Tag Archives: Horror

Has strong elements to unsettle or frighten the audience.

High School of the Dead – Anime Review

Japanese Title: Gakuen Mokushiroku: High School of the Dead

 

Similar: High School DxD

Gantz

School Live!

 

Watched in: Japanese & English

Genre: Ecchi Harem Supernatural Action Horror

Length: 12 episodes, 1 OVA

 

Positives:

  • The otaku.

Negatives:

  • Every other character.
  • Takes itself too seriously.
  • Zombies aren’t a real threat.
  • No effort fan service.
  • Episode 4 recap in a 12-episode series.

(Request an anime for review here.)

I watch a trashy anime expecting silly fan service and dumb action against zombies, but all I get is trash? What is this nonsense? High School of the Dead should have made for a great terrible anime that has you laugh at its ludicrousity. What it presents us instead is trash that takes itself too seriously and fails to understand everything about its genre.

A sudden zombie attack on the high school leaves a group of teenagers and a few staff members as survivors in a society descended into madness. It’s a fight for survival as they flee in search of loved ones.

 

The main group consists of Mr Bland the usual harem protagonist, useless main girl, a kendo girl (obviously), a fat otaku, some screeching wench, and the dumbest nurse alive (perhaps literally, at this point). Of this group, the otaku is the only passable character. He represents a glimpse at what High School of the Dead should have been.

You see, every other character is taken seriously. I don’t mean a joke played with a straight face. Rather, the series expects us to take the kendo girl choosing to fight with a wooden training sword for her life, wearing nothing but an apron and panties, as serious. It demands that we pay attention to teenage whining about which nobody cares (reason enough to take your own life after listening to them). The screeching wench, a totally serious character, has the defining trait of yelling at everyone that she is smarter than the rest. If High School of the Dead understood itself, it would have killed her in the first episode for doing something stupid. And finally, how can anyone take the zombies seriously when they can neither see nor smell people? No one would die to these things. You need skill on the level of Shaun of the Dead to make this work.

 

The otaku stands alone as he has some fun and cracks jokes in this borefest of an anime. He finally has opportunity to put his gun obsession to use when the world goes to hell, relishing in shoving a nail gun up zombie arse. He’s also – seemingly – the one character to acknowledge the ecchi. It isn’t some running joke that everyone is blind to it either. Again, we are meant to take it seriously.

The ecchi and fan service in general is garbage, even by the standards of a fan service anime. (Don’t you have to be a fan for it to be a service, and who would be a fan of High School of the Dead?) The camera does all it can to focus on the flailing boobs and pantie shots. Every movement has to have jiggle that puts Dead or Alive to shame. If there is no jiggle, the world will end. It doesn’t try to do anything clever with the ecchi, surprise you with a sudden angle change, or make a joke of it. I cannot recall an ecchi joke save one – the sniper rifle support. Mr Bland uses a girl’s chest as a rest to steady his rifle in one scene. Naturally, because they take the scene seriously, it loses the humour anyway. It was genuinely funnier when I saw that scene as an out of context gif.

 

I guess there is the recurring joke of the school nurse with boobs so big she uses them as pillows when asleep at her desk, but the joke is just that she’s a bimbo every episode. If I were a fan service otaku, I would feel insulted by the laziness with which High School of the Dead treats the sacred art. This is Boobs the anime and they couldn’t even get that right. Did I mention episode 4 is a recap in this single-cour anime? The lazy is almost impressive.

If you want to see the “raunchy + undead” concept done right, look to the movie Lesbian Vampire Killers, which is not only hilarious but also far less safe for work. It knows how to make humour of fan service.

 

Art – Medium

The entire budget went into the jiggle physics and the action, which has plenty of animation, though is a bit jerky at times – needs more in-between frames.

Sound – Low

The acting and music are so-so. Certainly not the worst things about this anime.

Story – Very Low

A group of slutty high school kids and their bimbo school nurse try to survive the zombie outbreak with their jiggle and panties. High School of the Dead is trash that fails to understand fan service, comedy, and zombies.

Overall Quality – Very Low

Recommendation: Avoid it. There must better fan service anime out there than High School of the Dead. I do recommend the movie Lesbian Vampire Killers instead, and Shaun of the Dead of course.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Horrendous ActionInduces StupidityRubbish Major CharactersUseless Side Cast

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Dusk Maiden of Amnesia – Anime Review

Japanese Title: Tasogare Otome x Amnesia

 

Similar: Another

Ghost Hunt

AnoHana

 

Watched in: Japanese & English

Genre: Horror Mystery Romance

Length: 12 episodes, 1 OVA

 

Positives:

  • Some gorgeous colours.
  • The humour succeeds.

Negatives:

  • The protagonist is as dull as the grave.
  • One of the worst dubs ever made.
  • Empty world.
  • The romance.

(Request an anime for review here.)

After you read the following blurb, I want you to guess what Dusk Maiden of Amnesia is about:

Yuuko has haunted Seikyou Private Academy ever since her death in the basement 60 years ago. Her memories of life lost, she establishes the Paranormal Investigations Club, where she meets Niiya, a boy who somehow has the ability to see her, Momoe, a girl afraid of ghosts, and the distrustful Kirie. They investigate the various mysteries surrounding the school to figure out which one relates to Yuuko’s death.

You’re thinking this is a horror mystery, yes? Well, you’d be wrong. I was wrong. This is a romance with a dash of horror mystery on the side – a romance with as much substance as a ghost.

Any romance with such a wet noodle of a guy as Niiya is doomed to fail. He’s a nobody. I don’t know what personality he’s meant to have. The idea of a ghost with several possibilities pointing to her identity and death is an interesting one. It hooked me. The mechanics of Yuuko’s appearance are interesting, for one.

When Niiya looks at her, he sees a sexy girl, voluptuous and well endowed in the right places, always flirting with him and craving his touch. But in the eyes of Kirie, she’s a monster, an onryo with long, matted black hair and black blood leaking from her skin. Her seductions aren’t for love. They are to ensnare Niiya and do who knows what to his soul. This is a great idea. The romance is obvious from the start and I thought its inclusion was to heighten tension, create uncertainty about whether she wants his love or his life. Unfortunately, this tension doesn’t last.

Another problem is the hollowness of the world. These four characters seem to be the entire population of this school. You see the occasional background character, but they may as well be cardboard cutouts. Imagine if there were more characters, each with a different perception of Yuuko and no one knows her true version.

We have this romance with no ground to stand on instead. Forcibly tripping over to grab both her breasts is supposed to be a heartfelt moment of their relationship (kill me…). Not joking. He’s a harem protagonist without a harem.

Even if Niiya were a great character, the meshing of romance and mystery needs work. The story progresses through a series of cases, investigating phantoms in mirrors, bodies buried under the school, an old myth about a curse on the last kid to leave school each day, and the like. All these mysteries lack layers without time to develop because the romance takes precedence.

Hell, there’s almost more comedy than mystery in this horror mystery. Dusk Maiden of Amnesia opens on a great scene of Momoe in the clubroom writing notes as various objects float around. She freaks out but explains everything away to keep her sanity. Niiya enters and can seemingly read her mind. Then the whole scene plays again, only to reveal Yuuko this time, responsible for moving the objects, drinking Momoe’s tea, and the mind reading is a coincidence. Niiya’s answers to Yuuko’s questions happened to fit Momoe’s thoughts. Great use of a ghost, I must say.

So what we have here is a horror mystery with more comedy and even more romance than either horror or mystery. Did I put in the wrong disc?

Art – Medium

The environments are grim and grungy, reminiscent of a noir detective game, but the characters look too clean, too ‘nice’ for the setting. Some shots have such gorgeous colours that I paused to admire them.

Sound – Low

What is with this dub? How did they make such a bad dub in 2012? This sounds out of the 90s before professionals did the job. Not everyone is bad, of course. That protagonist though…bloody hell. Thankfully, the Japanese is fine, so stick to it. Even so, don’t expect anything above average. The best friend’s freakouts are the best.

Story – Low

The Paranormal Investigations Club unravels their school’s mysteries to recover the memories of the girl that haunts the halls. Dusk Maiden of Amnesia made the grave mistake of focusing on romance with a soggy protagonist instead of the mysteries it had set up.

Overall Quality – Low

Recommendation: Skip it. Even horror fans won’t find something of worth in Dusk Maiden of Amnesia because of the romantic focus.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Shallow

Noblesse – Anime Review

Korean Title: Noblesse

 

Related: Noblesse: The Beginning of Destruction (prequel – included in review)

Similar: Hellsing Ultimate

Vampire Hunter D: Bloodlust

Castlevania

 

Watched in: Japanese & Korean

Genre: Supernatural Action Fantasy

Length: Two 30-minute movies

 

Positives:

  • Makes you want to read the manhwa.
  • Well-choreographed action.
  • Bloody good powers.

Negatives:

  • Awakening is just the opening chapter.
  • Production issues in Beginning of Destruction.

(Request an anime for review here.)

Noblesse (French for nobility), based on the popular manhwa webtoon of the same name, has received two short film adaptions, seemingly as a test for the reception of a full series. The first film, Noblesse: The Beginning of Destruction, tells the story of Raizel the Noblesse Vampire and werewolf lord Muzaka in medieval Europe as humans wage war around them, ending in the tragic falling out of these two friends. I assume this is a flashback volume from the manhwa selected as a self-contained story. Noblesse: Awakening is the proper start of the saga, where Raizel awakens from an 820-year slumber to find an unfamiliar modern world. He seeks out Frankenstein, loyal servant and current school principal, for help and ends up attending the school to learn modern life from his human classmates, who soon come under threat from other supernatural entities.

I have good and bad news about Noblesse. The good news? What we have of the series here is strong – I am excited for more. The bad news? That’s all there is in anime form (for now, hopefully) and we have to turn to the manhwa for the rest, which isn’t complete either.

While Awakening is a strong start, it truly is the mere first 2-3 episodes rushed to fit in as much as possible in 30 minutes. We see a bit of every key scene in setting up a larger story. Raizel awakens, meets Frankenstein, goes to class, makes friends against his will in a hilarious scene believing chopsticks are stakes and the garlic in kimchi is to poison him, and then the other vampires capture his friends for the climactic fight. Without having read the manhwa, I would wager it takes more time with these scenes. Still, they do work fine in the anime.

I like Raizel. He is the definition of a Korean drama protagonist. Let me tell you about Korean dramas one day – they’re plenty of fun. For now, the first rule is that the male lead must be tall, slender, handsome, and even a bit effeminate (middle-aged Korean ladies go nuts for that). Bonus points if he is emotionally reserved. Raizel barely speaks throughout both films with maybe 10 lines in Beginning of Destruction. However, he isn’t dull like Kaname, the aloof vampire of Vampire Knight – at least, not in what I’ve seen so far. His inner monologue, as present in the lunch scene, and his imposing manner give him character. When he has to make a hard choice in Beginning of Destruction, you can feel his pain conveyed in few words and facial expressions.

He’s overpowered as hell, though not without consequences. His blood magic looks great, particularly in the prequel.

Speaking of, Beginning of Destruction is the better of the two films when watched as is, owed due to the completeness of the arc. It does have lower production values, however, and I could only find it in Korean, which did work well. This story takes its time with the scenes, giving us enough to connect with the werewolf lord and the human girl he protects before the action starts. The action itself is well choreographed in both films and has a surprising amount of story weight for such little runtime.

Noblesse needs more episodes to deliver its potential, which I hope to see very soon. This is one of few anime adaptions I desire.

Art – High

The prequel may have average production values, but Awakening looks great and oozes style that is classically manhwa. Good animation for the engaging action.

Sound – Medium

The acting is solid. However, the music in Awakening feels generic, as if it not made for this anime but bought from a stock library. I wouldn’t be surprised to learn the budget is responsible.

Story – Medium

An ancient vampire awakens to a modern world he doesn’t recognise and must learn of society and technology. The prequel shows his final moments before sleep over 800 years ago. Noblesse sets up a promising story that demands completion.

Overall Quality – Medium

Recommendation: Hmm…I don’t like recommending incomplete work. If you fall in love and have to suffer the agonising wait for more, was it worth starting at all? Either wait or watch Noblesse and begin the manhwa.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: N/A

Negative:

Incomplete

Ajin: Demi-Human – Anime Review

Japanese Title: Ajin

 

Related: Ajin: Demi-Human 2nd Season (included in review)

Ajin Movies (old version)

Similar: Parasyte –the maxim-

Tokyo Ghoul

Elfen Lied

s-CRY-ed

 

Watched in: Japanese & English

Genre: Supernatural Action Horror

Length: 26 episodes (2 seasons), 3 OVA

 

Positives:

  • Starts well.
  • Fast pace.
  • Interesting immortality mechanics.

Negatives:

  • Villains try far too hard.
  • Allegiance flipping.
  • CG still needs work.
  • Poor dialogue.

(Request an anime for review here.)

Ajin: Demi-Human is one of Netflix’s first anime commissions and most known for its use of CG characters. Before you flinch, the CG isn’t anywhere near the level of Berserk 2016. For one, keeping the environments in 2D was a wise decision. The characters still don’t look great, mind you. The problem with CG characters is that parts of the model are too smooth, such as the mouth, and the smooth animation later chopped to 24 frames-per-second doesn’t blend well. In 2D animation, the mouth will jump from one position to the next – perhaps with an ‘in-between’ position – but in CG, the mouth moves from start-frame to end-frame in a smooth motion, which doesn’t look right. It’s smooth, yet choppy at the same time. For a look at how to use CG for 2D animation, I cannot recommend this video enough on how they did the graphics for Guilty Gear Xrd (skip to 33:55 if you don’t want to watch the full hour).

The CG will likely prejudice most anime fans, not giving the rest of the series a chance. But let’s imagine you don’t mind the CG – what of the story?

Ajin: Demi-Human revolves around humans called ‘Ajin’ that can regenerate, paralyse with a scream, and summon Black Ghosts to vanquish enemies. Humanity fears their powers. To be an Ajin is to live in perpetual hiding, hated by all. Upstanding student Kei walks in front of a truck one day, only to get up from a pool of his blood to see black matter issuing from his skin. He is an Ajin. And so starts his life on the run, distrustful of everyone around him and with nowhere to go. However, an old friend comes to his aid.

The story starts strong, pitching us headfirst into the Ajin situation with intense action and tension as everyone and their mum wants Kei. Not dead, funnily enough, because the bounty for capture is immense and there is the whole matter of immortality.

On the opposing team, we have government worker Tosaki and his secretly Ajin partner working to control the superhuman threat. He tries too hard to sound tough. When witnessing Ajin immortality experimentation through torture at a research facility, he threatens his partner to do as he says or this would happen to her, even though she already does anything he wants. What’s the point of the threat? He also sabotages the research organisation for reason that don’t make much sense in an attempt, I assume, to paint him as tough and independent.

However, this is nothing compared to the true villain, Sato the old man Ajin. Every line out of this guy is bravado and metaphors about war and video games. Never have I seen a series want you to find a villain intimidating so badly, yet keep failing and trying with the next scene. He could have been interesting with his manipulation of Kei, turning him against humanity, and his acts for Ajin rights and compassion from the public. Sadly, the bravado overpowers it all. Season 2 is particularly bad for this.

As for Kei, he’s an average protagonist without much personality going for him. He also can’t seem to decide on his motivations and allegiances. For example, when Sato is breaking him out of the research facility, Kei switches to protecting the researchers from Sato, who wants to kill them all. These people just tore his teeth out, severed his fingers, and drilled his skull for ten days and he instantly wants to help them? The first thing one researcher says is a promise to get him back on the torture slab! Kei isn’t a smart kid despite his intensive studying (what a shocker).

Even with all of these problems, Ajin: Demi-Human is never boring thanks to its fast pace and conflict against the world. It’s much better than the CG gives it credit for.

Art – Low

Ajin’s mix of CG characters and 2D backgrounds looks much better than the likes of Berserk 2016, yet still has a long way to go.

Sound – Low

The villains’ dialogue needs an overhaul and different actors. Season 2 OP and ED are torture. The rest of the music is good however – intense.

Story – Low

Kei develops superpowers marked as one of the ‘Ajin’, which turns humanity against him. A strong start veers off course into a second season dominated by a rubbish villain that tries too hard.

Overall Quality – Low

Recommendation: Try it. Most viewers won’t give Ajin: Demi-Human a try due to the CG, but the intense man vs. world story is entertaining enough.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Awful Dialogue

Fate/Zero – Anime Review

Japanese Title: Fate/Zero

 

Related: Fate/Zero 2nd Season (included in review)

Fate/stay night (sequel)

Fate/stay night: Unlimited Blade Works (alternate sequel)

Fate/stay night: Heaven’s Feel (alternate sequel)

Similar: The Future Diary

Re:Creators

Basilisk

Psycho-Pass

 

Watched in: Japanese & English

Genre: Contemporary Fantasy Action

Length: 25 episodes (two seasons)

 

Positives:

  • Breaks many ties with Fate/stay night.
  • Main characters have complexity.
  • ‘Banquet of Kings’ episode.
  • More substance to the action.

Negatives:

  • Some jarring CG.
  • Still can’t handle exposition.
  • One-note minor villains.

(Request an anime for review here.)

Fate/Zero is the prequel to the Fate/stay night visual novel and created by a different team, which can only mean good things.

Instead of a harem protagonist, Fate/Zero selects Kiritsugu the ‘Mage Killer’, hired by one of the noble families, and married to their heir, to crush the competition with his servant Saber (the same one from Fate) in the war for the Holy Grail. His opponents are a mixed cast of mages, noble and common, as well as different iterations of Archer, Rider, Assassin, Lancer, Caster, and Berserker. Kiritsugu displays greater depth than Shirou within moments. First, by having a plan, and second, by showing smarts in his method of attack. One of my issues with Fate/stay night was having kids instead of adults when the latter make for mages that are obviously more powerful. Kiritsugu isn’t an idiot kid, nor are his opponents save one that I’ll talk of later.

As if by magic, the servants also have complexity of character. Saber is no longer a good character solely due to her backstory. She has convictions, motivations, and opinions – all the important servants do. One episode in particular has a scene called ‘The Banquet of Kings’ with Saber, Archer, and Rider – three kings – sitting down to discuss their views on what makes a great king. They challenge each other’s ideologies, Saber’s in particular. The dialogue is something the old author could never dream of. The strength of character writing is no surprise coming from Gen Urobuchi, writer of Psycho-Pass and Madoka Magica. (He also wrote Aldnoah.Zero, though we won’t speak of it here.)

Not everything is gold and diamonds. The first episode has several minutes of two geezers walking around in a circle expositing the world and their plan for the war. Truly a masterclass of bad expository writing. And someone has to explain the whole Fate franchise concept, yet again, in the usual clumsy fashion. The writing is smoother once you clear those reeds. Oh, except for two awkwardly placed episodes of backstory for Kiritsugu – they’re interesting, but don’t seem to know where to go in the story, so occur in the middle of an event.

As for characters, one of the mages is a serial killer to match his sadistic Caster servant, which is a thrilling addition to the war. Unfortunately, both master and servant alike are flat. What you see upon introduction is the same throughout. Now, they do at least have major impact on the story, but they could have had more to their characters. In a series where identity is everything, Caster’s identity doesn’t matter. Missed opportunity.

For a pleasant surprise, we turn to Waver, a young mage in over his head trying to prove himself equal to “pure” bloodlines when he joins the war, summoning Rider. He’s the one kid and justified in his inclusion. Furthermore, Rider doesn’t respect him and flicks Waver for all the stupid commands, nor should he as a great king from history who conquered much of the world. This is what I mean by taking a moment of thought to justify why your story/character/conflict is the way it is. The original author wouldn’t have thought of this disagreement. Far from being mean, Rider is a boisterous character, a lion of a man that brings needed comic relief alongside Waver. Rider is my favourite of the servants.

The action sees improvements, even if it doesn’t look as nice as Unlimited Blade Works, and while you could point to a couple dozen better anime for action, the stronger characters and smarter plans increase the tension, placing value on who lives and dies.

I wish I hadn’t followed the Fate watch order guide and listened to my instinct to start with Fate/Zero. I would have enjoyed this anime even more if I didn’t know certain details that carry over to the main series. Fate/Zero stands as the only Fate series worth your time unless you really want to see the Holy Grail War repeated ad nauseam.

Art – High

Fate/Zero still looks good without the flash of Unlimited Blade Works thanks to vibrant colours, better character design, and tighter choreography since that they don’t have cram in as many effects as possible. Now, some of the CG…ouch. Berserker looks hideous – a CG knight surrounded by a particle shroud, also in CG.

Sound – High

The VO is equally good in both languages; just needs a tighter script. Electric guitar action music, softer classical pieces, and ethereal vocals make for a solid soundtrack.

Story – High

Ten years before Fate/stay night, another Grail War raged between mages and their servants of myth and legend. Fate/Zero abandons most of the garbage from the original series in favour of complex characters and meaningful action.

Overall Quality – High

Recommendation: Watch it. Defying the franchise, Fate/Zero stands above the swamp from whence its predecessors came. Start with Fate/Zero to avoid lesser series from spoiling anything.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Strong Lead Characters

Negative: None