Tag Archives: Fantasy

Basically, Lord of the Rings, though it can also be in a modern setting.

Tsubasa Reservoir Chronicle – Anime Review

Japanese Title: Tsubasa Chronicle

 

Related: xxxHOLiC (same universe)

Similar: Cardcaptor Sakura

Pandora Hearts

InuYasha

 

Watched in: Japanese & English

Genre: Action Adventure Fantasy Romance

Length: 52 episodes (2 seasons)

 

Positives:

  • Good music.

Negatives:

  • No style.
  • No tension.
  • No reason to care.
  • No interesting characters.

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Tsubasa Reservoir Chronicle is so boring that I only tried to answer one question before its end: Is this Sakura the same as the one from Cardcaptor Sakura? They look the same and share a name. Turns out, no, they aren’t the same. The author was just too lazy to come up someone new. Well, that’s it, end of review – see you next time!

What, you want me to talk about this anime? What is there to say? Tsubasa Reservoir Chronicle is so full of nothing that there is nothing to talk about.

Syaoran and Sakura are a young teen couple madly in love, but when she grows wings and her feathers disperse into other dimensions, she loses her precious memories including those of him. Syaoran starts hopping through dimensions to different worlds, where he meets a ninja torn from his world, a magician, and the rabbit thing Mokona from xxxHOLiC (one of the dimensions), who help recollect her feathers.

Initially, I liked how Syaoran and Sakura started as a couple – unusual for teen anime – as I believed it meant skip over the shy “will they, won’t they” nature of anime romance and go straight to developing them as a couple. Unfortunately, when she loses her feathers, she transforms into a comatose slab of boring that occasionally wakes up.

The narrative doesn’t take time to establish these two in our hearts for us to care when Sakura goes down. Why do they love each other? This is supposedly a love so strong it transcends time and space, yet we have no reason to believe it. Even once she stops sleeping so much in later episodes, she’s as empty headed as one can imagine. The author wanted to start on the big moment of her losing her memories, which is fine, but she then needed to work harder to make us care through flashbacks, or something.

Looking past this empty couple, there is nothing else to see. The action is boring as sin with its series of meaningless fights and poor animation. Cardcaptor Sakura has better action than this action series (and its collecting element is stronger). Not even using a Pokémon-like approach to the battles with magical companions can make it interesting. The action feels like filler with no end in sight since they extend the quest on a whim by saying, “Well, you’ve collected 200 feathers so far, but there’s another 100 to go! … Wait, did I say 100? I meant 300!”

Don’t fall for it. Don’t waste your time with Tsubasa Reservoir Chronicle. This is a contender for the Most Boring Anime of All Time award.

Art – Low

The characters look too similar to other CLAMP titles, the animation is poor, and the colouring is desaturated in season 1. It’s hard to take the drama seriously when everyone looks like Jack Skellington with giant hands. This is moving manga with worse character art than the manga.

Sound – Medium

The acting is fine, I suppose, considering the script has nothing to say. The music is the only good element, a little reminiscent of .hack//Sign’s excellent soundtrack.

Story – Low

A boy travels to different dimensions to recollect his girlfriend’s lost memories with the aid of unlikely allies. So full of nothing, Tsubasa Reservoir Chronicle gives you no reason to care.

Overall Quality – Low

Recommendation: Skip it. There isn’t anything awful about Tsubasa Reservoir Chronicle, but that’s not a reason to watch something.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

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Tenchi Muyo! War on Geminar – Anime Review

Japanese Title: Isekai no Seikishi Monogatari

 

Related: Tenchi Muyo (main series)

Similar: Vision of Escaflowne

Vandread

Familiar of Zero

 

Watched in: Japanese & English

Genre: Action Comedy Ecchi Harem Fantasy

Length: 13 episodes (45 min. each)

 

Positives:

  • Pretty cool world design.

Negatives:

  • The perfect protagonist.
  • So much stupid.
  • Glaring audio and visual hiccups.
  • Really, really

(Request an anime for review here.)

The original, janky, and rather rubbish Tenchi Muyo was an anime I occasionally caught on TV an eon ago. I never made an effort to watch much of it, since it was a harem with awful art. A decade later, I stumbled upon a page regarding Tenchi Muyo! War on Geminar, which had far superior art and positive buzz from fans. How could Tenchi Muyo have produced anything that wasn’t garbage? And so, with many more years passed since then, it’s finally time to end my curiosity and see the fuss.

This story has Kenshi, younger brother of original Tenchi Muyo’s protagonist, teleported to the fantasy world of Geminar with a mission to assassinate Princess Lashara, but he fails and becomes her slave before eventually fighting for her against his summoners.

War on Geminar makes a good first impression with its visual production. While not unusual by today’s standards, it was rare for what is evidently an otaku-only anime to have an animation budget – sliding stills and big boobs were the expectation. The world design also has creativity. The reptilian mech designs look good, animated fluidly in duels, and I love the idea of an airship being a landmass with a palace and forest on top. Sure, the first episode has harem markers and some fan service barf, but my impression is positive. This is nothing like the Tenchi Muyo I remember. What is this grand magi-tech fantasy kingdom?

However, once the story settles in and starts churning through daily life in Geminar, everything turns to crap. We meet all the girls of his harem, covering every harem archetype to draw in the maximum otaku audience (see cover image of this review up top for the full selection). Whatever one’s preference, War on Geminar has the girl for you. Of course, none of them has an iota of depth, their sole purpose in the anime being to fulfil the obligations of their archetype. It’s stupid interaction after moronic interaction with Kenshi. They almost have depth, right up until the harem tropes undermine their arc to keep them in the pit of trash.

Where it becomes truly atrocious though, is with Kenshi. Allow me to introduce you to the most Mary Sue character in anime. You think you know, but you don’t.

Lashara puts Kenshi to work in the high-class girls’ school as handyman, a Jack-of-All-Trades; except, the writer forgot the “master of none” part of the Jack-of-All-Trades. Kenshi is perfect at everything on his first day. Housekeeping, brick laying, shoemaking, construction work, five-star cooking, delivery, climbing, running, sword fighting – you name it, Kenshi is the best at it first try. Every girl in school is after him, but because he’s so fast and never tires, they all drop of exhaustion. His massage skills are so great that a single grope from him will leave any girl in a permanent state of crippling arousal, for some reason. Then every girl wants him to wash her back during bath time.

Wait, wasn’t this some fantasy anime with mechs? Yep, that’s what it claims.

War on Geminar has an identity problem. It can’t decide if it wants to be a fantasy war series or a high school harem. Once you strip away all art (which has weakened after a few episodes) and all the flash, this is just another bad harem. The highest budget harem you should perhaps watch for its terribleness, certainly, but still a bad harem like any other at its core.

Art – Medium

War on Geminar appears to have great art at first glance. From characters to world design, this looks far better than the original Tenchi Muyo. I like the mech designs and flying palace. There is good animation during duels, but has so much awful outside that – static shots, repeating animations that linger, and some horrible shots. One instance has smoke billowing out of a building, and when the building tips over, so does the smoke pillar. Yes, the smoke in the air “tips” over.

Sound – Very Low

The writing turns you into an idiot. The princess who speaks in third person is especially dumb. Full of kewl quips and one-liners. Even the sound design is poor, which is rare – I mean rare. For example, the guy running on grass makes the sound of heels on tiles. Why?

Story – Very Low

A boy mysteriously teleported to another world joins a cast of girls to defend the empire. This is the highest budget harem garbage ever made, Mary Sue protagonist included.

Overall Quality – Very Low

Recommendation: Avoid it or a must watch for garbage. Tenchi Muyo! War on Geminar’s production values make it easier to watch that other “so bad it’s good” titles, so if you want some absolute trash, then have fun with this one.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Awful DialogueInduces StupidityMary SueRubbish Major Characters

Castlevania Season 2 – Review

Related: Castlevania Season 1

Castlevania Season 3 (TBR)

Similar: Vampire Hunter D: Bloodlust

Hellsing Ultimate

Berserk

 

Watched in: English & Japanese

Genre: Fantasy Action Horror

Length: 8 episodes

 

Positives:

  • Improves upon the strong first season.
  • Vampire political intrigue.
  • New characters.
  • Oozes atmosphere.

Negatives:

  • No Church.
  • Ends too quickly.

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We last left Trevor Belmont and his companions in the search for the means to find Dracula’s castle and slay the master of the keep. I left Castlevania with a positive impression though uncertain of whether it could hold up beyond what was, essentially, the opening to a series. Much to my surprise, yet again, Castlevania is superior to what I had anticipated by way of an interesting narrative focus.

Season 2 opens in the past with the arrest of Lisa (Dracula’s wife) by the Church for the “witchcraft” of medicine. While this is a retread, it gives us more detail and makes for a chilling first scene when you know what happens to everyone for ignoring her warning.

After this, we jump to Dracula’s war room, where his strongest vampires from across the kingdom have gathered to plot humanity’s annihilation. However – and this is where the brilliance started – he selects two humans as his generals to lead the scourge, much to the disgust of some vampires, especially one of the Vikings. Beyond their deep-seated loathing for humanity and their tactical ability, these two have the only clear heads in the army not driven by bloodthirst.

Now, at this point, it’s just a good idea (and I’ve harped on often enough about the importance of execution over ideas in past reviews). The brilliance comes in the backstory of these characters, contrasted against the vampires, and their actions going forward. They are simultaneously committing some of the most heinous atrocities against humanity while conveying sympathy. One of the two, Isaac, is Dracula’s Forgemaster. He doesn’t forge weapons, however. His speciality is bringing the dead to life, often forged into demons of great power, though he has equal inclination to revive a fallen puppy as a companion. Makes for an interesting ability.

The appointment of these two as generals leads to much unease among the vampires, many playing politics to gain power or favour with Dracula. There are whispers among the ranks about Dracula’s soundness of mind after the loss of his wife. How will vampires feed if he wipes out all humans? Carmilla the vampire queen of many legends is particularly sly and sharp of tongue. I relish the political drama she brings to the court. I did not expect politics, of all things, to be such a significant portion of the narrative and so well executed.

I haven’t talked much of Trevor and his two companions so far because they aren’t the focus this season. They have enough to do for the eight episodes as they return to Trevor’s home for blessed weapons and a means to access the castle, but the focus is truly in Dracula’s camp. It’s a bold risk to shift from the protagonist. It works. Sure, we could have more of the trio in addition to all screen time with the opposition, but that would go into overtime.

Castlevania Season 2 isn’t all blood, politics, and goodness, unfortunately. The end feels too quick. For seven episodes, we have methodical build up packed with social and political dynamics, feeding us juicy backstory and character motivations until we reach the final episode where, suddenly, so much of it wraps up with too many questions and possibilities remaining unexplored. It needs more. It gives the impression that they didn’t know episode 8 would be the last until they started work on it, realising they needed to close several threads.

I want more – more vampire society, more politics, and more lore (and bring the Church back! Tap that potential). I am grateful to know a third season is on the way. Even so, they could have gone deeper with Dracula’s arc in particular.

Still, I am far from disappointed with Castlevania Season 2. The action is as gory as before (you see someone decapitated by hanging from a bladed noose), the orchestral soundtrack is a perfect match to the atmosphere, and the acting is still quality, now with more accents from the corners of Dracula’s kingdom.

I love that this outdid the first season.

Overall Quality – High

Recommendation: Watch it. Castlevania Season 2 improves upon the first season in almost every way and now goes far enough into the story to warrant investment. If season 3 is any better, I’ll have to consider a Very High rating.

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Ponyo – Anime Review

Japanese Title: Gake no Ue no Ponyo

 

Similar: Tsuritama

My Neighbour Totoro

 

Watched in: Japanese & English

Genre: Fantasy Adventure

Length: 1 hr. 41 min. movie

 

Positives:

  • Beautiful visuals.

Negatives:

  • Ponyo, the character.
  • No arcs, no development.
  • Drags on.
  • No stakes.

(Request an anime for review here.)

Ponyo is The Little Mermaid but with children and no consequences. A little fish-human hybrid escapes from her sea wizard father to see the surface world, where she meets human boy Sousuke. The two become fast friends. However, her father, knowing the damage she could unleash on the world, summons the power of the ocean to bring her back. Things deteriorate when Ponyo tastes human blood and begins to transform into a girl with magic that throws the world off balance, causing insurmountable natural disasters.

This is the worst Studio Ghibli movie I have seen to date and with only five left for me to complete, it will likely be the worst overall. Yes, worse than Tales from Earthsea. It will be difficult to detail why Ponyo is so bad without revealing the end, so the next paragraph onwards will have spoilers. The short version of my review, for those interested in seeing this film for themselves, is as follows: Ponyo is an obnoxious character, the mother should have Sousuke taken away from her due to recklessness, there is no character development and no arcs, the end is garbage, and the story is boring. I do not recommend Ponyo.

Spoilers from here on.

So, Ponyo’s use of magic and fraternisation with Sousuke’s causes disasters around the world, with a tsunami most notable to our characters. One’s first expectation seeing this is to assume something will occur to halt the tsunami in time or everyone will die. Should the tsunami hit – keep in mind this is a Noah’s ark, God’s judgment tsunami – there is no way you could recover in a children’s movie without some bad writing to fix things, hence the above expectation. But the tsunami goes unchallenged and wipes the landscape. My alarm bells ring. And I am right, for no one dies in the end. There isn’t even any damage. I do not jest – nothing of consequence occurs by the conclusion. How is everything okay? Magic!

Go choke on six pack rings, you garbage movie. What a condescending story, treating children like morons that can’t cope with any stakes in life. Is Ponyo a film for the mentally fragile that cover their eyes and block their ears to reality, pretending everything is perfect?

The problems don’t end there. We’ve had decent stories with bad endings before, but Ponyo makes you suffer along the way by forcing you to sit through dull scene after agonisingly boring scene of Ponyo and Sousuke bonding or Ponyo being obnoxious. If only the fisherman had harpooned her at the start. Their “bonding” not only fails to capture the child spirit, Ghibli’s signature, but the scenes often serve no purpose to the story. I’m sure you’ve seen the infamous scene of Ponyo interacting with a baby. Is Ponyo’s monstrous face supposed to be cute? Nightmares are made of the stuff.

These “whimsical” scenes drag on forever in a vain effort to make this brat charming. Everything in Ponyo is overdone, including the score, which swells up as if at the climax of the film every other scene. This feels like a near 3-hour movie.

With an ending like Ponyo’s, of course there is no character arcs or development. All that changes is Ponyo becomes human because she and Sousuke “love” each other. I don’t need to say it at this point, but those two have no basis for a romance so strong that it fixes the world. If our world were reliant on them to save us, we’d be screwed.

Some things I’ve heard complaints about don’t bother me, such as how did Ponyo’s human-sized father have a fish child with a giant goddess. How did Hagrid’s human father mate with his giantess mother in Harry Potter? Who knows… Some questions are best left unanswered. The small details aren’t the problem in Ponyo. You need to look out for the big things.

There are only two good scenes in the entire film: when Sousuke’s mother flashes in Morse code to his father how much of an idiot he is for cancelling on dinner again (he has to work at sea) and the scene with the sea wizard walking on land. They got a laugh from me.

If you removed Ghibli’s visuals from this movie, no one would remember it.

Art – Very High

There is no denying that we have gorgeous art with a ton of animation. Just look at the opening scene with all the marine life swimming around the sea wizard’s submarine. The amount of effort that scene alone would require is astonishing. Shame it didn’t go towards a better story.

Sound – Medium

The opening opera singer is magnificent. The score, taken as individual tracks, is great too, but the usage is overdone. It’s trying to be Fantasia.

Story – Very Low

A little boy finds a sea creature that begins to transform into a girl, though heralds natural disasters as well. With weak characters, scenes that drag, and the worst ending in anime, Ponyo’s story is utter garbage.

Overall Quality – Low

Recommendation: Avoid it. I haven’t decided on whether Ponyo should be in my lowest tier yet. Regardless, it isn’t worth your time. A few clips of the visually beautiful scenes on YouTube are the best there is from this title.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Atrocious PlotLacks ConflictNo Development

The Saga of Tanya the Evil – Anime Review

Japanese Title: Youjo Senki

 

Similar: Overlord

Mobile Suit Gundam: Iron-Blooded Orphans

GATE

 

Watched in: Japanese & English

Genre: Historical Fantasy Action

Length: 12 episodes

 

Positives:

  • Visually atmospheric.
  • Satisfying sound effects.
  • Creative combination of magic and tech.

Negatives:

  • Not evil enough.
  • Tone clashes.
  • Loses steam.

(Request an anime for review here.)

The Saga of Tanya the Evil, what an unusual title for an anime with an unusual little girl on the cover art. I can already feel what I’m going to see in this one.

The story starts amidst a war in an alternate reality where magic and technology create a new kind of conflict. A blonde girl, Tanya, leads an air unit of the Empire (alternate reality Germany) that can fly through the aid of magic-infused jet packs or flying horse armour (available now for $2.50 in Skyrim), and her gospel magic when threaded through the barrel of a rifle delivers almighty justice upon her foes. She is said to be supremely evil.

Tanya is also the reincarnation of a Japanese businessman.

In our reality, after a disgruntled former employee pushed him in front of a train, Being X (God) visited him and reincarnated the ruthless businessman out of spite for his defiance against divinity. Tanya tries to avoid the war at first, retire as a wounded soldier in the countryside, but her divine magic makes her so powerful that the Empire keeps putting her on the frontlines. It isn’t long before she becomes that lance that will pierce all foes, propelling the Empire to dominance.

This is certainly an unusual premise and when combined with the good pacing and gritty visuals, makes for an easy watch. My favourite aspect of Tanya the Evil is the fusion of magic and technology, which recalls the Wolfenstein games in its ability to work in a supernatural element without breaking the World War feel. One can imagine that if this magic existed, WW1 would look and operate like this. It’s a cool moment when Tanya fires her first Gospel Explosive Shell like a missile. We have a strong start.

Problems arise as more pieces fall into place, not quite hitting the mark as they land a little wonky. The first issue is with some of the writing. We have lame action one-liners that don’t work outside of Schwarzenegger/Stallone-esque action flicks and the occasional clunky explanation. For instance, when Tanya nukes a unit out of the sky, rather than let the moment speak for itself, someone narrates that her shot burns all oxygen in the area, so you can’t breathe even if you avoid the blast. No need for this. We get it: big boom = dead.

These are mere minor quibbles, however – easy to ignore. The bigger issues revolve around Tanya. From the way people describe her, you expect her to be little Hitler – Satan in a girl’s body. The camera loves to swap to a fisheye lens and zoom in close to her distorted face as she pulls a maniacal grin. “She is so evil, you can’t even,” they keep telling us. And yet, she’s not that evil nor particularly ruthless. Every close up of her grin, every line touting her immeasurable malevolence is trying far too hard to convince us of a falsehood. She’s no Johan.

It’s more comical than evil.

This rolls into the next problem – the tone. Tanya the Evil has a tone issue. Judging by my blurb above, you would expect a gritty war drama with an evil protagonist and magic. However, almost everything has a coating of comedy. This worked fine when she was trying to have herself knocked out of commission to avoid war, but once she’s supposed to have become so evil that she strikes fear in the hearts of allies and enemies alike, it undermines the tone.

Then we have Tanya’s character arc. Why is she so invested in winning the war for the Empire? She does allude to a desire to meet Being X again to shove a barrel down his throat and return to her normal life, though I fail to see a connection between that and her sudden…love (?) for the Empire. Are we missing several chapters that changed her character?

This in turn leads to the final problem with Tanya’s evil saga – Being X/God. Her being a reincarnation and the god character don’t need to be in this story. She could have just been a genius girl with magic talents and pure evil within her soul. Was the author trying to create another guy-trapped-in-MMO story without an MMO? (Please don’t make it so…) As for God, he doesn’t do much outside of the reincarnation and giving a scientist the final piece to a technological puzzle (Captain America vibes here).

I don’t know if the author is going to for some greater message with the inclusion of a God-like character. How does it relate to the theme? Perhaps the next season will elucidate.

At 12 episodes, I don’t feel we have covered much of the story. Future content could right the fallen pieces and bring it all together in a satisfying conclusion. I enjoyed my time with The Saga of Tanya the Evil but the slow downward trend in quality leaves me tepid towards it.

Art – High

This has good visuals – detailed, well animated, good lighting, and thoughtful shot compositions. I particularly like the texture of the world and the atmosphere of the skies. Gives a proper, grim WW1 meets fantasy feel. The only problem is the ugly character designs for the young girls with their droopy faces, melting eyes, and pudgy jawlines – doesn’t match any other character. Also, there are a few bad sweeping CG shots of battlefields.

Sound – High

Good acting in either language (although, I hate the moe casting choice for Japanese Tanya) – pick you preference – and the writing is solid apart from the occasional clunks. Excellent sound effects. The magic impacts are so satisfying.

Story – Medium

A man reincarnated as a magical girl of evil will lead the Empire to victory in a World War. An eviler protagonist and less comedy would have helped the war story meet the gritty tone it desired.

Overall Quality – Medium

Recommendation: Try it. The Saga of Tanya the Evil is a little different and easy to watch, so give a go. I hope the sequel does better.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None