah! Not there! Don’t look at me. Nyaaah!” They sure use the ‘one character on top of another, when the top starts crying and tears fall on the other’s face’ scene five times too many. It’s no different from any other immature relationship anime.

The villain of this story is the female teacher, surprisingly enough. She is aware of Hanabi’s desire, as well as all those who are after her, and she loves it. The teacher thrives on how much people want her – if she’s taking away someone’s crush in the process, then all the better. A unique villain, to be sure. Sadly, even she doesn’t go far enough. Her arc – hell, everyone’s arcs – resolves with the tension of wet toilet paper. Scum’s Wish simultaneously puts its characters in cruel scenarios while treating them like fragile ornaments that can’t suffer the slightest nudge, lest they break.

The fragility also weakens any emotional impact. March Comes in Like a Lion conveys emotion much more effectively, all while using a quarter of the words – silence instead of the excessive internal monologue found in Scum’s Wish.

The story has nothing beyond the relationship drama – no one feels like a real person with a life, even if a miserable one. Hanabi is worst of all. She is a passive, feeble character that rarely takes action. The plot doesn’t move forward at her behest. Someone else takes charge while she lies there going, “Gyaah! No…”

Maturity? Look elsewhere.

Art – High

The art is gorgeous, soft and elegant – I love the eyes. The shot composition is great at conveying multiple perspectives and emotions at once. Editing could be quicker. Character heights are oddly inconsistent – in the first scene, Hanabi bumps into a guy, coming up to his chin, but then two shots later, she is half a head taller than before!

Sound – Medium

Decent acting and calm music.

Story – Low

A love polygon of ridiculous dimensions messes with the emotions of every student and teacher involved. Scum’s Wish tries to be mature about sex, but devolves into immature melodrama that stretches reason beyond intrigue.

Overall Quality – Low

Recommendation: Skip it. Scum’s Wish won’t be for you unless you love sexual melodrama.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Shallow

Castlevania – Anime Review

Related: Castlevania Season 2 (TBA)

Similar: Hellsing Ultimate

Vampire Hunter D: Bloodlust

Berserk

 

Watched in: Japanese & English

Genre: Fantasy Action Horror

Length: 4 episodes

 

Positives:

  • Faithful to the games.
  • Looks and sounds great.
  • Deeper than expected.
  • Unflinchingly brutal.

Negatives:

  • Too early to gauge full quality.

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In the same way that game-to-film (or vice versa) adaptations bring the worst out of art, game-to-anime conversions are mind-numbing experiences that contain none of the game’s magic. When Netflix announced a Castlevania series, I didn’t even bother adding it to my ‘might, perhaps, one day if there is no more anime, eventually’ list. The series releases and the strangest comment reaches my ears… It’s good. What unspeakable pact did the creators enter into?

While not an anime, Castlevania adopts plenty from the likes of Hellsing and Vampire Hunter D in its adaptation of the game franchise of the same name. More specifically, this uses Castlevania III as a launching point with some Symphony of the Night elements.

The first episode introduces us to the human Lisa as she enters Dracula’s castle and meets the vampire lord of Wallachia himself. Rather than throw her out – or worse, drain her – he is endeared by her desire to learn science and spread such enlightenment across mankind. She doesn’t run away like the others. He teaches her chemistry to help the villagers and marriage is not far behind. However, the Church grows suspicious of her newfound curative abilities and finds heathenistic devices in her house, such as instruments of glass too thin to be of human creation. They burn her at the stake.

Oh what a grave mistake.

Dracula’s wrath unleashes a demon horde across Wallachia. The land is now a place of death. At a small inn still untouched by the horde, Trevor Belmont is drunk and getting drunker. His family of demon slayers fell from grace since their excommunication by the Church, so there’s little to do but drink these days. Even a horde of game doesn’t interest him. A human plea will soon change this.

So, the story starts like a Castlevania game, and it does well by setting the stakes as high as Dracula’s castle and giving a flawed yet likeable protagonist. Then there’s Dracula, exuding majesty and awe-inspiring power. They didn’t tone him down. I was prepared for something like the Devil May Cry anime, where the characters, especially protagonist Dante, have none of the personality that makes them enjoyable. Instead, Castlevania added more than what was to be found in the games.

These four episodes serve as the setup to a grander series. They establish Dracula, Trevor and his allies, and the subplot of the Church, which added the story depth to turn this from good to great. I hope to see the Church subplot throughout the series.

The action is no wet skeleton either. It’s gory and brutal, as it should be for the franchise, and the choreography has thought behind it. Duels are especially satisfying.

With all this praise, what’s the downside? Well, it’s hard to say at this point, as I am reviewing the start of a series. I have no complaints right now, but elements could become problems. For example, Trevor’s bravado will turn annoying if overused and he trash talks instead of fighting, like a bad villain monologue. The inside of Dracula’s castle may also have little story, with all interesting plot occurring outside under the Church’s influence. Who knows? It’s too early to say. Still, it looks right, sounds right, and feels right.

I can’t wait to see what comes next for Castlevania.

Art – High

The art feels like the games turned animated, dripping with gothic atmosphere. Some animation is jittery, but good overall.

Sound – High

The accents work well in English. The Japanese is good enough if you prefer that. Music complements the dark atmosphere.

Story – High

A son in the long line of once-noble Belmonts prepares to fight the Lord of Darkness, Dracula. Castlevania is a great start to adapting such a venerable franchise.

Overall Quality – High

Recommendation: Watch it. Unless you can’t stand gore, Castlevania’s four episodes give a good taste of whether you should look forward to more.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Strong Lead Characters

Negative: None

Prison School – Anime Review

Japanese Title: Kangoku Gakuen

 

Similar: Rainbow

Highschool of the Dead

Shimoneta

 

Watched in: Japanese & English

Genre: Ecchi Comedy

Length: 12 episodes, 1 OVA

 

Positives:

  • Some hilarious jokes.

Negatives:

  • Becomes safe after a few episodes.
  • Not as crazy as it should be.
  • Over-smooth Flash shading.
  • Characters are one-note.

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In a once girls-only school, five boys find themselves imprisoned after a late night escapade to spy on the girls’ bath. A trio of sadistic girls from the student council are their guards. These girls will leave no deed unpunished, no member unwhipped, and no depravity unexplored.

Prison School is all about lewd humour. We have seemingly every fetish imaginable here. Sadomasochism (S & M), foot fetish, urination, bondage, femdom, voyeurism, CBT, spanking, whipping, bimbofication – whatever tickles your pickle, Prison School will serve you. And while some of the jokes are bloody funny, they don’t evolve after a few episode. Prison School blows its load early.

For example, the big guy with the tiny face has a fetish for being beaten by the Underground Student Council Vice President (she’s the one with the huge personalities and whip). So when the boys are before the whole school and living a scene out of Auschwitz, the big guy loves it and begs for more punishment, ruining her plan of making them suffer. This had me laughing. However, they repeat the same joke every few episodes and that becomes his ‘thing.’ When he’s involved, you can safely predict the joke. This applies to all characters. That girl’s thing, when not dominating the boys, is a lust to be dominated by the Underground Council President – good sense of irony, but it’s the one joke every time these two girls share screen time.

The school chairman’s thing is Latina derrières, which his daughter (council president) finds abhorrent. Again, the first time it’s hilarious, the second it’s mildly humorous, and the third is predictable. Prison School doesn’t freshen up its jokes or try to surprise you by using them at unexpected moments, which is how good repetition makes you laugh harder each time at the same joke. When a character enters the scene here, you can guarantee their joke will happen soon.

As I said earlier, some of the jokes are hilarious and last a few episodes, at least, but only if you can handle dirty humour. Prison School isn’t anime dirty (i.e. tame); it’s genuinely filthy and as uncensored as you can get before moving to the ‘H’ category. The greatest challenge in writing this review was finding screenshots that wouldn’t require an ID check to see.

Regarding the plot, Prison School plays it too safe. With such a lewd premise, I expected something crazier, something on the level of crazy found in Kill la Kill, but the extreme ecchi version. Yeah, one of the filthiest anime is too tame. This plot is a series of schemes to escape prison as the girls try to have them expelled. Unbelievably, this is an improvement over the manga, which has so much filler. I gave up the manga after eight volumes because it went nowhere.

Prison School is fun if you just want to laugh at some filth. Don’t expect anything beyond that.

Art – Medium

The overly smooth shading looks straight out of Flash animation. I am not fond of this timesaving technique. The animation is rather good – much better than it has a right to be for an ecchi anime. I like the intentional ugly expressions to heighten the grotesque (reminds me of AoT’s small Titans).

Sound – Medium

The voice acting is fine in either language, but stick with the Japanese for one character’s humorous English swearing. Definite room for a wittier script.

Story – Low

A gang of perverts try to outsmart the student council of dominatrices that threw them in prison. The lewd humour doesn’t mix things up enough to keep Prison School’s safe plot interesting in the long term.

Overall Quality – Low

Recommendation: One for the internet researchers. You might want to put on a set of clothes you don’t mind getting dirty before you start Prison School.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Akira – Anime Review

Japanese Title: Akira

 

Similar: Ghost in the Shell

Spriggan

Serial Experiments Lain

 

Watched in: Japanese & English

Genre: Science Fiction Action Horror

Length: 2 hr. 4 min. movie

 

Positives:

  • The art, especially the backgrounds.
  • World design.
  • That thing in the finale.

Negatives:

  • Vague research subplot.
  • Clumsy dialogue.

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There was a time when if you mentioned you were into anime, Akira was one of the first anime others asked if you had seen. Akira, Akira, Akira! It was everywhere. As it happens, I had not seen it until having been into anime for several years. Overhype resulted in a letdown. Then again, no one ever actually told me why they recommended it. Most anime at the time was recommended simply for being anime. We didn’t have a large selection.

In the year 2019, Neo-Tokyo has not yet recovered from the devastation of World War III, where an explosion had torn the city apart. Terrorism and riots are routine. Haneda is the leader of a bike gang, whose job seems to be clashing with a rival gang. One such clash leads Tetsuo, the smallest of the gang, to crash into a child that looks 100-years aged. This child is an esper with devastating psychic ability. Soon, Tetsuo starts to develop powers of his own.

The story is a simple one to follow – a psychic kid runs from the government as his powers develop faster than he can handle. The change in Tetsuo from a little kid who looks up to Haneda with the cool bike into a brat with a god complex is an interesting one, plot-wise. This arc raises the stakes to apocalyptic degrees, so tension isn’t lacking in Akira. Character-wise, it doesn’t give us much. Personality and depth are in short supply, rationed out like food after the war. Everyone in Haneda’s gang combined make up one whole character and the government officials and scientists merely fill the roles given. If Tetsuo were a robot slowly going out of control, there wouldn’t be much difference. Akira is no Ghost in the Shell.

Now the action, that’s more interesting. The destruction caused by the psychic powers looks fantastic thanks to the animation. When every surface crumbles away from Tetsuo, you can feel the invisible force pushing out in all directions. It’s visceral. Each action scene is more intense and crazier than the last, culminating in one of the most famous finales in film. If you haven’t seen it yet, you’re in for something different.

In truth, the art made Akira the famous anime it is today, and made me appreciate it more on further viewings. The parallax scrolling alone is worthy of an award. When you come across a long shot of the city with a character going across the screen, rewind to admire each background layer moving at a different speed, creating that visual depth you rarely see in anime. It’s not just the number of layers, but the attention to detail on each. Surely, Akira must have a ton of AMVs that take advantage of these scenes. I would be surprised to learn otherwise. Even if cyberpunk depresses you or if the premise bores you, give Akira some of your time to appreciate its artistry.

Art – Very High

Every long shot of Neo-Tokyo is a marvel. The depth of field obtained from parallax scrolling deserves praise. The animation is great too, except for the mouths, which are over-animated and don’t sync in any language.

Sound – High

The music and sound design are the notable parts of the audio. The clumsy dialogue doesn’t allow the otherwise good actors to get into the characters. Watch this is Japanese, but if you watch Akira dubbed, go with the 2001 Pioneer version, not the original from the 90s that exemplifies bad dubbing.

Story – Medium

A teen of psychic ability starts to go mad amidst a city in chaos. The straightforward story doesn’t flex its muscles, instead giving us characters with little exploration and a vague sub-plot about research involving the Akira entity.

Overall Quality – High

Recommendation: A must watch for classic anime fans and lovers of art. Akira isn’t worth your time for its story. Instead, stay for the art and the spectacle of it all, the third act in particular.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Fluid AnimationStunning Art Quality

Negative: None

Psycho-Pass 2 – Anime Review

Japanese Title: Psycho-Pass 2

 

Related: Psycho-Pass (prequel)

Psycho-Pass Movie (sequel)

 

Watched in: Japanese & English

Genre: Psychological Science Fiction Action

Length: 11 episodes

 

Positives:

  • The villain’s lore.

Negatives:

  • The new girl.
  • So much stupid.
  • Mishandled parallels to season one.
  • Script written for robots.

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I can’t hold back my curiosity any longer; I have to know what everyone means by saying Psycho-Pass 2 is terrible when compared to season one, Psycho-Pass. How can one create a terrible product when given such a strong and established series to work from? Well, dear readers, this is how.

Psycho-Pass 2 starts not long after the last season with a new girl, Shimotsuki, joining veteran Akane on a case reminiscent of Akane’s first day in Division 1. However, this time, Akane finds a way to lower the target’s Crime Coefficient out of the “execute him now” range. Shimotsuki disagrees with Akane’s decision to give him a chance. Get used to Shimotsuki disagreeing with everything Akane does, for that’s her only purpose in Psycho-Pass 2 when she’s not being the stupidest character I’ve ever had the misfortune to meet.

The villain, just like last time, has found a way to cheat the all-powerful Sybil system and keep his Crime Coefficient at “saintly” levels while killing people. Similarity is another aspect you should get used to. Psycho-Pass 2 is a near-carbon copy of Psycho-Pass. I don’t just mean that the villain’s method is the same or that themes carried over. I’m referring to scene for scene, shot for shot similarities, as if paying tribute. (Who pays tribute in a continuation of the same story? What are you? Slow?) Characters find themselves in the same situations, with the same dilemmas and decisions to tackle as before. There are too many such similarities to list. Think of it as giving two ghostwriters the same book outline to flesh out, yet one of the ghostwriters sucks.

Apart from being lazy, this “poetry” (“Again, it’s sort of like poetry; they rhyme.” – that guy who made the Star of the Rings prequels) fails because of the emotional aspects, not the technical. When a character has to make a difficult decision, the weight comes from the emotional context. If your protagonist has to choose between saving his mother or his girlfriend, it doesn’t matter if we never get the sense that he cares about either. They may as well be cannon fodder. You can transplant the same rules to psychological dilemmas. Do I sacrifice part of my soul to kill the villain? If sacrificing part of the soul won’t change anything in the character, then who cares? Psycho-Pass 2 is a context-less failure without the masterful psychology.

Worse than this problem, however, is the new character, Shimotsuki, whose role in this poetry is to replace the “by-the-book” character from season one. Where the original guy had a solid point on occasion, Shimotsuki is a threat to society with her stupidity. She’s a pretentious, one-note rookie that thinks she knows best despite being inexperienced in every department. For example, episode 4 has a hostage situation where the team knows an officer is in danger alongside civilians. So what does this rookie genius do? (Oh yeah, she’s supposed to be a genius. Bloody hell…) She does nothing – just waits for the captured officer to contact them. That’s right, an officer who’s probably on the verge of death has to lead the hostage rescue, while the equipped team outside should “just wait.” There’s stupid characters, then there’s this bimbo. And she’s surprised when the chief has another team take over the scene… You’re testing my tolerance, Psycho-Pass 2.

For a supporting character, she certainly takes plenty of space with her idiocy. Her position after the story’s main twist is idiotic. She must be mentally deficient to be the way she is in the end, as we receive the flimsiest justification for why she makes several of the stupidest decisions I have seen in anime. Not to mention, they’re inconsistent with her preachy nonsense from earlier. Psycho-Pass 2 likes to preach a lot. The original did explain character ideology to the audience more than necessary, but it succeeded most times. If you recall, the original’s first episode had a great scene that showed its themes through a rape victim wanting revenge, thus elevating her Crime Coefficient. This time, they added a scene to preach about how the Orwellian Sybil system isn’t so bad because you can still be a good person by yourself. What nonsense is this?

Psycho-Pass 2 doesn’t even feel connected to the previous season. They didn’t need to make this. They had nothing to say, nothing new to add, no extra world to develop, and none of the new characters are interesting. Kogami’s absence is noticeable. The only good I can say about this anime is that the villain’s secret is excellent, and therefore a travesty to see squandered in this piece.

Psycho-Pass 2 is the perfect example of the same idea poorly executed. Ideas are worthless without proper execution – it’s why no paid for that guy from high school with ideas he swore were better than the best filmmakers’ and game designers’ works.

After the series, I threw on the movie in hopes of something better after hearing it was made by the A team while the B team worked on Psycho-Pass 2. The movie takes us out of Japan to see how the world fared without the Sybil system. It’s okay – too black and white for my tastes. If you do want to watch it, find the dual-mix version, which takes half the audio track from the Japanese version and mixes it with half of the English, as characters speak different languages. Without the dual-mix, you have to either bear a lot of horrid Engrish in Japanese, or have confusing scenes in English as people pretend to speak different languages while speaking the same language. The dual-mix still has some Engrish, but it makes sense, for it comes from the Japanese characters. I love this dual-mix idea and hope to see more of it in future.

Art – Medium

Season 2 looks worse. It has that over-smoothed shading from cheap flash animation in many scenes, though the animation quality itself is good. The cinematography and imagery has none of the passion from before. Even the world doesn’t look as interesting despite being the same setting!

Sound – Medium

Robotic script in the face of fine acting. Music is nice.

Story – Low

A new girl joins seasoned Akane as they investigate the case of someone who can manipulate his crime coefficient to pass unseen by society’s judge. Psycho-Pass 2 copies everything from season one except for good story, good characters, logic, and world building.

Overall Quality – Low

Recommendation: For intellectual curiosity only. Psycho-Pass 2 is worse in every way. Even seen on its own, it has nothing to recommend itself. However, if you want to study a great example of the same idea executed twice to polarising results, Psycho-Pass 2 has plenty to teach.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

DissapointingInduces Stupidity