Tag Archives: Comedy

Good for laughs. This tag only applies to shows that have consistent attempts at humour or are particularly funny.

Big Windup! – Anime Review

Japanese Title: Ookiku Furikabutte

 

Related: Big Windup! 2

Similar: Major

Cross Game

Ace of Diamond

 

Watched in: Japanese & English

Genre: Comedy Sports

Length: 25 episodes

 

Positives:

  • It would be against the Geneva convention to force people to watch this

Negatives:

  • Maybe the worst protagonist in anime?
  • Participation trophy philosophy
  • Perma-blushing cheeks
  • Cheerleading subplot

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The typical shounen sports protagonist will be the most energetic and often most arrogant player in the game (see Major and Ace of Diamond). Apart from being one of the easier archetypes to write, his personality facilitates big plays and big drama. If he’s arrogant enough to get into someone’s face to grandstand ahead of a match, he’ll have the confidence to go for the long shot that moves you to the edge of your seat. Big Windup goes for the opposite and in the process demonstrates why the high tempo protagonist is so common.

Mihashi isn’t just an underdog. He’s a crybaby – I’m not using hyperbole. This guy is on the verge of tears when someone merely looks at him. On the pitcher’s mound, on the sidelines, at school, at home, hanging out with friends, wherever, it doesn’t matter, this dude wants to cry about anything and everything. That’s not all. He’s supposed to be the team ace. I’m not sure if we’re meant to feel sorry for him or to find his social ineptitude humorous. I could argue either way.

The arc is obviously to have him come out of his shell and gain confidence through the support of his teammates. However, it starts with a flawed premise. How is this guy an ace to begin with? How does he have the skill? The answer the story gives is that he was on a team in middle school as the ace, but also that he was so bad they could never win…? Is he good at the game or not? Never mind playing baseball – Mihashi would have a mental breakdown from the pressure of having to strike someone out. He should be in therapy, not baseball. I watched the first season, 25 episodes, and he is no less of a crybaby by the end (they still use his frailty for comedy with that chicken face in episode 25, so again, not sure if comedy or serious). There is another season, but surely by this point he would have some change.

The brilliant ProZD portrays Mihashi perfectly here, just without the badass growth:

Let’s suppose you either don’t care about this character or can tolerate him, is the rest worth it? No. The baseball is rather dull and lacks tension, both in a game and character sense. Most teammates are the same milquetoast person, blending into one forgettable mass. Some are alright, though nothing to write home about.

At its core, these problems all feel like symptoms of the same illness – the aversion by the author to have tough conflict. Meekness characterises Big Windup. I don’t want to sound nasty, but this needed more nastiness. I have the impression that the author leant on wishful thinking for a “nicer” world to craft this story, rather than facing reality, often caused by an author’s fear of hurting their beloved characters. Twilight’s author, Stephanie Meyer, refused to kill off any of her characters because she grew too attached.

An alternate possibility is that Big Windup is about mocking a kid with a mental disability (again, not sure if we are to laugh with him or at him), though I like to give the benefit of the doubt.

A major subplot centres on the cheer team, which is an unconventional side to explore in a boys’ sports anime. It’s insistent on following these characters. However, there isn’t much to see here, which is disappointing, as Japanese cheer squads are rather nuts. They’re nothing like American football cheerleaders. They’re more like choirmasters, leading the crowd into a high energy, disciplined chant for the team. Deafeningly loud too.

The cheer and baseball teams alike are all about the power of friendship, everyone is good, competitiveness is toxic, and other “hippie” philosophies, for lack of a better word. Now, I’m not saying that being nice is a bad thing. Ideally, everyone in the world would be nice at heart. But having your head in the sand and believing that just being nice makes one a great athlete is delusional. This is a baseball team that would fall to a perfect game from any team that takes the sport seriously. Or if this were StarCraft, it would ban the Zerg rush for being unfair, then ban the MMM ball for being too competitive, and forbid everyone from using Stalkers’ blink for being too skilful. It wouldn’t patch the game, mind you, just make everyone promise not to use them. Because being competitive isn’t friendly. It isn’t fun if not everyone gets a medal in the end.

In every story, no matter how bad, I firmly believe there is a kernel of greatness. Having someone like Mihashi as protagonist isn’t the end of the world. What Big Windup needed was an altered backstory and different first act. Remove the baseball past altogether and replace it with a lonely kid suffering from mental illness, who breaks down in tears at the slightest conflict – doesn’t have to be real conflict. The possibility of conflict cracks him. You can make it that the one joy in life he had was watching baseball at home, wishing he had the camaraderie of a team like they do in those stadiums. There’s the baseball connection. Want to provide a little backstory to foreshadow him as a great baseball pitcher? Turns out, he would practice pitches against a tree in his backyard for hours (no friends to spend time with, after all), developing killer accuracy and speed. You could even have the classic sports shounen reveal when a later friend comes over for the first time and sees the dent in the tree – shocked silence, slow pan close up of the face, quivering irises, the whole deal.

We start the series with him moving to high school, where a classmate befriends him (feel free to have Mihashi tremble when he thinks it’s a bully). This friend is on the baseball team. The scene is set.

From here, Mihashi will slowly come out of his shell thanks to his first friend and work on his mental health. An adult at the school would be the perfect mentor character, one to bring awareness to the importance of mental health and explain to Mihashi that he isn’t broken. He just needs help. Want to lean the tone towards the happier Haikyuu end rather than the dour March Comes in Like a Lion side? No problem. Incorporate comedy, from the rest of team perhaps, in the battle against his mental illness.

Episode 3, we have the baseball connection (see backyard tree above). Episode 6, end of act one, Mihashi plays baseball with others for the first time. Season finale, he loses the match with his team – only been playing a few months, after all – but he played the game to his fullest, and that’s what matters. He could even cry, not out of fear or sadness, but out of joy and pride for his progress. We keep the underdog, the reluctant ace, the crying, and power of friendship, but we balance it with pain, struggle, and hard work.

Big Windup seems well intentioned. Infantile treatment of characters isn’t the direction to take in what is supposed to be a competitive sport, requiring some level of competitive spirit, drive, and confidence. I don’t know if it’s talking down to the audience, mocking a kid with mental and social issues, or merely an unintentional disaster. Next review, we look to Major for redemption.

Art – Low

Though the environmental texture is nice, it can’t make up for the character designs. What is with everyone blushing as if going through a menopausal hot flush 24/7? Then again, I suppose these blushing brides are an ideal match for the mentality of Big Windup.

Sound – Medium

The acting is better than this anime deserves and the music is alright. I can’t imagine anyone could make this protagonist sound good.

Story – Very Low

A bumbling kid is expected to be his team’s baseball ace. No level of baseball would be worth enduring this character and philosophy of playing a drum circle as a substitute for skill.

Overall Quality – Very Low

Recommendation: Skip it. It’s difficult for the protagonist alone to kill a story, yet here we are with Big Windup.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: 

Rubbish Major Characters

Kaguya-sama: Love is War Season 2 – Anime Review

Japanese Title: Kaguya-sama wa Kokurasetai?: Tensai-tachi no Renai Zunousen

 

Related: Kaguya-sama: Love is War Season 1

Similar: Monthly Girls’ Nozaki-kun

Ouran High School Host Club

 

Watched in: Japanese

Genre: Comedy Romance

Length: 12 episodes

 

Positives:

  • Even better than season 1
  • Perfect match of humour, character, and teenage romance
  • New characters are a great addition
  • Another brilliant OP

Negatives:

  • Where is season 3?

(Request an anime for review here.)

Kaguya-sama: Love is War returns for its second season. We get to hang out with one of the most delightful casts of high school characters for another 12 episodes! A student council election, a sports festival, stargazing, and shopping trips are but a few of the adventures Miyuki and Kaguya will go on in their mission to break the other into a confession of love.

What an excellent follow up to the introductory season. Comedy is the most difficult genre to review. Explaining the joke is the death of comedy. There are only so many ways I can say, “It’s hilarious,” (or “It’s just not funny,” for a bad comedy). However, I can pinpoint why this anime comedy hit the mark with me, as a few have done in the past.

The secret is in the characters more than the humour.

I’m sure if you thought for a moment, you would recall several anime/films/TV shows that made you laugh at the time, yet didn’t stick with you. Hell, you may remember laughing but not what made you laugh.

For me, what makes a comedy have a lasting impression is my liking of the characters and how well the humour uses them to craft and deliver jokes. More specifically, the humour needs to fit the characters. When Sagara blows up a classroom in Full Metal Panic because he suspects a student’s backpack is a bomb, it works because it fits his personality. It’s what he would do. And that’s hilarious. So when Miyuki and Kaguya sit down to play the game of life – as created by Fujiwara – with the rest of the student council, it makes sense that Kaguya would have a mental breakdown after Miyuki draws the marriage card, which ties him to Fujiwara. It’s only a game. Not to Kaguya though.

And that’s hilarious.

Combing complex characters with humour derived from their personalities is the magic formula to a great comedy. Certainly, you want a sharp script and perfect timing as well.

For the inverse, think about those dime-a-dozen harem comedies. Characters there have no real personality. They’re clichés of the genre. When the pervy guy cracks a pervy joke, you don’t see him making you [possibly] laugh. The cliché of his character type makes the joke. If you can transplant all humour from Harem Protagonist X to Harem Protagonists A through W, then you don’t have a real character. Just a mouthpiece for jokes. There’s a reason nobody can tells Bill Burr’s stories better than Bill Burr can. It’s all in the personality that informs the humour.

Ever notice how the anime clichés like the tripping over, the boob grab, the punch to the face of misunderstanding, etc. is rarely funny, and yet there is the occasional instance where it kills you into breathless laughter? It’s the same joke, but that slight shift in shaping it to fit the characters – fit the scene – makes all the difference. Actual thought went into the joke and it wasn’t included simply because it’s an anime and all anime must have these same five jokes. Konosuba is a good case of taking the typical and making it novel.

A simple example that encapsulates all of what I’m saying is in the first episode’s coffee scene of Love is War 2. Kaguya, with the help of her faithful assistant, gives Miyuki decaffeinated coffee to have him fall asleep. He’s that sleep deprived from all his work as the best student and council president that he falls asleep instantly without his coffee on the dot. Great moment. Replace him with any other character in the show for this situation and the joke is no longer funny – it’s “lol random”. When his head falls onto her shoulder, blushing her into paralysis and halting her plan, the joke works because it’s Kaguya. Swap her with Fujiwara and you’d be left asking, “Where did that come from?” instead of laughing.

I hope I have managed to convey why I find certain comedies better than others.

Beyond the humour, Love is War is a triumph in visual creativity and acting. Too many high school comedies are flatly shot with standard high school environments and framing, as if generated by AI. Love is War is so much fun to watch. A delight to listen to as well. The dynamic range of these actors, able to switch from friendly to arctic in one sentence is perfect. And of course, I cannot forget to mention the inclusion of another great OP, which in itself is a mini episode.

I said in my review for season 1 that Love is War needed just a little more to elevate itself to the ranks of all-time anime comedy greats. It has succeeded.

Overall Quality – Very High

Recommendation: Watch it. Kaguya-sama: Love is War only got better with season 2 and has established itself as an all-time great of anime comedy.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

CharmGreat OP or ED SequenceHilariousStellar Voice ActingStrong Lead CharactersStrong Support Characters

Negative: None

One Piece: Grand Line & Chopper Arcs (seasons 2 & 3) – Anime Review

Related: One Piece: East Blue Arc (Season 1)

Length: 16 episodes (season 2), 15 episodes (season 3)

 

Positives:

  • Chopper is a good introduction
  • More creative locations and ideas, like the giants

Negatives:

  • Luffy is still uninteresting
  • Still in the introduction

(Request an anime for review here.)

This time in One Piece, we look at two seasons: Grand Line Inrush arc and Chopper on Winter Island arc.

The Grand Line Inrush arc takes Luffy and his crew along the Grand Line, a volatile band of water that divides the oceans and where the laws of nature take a vacation. One could be on a desert island in the morning only to hit a land of perpetual rain by evening. Monsters are a common sight in these parts. After a brief encounter with a lonely giant whale, Luffy arrives at an island of bounty hunters that want that sweet, sweet mullah on his head. This is a mere pit stop in the story to introduce us to Princess Vivi of Alabasta. She employs the talents of the Straw Hats to transport her to safety back to her country, where a rebellion threatens.

Matters become more interesting on the next island. Two giants have been stuck in a duel for 100 years, evenly matched for eternity. The giants turn out to be rather friendly. However, a dastardly organisation called Baroque Works – responsible for the troubles in Alabasta – has plans for the giants and their new friends. Agent “Mr 3” wants to turn everyone into a giant wax wedding cake. Our heroes are to remain as cake toppers for all time!

What an unusual power. Similar to Gaara’s sand tomb, it’s a terrifying ability to imagine as it would suffocate you to death. One Piece, of course, tempers it with humour. These quirky villains are a riot. The guy literally has his hair styled into a 3 with the end lit like a candle!

The story gets a little more serious in the Chopper on Winter Island arc, where the team need to find a witch to cure Nami’s illness. The island, as the arc title would indicate, is in perpetual winter. And what is synonymous with winter? Reindeer. The witch’s small reindeer assistant is Chopper. Of all the character backstories so far, I like his the most. He was assistant to a crazy doctor reminiscent of a good Rick from Rick & Morty until his death, wish unfulfilled. It’s a touching story of regret, powerlessness, and ambition. He becomes the Straw Hats’ doctor after they help him fulfil his old teacher’s dying wish. This cute reindeer is the show’s mascot. Just don’t make him angry. You won’t like him when he’s angry. I want to see more of him, though I hope he isn’t relegated to mere comedy relief.

One Piece’s adventurous feel continues to be its greatest asset, aided by a good pace on a micro level wherein no story lasts too long. However, we still seem to be in the introduction stage. On a macro level, these 92 episodes haven’t gone far in the grand scheme and I wonder how long it will take a real plot to develop.

There isn’t much more to say about these seasons. They continue in much the same vein as what came before. See you in the next season.

Quality so far – Medium (still)

Current Thoughts: I like the addition of Hulk the Reindeer to the team. It is also great to see the continued feel of adventure with the locations and cultures. Two giants stuck in an eternal battle – why not? An island covered in snow in the middle of the ocean? Let’s do it.

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My Neighbors the Yamadas – Anime Review

Japanese Title: Tonari no Yamada-kun

 

Similar: Kaasan: Mom’s Life

The Tale of the Princess Kaguya

Watched in: Japanese

Genre: Slice of Life

Length: 1 hr. 44 min. movie

 

Positives:

  • Charming life stories
  • Cute picture book art
  • Easy lessons for kids

Negatives:

  • Might not have much appeal to older audiences

(Request an anime for review here.)

Today’s review will be a short one, as I’m working a massive triple review for release in the next few weeks. This time, we look at one of Studio Ghibli’s lesser-known films, My Neighbors the Yamadas.

It follows the lives of a quirky Japanese family, telling life stories in a series of vignettes. It covers subjects such as where children come from (incorporates the myths of the stork and the bamboo) and secrets to a happy marriage. It talks of the importance in working together as a family team, otherwise you’ll be surrounded by sharks before you know it. This film loves it’s visual metaphors and are what make it engaging to watch, even as an adult.

The family are an interesting cast of characters. My favourite is the grandmother who has been around long enough not to care what other people think. She speaks her mind and imparts sage advice on those around her. The father is a typical salaryman and a good husband. He and his wife make a daggy couple that their teenage son wishes were much cooler. Then we have the daughter, a bundle of joy and innocence. Super adorable.

The lessons are a little more geared towards children, explaining life concepts in easy to understand ways, though they aren’t particularly complex. The visuals alone do a good job of conveying the messages. If nothing else, My Neighbors the Yamadas will facilitate a conversation between children and their parents about some of the tougher questions.

On the flip side, I don’t see much appeal for anyone outside of children or parents. For myself, I enjoyed the art and animation most, the metaphors and ideas, but I won’t push this as essential viewing. It’s a charming film for those looking to complete the Ghibli collection.

Art – High

This animated picture book has the perfect style for this children’s story. A little rough and unpolished around the edges.

Sound – High

The acting is great. Even the kids, played by real children, are a success and add a charming innocence to the cast.

Story – High

The daily life of the quirky Yamada family is an endearing slice of life perfect for parents to watch with their kids.

Overall Quality – High

Recommendation: For kids and parents. My Neighbors the Yamadas explains life in an easy manner for children to understand, while also offering entertainment to parents. However, if you don’t fall into either group, then this isn’t necessary viewing.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: 

CharmFluid Animation

Negative: None

Fancy Lala – Anime Review

Japanese Title: Mahou no Stage Fancy Lala

 

Related: Fashion Lala: The Story of the Harbor Light (spin-off)

Similar: Magical Angel Creamy Mami

Searching for the Full Moon

Kodocha

 

Watched in: Japanese & English

Genre: Comedy Drama Music

Length: 26 episodes

 

Positives:

  • Holds up well
  • Good lessons for little girls
  • Music is good in both English and Japanese
  • Doesn’t fall into formulaic magical girl episodes

Negatives:

  • Not cautious enough about a lone girl in the entertainment business

(Request an anime for review here.)

You probably haven’t heard of Fancy Lala – I hadn’t until this came in as a review request – and for good reason. If I gave you these two pieces of information, what does that tell you: “magical girl anime” and “1998”? Yes, it matches Fancy Lala, but also matches a titan of the genre, Cardcaptor Sakura. They didn’t just release in the same year. They came out in the same week. And Cardcaptor Sakura eclipsed the anime we will be looking at today.

Fancy Lala is about a third-grade girl with an imagination larger than life. Miho has a chance meeting with two little fairies (more like dragons) who give her a magical pen and notebook. Anything she draws in the notebook becomes real. Furthermore, the pen can transform her into the blue-haired teen Lala from her sketches. It isn’t long before an agent discovers her, convincing Lala to become a model and singer. Thus, Fancy Lala is born.

The first thing that strikes me about Miho is what she considers “cool”. Get this, right, she has the power to create any clothes she wants. Anything. So what does she draw? A transparent raincoat. Except it’s not even a raincoat. It’s a plastic wrap. Then we have her stage name, Fancy Lala, of all names. And I love it. I love how nonsensical her imagination is. This is what a nine-year-old would come up with. The brilliance of Miho is that she feels and thinks like a little girl, not what an adult says a little girl is like. I remember this one kid from primary school who said that if he were a billionaire, he would have a McDonalds at his house so he could eat there every day. That was the grandest thing he could think of. Miho captures that child mentality.

There isn’t as much fanfare as you would expect when she discovers the power. She’s rather casual about it, though I suppose transformation magic isn’t far out of the ordinary for a kid full of imagination.

The episode to episode story reminds very much of Clark Kent/Superman from the Lois & Clark TV series, except with modelling and school drama instead of dastardly villains. Lala has a photo shoot today, but oh no, Miho has to do something with her school friends at the same time! There’s plenty of transforming back and forth, Miho pretending to have arrived just as Lala left, and all that fun secret identity stuff. She notices how differently people treat Lala from Miho. The story strikes a good balance between real Miho plot and the Lala work plot. While she’s trying to make it as a model and then as a singer, she also has school events, family conundrums, and personal issues.

The one real gripe I have against Fancy Lala is how it handles the entertainment industry. Now, I know this a cartoon for little girls and not Perfect Blue; however, no one questions why a teenager never has her parents with her at any photo shoot, film set, or performance. You don’t want to teach kids to go into entertainment alone. The closest thing we have is an agent that tries to force her to work for him, from whom she flees, but then the woman she does join is also a stranger. She could be a trafficker for all Lala knows.

Apart from that, this anime has many great lessons to teach young girls. It explores the power of imagination, but tempers it with reality, talks about divorce, emphasises the importance of hard work and becoming someone people rely on, to name a few. When I first started Fancy Lala, it reminded me of Searching for the Full Moon, a similar anime I had seen long ago (in that, a girl with cancer can transform into a teen singer). Turns out it was inspired by Fancy Lala. This reminiscence was not a positive, for Full Moon was atrocious and taught some horrible life lessons. I expected to have much the same here – wish away your troubles, hard work doesn’t matter, and all that idiocy. Thankfully, Fancy Lala proved me wrong before long.

As a brief side note, Fancy Lala itself took from another series, as is the case with all art, called Creamy Mami, the anime that invented the idea of using an anime to promote idol singers. Fancy Lala’s twist was adding an actual story and drama.

Is it fair that Cardcaptor Sakura pushed this anime into obscurity? No, not in the slightest. Fancy Lala is the better anime. I like Cardcaptors well enough, but this not only avoids a formulaic structure each episode, the characters have more depth and the life lessons are far stronger. Fancy Lala has an ending I would not expect of the magical girl genre. It is a poignant end that leaves the audience with the best message of the series, while instilling inspiration and joy.

Art – Medium

The art is notably aged, but it holds up well and cel animation always has that textured beauty to it.

Sound – Medium

It shouldn’t surprise you to learn – considering the genre – that a first timer, an idol with a short-lived career after the series, voices Miho/Lala. Her acting is alright, better than one would expect. She’s here for the singing talent. The OP screams ‘90s magical anime. The dub actress is similar, whereby her musical ability is stronger than her acting. She’s fine in that regard as well. They did a good job translating the songs.

Story – High

A little girl finds a magic pen that transforms her into a teenager, soon becoming a model and singer. Packed with good lessons, escapist fun, and some nice music, Fancy Lala is a strong offering from the magical girl genre.

Overall Quality – High

Recommendation: For young girls. I like Fancy Lala. Do I recommend it? Not quite. Not unless it’s to a child or an adult who has fond memories of being the sort of child who would have loved this anime, ready for a comfort trip back in time.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None