Tag Archives: Ecchi

Perverted aspects. Doesn’t apply to shows where it is a minor aspect.

KonoSuba: God’s Blessing on This Wonderful World! – Anime Review

Japanese Title: Kono Subarashii Sekai ni Shukufuku wo!

 

Similar: No Game No Life

Ixion Saga DT

Slayers

Log Horizon

 

Watched in: Japanese

Genre: Adventure Comedy Fantasy

Length: 20 episodes (2 seasons), 1 OVA

 

Positives:

  • Consistently funny characters.
  • Fun, colourful style.
  • Great parody of otherworld anime.

Negatives:

  • Weak story lacks progression.
  • World could do with greater exploration.

(Request an anime for review here.)

Kazuma is useless. Darkness is useless. Megumin is also useless. Aqua is especially useless. Everyone is useless in the world of KonoSuba! And it is great.

After an embarrassing death, high schooler Kazuma has the chance at another life in a fantasy world. A nerd’s dream come true! Unfortunately, he spawns as the worst class in the game and Aqua, the goddess that granted the new life, is a companion without talents to speak of. They soon recruit descendant from a powerful magical bloodline, arch wizard Megumin, master of explosion magic. At last, some strength to the group!

Nope. She can only cast one spell before collapsing. Well, at least they have a resilient tank in the form of paladin Darkness. She will save them! Nope. She’s has zero accuracy in combat and is a masochist that loves taking a beating from monsters – the more people that watch her sweet arse and bountiful breasts get beat the better.

KonoSuba is a refreshing change after trudging through the endless mire of isekai (otherworld) anime. This parody is better and funnier than the vast majority of titles in the genre, not to suggest there is stiff competition.

Everything works and make sense in this take on the genre, Kazuma being utter trash most of all. His team starting out at the bottom doing menial quests such as slaying killer cabbages and painting houses that barely pay enough for living expenses (note how most isekai forget expenses), just like in any MMO, makes sense. Every isekai fan believes that if they woke up in a fantasy world, they would be a powerful knight or wizard at the top of the food chain (just like how advocates for communism think they would be part of the small ruling class and not one of a billion peasants at the bottom). Who knew that being an otaku NEET doesn’t train you for life in a dangerous fantasy world? KonoSuba shows the reality of how garbage everyone would be and leans into it for great comedic effect.

The characters in particular bring this series together. They are such fun, such a riot to hang out with that they overshadow problems. I did think there was a risk of repetition at the start. For example, Darkness’s love of masochism could have quickly become her running into the fray to get smashed, we laugh at the joke and repeat next episode. However, the joke stays fresh because it isn’t about having her armour stripped off each battle. Instead, it’s about the ridiculous lengths she will go to for arousal and how much more desperate she is each time. Just when I thought it wouldn’t be funny anymore, she surprised me next episode.

The big problem with KonoSuba is the story, or lack thereof. The main goal is to defeat the Demon King, something I forgot about a few episodes in since they ignore this in favour of episodic stories. Now, these small stories work well in facilitating the characters and comedy, but they don’t progress the plot. Watching these episodes in the moment wasn’t a problem until it cares about the Demon King again, where it reminds you of how little the plot has moved. The overarching story feels like an afterthought. “Oh damn, I wrote all these great jokes but forgot the story. Quick, make something up – kill bad guy…big monster…demon…yes, demon king! All done. Phew.”

As such, if you are going to watch KonoSuba, you have to do so for the characters and humour. The world itself lacks depth, having used the generic fantasy template, and the story is just as straightforward as can be. If after you meet the whole team you don’t find it funny, then don’t proceed further.

Art – Medium

I like the colours and character designs. It’s a shame little effort went into making the environments anything but generic. If you removed characters from the shot, you wouldn’t know which anime the environment was from. The animation is strong, particularly in the spell effects that took the largest portion of the budget.

Sound – High

The acting is strong, though it may take a little getting used to Kazuma’s voice, as he sounds too old for a teen, but hey, at least it’s something different from the usual forgettable isekai protagonists. (Note: There is a dub on the way, for those interested.)

Story – Medium

A teen revives in a fantasy world, but has no talents and is surrounded by others with no talent either. Characters and humour hold up this rather barebones story.

Overall Quality – High

Recommendation: A must for comedy fans. KonoSuba is greater than the sum of its parts thanks to its characters and hilarious comedy. This is an easy anime to watch and recommend.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

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Tenchi Muyo! War on Geminar – Anime Review

Japanese Title: Isekai no Seikishi Monogatari

 

Related: Tenchi Muyo (main series)

Similar: Vision of Escaflowne

Vandread

Familiar of Zero

 

Watched in: Japanese & English

Genre: Action Comedy Ecchi Harem Fantasy

Length: 13 episodes (45 min. each)

 

Positives:

  • Pretty cool world design.

Negatives:

  • The perfect protagonist.
  • So much stupid.
  • Glaring audio and visual hiccups.
  • Really, really

(Request an anime for review here.)

The original, janky, and rather rubbish Tenchi Muyo was an anime I occasionally caught on TV an eon ago. I never made an effort to watch much of it, since it was a harem with awful art. A decade later, I stumbled upon a page regarding Tenchi Muyo! War on Geminar, which had far superior art and positive buzz from fans. How could Tenchi Muyo have produced anything that wasn’t garbage? And so, with many more years passed since then, it’s finally time to end my curiosity and see the fuss.

This story has Kenshi, younger brother of original Tenchi Muyo’s protagonist, teleported to the fantasy world of Geminar with a mission to assassinate Princess Lashara, but he fails and becomes her slave before eventually fighting for her against his summoners.

War on Geminar makes a good first impression with its visual production. While not unusual by today’s standards, it was rare for what is evidently an otaku-only anime to have an animation budget – sliding stills and big boobs were the expectation. The world design also has creativity. The reptilian mech designs look good, animated fluidly in duels, and I love the idea of an airship being a landmass with a palace and forest on top. Sure, the first episode has harem markers and some fan service barf, but my impression is positive. This is nothing like the Tenchi Muyo I remember. What is this grand magi-tech fantasy kingdom?

However, once the story settles in and starts churning through daily life in Geminar, everything turns to crap. We meet all the girls of his harem, covering every harem archetype to draw in the maximum otaku audience (see cover image of this review up top for the full selection). Whatever one’s preference, War on Geminar has the girl for you. Of course, none of them has an iota of depth, their sole purpose in the anime being to fulfil the obligations of their archetype. It’s stupid interaction after moronic interaction with Kenshi. They almost have depth, right up until the harem tropes undermine their arc to keep them in the pit of trash.

Where it becomes truly atrocious though, is with Kenshi. Allow me to introduce you to the most Mary Sue character in anime. You think you know, but you don’t.

Lashara puts Kenshi to work in the high-class girls’ school as handyman, a Jack-of-All-Trades; except, the writer forgot the “master of none” part of the Jack-of-All-Trades. Kenshi is perfect at everything on his first day. Housekeeping, brick laying, shoemaking, construction work, five-star cooking, delivery, climbing, running, sword fighting – you name it, Kenshi is the best at it first try. Every girl in school is after him, but because he’s so fast and never tires, they all drop of exhaustion. His massage skills are so great that a single grope from him will leave any girl in a permanent state of crippling arousal, for some reason. Then every girl wants him to wash her back during bath time.

Wait, wasn’t this some fantasy anime with mechs? Yep, that’s what it claims.

War on Geminar has an identity problem. It can’t decide if it wants to be a fantasy war series or a high school harem. Once you strip away all art (which has weakened after a few episodes) and all the flash, this is just another bad harem. The highest budget harem you should perhaps watch for its terribleness, certainly, but still a bad harem like any other at its core.

Art – Medium

War on Geminar appears to have great art at first glance. From characters to world design, this looks far better than the original Tenchi Muyo. I like the mech designs and flying palace. There is good animation during duels, but has so much awful outside that – static shots, repeating animations that linger, and some horrible shots. One instance has smoke billowing out of a building, and when the building tips over, so does the smoke pillar. Yes, the smoke in the air “tips” over.

Sound – Very Low

The writing turns you into an idiot. The princess who speaks in third person is especially dumb. Full of kewl quips and one-liners. Even the sound design is poor, which is rare – I mean rare. For example, the guy running on grass makes the sound of heels on tiles. Why?

Story – Very Low

A boy mysteriously teleported to another world joins a cast of girls to defend the empire. This is the highest budget harem garbage ever made, Mary Sue protagonist included.

Overall Quality – Very Low

Recommendation: Avoid it or a must watch for garbage. Tenchi Muyo! War on Geminar’s production values make it easier to watch that other “so bad it’s good” titles, so if you want some absolute trash, then have fun with this one.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Awful DialogueInduces StupidityMary SueRubbish Major Characters

Back Street Girls: Gokudolls – Anime Review

Japanese Title: Back Street Girls – Gokudolls

 

Similar: Detroit Metal City

Aggretsuko

 

Watched in: Japanese

Genre: Ecchi Comedy

Length: 10 episodes

 

Positives:

  • Occasionally funny.

Negatives:

  • Comedy drags.
  • Too many extra skits.
  • So disappointing.

(Request an anime for review here.)

The idea of three yakuza men forced to have sex reassignment surgery to become pop idols after messing up an important job should be hilarious. I am crushed – utterly crushed, I tell you, that Back Street Girls: Gokudolls is a failure. Such a dumb premise had me laughing at the mere thought, but the final product isn’t anywhere near as funny as the premise lead me to imagine.

Skits that drag the jokes for too long and an excessive number of outright unfunny scenes (some unrelated to the idols) made just 10 episodes a chore to complete. Even with each episode split into several mini episodes for separate skits it felt too long.

Watch one minute of Back Street Girls and it will remind you of the great Detroit Metal City. So how is it that with such similar styles and humour, Detroit succeeded where Back Street Girls failed? The key, as ever with comedy, is in the timing. Detroit kept it sharp with ~10-minute episodes (excluding OP and ED). Everyone has experienced the difference when hearing two people tell the same joke – one person knows the flow, where to put emphasis, when to pause for effect and the other person doesn’t. Great comedians are also great storytellers.

Back Street Girls, ideally, should have had the order from up high to cut half the material, keeping only the best skits and trimming them down to bullets of comedy. Some skits barely relate to the idol “girls”, leaving me wondering why they are in the anime.

The best material relates to the yakuza boss dealing with the idols. He realised how much money idols make and wanted that for his gang, but no idol would willing join the yakuza, so he put his wimps to use. See, this boss is an idol fanatic that knows every minute detail of the idol lifestyle. Idols are in bed by 9 p.m. Idols don’t play mahjong (it isn’t cute). Idols don’t drink alcohol or even water – only cute drinks like juice allowed!

While these skits had me laughing, they aren’t enough to carry the series. It is also difficult to watch the screen when the art is so poor. The art style, which is similar to Detroit, is suitable in that intentionally ugly way. However, the lack of animation and overuse of shaky cam with action lines grows old fast. It’s one of those anime where it being specifically an anime doesn’t seem to matter.

I was adamant on watching and reviewing Back Street Girls based on the premise alone. What a disappointment. Absolutely crushed. If I were a drinker, I would be drinking my sorrows away like these lads.

Art – Low

Back Street Girls relies on texture and expressive stills instead of animation. The most animation is in the lip flaps, which is motionless at times. If a character needs to move, it jumps to the end frame. (e.g. When someone stands up, they will be sitting one shot and then be standing the next.)

Sound – Medium

The best audio is the early 2000s style idol J-pop opening. The overacting and screaming matches the series tone, though lives and dies on the quality of the skit.

Story – Low

Three yakuza men become teen girl J-pop stars as repentance to their boss. The occasional funny skit isn’t what this wonderfully silly premise deserved.

Overall Quality – Low

Recommendation: Skip it. At most, I would recommend watching a few of the best skits on YouTube or somewhere if available. Back Street Girls: Gokudolls isn’t worth more.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Disappointing

Steins;Gate 0 – Anime Review

Japanese Title: Steins;Gate 0

 

Related: Steins;Gate (prequel)

 

Watched in: Japanese & English

Genre: Science Fiction Thriller

Length: 23 episodes

 

Positives:

  • You don’t have to watch this.

Negatives:

  • Unrecognisable characters.
  • Pointless.
  • Padded through obfuscation.
  • Fan fiction.
  • Bad plotting.

(Request an anime for review here.)

Note: Implied spoilers for the original Steins;Gate ahead.

The best thing I can say about Steins;Gate 0 is that you don’t have to watch this anime. It’s pointless. It presents the “what if” scenario of Okabe failing to save Christina, his love, at the end of the original Steins;Gate. This isn’t a bad idea, by any means, to give us the “bad ending” and show how the hero would cope with loss and failure. What if Superman failed to save the day? What if the murderer was cleared of all charges and got away? These are interesting scenarios. Steins;Gate 0 couldn’t have executed this any worse than it did.

Okabe’s experiences of seeing a loved one die repeatedly across many timelines has left him drained, a far cry from the cheerful mad scientist we knew from the previous series. This presents an immediate challenge, though not necessarily a problem if compensated right. Okabe’s larger than life personality and lovable insanity is one of the driving forces in Steins;Gate, and to remove this elements means leaving a void. A writer can alleviate this by either bringing a similar replacement character (not the best solution, as it often feels copycat-ish) or by ramping up the dramatic tension. We would miss Mr Mad Scientist, yes, but the story would grip us while his sombre changes make sense. Steins;Gate 0 does neither.

There is no replacement for Okabe’s presence and the tension has never been flatter in this franchise. The first two acts have so little going on that it makes the creatively bankrupt nature of this anime too obvious to ignore.

Without Okabe driving the plot, as he did in the original with his time travel research, Steins;Gate 0’s hook is the introduction of an AI so advanced that it can replicate the human brain. In this case, Christina’s former research colleagues managed to copy her brain to a machine and it is up to Okabe to test the veracity of her humanity. She appears as a digital avatar of herself on a smartphone. (Imagine the movie Her but without the creativity, good writing, and satisfaction). This gimmick doesn’t amount to much in the end nor does the series explore a tenth of its potential – ramifications of such technology, possibility of hacking the AI, it going beyond the programming, emotion, and so on. It’s just an excuse to have Christina in the story while also keeping her dead. Furthermore, she isn’t half the great character we remember.

This leads to the next problem – characters. The characters here are garbage. If you have just finished Steins;Gate, it can be difficult to comprehend how such a great cast of characters could become so pathetic in the next series. Let me summarise it simply: If the characters didn’t still have their signature quirks such as Mayuri’s “Tuturuuuu”, Faris’s catgirl cosplay and meows, Daru’s net-speak, and the like, one wouldn’t recognise these people by personality.

They feel like fan fiction versions of their former selves, written by a fan that didn’t quite grasp what made these characters them. The surface is there, but none of the soul. (Let’s not even get into the useless Christina-looking clone character they added to no purpose.)

In fact, this entire series feels like fan fiction, which is even more baffling when I saw that it came from the same creator. Gone is the intricate plotting. Gone is the tension. Gone is the dialogue. Gone is Steins;Gate.

The core problem goes back to Okabe. The story lacks a driving force, resulting in much standing around and talking about the story rather than acting through it. Characters withhold information from others for inexplicable reasons, purely as a means to stretch out the plot. And the red herrings are some of the worst misdirection anyone could dream of. The new villain is so nonsensical that I could spoil it and be doing you a favour. Had the characters received the same respect here as they had in Steins;Gate, this would be over in five episodes. Most characters have no place anywhere in the series, crammed into scenes for fan service. Even characters with a point are forced into scenes where they don’t belong just to maximise exposure (read: “Buy the merchandise for all these characters”). I laughed when several of the most innocuous characters are transformed into killer soldiers just to include them more. We can’t forget the fan service!

Fan service made sense in the original. It was always a little out there, but it fit the otaku-centric culture and didn’t undermine the tone outside the rare occasion. Here, it couldn’t be clearer that the team cared about fan service first with oh so “hilarious” sexual mishaps and otaku mannerisms that sap all drama from the air at the worst times.

Look no further than breasts for answers. Compared to the original, every female character has jumped up a dozen bust sizes to defy gravity and maximise profits on erotic merchandise.

If you look at this anime on its own, which you can, it’s below average and boring. Add in the pedigree of Steins;Gate and you have yourself one of the worst franchise continuations in anime history. Steins;Gate 0 reminds me of the Terminator movie franchise in how pointless the releases have become. At least Terminator took until the third film to run out of creativity.

I didn’t even cover a fraction of the details wrong with Steins;Gate 0 – we’d be here all night otherwise. This isn’t the worst anime ever made, but boy do I hate it.

Art – Medium

The women have become more homogenised and the new characters are uninspired. The cinematography, though still decent, is down on the original.

Sound – Low

Mind-meltingly dull script lacking in personality and the actors don’t have the room to flex as they used to. The music is forgettable, unexpectedly.

Story – Low

Steins;Gate 0 is the “what if” scenario had the hero failed to save his lover. This pointless continuation of the franchise is fan faction with a big budget.

Overall Quality – Low

Recommendation: Avoid it. Steins;Gate 0 should have stayed lost in time.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

DisappointingIncoherentPoor PacingUseless Side Cast

Genshiken – Anime Review

Japanese Title: Genshiken

 

Related: Genshiken 2 (included in review)

Similar: Welcome to the NHK

The Tatami Galaxy

 

Watched in: Japanese & English

Genre: Slice of Life Comedy

Length: 27 episodes (2 seasons with 3 OVA in between)

 

Positives:

  • A few good jokes.

Negatives:

  • The dub.
  • Low effort art.
  • Dull most of the time.
  • Shallow characters.

(Request an anime for review here.)

When college girl Saki discovers her boyfriend’s hentai stash, she consults his friend Madarame at their clubhouse and asks if his fetish for hardcore material of the 2D variety is normal. “I would not be caught dead with any regular porn,” replies Madarame. Welcome to Genshiken, the Society for the Study of Modern Visual Culture.

This decorative name is just another way of saying “Otaku Club”, where they play games and read doujinshi (fan made manga, usually hentai) about the characters, watch anime accompanied by more doujinshi, read manga with more – you guessed it – doujinshi on the series, and finish off the day with an eroge or two. This club is all about unfiltered otaku fandom. It is unashamed of its appreciation of naked 2D culture. Well, Madarame more so than the rest – new kid Sasahara hasn’t fully accepted his fandom.

The main theme of Genshiken is learning acceptance of you hobby and not being ashamed of what makes you happy. It captures the awkwardness of being embarrassed of by niche interest. An admirable theme, sure. It’s a shame Genshiken does so through narcosis inducing characters.

I like the general concept of a slice of life focused on discussing anime and game related media, comparing manga versus adaptations. It’s one of the many things I do after all! Where Genshiken fails for me is in the blandness of the characters and how nothing they say is interesting. It needed more critical analysis. You have two approaches for storifying analysis of a topic: You can go the abstract route, like The Tatami Galaxy where everything is metaphor and allusion, or you can straight up have characters discuss it in relation to their daily lives, as Genshiken attempted. With the latter, you must make sure that the discussions have depth. It’s the difference between a Half in the Bag review by Red Letter Media and the tripe that WatchMojo vomits out. If the audience were likely to hear what everyone thought of already, why should they attend?

I’ll use the secondary couple of Saki and her boyfriend as an example. He is an omega otaku despite his outward “handsome” appearance, spending every waking moment playing games or beating it to eroge, even with Saki around. Her arc as a non-otaku is a desire to make him normal, though of course she will come to accept him and his friends before the end. Sounds fine, right? Sure, if he weren’t a nothing character. They have no conflict. She gets angry at him for ignoring her or not satisfying her needs, but nothing comes of it. He sits there, all pleasant and boring, and we move on to the next scene. She wouldn’t be interested in him once over the lust. Their relationship has nothing to say.

The one couple that does work is the cosplay designer guy and the cosplay girl. He’s an awkward guy that thinks she’s out of his league, not realising that she’s just as awkward as he is. They help each other grow together both in public and in private (nice detail of showing how awful he is at kissing). Certainly, hearing people talk about their fetishes in an intimate moment will likely make you feel uncomfortable, yet people do that. They get a few episodes of attention.

Genshiken, like most club-based anime, ends with graduation and moving onto the next stage in life – the workforce, in this case. I appreciate that it shows the reality of how difficult it is to get a meaningful position in the creative industry (Sasahara wants to be a manga editor, just like a million other otaku), which once more like the discussions, only states the obvious.

Throwaway – that’s the word I’m looking for. Sasahara’s struggle in the finale feels throwaway, just like every piece of commentary in Genshiken.

By contrast, Welcome to the NHK covers many of the same scenarios and themes, does them better, and has content to engage people outside of otaku culture. (The one scenario Genshiken does better is the experience of selling your self-published work at a convention.) Watching Genshiken after NHK is unfortunate for the former’s chances of engaging me.

On top of the dull characters, we have the art. Recorded at what feels like four frames per second, Genshiken is ugly, with bland backgrounds and unfinished character art. Remember Saki’s boyfriend? Yeah, he’s supposed the handsome otaku – hence why a “normie” like her would be interested in him – but he looks just as ugly as the rest. I know Genshiken comes from the early years of digital animation, yet this is abominable. The stills look bad. The animation makes it even worse. If you can call that twitching animation.

Now, if you want to see Genshiken at its worst, go into the dub. This is a prime example of what we mean by a bad dub “back in the day”. Where to begin? Lifeless acting, miscast voices, and flat dialogue are just a few of the dub’s transgressions. One character has a stutter, but the English actor has no idea how to stutter, so instead we hear what sounds like an outtake of him fumbling the read. No one – no one – does a good job in the dub. Switching from English to Japanese makes Genshiken feel like a new anime. It can’t fix the art, mind you, but wow does it make a difference. This is a good case study on how performances can affect everything about a series. I am so glad the dub industry outlived that era.

Art – Very Low

Genshiken has recurring segments on an anime the club members are a fan of and it looks better than Genshiken itself. Where’s the animation? Why are the characters distorted and inconsistent? Why is this so ugly?

Sound – Medium

The dub is awful in every way. One of the worst of all time. Stick with the Japanese if you venture into Genshiken. It’s weird and amusing to hear Tomokazu Seki (Sagara from Full Metal Panic) play a depraved otaku.

Story – Low

Genshiken follows the daily life of the members of an otaku club. Otaku pandering and good intentions replaced interesting characters and good story.

Overall Quality – Low

Recommendation: For hardcore otaku culture fans only. Genshiken is otaku pandering, no question, and little more. You won’t find much of interest if you aren’t part of that culture or have a fascination with it. Welcome to the NHK is better.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Ugly Artistic Design