Tag Archives: Ecchi

Perverted aspects. Doesn’t apply to shows where it is a minor aspect.

High School of the Dead – Anime Review

Japanese Title: Gakuen Mokushiroku: High School of the Dead

 

Similar: High School DxD

Gantz

School Live!

 

Watched in: Japanese & English

Genre: Ecchi Harem Supernatural Action Horror

Length: 12 episodes, 1 OVA

 

Positives:

  • The otaku.

Negatives:

  • Every other character.
  • Takes itself too seriously.
  • Zombies aren’t a real threat.
  • No effort fan service.
  • Episode 4 recap in a 12-episode series.

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I watch a trashy anime expecting silly fan service and dumb action against zombies, but all I get is trash? What is this nonsense? High School of the Dead should have made for a great terrible anime that has you laugh at its ludicrousity. What it presents us instead is trash that takes itself too seriously and fails to understand everything about its genre.

A sudden zombie attack on the high school leaves a group of teenagers and a few staff members as survivors in a society descended into madness. It’s a fight for survival as they flee in search of loved ones. 

The main group consists of Mr Bland the usual harem protagonist, useless main girl, a kendo girl (obviously), a fat otaku, some screeching wench, and the dumbest nurse alive (perhaps literally, at this point). Of this group, the otaku is the only passable character. He represents a glimpse at what High School of the Dead should have been.

You see, every other character is taken seriously. I don’t mean a joke played with a straight face. Rather, the series expects us to take the kendo girl choosing to fight with a wooden training sword for her life, wearing nothing but an apron and panties, as serious. It demands that we pay attention to teenage whining about which nobody cares (reason enough to take your own life after listening to them). The screeching wench, a totally serious character, has the defining trait of yelling at everyone that she is smarter than the rest. If High School of the Dead understood itself, it would have killed her in the first episode for doing something stupid. And finally, how can anyone take the zombies seriously when they can neither see nor smell people? No one would die to these things. You need skill on the level of Shaun of the Dead to make this work. 

The otaku stands alone as he has some fun and cracks jokes in this borefest of an anime. He finally has opportunity to put his gun obsession to use when the world goes to hell, relishing in shoving a nail gun up zombie arse. He’s also – seemingly – the one character to acknowledge the ecchi. It isn’t some running joke that everyone is blind to it either. Again, we are meant to take it seriously.

The ecchi and fan service in general is garbage, even by the standards of a fan service anime. (Don’t you have to be a fan for it to be a service, and who would be a fan of High School of the Dead?) The camera does all it can to focus on the flailing boobs and pantie shots. Every movement has to have jiggle that puts Dead or Alive to shame. If there is no jiggle, the world will end. It doesn’t try to do anything clever with the ecchi, surprise you with a sudden angle change, or make a joke of it. I cannot recall an ecchi joke save one – the sniper rifle support. Mr Bland uses a girl’s chest as a rest to steady his rifle in one scene. Naturally, because they take the scene seriously, it loses the humour anyway. It was genuinely funnier when I saw that scene as an out of context gif. 

I guess there is the recurring joke of the school nurse with boobs so big she uses them as pillows when asleep at her desk, but the joke is just that she’s a bimbo every episode. If I were a fan service otaku, I would feel insulted by the laziness with which High School of the Dead treats the sacred art. This is Boobs the anime and they couldn’t even get that right. Did I mention episode 4 is a recap in this single-cour anime? The lazy is almost impressive.

If you want to see the “raunchy + undead” concept done right, look to the movie Lesbian Vampire Killers, which is not only hilarious but also far less safe for work. It knows how to make humour of fan service. 

Art – Medium

The entire budget went into the jiggle physics and the action, which has plenty of animation, though is a bit jerky at times – needs more in-between frames.

Sound – Low

The acting and music are so-so. Certainly not the worst things about this anime.

Story – Very Low

A group of slutty high school kids and their bimbo school nurse try to survive the zombie outbreak with their jiggle and panties. High School of the Dead is trash that fails to understand fan service, comedy, and zombies.

Overall Quality – Very Low

Recommendation: Avoid it. There must better fan service anime out there than High School of the Dead. I do recommend the movie Lesbian Vampire Killers instead, and Shaun of the Dead of course.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Horrendous ActionInduces StupidityRubbish Major CharactersUseless Side Cast

Vandread – Anime Review

Japanese Title: Vandread

 

Related: Vandread: The Second Stage (included in review)

Similar: Martian Successor Nadesico

A Certain Magical Index

Gurren Lagann

 

Watched in: Japanese & English

Genre: Ecchi Science Fiction Action Comedy

Length: 26 episodes (2 seasons)

 

Positives:

  • So ridiculous it’s entertaining.

Negatives:

  • Ugly as sin.
  • Don’t expect quality anywhere.

(Request an anime for review here.)

Vandread was the other anime from my ‘Watched but Not Reviewed’ list that I was tempted to revisit. Though unlike Scryed, which I surmised would still be good, Vandread was certain to be trash. But is it glorious trash?

In the future as presented by Vandread, men and women live on separate planets, able to reproduce through cloning to fuel the endless war between the two. Women are monsters who eat men, say the men! Men are savage barbarians, say the women! Generations of no in-person contact have led to the growth of demonising myths about the opposing sides. At the launch of the men’s new Vanguard battleship, low-class labourer Hibiki sneaks aboard to steal a mech, but finds himself captured by pirate women in a surprise attack. Oh no, they’re going to eat him! However, the battle created a wormhole, sucking the Vanguard and pirate ship into distant space, where the men and women must work together to survive.

These women aren’t part of female society anymore. The vanity war between women on their home planet made them strike out on their own to become something better. As for the men, Hibiki had no status on his world, the doctor wants to help others regardless of faction, and the Vanguard pilot finally has a purpose. An easy bond forms between the groups. The core theme of becoming something greater than your birth persists throughout every character arc.

Vandread is light-hearted – I mean, an episode is all about setting up the Christmas party – so set expectations to low.

The screen time alternates between space battles and comedy. The battles are terrible – don’t just mean the visuals – and aren’t worth paying attention to. The comedy largely plays on basic gender stereotypes in a fun manner. Main girl Dita is obsessed by aliens and calls Hibiki ‘Alien-san’ as she stalks him around the ship – she wants to confirm if rumours about men having a hose between their legs is true. Conveniently for her, his mech functions better with both of them inside yet has a single seat, forcing her to sit on his lap.

This isn’t a harem, surprisingly. I am amazed they resisted the temptation with a 5-to-1 ratio of men to women in the cast all aboard a single ship. That one choice makes Vandread much more enjoyable as a bad anime.

Vandread is as silly as it sounds. I used to like this show when I had seen a handful of anime. Now? The silliness is still fun in a bad way, but I find myself unable to care once the second season starts. A single season is enough. It looks like arse too, which tests the tolerance of your eyes.

Art – Very Low

All the CG for the ships and mechs looks awful. Character designs suck – the protagonist is a walking cliché of the era. He has many shounen anime clones.

Sound – Low

The script is rubbish and the voice work is average, yet is fun because no one takes the material seriously.

Story – Very Low

In a universe where men and women live on different planets, female space pirates capture three men and find themselves teaming up to combat forces from all sides. Vandread is stupid in every facet in the right way to make it fun.

Overall Quality – Very Low

Recommendation: For fans of bad anime. If you don’t want to think and need to veg out, Vandread is the perfect remedy with its silliness.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Ugly Artistic Design

Dusk Maiden of Amnesia – Anime Review

Japanese Title: Tasogare Otome x Amnesia

 

Similar: Another

Ghost Hunt

AnoHana

 

Watched in: Japanese & English

Genre: Horror Mystery Romance

Length: 12 episodes, 1 OVA

 

Positives:

  • Some gorgeous colours.
  • The humour succeeds.

Negatives:

  • The protagonist is as dull as the grave.
  • One of the worst dubs ever made.
  • Empty world.
  • The romance.

(Request an anime for review here.)

After you read the following blurb, I want you to guess what Dusk Maiden of Amnesia is about:

Yuuko has haunted Seikyou Private Academy ever since her death in the basement 60 years ago. Her memories of life lost, she establishes the Paranormal Investigations Club, where she meets Niiya, a boy who somehow has the ability to see her, Momoe, a girl afraid of ghosts, and the distrustful Kirie. They investigate the various mysteries surrounding the school to figure out which one relates to Yuuko’s death.

You’re thinking this is a horror mystery, yes? Well, you’d be wrong. I was wrong. This is a romance with a dash of horror mystery on the side – a romance with as much substance as a ghost.

Any romance with such a wet noodle of a guy as Niiya is doomed to fail. He’s a nobody. I don’t know what personality he’s meant to have. The idea of a ghost with several possibilities pointing to her identity and death is an interesting one. It hooked me. The mechanics of Yuuko’s appearance are interesting, for one.

When Niiya looks at her, he sees a sexy girl, voluptuous and well endowed in the right places, always flirting with him and craving his touch. But in the eyes of Kirie, she’s a monster, an onryo with long, matted black hair and black blood leaking from her skin. Her seductions aren’t for love. They are to ensnare Niiya and do who knows what to his soul. This is a great idea. The romance is obvious from the start and I thought its inclusion was to heighten tension, create uncertainty about whether she wants his love or his life. Unfortunately, this tension doesn’t last.

Another problem is the hollowness of the world. These four characters seem to be the entire population of this school. You see the occasional background character, but they may as well be cardboard cutouts. Imagine if there were more characters, each with a different perception of Yuuko and no one knows her true version.

We have this romance with no ground to stand on instead. Forcibly tripping over to grab both her breasts is supposed to be a heartfelt moment of their relationship (kill me…). Not joking. He’s a harem protagonist without a harem.

Even if Niiya were a great character, the meshing of romance and mystery needs work. The story progresses through a series of cases, investigating phantoms in mirrors, bodies buried under the school, an old myth about a curse on the last kid to leave school each day, and the like. All these mysteries lack layers without time to develop because the romance takes precedence.

Hell, there’s almost more comedy than mystery in this horror mystery. Dusk Maiden of Amnesia opens on a great scene of Momoe in the clubroom writing notes as various objects float around. She freaks out but explains everything away to keep her sanity. Niiya enters and can seemingly read her mind. Then the whole scene plays again, only to reveal Yuuko this time, responsible for moving the objects, drinking Momoe’s tea, and the mind reading is a coincidence. Niiya’s answers to Yuuko’s questions happened to fit Momoe’s thoughts. Great use of a ghost, I must say.

So what we have here is a horror mystery with more comedy and even more romance than either horror or mystery. Did I put in the wrong disc?

Art – Medium

The environments are grim and grungy, reminiscent of a noir detective game, but the characters look too clean, too ‘nice’ for the setting. Some shots have such gorgeous colours that I paused to admire them.

Sound – Low

What is with this dub? How did they make such a bad dub in 2012? This sounds out of the 90s before professionals did the job. Not everyone is bad, of course. That protagonist though…bloody hell. Thankfully, the Japanese is fine, so stick to it. Even so, don’t expect anything above average. The best friend’s freakouts are the best.

Story – Low

The Paranormal Investigations Club unravels their school’s mysteries to recover the memories of the girl that haunts the halls. Dusk Maiden of Amnesia made the grave mistake of focusing on romance with a soggy protagonist instead of the mysteries it had set up.

Overall Quality – Low

Recommendation: Skip it. Even horror fans won’t find something of worth in Dusk Maiden of Amnesia because of the romantic focus.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Shallow

FLCL – Anime Review

Japanese Title: FLCL

 

Related: FLCL 2 (TBR)

Similar: Excel Saga

The Tatami Galaxy

Kill la Kill

 

Watched in: Japanese & English

Genre: Science Fiction Action Comedy

Length: 6 episodes

 

Positives:

  • Good animation.

Negatives:

  • LOL random!
  • Haruko is annoying.
  • So bloody boring.
  • All noise, no substance.
  • The dub is the worst. THE WORST!

(Request an anime for review here.)

I put off FLCL’s review for the longest time, but with the sequel announced, I guess death is inevitable now, so best get it over with.

Naota’s dreary life turns upside down when the mother of all annoyances, Haruko Haruhara, crashes her scooter into him and bats him with her guitar. It’s not long before a horn grows from his forehead and a robot bursts forth. Haruko and the robot take up residence in his home, against his wishes, but that’s the least of his worries with the battle over his power yet to come.

It’s hard to get a sense for FLCL without watching it. The comedy is best described as ‘LOL random’, the action as flashy yet pointless, and the metaphors as trite. FLCL masks its meagreness by throwing everything and the kitchen bin at you. With one episode’s worth of substance stretched across six, it is no wonder they filled the time with random humour and weak imagery. The inconsistent tone with no throughput line to tie it all together delivers a disjointed anime. Haruko’s sole purpose seems to be to yell spontaneously some idiocy or other, just in case coherence is trying to take a foothold. She is a contender for worst character of all time.

You will hear viewers talk of how hard it is too follow FLCL. Don’t confuse this for complexity. They refer to the lack of cohesion, not depth of ideas. Anyone would be forgiven for getting a headache from all the noise. The Tatami Galaxy is far weirder, yet has leagues more cohesion and sense.

The genius depth fans claim to find in FLCL comes from the metaphors. I hate to break it to them, but these metaphors couldn’t be more obvious. A girl slamming into (love at first sight) and giving “mouth-to-mouth” to a guy, which makes a horn (boner) grow from his forehead doesn’t take genius to figure out. Oh wow, he’s attracted to her and has a hard-on for her against all sense later, just like every other teenager – colour me shocked. My mind has expanded…

The defence for all these shows is “You don’t get it.” I don’t know why people think that any story is hard to ‘get’. I think they confuse their fascination of an art piece – often a piece that showed them something new or a new way of thinking – as some hidden genius, and if others don’t find it deep, then it must be because they haven’t seen it yet, they haven’t been enlightened to the secret genius of the artwork. No, everybody saw it, everybody got it – they had simply seen better before. “You don’t get it” is the worst defence you can use. It makes you look like a simpleton unable to justify your stance on a critique. (I’m not referring to the “It’s not your type of art” meaning of “don’t get it” – just the “you are too stupid to understand it” version. We really need to start using two different phrases.)

Even setting all the above aside, a good metaphor doesn’t require understanding to succeed. The subtext simply adds to the effect, similar to an Easter egg or a subtle call back to a previous series. If you read Moby Dick and think it’s about hunting a whale, then you can still enjoy it as a great book. See the metaphor, and it gets even better. The best metaphors enhance your experience without your knowledge. You’ll find that the way a story came together, the narrative resonance from start to finish, is brilliant yet not realise it is because of the overarching metaphor. Then a friend happens to mention it years later and it all clicks together like that final Lego piece. You didn’t see the metaphor, but you subconsciously got it.

An easy technique to analyse the weird and zany is to strip it down to the basics, to the characters and story. Do they still have complexity? No? Then all the world’s weirdness won’t save them. Yes, weirdness adds to the style, presentation, enhan— it’s the difference between some monotone bloke versus Stephen Fry narrating an audiobook. It makes a difference, perhaps enough to be entertaining, but it doesn’t fix underlying problems. The best CG doesn’t save a bad film, does it?

FLCL certainly has good ideas. You can see the same ideas of teen sexuality in Neon Genesis Evangelion and the action style went in Gurren Lagann later on. If you want the weirdness executed with control and thought, look no further than Kill la Kill. Brought together like this is just a mess, however.

Even at a mere six episodes, FLCL was a chore to finish – took four sessions. I found it boring all those years ago and I still think the same today.

Art – High

Good animation and clever shot compositions are FLCL’s only redeeming features.

Sound – Low

The script is nonsense accompanied by weak acting, and yet the dub is infinitely worse. Avoid it!

Story – Very Low

A kid’s life turns upside down when a crazy girl with a guitar hits him in the head and a robot grows from his forehead soon after. FLCL’s reliance on random humour to fill time between plot moments marks it as a show lacking in confidence and substance.

Overall Quality – Low

Recommendation: Skip it. If you must watch FLCL, don’t subject yourself to the dub.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Fluid Animation

Negative:

IncoherentNot FunnyRubbish Major CharactersShallow

Saekano: How to Raise a Boring Girlfriend – Anime Review

Japanese Title: Saenai Heroine no Sodatekata

 

Related: Saekano: How to Raise a Boring Girlfriend .flat (sequel – included in review)

Similar: The World God Only Knows

Welcome to the NHK

The Pet Girl of Sakurasou

 

Watched in: Japanese

Genre: Harem Ecchi Comedy Romance

Length: 25 episodes (2 seasons)

 

Positives:

  • Episode 0s.
  • Proper challenges in creative professions.

Negatives:

  • Can’t focus.
  • Too much harem filler.
  • Becomes what it parodies too often.

(Request an anime for review here.)

It’s no secret that trash overwhelmingly populates the harem genre. It’s also common knowledge that harem is mainstream among anime fans, as a harem entry hits the charts each season. Fans also forget them just as quickly when the next season throws a new batch of waifus to pick from.

Harem anime is the easiest genre to make and thus floods the new release list every few months. To stand out from the orgy, studios select series that can bait the reader in, whether through an all-monster-girl cast, picking up girls in a dungeon, or making every girl be the guy’s teachers. A-1 Pictures’ gamble to go meta-harem with Saekano: How to Raise a Boring Girlfriend paid off, wedging it between the breasts of fellow harems The Testament of Sister New Devil (what is this name?) and Absolute Duo in that season’s top 10. Parodying the genre elevates you above the genre, yes? Well, let’s find out.

Saekano follows high school otaku Tomoya in his dream to make the most compelling harem visual novel. To this task, he recruits illustrator Eriri, bestselling author Utaha, and boring girl Megumi as model for the main character. However, to tap into the emotions required for a compelling visual novel, he and his ‘super team’ must experience these emotions themselves.

So, the excuse for a harem this time is the creation of the visual novel, where 99% of harem anime come from, which is a better excuse than most. The characters comment on the harem – get down with the meta – in the process of crafting the game characters, writing the story, and designing the illustrations, often to comedic results. Episode 0 is full meta, as it assigns each character a role in the harem anime – think of a harem LARP. This Episode 0 deceptively sets up the idea that Saekano is a meta harem, which is not the case, as it’s more of a workplace anime like Shirobako and New Game before it then becomes an ordinary harem.

Giving the characters jobs that drive their progression is a nice addition. (Ever notice how most harem characters do nothing in life?) Even so, Tomoya isn’t much more interesting than your average harem protagonist. He’s about light novel protagonist level. The greatest missed opportunity lies in Megumi. It would have been much more interesting if she were nothing like the ‘boring girlfriend’ archetype required for the game. Instead, make her the opposite but have to act like the generic harem main girl. What we have is an unironic bland girl with no arc, whose main purpose is to create the clickbait title of the anime.

The third act of season one introduces Tomoya’s cousin, a musician, whom he recruits to compose music for the game. Up to this point, most episodes focused on each character’s role (Saekano still uses the harem structure of ‘let each girl have their turn’). When the cousin enters, it’s her turn to jump Tomoya and there’s nothing meta or ironic about the cousin-cest. The usual accidental flashing, towel drops, no boundaries, and shallow titillation fill the screen time. Saekano becomes the cliché it’s supposedly parodying. Season one is a bore.

Funnily enough, season two opens with new meta about the first season, mocking it as boring and clichéd. “How did such a generic anime get a second season?” And Saekano sees a marked improvement from there. Work takes centre stage with serious conflict. The team struggles with finding the answers to what will make for a compelling game in the face of deadlines. Eriri and Utaha also receive an offer to work on a professional project. This creates Saekano’s best moment, when Tomoya has to face the reality that he isn’t cut out to lead a team of professionals. Eriri and Utaha aren’t amateurs, yet he treats them as such, not demanding of them the same quality as you would of a professional. For the first time in a harem, the protagonist is punished for being too nice. Progress!

You may be asking yourself about what happened to the meta. Saekano’s core failure is a lack of focus. Is it a harem parody? No, it’s a romance. Wait, no, it’s about finding success in life. Saekano needed to choose one and relegate the others to subplots instead of giving each one main plot time in turn (ironically, just as harem does with its girls). A symptom of this failure is no more evident than when Tomoya fades as protagonist in season two. He becomes a supporting character in his own story! (Not a great loss, if I’m honest.)

Saekano is still above most harem, but only average by other standards, which is far better than anyone should expect.

Art – Low

Saekano uses the style of coloured lines instead of black for character outlines – as seen in Bakemonogatari – but at random, giving characters an off-putting neon glow. A-1 Pictures tried copying Shaft without purpose. Bad CG intrudes at odd times, such as when the author is typing. No artistry either. It really wants you to find these girls sexy with how it pans across anywhere but the face.

Sound – Medium

The acting is fine with nothing outstanding. Music is forgettable.

Story – Medium

A visual novel aficionado convinces a bestselling author, a respected illustrator, and a random girl to join his project of creating the best harem visual novel. A lack of focus holds this story back, though still succeeds in parts.

Overall Quality – Medium

Recommendation: For harem fans only. Saekano’s meta humour and effort at conflict make a more interesting anime than the usual harem. Its faults still confine it to the genre.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Incoherent