Tag Archives: Comedy

Good for laughs. This tag only applies to shows that have consistent attempts at humour or are particularly funny.

Soul Eater – Anime Review

Japanese Title: Soul Eater

 

Related: Soul Eater NOT! (spin-off)

Similar: Blue Exorcist

Noragami

Bleach

 

Watched in: Japanese & English

Genre: Fantasy Action Comedy

Length: 51 episodes

 

Positives:

  • Creative visual design.
  • Fluid action animation.
  • Often funny.

Negatives:

  • Weak third act.
  • Narrow world building.

(Request an anime for review here.)

So, Soul Eater – this one took me a while to finish despite getting through the first 30 episodes in a week. It’s fun for the most part, but once it reaches the latter half, the increased action focus and reduced comedy coupled with stagnating development dampened my motivation. Before I explain why, let’s get on the same page with the premise.

Soul Eater is a Bleach-esque anime set in the realm of death where Shinigami train at Death Weapon Meister Academy and fight off supernatural evils. Its distinguishing characteristic is the living weapons, Demon Scythes, which switch between human and weapon form to fight for their masters. The ultimate goal of any Shinigami is to harvest 99 souls and one witch’s soul to turn their weapon into a mighty Death Scythe. The principal characters are the straight-laced Maka, wielding the scythe Soul Eater Evans, the brash Black Star contrasted by his kind weapon Tsubaki, and the OCD-riddled Death the Kid with his twin pistols Patty and Liz.

The first aspect one notices of Soul Eater is its distinct visual style. The urban anime art reminds me of the game The World Ends with You, which is a great fit to the character and world design. The drooling sun and laughing moon look like graffiti you would find in an abandoned train yard. It stands out from other battle anime.

However, in spite of this distinct looking world there is something missing from it. For a time, I could not put my finger on it, on why Soul Eater didn’t draw me in. The action is good, similar to other good battle anime, and the cast, though nothing new for the genre (except perhaps Death the Kid) is solid. You’ll likely find a favourite and enjoy the powers. So what’s missing?

The larger world is missing.

It took me far longer than I would like to admit to realise that there is nothing in this world outside of the main plot. It’s like a rail network with only one line. You can look outside the windows and see a city around you, but no trains go there and you only see story-relevant passengers on board. This city is a mere background like North Korea’s fake “Peace Village”. Soul Eater has a narrow world. You know how most fantasy anime have main characters travel to distant places and meet other cultures? Soul Eater not only doesn’t do this, but it also gives the impression that no such places exist. All of this adds up to a difficulty in finding reason to invest in this world and its characters. If you can attach to the characters otherwise, then I assume this won’t be as much of an issue for you as it was for me.

For the characters themselves, as I said, they are solid. My favourite is Death the Kid (even though the way he holds the guns with his pinkies is the stupidest thing ever). The school exam episode is hilarious. Seeing Kid’s OCD cripple him so badly that he can’t start until he writes his name perfectly on the paper had me rolling. It’s a shame the series shifts from this fun battle anime in the first half to a serious-action-only second half. Honestly, if the fun angle had persisted, I would have finished this much sooner.

The third act is the weakest section. My understanding is that this act is a wild deviation from the manga, which wasn’t finished at the time (the manga continued for four years after the anime). It shows.

The final battle in particular is one of the weakest I have seen in this genre. Off the top of my head, only something garbage from start to finish like Beet the Vandal Buster delivers a worse showdown. Soul Eater’s finale feels like the filler it is, written by someone with no investment in the manga or experience in writing. For one, it focuses on Black Star almost exclusively, who is the most “annoying shounen kid” of the cast. He’s not even the protagonist! For two, the win condition for this fight is just nonsensical. I won’t give it away, though you can watch the final episode (51) for yourself – even out of context you will see what I mean. A wet tissue of an ending.

I’ve said it before, but a bad end feels worse than poor quality in any other section. Soul Eater is a lot better than the end presents to us. If you do want to watch this, I recommend switching to the manga afterwards.

Art – High

Soul Eater’s distinctive designs make it a memorable look. Also, the animation shines during action scenes.

Sound – Medium

T.M.Revolution, one of my favourite artists responsible for much of the excellent Gundam SEED soundtrack, does the first opening here – I never skipped it. The music in general is decent, as is the voice acting in both languages. The dialogue does need trimming and less shounen clichés during combat though.

Story – Medium

A group of young Shinigami battle supernatural entities to collect souls for their living weapons and to protect their city. The story follows a normal shounen structure, but is truly let down by its end.

Overall Quality – Medium

Recommendation: For action fans. While a little different from the norm, Soul Eater is still a battle anime at heart so won’t extend beyond its demographic. You will need to continue with the manga for a proper end.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

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Nisekoi: False Love – Anime Review

Japanese Title: Nisekoi

 

Similar: Toradora

My Bride is a Mermaid

Golden Time

 

Watched in: Japanese

Genre: Harem Comedy Romance

Length: 32 episodes (2 seasons)

 

Positives:

  • Reasonably funny.
  • Beautiful art.

Negatives:

  • Goes nowhere.
  • Same harem clichés.
  • The promise pendant gimmick is moronic.
  • Initial setup doesn’t matter.

(Request an anime for review here.)

There’s something to be said about watching a certain type of anime for first time. I remember thinking Elfen Lied was great, believing Emma: A Victorian Romance was a superior romance, and dubbing Scryed as one of action anime’s best. These were the first anime of their kind I had seen and as such, I didn’t have a measuring stick to compare. Sure, I had seen other gore stories like Elfen Lied, but never one centred on innocent girls. Emma came to me before my love of period romances and Scryed, despite being action – one of the few genres I watched back then – was so different in its powers and commitment to characters. Not to suggest that I find these series bad today. However, I have seen many better cases since. I am sure you can all relate.

Coming to Nisekoi, it is the 30th of its kind that I have seen, which does no favours for its cliché-riddled characters and head-smacking plot. I had heard sound bites of negativity from several people, including from some of my readers. This seemed odd, for Nisekoi is from studio Shaft known for quality works like Bakemonogatari and Madoka Magica. And what screenshots I had glimpsed looked great.

Having finally seen it, the art is great – better than I had imagined – but the story…well, I’ll get to that. 

Nisekoi is a comedic reverse Romeo & Juliet, of sorts. Raku, heir to a yakuza family, enters into a forced engagement with Chitoge, granddaughter of the mafia’s leader, as a way to bring peace between the gangs. The only problem is that they hate each other and thus must pretend to be in love for the sake of duty. To further complicate matters, Raku made a promise with a girl 10 years ago, but he can’t remember who she was. He just knows she will have the matching key to the pendant around his neck. Also, he has a crush on his school friend Onodera. 

The first episode has so many clichés – toast in mouth, guy falls on top of girl, fawning over transfer student, girl punching guy – that it immediately makes one lose hope. However, once episode two introduces the key event of Raku’s engagement to Chitoge, my opinion reverses. The premise is genuinely funny. Seeing these two pretend to be in love while yakuza and mafia thugs spy on them from behind trees, yet not be in love when classmates are around to make sure everyone knows they hate each other had me laughing plenty.

So where does it go wrong? If you’ve noticed the harem genre above (or tag below) and this isn’t your first rodeo, you can guess with 100% accuracy. More girls for the harem. 

Nisekoi’s premise barely lasts a few episodes before it spirals into harem wheel spinning. A third girl joins the cast, and then another soon after. Each settles into her dutiful role as a harem girl, never deviating from the mould or advancing the plot. Even the Raku-Chitoge relationship that gave hope earlier thanks to their stronger personalities falls right into place. The wrong place.

It’s the same harem garbage you see everywhere. The bathhouse, beach, and school play episodes are the same, tsundere behaviour is the same as ever, and even Kamino itself couldn’t have made a better clone for the childhood friend. It is good-looking garbage of course – Shaft brings their signature cinematographic flair and unique art style to make this the most beautiful harem of all time (sorry, War on Geminar; you can’t compete anymore). 

The one story distinction Nisekoi has over its kin is the idea of his “one true waifu” to end up with, but even that goes nowhere, so it doesn’t matter.

In reality, the plot centres on that pendant of his. The gimmick is lame. For one, the pendant looks too stupid for anyone to wear at all times. Second, it’s a contrived way of tying two people together because we are somehow to believe that a 10-year-old promise magically makes people compatible. It hints early on that Onodera has the key. Turns out, it may not be her but Chitoge he made the promise with (she too has a key). But wait! It may not be either of them. Yet another girl from his childhood has a key and swears they made a promise. (She is from the city’s third “gang” – the police.)

Give me a break. 

See, I can imagine that had Nisekoi been my first harem anime, I would have enjoyed it. I would have still been disappointed by the lack of direction, naturally, but I would have laughed a lot (remember, the clichés wouldn’t have been clichéd to me yet) and the visuals would have suckered me in. Now though, having been through the trenches fighting off the same old harem thots for years, my eyes glaze over. Unless you’re new to the genre, don’t bother with this one. 

Art – High

Nisekoi looks great with extensive effort gone into the cinematography, colouring, and animation. That’s how it gets you. It looks too good for a bad anime. Several girls do look too much like Monogatari characters.

Sound – Medium

I like the lead girl’s performance and the others are fine too. Music is serviceable.

Story – Low

The son of a yakuza leader must pretend to love another gang leader’s daughter – someone he hates – to keep the two groups from war, all while searching for the girl he made a promise with in childhood. Nisekoi is as generic a harem as any other that goes nowhere.

Overall Quality – Low

Recommendation: Skip it. No amount of fancy art can turn Nisekoi into a good anime.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Induces Stupidity

Skip Beat! – Anime Review

Japanese Title: Skip Beat!

 

Similar: Maid-sama!

Ouran High School Host Club

Glass Mask

 

Watched in: Japanese & English

Genre: Comedy Romance

Length: 25 episodes

 

Positives:

  • Often funny.
  • Doesn’t make protagonist instantly great.
  • The visual humour.
  • Energetic performances.

Negatives:

  • Just getting started.
  • The love interest is too stiff.

(Request an anime for review here.)

Great, another title to add to the list of anime that deserves completion. Why does Glass Mask get 51 episodes while Skip Beat, the superior anime of the arts, only has 25 episodes? Shameful!

Skip Beat is a romantic comedy centred on the lovable goof that is 16-year-old Kyouko. She is a diligent supporter of her childhood friend turned idol Shoutarou Fuwa, acting as a de facto housewife – away from her family – while he climbs in popularity. Little did she know that he is scum! All this time, he was taking advantage of her kindness to have a free maid that will cater to him. Kyouko swears revenge by aiming to do the one thing Shou would hate more than anything: become an idol more popular than him and work with his rival, the enigmatic Ren.

There is only one problem with her plan. She has no talents.

Kyouko is a fantastic character. I love her determined naiveté towards the entertainment industry. After a makeover from frump to fashionista, she spends her time walking around the trendy districts of Tokyo just waiting to be discovered. Love it! When that doesn’t work, she barges into a talent agency demanding to become a star. That goes nowhere fast. (A chibi devil Shou in her head taunts her after every failure.)

However, after a bout of stubbornness, an agent does take pity and allows her to join as a low-level assistant, performing janitorial and porter duties to earn “the people’s love”. So committed is she to the task that she cleans the floors to a perfect polish, which has everyone slipping down the corridors.

If I haven’t made it clear already, Skip Beat is heavy on comedy to much success. Eventually she does more than clean and gets to perform before the camera, leading into the light drama of the story.

I like how it doesn’t take the Glass Mask approach of making her a prodigy overpraised by all. Her first performance is a scene doing a tea ceremony opposite Ren, something she learned from her time working at a ryokan (traditional Japanese inn), so it makes sense that she executes it better than the rival actress when it needs little acting on her part. And the surrounding crew don’t have their minds blown by her every gesture either, as they would in that other anime. It only becomes a little silly about over exaggeration for the final performance rehearsal of the show.

Where Skip Beat faceplants in the arts aspect is with Ren. He supposedly never does more than one take of a scene, which is stupid. For one, no director would accept this. For two, if there is one thing I can tell you about J-drama actors is that they could do with more takes. Also, Ren isn’t much of an engaging character. He’s the stoic type – “OMG! He’s so quiet and mysterious. I’m in love!” He seriously needs more expression. Perhaps that would come later in the story.

This leads to the next and most significant problem with Skip Beat. It is incomplete. And when I say incomplete, I mean barely getting started before it halts. This may be the worst case I have encountered of an incomplete good anime. At least Berserk can be taken as a series with a “villain wins” ending. For Skip Beat, it is little more than the first act in these 25 episodes and leads to all sorts of problems, not least of which is in the romance.

To no one’s surprise, the story setups up a love triangle with Shou, Kyouko, and Ren, but we never even reach that point when the triangle is official. In fact, Shou is barely in the anime after she learns of his true nature. In isolation, it’s fine – it makes sense to keep him aside while she grows closer to Ren first, but when the script stops suddenly, it’s so unsatisfying to have zero resolution on anything.

Skip Beat the manga has 43 volumes so far and is still ongoing (not on hiatus), so if you intend to get into this anime and want closure, prepare to read. So frustrating! Perhaps it could see a revival like many others chosen in recent years.

Art – Medium

The art is dated at this point. It is expressive though and sports good visual humour, which is perfect for Skip Beat.

Sound – High

Interestingly, the dub translates everything, including the songs and does it well. The songs sound as if the same people performed them in both languages with perfect fluency. The dub acting is great too. I prefer it for making Kyouko more manic and Shou goofier, leaning further into the comedic side. Of course, the Japanese works great too.

Story – Medium

A girl decides to become a mega star in revenge for being used by another star she thought was her friend. Skip Beat is funny, often unexpected, and too criminally incomplete to reach its full potential.

Overall Quality – Medium

Recommendation: For those willing to read the manga afterwards. Skip Beat is tons of fun, but it’s also the mere start of the story, so prepare to get into a lengthy manga if you desire closure.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Incomplete

KonoSuba: God’s Blessing on This Wonderful World! – Anime Review

Japanese Title: Kono Subarashii Sekai ni Shukufuku wo!

 

Similar: No Game No Life

Ixion Saga DT

Slayers

Log Horizon

 

Watched in: Japanese

Genre: Adventure Comedy Fantasy

Length: 20 episodes (2 seasons), 1 OVA

 

Positives:

  • Consistently funny characters.
  • Fun, colourful style.
  • Great parody of otherworld anime.

Negatives:

  • Weak story lacks progression.
  • World could do with greater exploration.

(Request an anime for review here.)

Kazuma is useless. Darkness is useless. Megumin is also useless. Aqua is especially useless. Everyone is useless in the world of KonoSuba! And it is great.

After an embarrassing death, high schooler Kazuma has the chance at another life in a fantasy world. A nerd’s dream come true! Unfortunately, he spawns as the worst class in the game and Aqua, the goddess that granted the new life, is a companion without talents to speak of. They soon recruit descendant from a powerful magical bloodline, arch wizard Megumin, master of explosion magic. At last, some strength to the group!

Nope. She can only cast one spell before collapsing. Well, at least they have a resilient tank in the form of paladin Darkness. She will save them! Nope. She’s has zero accuracy in combat and is a masochist that loves taking a beating from monsters – the more people that watch her sweet arse and bountiful breasts get beat the better.

KonoSuba is a refreshing change after trudging through the endless mire of isekai (otherworld) anime. This parody is better and funnier than the vast majority of titles in the genre, not to suggest there is stiff competition.

Everything works and make sense in this take on the genre, Kazuma being utter trash most of all. His team starting out at the bottom doing menial quests such as slaying killer cabbages and painting houses that barely pay enough for living expenses (note how most isekai forget expenses), just like in any MMO, makes sense. Every isekai fan believes that if they woke up in a fantasy world, they would be a powerful knight or wizard at the top of the food chain (just like how advocates for communism think they would be part of the small ruling class and not one of a billion peasants at the bottom). Who knew that being an otaku NEET doesn’t train you for life in a dangerous fantasy world? KonoSuba shows the reality of how garbage everyone would be and leans into it for great comedic effect.

The characters in particular bring this series together. They are such fun, such a riot to hang out with that they overshadow problems. I did think there was a risk of repetition at the start. For example, Darkness’s love of masochism could have quickly become her running into the fray to get smashed, we laugh at the joke and repeat next episode. However, the joke stays fresh because it isn’t about having her armour stripped off each battle. Instead, it’s about the ridiculous lengths she will go to for arousal and how much more desperate she is each time. Just when I thought it wouldn’t be funny anymore, she surprised me next episode.

The big problem with KonoSuba is the story, or lack thereof. The main goal is to defeat the Demon King, something I forgot about a few episodes in since they ignore this in favour of episodic stories. Now, these small stories work well in facilitating the characters and comedy, but they don’t progress the plot. Watching these episodes in the moment wasn’t a problem until it cares about the Demon King again, where it reminds you of how little the plot has moved. The overarching story feels like an afterthought. “Oh damn, I wrote all these great jokes but forgot the story. Quick, make something up – kill bad guy…big monster…demon…yes, demon king! All done. Phew.”

As such, if you are going to watch KonoSuba, you have to do so for the characters and humour. The world itself lacks depth, having used the generic fantasy template, and the story is just as straightforward as can be. If after you meet the whole team you don’t find it funny, then don’t proceed further.

Art – Medium

I like the colours and character designs. It’s a shame little effort went into making the environments anything but generic. If you removed characters from the shot, you wouldn’t know which anime the environment was from. The animation is strong, particularly in the spell effects that took the largest portion of the budget.

Sound – High

The acting is strong, though it may take a little getting used to Kazuma’s voice, as he sounds too old for a teen, but hey, at least it’s something different from the usual forgettable isekai protagonists. (Note: There is a dub on the way, for those interested.)

Story – Medium

A teen revives in a fantasy world, but has no talents and is surrounded by others with no talent either. Characters and humour hold up this rather barebones story.

Overall Quality – High

Recommendation: A must for comedy fans. KonoSuba is greater than the sum of its parts thanks to its characters and hilarious comedy. This is an easy anime to watch and recommend.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Tenchi Muyo! War on Geminar – Anime Review

Japanese Title: Isekai no Seikishi Monogatari

 

Related: Tenchi Muyo (main series)

Similar: Vision of Escaflowne

Vandread

Familiar of Zero

 

Watched in: Japanese & English

Genre: Action Comedy Ecchi Harem Fantasy

Length: 13 episodes (45 min. each)

 

Positives:

  • Pretty cool world design.

Negatives:

  • The perfect protagonist.
  • So much stupid.
  • Glaring audio and visual hiccups.
  • Really, really

(Request an anime for review here.)

The original, janky, and rather rubbish Tenchi Muyo was an anime I occasionally caught on TV an eon ago. I never made an effort to watch much of it, since it was a harem with awful art. A decade later, I stumbled upon a page regarding Tenchi Muyo! War on Geminar, which had far superior art and positive buzz from fans. How could Tenchi Muyo have produced anything that wasn’t garbage? And so, with many more years passed since then, it’s finally time to end my curiosity and see the fuss.

This story has Kenshi, younger brother of original Tenchi Muyo’s protagonist, teleported to the fantasy world of Geminar with a mission to assassinate Princess Lashara, but he fails and becomes her slave before eventually fighting for her against his summoners.

War on Geminar makes a good first impression with its visual production. While not unusual by today’s standards, it was rare for what is evidently an otaku-only anime to have an animation budget – sliding stills and big boobs were the expectation. The world design also has creativity. The reptilian mech designs look good, animated fluidly in duels, and I love the idea of an airship being a landmass with a palace and forest on top. Sure, the first episode has harem markers and some fan service barf, but my impression is positive. This is nothing like the Tenchi Muyo I remember. What is this grand magi-tech fantasy kingdom?

However, once the story settles in and starts churning through daily life in Geminar, everything turns to crap. We meet all the girls of his harem, covering every harem archetype to draw in the maximum otaku audience (see cover image of this review up top for the full selection). Whatever one’s preference, War on Geminar has the girl for you. Of course, none of them has an iota of depth, their sole purpose in the anime being to fulfil the obligations of their archetype. It’s stupid interaction after moronic interaction with Kenshi. They almost have depth, right up until the harem tropes undermine their arc to keep them in the pit of trash.

Where it becomes truly atrocious though, is with Kenshi. Allow me to introduce you to the most Mary Sue character in anime. You think you know, but you don’t.

Lashara puts Kenshi to work in the high-class girls’ school as handyman, a Jack-of-All-Trades; except, the writer forgot the “master of none” part of the Jack-of-All-Trades. Kenshi is perfect at everything on his first day. Housekeeping, brick laying, shoemaking, construction work, five-star cooking, delivery, climbing, running, sword fighting – you name it, Kenshi is the best at it first try. Every girl in school is after him, but because he’s so fast and never tires, they all drop of exhaustion. His massage skills are so great that a single grope from him will leave any girl in a permanent state of crippling arousal, for some reason. Then every girl wants him to wash her back during bath time.

Wait, wasn’t this some fantasy anime with mechs? Yep, that’s what it claims.

War on Geminar has an identity problem. It can’t decide if it wants to be a fantasy war series or a high school harem. Once you strip away all art (which has weakened after a few episodes) and all the flash, this is just another bad harem. The highest budget harem you should perhaps watch for its terribleness, certainly, but still a bad harem like any other at its core.

Art – Medium

War on Geminar appears to have great art at first glance. From characters to world design, this looks far better than the original Tenchi Muyo. I like the mech designs and flying palace. There is good animation during duels, but has so much awful outside that – static shots, repeating animations that linger, and some horrible shots. One instance has smoke billowing out of a building, and when the building tips over, so does the smoke pillar. Yes, the smoke in the air “tips” over.

Sound – Very Low

The writing turns you into an idiot. The princess who speaks in third person is especially dumb. Full of kewl quips and one-liners. Even the sound design is poor, which is rare – I mean rare. For example, the guy running on grass makes the sound of heels on tiles. Why?

Story – Very Low

A boy mysteriously teleported to another world joins a cast of girls to defend the empire. This is the highest budget harem garbage ever made, Mary Sue protagonist included.

Overall Quality – Very Low

Recommendation: Avoid it or a must watch for garbage. Tenchi Muyo! War on Geminar’s production values make it easier to watch that other “so bad it’s good” titles, so if you want some absolute trash, then have fun with this one.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Awful DialogueInduces StupidityMary SueRubbish Major Characters