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Portable firearms play a prominent role.

Drifters – Anime Review

Japanese Title: Drifters

 

Similar: Hellsing Ultimate

Fate/Zero

Re:Creators

 

Watched in: Japanese & English

Genre: Historical Action Comedy Fantasy

Length: 12 episodes, 3 OVA

 

Positives:

  • Harsh visual style
  • Effort in the fantasy and samurai speech mannerisms

Negatives:

  • Constant random humour is jarring
  • Unfortunate use of CG
  • No profiling for elf ears

(Request an anime for review here.)

I loved Drifters for about one episode. The distinct visual style, gritty action, and commitment to bloodlust had me sold. Then the comedy started and I recoiled in disgust. Why? Why do this to me?

Drifters opens in the midst of a clash between samurai armies during the Battle of Sekigahara, year 1600. Bodies litter the muddy fields as screams echo through the trees. Amongst this carnage stands Toyohisa, blood crazed and hungry for battle. Upon spotting an enemy commander, he charges the cavalry line as one soldier against many. This foolhardy act goes as well as expected and he finds himself on the receiving end of a dozen spears. He cuts down several enemies before oblivion takes hold.

However, instead of the afterlife, a white corridor lined with doors and a solitary office clerk awaits him. At a mere gesture from the clerk, one of these doors opens and sucks Toyohisa to another world, a world where knights of the human Orte Empire reap the land and oppress other races such as elves and dwarves. Toyohisa, almost involuntarily, comes to the aid of elves and makes it his mission to free them of tyranny. The fact that he gets to wage war and taste more blood is a coincidence. It should be an easy matter, after all, with his superior combat prowess and the famed Nobunaga – also ripped from his time alongside other historical figures – on this team. He didn’t anticipate that whatever supernatural being the clerk was fighting against would summon fighters of his own. Nor did he anticipate they would be so twisted by malice at the manner of their deaths that they developed powers beyond imagining.

If you told me all of the above, I would say, “Sold! I will watch Drifters.” What you would have failed to mention was the damned humour.

Have you seen Hellsing Ultimate (same manga author as Drifters)? Remember those jarring cuts to comedy in a caricature art style that punched all dramatic tension out of your gut? Remember how the few times they used it in Hellsing was bad enough? Yeah, well, now imagine it first happening once an episode, then once an act, until is ramps up to once per scene and more. If you haven’t seen the like before, I want you to imagine cartoon sound effects added to any dramatic scene you like. It is intolerable.

I cannot impress upon you enough how much they overuse this technique. How is anyone supposed to take the slaughter of innocent elves seriously when it’s going to cut to Nobunaga honking some woman’s boobs at any moment? That joke makes an appearance once per episode – at least – after the woman joins the party. Joan of Arc is on fire, literally, in perpetuity out of spite for how the Church betrayed and burned her alive. She now has the power to incinerate others. But that isn’t as important as using the same moronic cut away reaction as last episode. The opener doesn’t give any indication of this.

One could improve Drifters by simply editing out these cuts. It wouldn’t be difficult either because they are almost forgotten when we return to the actual scene. The only humour that made me laugh was Toyohisa telling Nobunaga what happened to Japan and his legacy after his death.

This negative was enough of a detractor to me that I was sick of Drifters halfway through. I found it so bad that the stylish action, harsh visuals, and even the introduction of many interesting historical figures bringing their specialities to the battlefield barely made a difference. I mean, a WWII pilot joins mid battle amongst a squad of real dragons. If a meeting of Nobunaga, Hannibal, Butch Cassidy and the Sundance Kid, Rasputin, Joan of Arc, Anastasia Romanova, and the machinations of Adolf God Damn Hitler can’t save a series, nothing can.

The action is good in all of its gory stylishness and insanity. But that unfunny humour every damn time! Look, I need to stop here before I think of it any further and dwell on how it ruined a fun action series.

Art – Medium

I am torn on Drifter’s art. On one hand, I love the harsh style, thick outlines, and high contrast shadows. On the other hand, I hate the CG characters (crowds, I can understand, but principal characters?) and how lazy the art is come characters in profile. It’s most noticeable with the elves’ ears – they look the same from the front and side, which is goofy.

Sound – High

In contrast to the low effort of the elf ears, their fictional language is well done. You feel like you can understand it, though not quite. Similarly, the samurai era speech (or a good representation of it) imitates the serious and forceful mannerisms of samurai films. And the OP is dope as hell. The real letdown is the poor timing and overuse of random comedy in the script.

Story – Low

Various historical figures find themselves dragged into a fantasy world to fight a war for supernatural beings. A fun concept brought down by insisting we suffer through lame comedy every five seconds.

Overall Quality – Low

Recommendation: For action fans only. Drifters is a lot of fun and would be an easy recommendation if not for the bad humour.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:  None

Negative:

Not Funny

Sword Art Online 2 – Anime Review

Japanese Title: Sword Art Online 2

 

Related: Sword Art Online (1st season)

Similar: Log Horizon

No Game No Life

Zegapain

 

Watched in: Japanese & English

Genre: Action Fantasy Science Fiction

Length: 24 episodes

 

Positives:

  • Makes the first season seem amazing

Negatives:

  • Kirito is more Mary Sue than ever
  • New girl’s backstory is hysterical
  • Act 3 is filler, yet again!
  • Exposition dumps everywhere
  • The garbage keeps piling up

(Request an anime for review here.)

I don’t know how he did it, but he managed to make Sword Art Online look like a masterpiece. Sword Art Online 2 is such trash that you’re going to need a hazmat suit to sit through all the cancer this anime jabs into your eyeballs.

Shortly after the events of the first season, where thousands died trapped in a virtual MMO, everyone has forgotten about the incident and nothing came of the disaster. Utterly incompetent at everything, the government hires Mary “Kirito” Sue to enter the latest virtual MMO craze, Gun Gale Online, and figure out how a player can kill people in real life by shooting them in game with a “Death Gun” (not kidding). He teams up with the useless sniper Plumber’s “Sinon” Crack, who has the tragic backstory of being terrified of finger guns (not kidding). Meanwhile, Mary Sue’s harem of useless women (including his sister and “daughter”) are stuck in last year’s game, some fantasy trash no one cares about anymore, while they circlejill about how amazing Mary Sue is. They don’t matter, their game doesn’t matter, so let’s forget them there.

Where to begin?

The exposition dumps! I lost count of the amount of time spent with characters sitting down – often in a diner – just vomiting exposition. The first episode alone spends over half of its time on one such scene. I get that Sword Art Online is made for the lowest tier, but have some respect for their intelligence. When it isn’t farting exposition in your mouth after having eaten five too many spicy burritos the night before, Sword Art Online 2 graces you with filler dialogue and some of the dumbest lines in anime history. Mary Sue acts like a dimwit before the show’s big tournament just so the girl can explain everything. The narrative dumps everything beforehand rather than showing it to the audience along the way. Let’s not forget the repetition. It repeats a flashback of a fight with the villain group from SAO four times!

Then we have the new game of the season, Gun Gale Online. This game is reason enough to slam this anime in the dumpster. First, they advertise it as the only game with pro players (what?), then the way they talk about character builds and the metagame doesn’t make sense for a shooter (even one with RPG elements). The system for getting paid – converting virtual currency to real money – is also illegal yet never questioned (remember, the government sent Mary Sue into this game, so wouldn’t they do something?) Once inside the game, it only gets worse. You know what would be better than an empty shell of a new world each season? One fully developed world instead.

How do players not die in a single hit if everyone uses guns? Well, in Gun Gale Online, you can see the trajectory of a bullet before it fires. Did the author put any thought into this? Look, if I pointed a gun at you and told you where I was aiming, you still wouldn’t dodge in time. The only way this works is if the bullets are as slow as molasses, in which case, why bother with guns at all? It’s so stupid it hurts.

Apparently, the character creator is random. Mary Sue has a female avatar generated for him (oh the sweet irony), which is just an excuse to have him be a girl this season – a girl, by the way, that looks just like him, though that may be down to A-1 Pictures’ inability to draw more than one face. Yeah, “random”.

You know SAO 2 is going to be shite in episode 4 – well, from the first scene really, but episode 4 cements it at the bottom of the ocean. Mary Sue needs money as a new player and sees a gambling game where one has to reach a gunslinger down the street while dodging his bullets. No one has ever won, adding to the prize pool with each failure. After seeing only one person’s attempt, Mary Sue breezes through it as easy as a stroll down the street. Of course. He gives us some nonsense about “predicting the prediction” to dodge bullets. So you’re telling that in the most hardcore, competitive PvP VRMMO, none of these professional players ever did the same? What sort of an idiot wrote this?

What does he do with this instant jackpot? He buys a Lightsaber. Yes, in a game about guns, where all swords are known to be useless, they conveniently have Lightsabers – sound effects included (and the villain is a Darth Vader rip-off) – just so Mary Sue can wield a sword like he did in other games. And to nobody’s surprise, he is amazing with it right away. He is so good that he can cut down every bullet from full auto machine gun fire. The author is so bad that he forced a FPS game upon the audience, yet couldn’t even commit and had to give Mary Sue an invincible sword. He can also drive motorbikes instantly and better than anyone else, having learnt this skill from playing racing games in the past. You know, regular racers on screen… (“Is it possible to learn this laziness?” “Not from a good writer.”) There is no attempt at hiding his power.

You have one guess on who wins the big tournament with Sinon.

Speaking of Plumber’s Crack (her character designer made sure she had her crack visible at all times for Mary Sue’s convenience, for we all know he wants to eat that ass), allow me to present to you the worst female character ever written. Her first introduction gives the impression of a sniper at the highest tier of play. As soon as Ass Muncher enters the game, however, she becomes useless all so that he can save and grope her at every turn. It goes so far that the climax has Ass Muncher telling her exactly what to do because she now has the skill of a noob. Every girl, no matter how strong, becomes a puddle of piss around this guy.

The funniest part is her backstory. During an armed robbery in her childhood, Plumber’s Crack managed to get the robber’s gun and shot him dead. This event left her traumatised of everything gun related (did you catch the subtle theming with the new MMO, did ya, well, DID YA?) to such a degree that even finger guns reduces her to a sobbing mess. Yes, pointing is her weakness. This idiotic writing is hands down one of the funniest things I have ever seen.

Finally, we come to the villain (full spoilers ahead; I don’t recommend this anime). The big twist is that the Death Gun can’t actually kill people IRL. A second person would break into the target’s house while they’re strapped into the VR set and poison them in time with the virtual accomplice shooting them in game, thus giving the impression that the player could kill for real. (Let’s not forget that an autopsy would reveal it wasn’t some magical death from the beginning.) The villain turns out to be one of Plumber’s Crack’s clingy IRL friends, who believes she owes him love for caring for her during her previous depression. What is it with every SAO villain being a rapist?

I forgot to mention: Ass Muncher figures out everything about the villain, right down to his psychology and the fact that he’s in the room with Plumber’s Crack right now by merely thinking about him.

What a pathetic anime. I have barely scratched the surface with this travesty. I did not even cover how bad Ass Muncher is at handling the case he’s hired for, not passing on information just so he can play the hero. One could go through every single scene and point out why that is the worst scene ever put to anime. And like SAO, the story ends in act 2 and act 3 is filler in another MMO. Again! Sword Art Online 2 rapes anime.

Art – Low

There is a significant quality drop on the previous Sword Art Online. Less animation, less effects, more reliance on mediocre CG, and there’s less effort in character and world design – naturally.

Sound – Very Low

The acting is bad and the script is utter trash. All exposition and backstory is in the wrong place and much of the dialogue is filler. Good music from the same composer as .hack//SIGN, but it can’t save the show.

Story – Very Low

A girl faces her fear of guns by playing a shooter MMO, until she needs rescuing by a boy called Kiri Sue. Bloody hell…what shit.

Overall Quality – Very Low

Recommendation: Avoid it. Sword Art Online 2 is so bad that it makes Sword Art Online seem like a masterpiece.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Atrocious PlotAwful DialogueDeus Ex MachinaHollow World BuildingHorrendous ActionInduces StupidityMary SueNo DevelopmentPoor PacingRepetitiveRubbish Major CharactersShallowUseless Side Cast

Jormungand – Anime Review

Japanese Title: Jormungand

 

Similar: Black Lagoon

Canaan

Phantom: Requiem for the Phantom

 

Watched in: Japanese & English

Genre: Action Adventure

Length: 24 episodes (2 seasons)

 

Positives:

  • Strong production values.
  • Knows it’s weapons.

Negatives:

  • Unmemorable for the genre.
  • Tries too hard with some characters.

(Request an anime for review here.)

Jormungand was pitched to me as the Black Lagoon of its year. I can see why, for the similarities are obvious – an action series with a ragtag bunch of misfits circumventing the law to fight bad guys around the world. I am sad to report however, that Jormungand isn’t in the same league as Black Lagoon. That doesn’t mean we can’t look at this title as a lesson in the difference between an okay series and a great series.

The story follows international arms dealer Koko and her band of bodyguards made up of former soldiers. The latest addition to her team is child soldier Jonah, who doesn’t really want to be there. Her mission is to bring world peace by breaking every law seemingly possible while escaping intelligence agencies and other outlaw organisations.

The core of any story is its characters. In Black Lagoon, the characters had personalities larger than life, injecting the narrative with a constant stream of humour and energy. Importantly, they didn’t have gimmicks; they had personalities. Jormungand, on the other hand, uses gimmicks to define its characters. When one relies on gimmicks, each encounter with those characters starts to become repetitive with little room for growth because the writer didn’t establish their foundations. For instance, one woman’s gimmick is that she doesn’t wear panties in battle because it “increases accuracy”. This joke repeats for every scene with a focus on her. The first time, it says, “Hey, I’m not wearing panties – aren’t I quirky?” Next scene: “Hey, I’m still not wearing panties – quirky, right?” And the next: “Still nothing down there – bet you love how quirky I am.” Another woman’s quirk is her lustful crush on Koko, which also rears up every time she sees her.

You can’t do this to a character that’s supposed to matter. That’s throwaway character material. Jormungand tries too hard to make these people wacky. Without the personalities to back them up like in Black Lagoon, the quirks come across as annoying and random because they don’t tie to characters through a personality. Keep the panty-less gunslinger joke if you find it sidesplittingly hilarious, but it should be no more than the garnish to well-rounded attributes. Koko is the only character I would consider to have depth among the cast.

On the flipside, you have the problem of Jonah. He’s the “man of few words” archetype that, as I’ve said many times before, isn’t an easy one to make interesting because of how little there is to work with. One would think that having less pieces to construct a character is easier, when in reality every piece must be perfect. It’s like a chef trying to make a Michelin star dish of only three ingredients. Jonah’s counterpart in Black Lagoon is “Rock”, an ordinary salaryman who also didn’t want to join the pirates at the start. Comparing the two, you can see the difference it makes when you have a dull mute in one case and guy in over his head in a gunfight yet still dignified enough to do up his tie on the other.

As for the action, which is why most would attend this screening, it is rather good. Studio White Fox brought strong production values to the table to pump the action full of energy and explosions. As it tries to do with the quirky characters, Jormungand goes over the top with action. If your one interest is action, more action and crazier action, you won’t be disappointed. And the writer knows his weapons to impart authenticity.

Perhaps if I had not seen several such similar anime already, I would have liked it more – I suppose it’s the curse of happening to start at the top before working your way down. It’s hard to settle for something around the middle of the pack, where the plot doesn’t stick with me and I can’t remember anyone’s names except the two listed above.

Art – High

The art is sharp and clean with good animation and effort in the cinematography. It’s a seinen action series – it’s as expected.

Sound – Medium

The acting is alright, but with a script that lacks room for the actors to play like in Black Lagoon, it doesn’t reach greatness. It’s similar with the music – alright, though doesn’t go as crazy as it should.

Story – Medium

An arms dealer takes a child soldier under her wing to show him the ropes as a merchant of war. Jormungand doesn’t push itself far enough to become memorable in the competitive modern action genre.

Overall Quality – Medium

Recommendation: For action fans only. Jormungand is there for those who can’t get enough action and have exhausted the likes of Black Lagoon, Requiem for the Phantom, and Cowboy Bebop.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Angel Beats! – Anime Review

Japanese Title: Angel Beats!

 

Similar: Death Parade

Plastic Memories

Haibane Renmei

 

Watched in: Japanese & English

Genre: Supernatural Action Comedy Drama

Length: 13 episodes

 

Positives:

  • Occasionally funny.
  • No space for rent.

Negatives:

  • Too many characters for 13 episodes.
  • Emotions don’t land.
  • Weak art.
  • Script often makes you cringe.

(Request an anime for review here.)

Until I committed to watching Angel Beats (after a reader requested it for review), I had thought it was another adaptation of Key Visual’s awful visual novels, owing to the similarity in character design (I had attributed the reduced real estate between the eyes to someone finally pointing out how ugly Key characters were). Much to my delight, I discovered that it only involved one notable staff member from those past projects and it wasn’t someone from the art department. The composer wrote this story as an original with no visual novel relations. Thank Thor; Angel Beats isn’t doomed before the first frame!

With that happy thought in mind, I dove right in.

Angel Beats is a “trapped in limbo” story with video game rules, where each of the “player characters” cannot escape the confines of a high school until they undo a past regret and move on in death. Otonashi is the newest student in this strange world of the in-between. He awakens with no memories and next to a girl hunched over a sniper rifle. She’s aiming at a silver-haired girl in the school’s soccer field. He doesn’t see the girl as a threat and rightfully so, for she is as dulcet as a puppy. He soon learns otherwise when he talks to her and she kills him.

He’s fine the next morning, of course, since no one dies in this limbo high school of NPCs. The silver girl or “angel” is just there to enforce the rules as student body president. Meanwhile, Otonashi joins sniper girl’s club of player characters. They have one mission – defeat the angel and get out of here.

The first few episodes are fine overall as they explain the rules and the story focuses more on comedy, like a group of high school friends taking their military LARP most seriously. The second episode has them breaking into their own secret underground base when the traps meant for the angel turn on them. The team members drop like flies to video game traps and it’s funny.

The quality falls as you progress further into the story, figuring out the goal is to give each character an emotional send off before they depart limbo. They can only pass on once they make up for a regret in life, which means a shoehorned tragic backstory for each person is imminent (sniper girl’s is laughable, even with dead kids involved). It gets worse when you remember the episode count and calculate that there is no way to accommodate so many characters. You don’t care about anyone before they leave. You see the ending coming eight episodes away and yet it’s still ham-fisted.

No emotional moment in Angel Beats worked for me. The story is a metaphor about moving on from high school and having to say goodbye to friends – possibly for the last time – which is relatable to just about everyone in the audience (if you’re still in high school, you can relate to leaving primary/middle school friends behind). Even with such a relatable theme, these scenes extracted nothing from me.

The writer needed to cut down on characters. Have more characters than the core group, by all means, but don’t make them all matter. By trying to make everyone matter, no one matters.

Moreover, Angel Beats needs a stronger script to pull off the drama. Half of the script consists of Otonashi asking questions on behalf of the audience (oh, what convenient amnesia), so that others can explain everything. His dialogue in some scenes will be no more than one question after the other. Then we have what can only be described as the “anime” dialogue. That first scene when he awakens near sniper girl has the following cringe worthy exchange.

After seeing no threat from the small silver-haired girl, he says, “Listen, how about I go down there?”

Sniper girl whirls around and quickly yells, “What? Why? Why the hell go down there? That doesn’t make any sense! What the hell made you say that? Are you an idiot or what? Go die!”

“…”

“That’s something we say here all the time since no one dies here,” she adds, now speaking normally. “What ya think? Funny?”

“Not so much, but what do I know?”

This dialogue is meant to convey her personality, but is so forced that it’s just obnoxious. I can see someone turning this off at that moment, 3 minutes in. Don’t forget, this dialogue comes after she rambles about her club’s name with no context, which is also obnoxious. The way these characters talk and behave doesn’t convey the sense of people trapped in limbo. It feels like any other high school action anime cast.

Once the school concert is over a few episodes in (the music is the strongest element) and drama replaces comedy, Angel Beats becomes rather bland and predictable. Not to give away too much, but the angel adversary plot resolves shortly as well to lessen conflict further.

Angel Beats is an alright anime if you go in knowing not to expect much from the drama. Honestly though, there are so many better anime you could spend your time on and this one’s been forgotten by now, so there’s no conversation waiting either.

Art – Low

Characters have zero design originality, though thankfully they aren’t landlords. CG background characters and CG environments don’t blend well with principal objects. Lights and shadows are inconsistent to the characters. Look at the screenshot above with the sniper rifle – note how sharp the shadows are on the characters, gun and bush (drawn in by a person digitally) against the fuzzy shading on the building and the lack of shadow beneath the rifle (calculated by computer graphics). The only complement I can offer is for the skies.

Sound – Low

Average acting, no matter the language, and the script is several tiers below what’s needed for the drama. The music is nice.

Story – Low

A group of students try to escape limbo high school by killing the angel that enforces the rules. Too many characters, quick drama, and a lack focus don’t make for a great story.

Overall Quality – Low

Recommendation: Skip it. If you haven’t seen Angel Beats yet, you aren’t missing out. It has nothing recommending itself these days, though it isn’t a bad anime.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Poor Pacing

Blood Blockade Battlefront – Anime Review

Japanese Title: Kekkai Sensen

 

Related: Blood Blockade Battlefront & Beyond (season 2 – included in review)

Similar: Baccano!

Jormungand

Tiger & Bunny

Trigun

 

Watched in: Japanese & English

Genre: Supernatural Action Comedy Science Fiction

Length: 24 episodes (2 seasons), 2 OVA

 

Positives:

  • NYC looks great.
  • Character focused standalone episodes.

Negatives:

  • Shounen protagonist doesn’t fit.
  • Lacks focus for the first act.

(Request an anime for review here.)

I can’t help but wonder if Blood Blockade Battlefront wasn’t intended for an older audience originally, until an editor/studio said it couldn’t succeed without the shounen demographic and so the protagonist lost a few years to meet that new audience. I say this because Leonardo, our protagonist, doesn’t fit with the rest of the cast.

Leonardo is a teenager who recently acquired the “All-seeing Eyes of the Gods”, which gives him immense power beyond his comprehension, so he heads to Hellsalem’s Lot (New York City) where the supernatural is an everyday part of life to look for help. There, he unexpectedly joins Libra, a crime-fighting organisation that deals with the supernatural and the mundane through use of powers of their own and modern technology.

Libra is a group of adults. While the focus is on the supernatural action with a comedy slant, when it does focus on characters, these Libra members have adult problems, which doesn’t gel with the themes of Leonardo’s character. Furthermore, there are too many episodes where he feels like a tagalong to the plot (or isn’t present at all), as if the author couldn’t figure out how to use his shounen protagonist in a seinen series. The adults are just more interesting in Blood Blockade Battlefront.

There is one episode where Leonardo works – the mushroom guy episode. He meets this mushroom guy (no better way to put it) with an appetite for burgers, who has spores that can erase memories. Criminals prize his spores. Imagine you could commit a crime and wipe everyone’s memory of the event – free money. Unfortunately, the spores affect mushroom guy as much as anyone else, which means he doesn’t know anyone because he forgets after each mugging. The standalone episode regarding his and Leonardo’s friendship is a good one. In fact, I find the standalone episodes to be the best of the series.

Another one that comes to mind deals with the work/family balance that many career adults face. A woman in Libra needs to assist with an important mission to intercept a drug shipment, but the day of the mission happens to coincide with parents’ day at her son’s school – a day she has missed for several years already due to work. The episode has a great moment on parenting when her husband explains to the son that it hurts her more than it does him when she can’t keep her promises. The humour works too (same author as Trigun). When she tries to get off the mission roster, her boss guilts her into staying by laying out the consequences of mission failure on other children – in a comedic way. In the end, she has to do both concurrently.

As I said, Leonardo is a side character to most missions, so he doesn’t drag down the series too much. He’s okay. The unclear motives and goals for early episodes are a bigger problem. The start is too hectic for its own good.

I do love the feel of this city matched with the tone of the characters. Mermaids, vampires, werewolves, monkeys, and aliens living alongside humans in a towering metropolis gives me a Baccano meets Tiger & Bunny meets The Fifth Element with a dash of One Punch Man vibe. The creative visuals and light humour, yet balanced by some heart, make Blood Blockade Battlefront an easy anime to watch once you clear the initial hurdle of not knowing what the hell is going on.

Art – High

It’s Studio Bones, so the art has a good minimum quality. I particularly like the look of New York City – fantastic colour depth and detail. The notable flaws are moments of repeated animation and the protagonist’s eye effect looks slapped in the scene.

Sound – Medium

Can’t stand the protagonist’s voice in English, so I switch to Japanese and he sounds the same! Don’t like either of their nasal voices. Other than that, the acting is good, though there is a missed opportunity in not having accents from New York’s various boroughs akin to Baccano.

Story – Medium

A kid with magic eyes joins a crime-fighting organisation in the big city populated by human and supernatural denizens alike. Blood Blockade Battlefront works best when following individual characters and is in need of a more adult protagonist.

Overall Quality – Medium

Recommendation: For action comedy fans only. Blood Blockade Battlefront isn’t a remarkable anime, but it has enough to entertain fans of the contemporary action genre. (Still can’t say Blood Blockade Battlefront quickly without fumbling my words.)

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None