Tag Archives: Comedy

Good for laughs. This tag only applies to shows that have consistent attempts at humour or are particularly funny.

GetBackers / Kiddy Grade / Witchblade – Quick Thoughts

GetBackers

Genre: Supernatural Action Comedy Science Fiction

Length: 49 episodes

Today theme of quick reviews is action anime I liked at one point, yet haven’t seen in a long time and haven’t reviewed. When I did my “Watched but Not Reviewed” list (missing quite a few titles, in hindsight), it brought many anime back to my attention that simmered to the surface until I had the urge to check them out again. Are they as I remember?

We start with GetBackers, my favourite of the three in the past. It even featured an honourable mention in my “Former Favourite Anime” list, so this was important to me. I need to say this right away though: GetBackers does not live up to my memory whatsoever. The art is super budget for this super powered series. The animation is far more of a slideshow than I remember and the characters have little detail, though their designs are unique so clarity isn’t an issue. I swear it looked better in my head.

GetBackers is set in an alternate Earth where some people have superpowers akin to The X-Men (each can do their one thing) and most of these superhumans work as either Retrievers, Transporters, or Bodyguards at odds with one another. It’s like John Wick – you have to accept this is how the world works or we aren’t going anywhere. Main duo Ban and Ginji work as Retrievers, the GetBackers, guaranteeing satisfaction no matter how small or impossible the request. Unfortunately, they are horrendous with money even after a big payday and so live in squalor.

To give a few positives, the main duo is good fun and the humour is successful, for the most part. GetBackers also feature the best – the best – use of chibification in all of anime. If I will forever remember one element of GetBackers for the rest of my life, it will be the chibification perfection. I still laugh whenever Ginji turns into a scared chibi after realising he’s alone with Dr Jackal.

Now for a dose of memory versus reality. I remember GetBackers as an awesome action series with cool powers, varied characters, and a mysterious plot. In reality, we have repetitive action, cool though limited powers, varied but one-note characters, and puddle-deep mystery. It astonishes me how different this is from memory.

GetBackers was in the early years of when I really got into anime and when one is at that early stage, everything is so much more impressive. I believe this was my first super power variety anime (saw Scryed later). I can imagine past me having a conversation with present me, gushing about how cool the powers are and how there are so many, how unique it is, only for present me to pull out 30 anime that do the same and often better. Conversation over.

It’s why I don’t blame newcomers for thinking everything is amazing. Everyone has been there. Every anime is a 10 when you have only seen seven of them. As one’s mental library builds, the flaws start to come out when a superior example is available.

A key detail I never noticed was the repetition. Nowadays, repetition almost guarantees to kill my interest, never mind rewatching the series, as I did several times with GetBackers in its heyday. Ban has the power to make people see illusions for one minute after eye contact. Let me tell you, no word of a lie, that this resolves every case. I love illusion powers and I thought this was the coolest thing ever, but man is it the same resolution every time. A common scene is to have the villain kill the heroes, immediately vocalise his plan/list of compatriots, and then for Ban to say “Just one minute”, revealing it was all an illusion. This is no Sharingan level of cool.

On rewatch now, GetBackers was okay for the first few cases. Once they enter the Infinite Fortress – a labyrinthine slum filled with superpowers – it loses the fun. The anime also didn’t adapt the biggest reveal of the story, which would have explained why people have these powers and why the Infinite Fortress matters. Knowing the twist, however, I’m not sure I entirely disagree with cutting it.

I tried the dub for the first time (none of these anime had a dub at the time) and holy Pokéballs, Shinji, is it not good. It isn’t “they recorded random people on the street” levels of bad. These are clearly actors, just not voice actors. This is a great example of a professional dub that studios thought were fine once upon a time, which thankfully doesn’t fly anymore (at least, I hope not). The lack of energy in the voices, the stiff reads, the monotones, bloody hell, what a disaster. The acting starts bad and only gets worse with each new character introduced. It’s hard to believe the likes of Cowboy Bebop managed a perfect dub when this was normal.

Almost forgot – the OP song may just be the worst I’ve heard in anime. If you want to know my taste in music, then take this and imagine the opposite.

*     *     *     *     *

 

Kiddy Grade

Genre: Ecchi Action Science Fiction

Length: 24 episodes

Next we have Kiddy Grade, an anime similar to GetBackers with a variety of super powered pairs facing off, but in a heavy sci-fi setting. Our leading ladies are Éclair and Lumière, agents of the Galactic Organisation of Trade and Tariffs. While the organisation’s name implies involvement only in commerce, it actually has fingers in every space pie (everything comes back to money if you look far enough).

This is a spy thriller with Éclair donning a number of disguises, undercover missions, and gadgets for every conundrum. It explores several “what if” questions from the setting and sci-fi concepts for drama. Even the powers have sci-fi roots. Lumière can talk to computers, for example, and Éclair’s strength comes from body modification. There is effort in the world building.

After the stark difference between memory and reality with GetBackers, Kiddy Grade is about as I recall. I should note that this anime came to me later in the experience track and that I didn’t love it at the time, just enjoyed it enough for a rewatch (when you didn’t have much variety, rewatches were common). My opinion of it has fallen – I lost interest by the end of act one this time – as this is a case where once you’ve seen so many better versions of this story, this setting, this idea, you can’t help but wish for something else. Also, my distaste for lolis has only increased, of which there are too many here.

The similarities between Kiddy Grade and the previous anime are uncanny, right down to espousing the same basic morality lessons – “Being evil is bad.” “Don’t kick puppies.” I never put the two together until this rewatch.

However, Kiddy Grade works better than GetBackers by having more variety, more effort in the narrative through line, and significantly better art. Without looking it up, I want you to guess how far apart these anime released.

Five years? Three years? Three months? Try five days apart. Kiddy Grade is better representative of how standard anime looked in the early 2000s. The production holds up from studio GONZO and the dub is so much better than GetBackers that you’d never guess they came from the same year. It’s fascinating to see.

*     *     *     *     *

Witchblade

Genre: Action Science Fiction

Length: 24 episodes

And finally, we have Witchblade, based on the American comic series of the same name and the anime I had watched last of the three. By the time I got to this, I had seen plenty of anime, so I was under no illusions towards its quality. The question is whether my slightly favourable memories are too kind or too harsh.

This is a more mature series than the other two. A sci-fi action series like the others, except hyper sexualised in the ass kicking. Kiddy Grade has panty shots; Witchblade has death by snu snu. If the shot in the OP of the protagonist wiping streaks of blood across her bare arse, vagina blade in full view, isn’t enough to tell you what this anime is going for, then no one can help. Witchblade is about tall, leggy, busty women in scant armour beating the life out of one another (toned down from the comics, if you can believe it). The Witchblade lusts for battle – literally – as combat turns it on to orgasmic peaks.

And if it were in the hands of a worse team, that’s all Witchblade would be. However, this anime has more to it, for at its heart is the story of Masane doing everything she can to give her daughter Rihoko a better life. Their relationship, not the action, is the spine of Witchblade. In fact, of these three anime, Witchblade has the least action with far more time spent on character and relationships. Furthermore, despite being more sexual than the others by leagues, it is the most mature (and certainly less creepy than Kiddy Grade). It has a surprising romance that doesn’t forget Masane’s status as a single mother. Long before the end of the story, I care for this woman and her daughter. I feel for the struggles they go through as a child welfare agency wants to separate them. And I appreciate how grown up the romance is without changing the tone into a heavy drama.

Should action be your main draw, then Witchblade also delivers. It isn’t repetitive, unlike the other two, nor does it drag beyond its welcome and doesn’t pause to exposit on how the powers work every fight. This isn’t some spectacular anime, of course – more lore, a darker mystery, and more development to the antagonists wouldn’t have gone amiss. It engaged me to the end, however, and that is worth something.

I also like the scientific approach to the Witchblade. If you supposed this device and its power was real, how would scientists approach it? Masane ends up working for a corporation doing such research (they pay her to kill rabid mutants and machines on the streets) and the antagonists come from a rival corporation developing other Witchblades, exploring the genetics of it all. They are trying to make it work with men as well (the device only functions on women).

So much to my surprise after this trio revisit, Witchblade turns out to be the best of the three, no contest. The production quality is also the highest, though it is newest. When considering my opinion of these three at the time I first watched them, Witchblade was the lowest. Now, it’s the best.

Recommendation: I recommend Witchblade – I give it a medium rating, with a low for the other two, which I don’t recommend. GetBackers is too dated, too repetitive, and too long for me to justify, while Kiddy Grade is somewhere in the middle. There is simply so much better these days. If you do want similar from that era, go with Scryed. Witchblade’s focus on a much older protagonist than usual with an older relationship too makes it stand out from the crowd.

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Silver Spoon – Anime Review

Japanese Title: Gin no Saji

 

Similar: Barakamon

Moyashimon

Space Brothers

 

Watched in: Japanese

Genre: Comedy Slice of Life

Length: 22 episodes

 

Positives:

  • Knowledgeable about animal husbandry & agriculture
  • Quite fun

Negatives:

  • Plays it too safe
  • Overblown “City boy” reactions

(Request an anime for review here.)

Silver Spoon comes from Hiromu Arakawa, the mind behind Fullmetal Alchemist. While this shares a theme or two with her more famous work, you are in for a much easier time here.

Hachiken flees to a rural school to escape the stress of the city, thinking rural life will be easy. Babysit a few animals, water a few plants – how hard can it be? This hard working student expects to breeze through classes against these country bumpkins. He’s in for a shock when he learns how they really make the sausage and the backbreaking labour that goes into agriculture. He can barely compete with the country kids who grew up around this. Trying not to vomit during the lecture on the biology of egg laying is the least of his trials ahead.

Silver Spoon’s primary focus is to teach about farm life, agriculture, and animal husbandry. The author grew up on a farm and her passion for country life is clear. And in this respect, Silver Spoon is a success. If you are green to the field, you will learn plenty about where your food comes from, including some of the more disgusting details (though it doesn’t go full slaughterhouse).

Hachiken has to learn to skin a deer before they eat it. The school also makes him raise a piglet to maturity for later consumption. Calls him Pork Bowl. I enjoy the educational side of the anime. It’s engaging, doesn’t preach, and is honest. This isn’t an anime for those who can’t handle animal slaughter, even in an animated form.

The less engaging side is the story and the characters. The characters’ country antics are decently fun, but there is nothing special here. The humour also relies too much on Hachiken’s fish out of water experience. Everything is exaggerated with how incompetant he is at this. After a few instances, you just want to say, “Okay, we get it. Move on.” Perhaps this is where the author’s lack of city life experience bleeds through? Who knows.

The character relationships lack drama. By that, I don’t mean we need a Shou Tucker storyline in Silver Spoon. We do need, however, conflicts between the kids (and their teachers) that challenge who they are and ultimately grow them into stronger people. Almost all challenge and conflict in this story comes from the school and farm work. Audiences tend to remember characters for those great character moments, where we see them struggle, see them fail, and see them shine. Without these moments, nothing makes this particular character stick to the story. Let’s use a simple example. Think of a generic action film, a “bang bang, shooty shoot” type. Could you replace the protagonist with another protagonist, changing little in the process? If so, then the character doesn’t matter, no matter how good the action is.

Hachiken and company aren’t quite that replaceable, of course. However, they aren’t memorable. They serve their function to carry you through the episodes and education segments. You’ll find them pleasant people for a few hours, part on good terms, and not think of them again.

Barakamon is an example of doing the simple slice of life story with memorable characters. Even though that anime has less physical challenges, the conflict is greater because of the personality clashes. Those characters are so full of life that they stick with you.

Silver Spoon plays it too safe. You should predict the story and characters arcs from the outset, something one cannot say about Fullmetal Alchemist. The association with the author’s pedigree will likely set expectations too high here. This is a good anime to watch if you need a break from the heavy stuff.

Art – Medium

The art is average in a positive way. It has a clean consistency and enough animation to avoid becoming a slideshow.

Sound – Medium

The acting is quite good, though I can’t say the same for the music.

Story – Medium

A city boy must hold his lunch as he learns of agriculture and animal husbandry in the country. A typical and predictable story carries the interesting and detailed knowledge of these professions and country life.

Overall Quality – Medium

Recommendation: Try it. Silver Spoon is quite fun despite the simplistic story, though it may not be enough to keep your attention to the end. You will learn more than you may every want to know about farming and animals though.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Yu Yu Hakusho: Ghost Files – Anime Review

Japanese Title: Yuu Yuu Hakusho

 

Similar: Bleach

Hunter x Hunter

InuYasha

 

Watched in: Japanese & English

Genre: Action Comedy Fantasy

Length: 112 episodes

 

Positives:

  • Fun, likeable characters
  • Good pace for a battle anime
  • Surprisingly strong dub considering age
  • Foreground artwork holds up…

Negatives:

  • …most background artwork doesn’t
  • Overuse of several battle tropes

(Request an anime for review here.)

There are many classic battle anime from the hand drawn age, few of them any good. I thought I would look at one – just one – in full to get a feel for the classic era outside of Dragon Ball Z. Yu Yu Hakusho: Ghost Files comes the highest recommended so let’s go with that. And at a mere 112 episodes, it can’t be that hard to suffer through if the worst comes to the worst.

However, to my delight, one of Yu Yu Hakusho’s strengths is a good pace. You don’t feel its length across the four arcs as no fight drags beyond a few episodes. But I’m getting ahead of myself.

Yu Yu Hakusho is about a 14-year-old delinquent who dies one day saving a boy from being hit by a car, which goes against his nature. The kid baby in charge of spirit realm admin gives Yusuke a chance at revival if he can complete several tasks to prove himself as a Spirit Detective. Under the guidance of Shinigami Botan, he races against the clock to keep his spirit alive and his dead body intact. The story starts off, as most shounen do, with a series of smaller stories before it dives into longer arcs with bigger action.

Something I immediately like about Yu Yu Hakusho are these smaller stories. It avoids the tedious “monster of the week” structure found in the likes of Bleach, instead foregoing action in favour of a character focus. Early episodes are about Yusuke’s soon-to-be friendship with Kuwabara, another delinquent always hungering for a fight, who can’t handle that his rival is dead. He’s my favourite character, voiced brilliantly in the dub by Christopher Sabat (you wouldn’t know he voices Vegeta when you hear him here). Great dub, by the way. Kuwabara is such a meathead but you love him more for it.

These early episodes are the best of the show, for me. Perhaps I have seen too much shounen action – this action is good, mind you, and we’ll get there – but I like the character and humour focus of the first season, where Yusuke goes on mini capers taking care of incidents around town. The demon world is also a rather unimaginative setting (think a wasteland like any other). As such, later seasons aren’t as engaging. I suspect, however, I am in the minority for this opinion.

Yusuke also enlists the help of, begrudgingly at first, two demons when it comes to fighting the stronger denizens of the other realm. Kurama the fox spirit and manipulator of plants acts as the brains of the operation, while Hiei the fire demon born to a tribe of ice demons brings pint sized firepower. Get used to the idea of enemies becoming friends, for this writer loves the trope. As a set, the team make for a good balance of characters that don’t feel like usual archetype slots of a shounen cast.

Now to the action. Yu Yu Hakusho defies expectations of shounen action. Fights don’t last a dozen episodes – most are over in one. It knows when a fight is insignificant in the grand scheme and doesn’t drag it out. If this were Bleach or DBZ, every minor squabble would take 10 episodes at least. Here, the fight lasts long enough to have meaning and for the combatants to entertain, but then it moves on. It also mixes things up in who wins or loses. Only major fights take a few episodes, usually as the big finale for the season, and there aren’t many of these. Yes, one could tighten a few encounters, though not a major issue.

Villain designs, while dated, are entertaining at times. This anime has the most hilarious muscled villains. Muscles on top of muscles. It’s like a parody – “Oh yeah, you reckon going Super Saiyan was ridiculous? Check this out!” Straight out of botched surgeries.

Furthermore, Yu Yu Hakusho skips over training arcs. It shows a little to give the audience an idea of what Yusuke’s up to before the narrator says, “In this way, two months of training passed.” More anime should do this. The one notable training arc it doesn’t skip over in a later season has other threads woven through to avoid hitting a dead stop (rasengan training in Naruto still haunts me).

There has been a fair amount of praise from me so far, so let me temper this with criticisms, all of which revolve around the action. I despise the trope of enemies explaining how their ability work to the hero for the sake of the audience. This makes them stupid and I hate stupid. One opponent even tells of his technique before the fight. You can perhaps get away with a single enemy cocky enough to do this, not the majority, as seen here. Then we have the constant commentary from the sidelines that the hero can’t possibly win…right before they win. Lastly, it also overuses the trope of:

“You may have beaten my teammate, but he was weaker than me.”

“You may have beaten those two, but I am stronger.”

“I may be the last of my team, but the other guys were nothing compared to me.”

This happens with just about every enemy team, particularly in season 2, which is a tournament arc. These tropes are fine in moderation. Yu Yu Hakusho likes to wolf them down like a kid at the desert buffet going back for fifths. This repetition hurts the series the most and contributes to times when the pace feels off. And once you notice the pattern emerge, what’s to stop you from skipping a few episodes when you’ve seen this already?

Even so, Yu Yu Hakusho is an overall success. This isn’t the battle shounen to change your mind on the genre. It’s still for that core demographic. However, if you are part of that core and are tired of modern series going on forever, look no further than Yu Yu Hakusho with its complete story at a mere 112 episodes.

Art – Medium

The art is a mixed bag. We have moments of great animation (usually the battles) and some quality backgrounds. We also have sliding animation, bland backgrounds, and streaks. Done by hand with texture is a plus.

Sound – High

With a surprisingly good dub for such an old anime, you can go with either track here. The opening song, which stays throughout the series, doesn’t seem to fit a battle anime, but it grows on you.

Story – High

A delinquent and his unlikely allies have to deal with all manner of supernatural entities on the streets and in the arena. Fun characters, good pacing, and solid action make Yu Yu Hakusho a ride to the finish.

Overall Quality – High

Recommendation: For classic shounen fans. Yu Yu Hakusho won’t convince those averse to battle anime to change their minds, but it is a good classic of the genre and doesn’t drag for 100s of episodes.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Fruits Basket – Anime Review

Japanese Title: Fruits Basket

 

Related: Fruits Basket 2001 (old version)

Similar: Ouran High School Host Club

Kamisama Kiss

Kobato.

 

Watched in: Japanese & English

Genre: Supernatural Comedy Drama Slice of Life

Length: 25 episodes

 

Positives:

  • Pleasant and good natured
  • Improved over the 2001 version

Negatives:

  • Protagonist is unflinchingly nice and upbeat
  • Comical antagonists
  • Desperate to make you feel sad

(Request an anime for review here.)

I have known of Fruits Basket for a long time. It was a big deal shortly into the new millennium and I’ve never had the urge to watch. A reader requested it, so I guess I have to give it try at least. To my surprise, it isn’t as bad as I had anticipated. I did stick to the new 2019 edition where the art isn’t hideous like the 2001 version, which made all the difference (goes back to the higher standards in art demanded by the core demographic, as I mentioned in Snow White with the Red Hair).

Tohru Honda is a girl down on her luck. She lost both parents, her grandfather can’t keep her any longer, the rest of the extended family hates her, and her tent barely holds it together in the woods. All of that changes when, one day, she stumbles upon the house of Shigure and Yuki, a popular boy from her school. Alongside Kyo and others, they make up the Souma family. However, should any of them hug the opposite sex, it would reveal their true form as an animal of the Chinese zodiac. Seeing her pitiable state, they agree to take her in on condition that she never reveal their secret.

Young girl surrounded by handsome boys, each one fitting an archetype of the reverse harem as they obsess over her. This is as classic shoujo as you can get!

Fruits Basket was an influential manga of the genre in the 90s & 00s, which can be a curse, especially if it is so easy to imitate and, more importantly, outdo. There is no complexity here, whether of story or of character. The reverse harem shoujo formula is as plug and play as the shounen battle anime. This isn’t like Evangelion, Full Metal Alchemist, or Death Note, where you can copy them, change a little, still expecting to have something decent of your own. It takes more than the formula. Every successful anime has galleries of imitators, but the best anime have few that come within arm’s reach of competing in quality.

As such, if you have any familiarity with shoujo anime/manga, nothing – and I mean nothing – will be of surprise in Fruits Basket. It doesn’t feel outdated after the polished remake, yet it doesn’t feel new.

However, let’s look at it for what it is or for the uninitiated.

The protagonist Tohru, I am not a fan. She is too nice. She’s nice it that annoying sort of way, where if she were a real person, you’d suspect it’s all a façade to cover the truth that she abuses animals in private. I exaggerate of course. She is impossibly happy and unbeatable in life to the point that conflict doesn’t matter. The story is structured as a collection of subplots for each character, as seen through the eyes of Tohru. We go through several of the zodiac boys with their tragic backstories and her school friends. Throughout this, nothing makes Tohru flinch. She is an upbeat, sunshine-filled, empty vessel to navigate the subplots. Fruits Basket desperately want you to feel sad for her, from the endless tragedy in her life down to the opening ballad carefully crafted to tug at your heartstrings. When you have a character as unrelatable as Tohru, none of this moves me a millimetre.

The supporting cast is more interesting and the reason the core demographic is here. Each boy fits a type, so one can pick a favourite. It’s unrealistic to have a teenaged girl surrounded by guys like this, but fans wouldn’t have it any other way. There’s yaoi baiting, naturally – wouldn’t be shoujo otherwise.

The boys’ conflicts centre on the zodiac “curse”. The curse is simply the transformation, but it is enough to wreck their relationships and their lives. The shouta kid (he’s older than he looks, they swear) transformed into a rabbit when his mother held him, which filled her with disgust and anger, driving her to attempted suicide. In the end, the Dragon of the zodiac erased her memory of him to give peace. This is a common story with the members of the zodiac. Some fall in love, their partner can’t handle the truth and have their mind’s modified, while the zodiac has to live with the memories and broken heart. The stories are simple and as I said earlier, done to death. You should see it all coming.

As for the antagonists – if you could even call them that – they are comical. They are the flattest characters of them all. The head of the Souma family just leers at everyone and makes threats. I don’t know how anyone can keep a straight face at the things she utters. The most hilarious villains have to be Tohru’s extended family. Her cousin, who is supposed to be respectable and wants to be an officer, goes on a rant about how she’s a slut for staying with boys. How comically flat can you get? These people are funny, not threatening.

If one were of the core demographic for Fruits Basket, a tween girl, there would be stars in her eyes as she dreams of her best boy and yadi yada lovey dovey stuff. For everyone else, there is plenty better shoujo anime out there. If you want a comedy that parodies the genre, I can’t recommend Monthly Girls’ Nozaki-kun enough, or you’ve got Little Witch Academia and Kodocha.

Art – Medium

The production across the board is much improved over the original, though it isn’t anything to write home about. The art is pleasant enough to match the story’s tone. Could do with less full screen bloom. Go easy on my eyes, please.

Sound – Medium

The acting and the script is fine middle-of-the-road quality that gets the job done but won’t stick with you. All that stands out is the extra mountains of sugar. The first opening song is a little much in forcing you to feel sad for Tohru.

Story – Medium

An orphaned yet upbeat girl finds lodging with a group of handsome boys that turn into the animals of the zodiac when hugged. She grows close to them as she unravels their mysterious pasts. Each character gets their time in Tohru’s arms for her to learn their backstories. None of them rises above average.

Overall Quality – Medium

Recommendation: For shoujo fans only. You have to be a shoujo fan to enjoy Fruits Basket. It is as typical shoujo anime as you can get.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Cromartie High School – Anime Review

Japanese Title: Sakigake!! Cromartie Koukou

 

Similar: School Rumble

Pop Team Epic

Detroit Metal City

 

Watched in: Japanese & English

Genre: Comedy

Length: 26 episodes (half-length)

 

Positives:

  • Surprisingly funny
  • Consistent in humour and style

Negatives:

  • Dirt cheap visuals

(Request an anime for review here.)

When I first start Cromartie High School, I think it will end up as a “Quick Review” alongside several other requested comedies. However, I watch a few episodes (they are half-length) and then find myself wanting more the next day. And more the day after that. Before I know it, I have watched the series in full and enjoyed myself throughout.

Cromartie High School is about an eclectic group of high schoolers doing seemingly ordinary high school things in the most unordinary ways. I have never meant eclectic more than here. The first episode introduces a few characters, including a guy who looks like Freddie Mercury that they decide to call Freddie. It’s Freddie Mercury, okay – clearly him! He never says a word, though he can sing like a superstar. He also rides to school on a horse. Why? He’ll never tell. There’s a robot (often mistaken for a vending machine), a gorilla, and even the yakuza as part of the class.

One episode about a rival gang wanting to get the leader of the Cromartie gang has them spooked when they meet the increasingly weird characters in attendance at Cromartie High School. Aliens pay a visit.

The humour in Cromartie takes the absurd and places it in the normal. The gorilla, for instance, is like an ordinary student, except, you know, a gorilla. The running joke with his is everyone trying to determine if he is actually a student. One gang leader, despite his outward tough guy persona, just wants to be a great comedian. He internal monologues everything as a comedian critiquing other people’s comedy. The running joke with him is how he takes everything as an attempt at comedy. Absurd meets ordinary.

Consistency of humour and style makes Cromartie High School a success for me. It isn’t a random collection of unrelated jokes, jumping from one wacky scenario to another wacky scenario from a different anime. The consistency, the running jokes, allows the humour to build over time. The escalation makes me enjoy it more the later we get into the series.

One character I particularly like is the gangster who gets motion sick easily, but can’t let anyone know lest it ruin his image as the toughest guy around. He can’t open his mouth or he will surely vomit, so we hear his thoughts about how he does all in his power to keep it down. He’s willing to help hijackers if it means avoiding a plane trip. His classmates throw him a birthday party on a boat. He can’t ever voice his objections, of course, so he must endure as things only get worse. It’s great!

The cast is great in general. I love how none of them look like high school students whatsoever. I laughed hardest when they see a new guy and are like, “What’s he doing here? He must be 30!” Bruv, he looks the same age as you lot!

Humour is highly subjective, so we could have one person look at this and say, “I don’t get it. This just isn’t funny. Too random.” While another could say, “Funniest shit I’ve ever seen!” For me, it’s not Fumoffu or Nozaki levels of funny, but it is humorous enough and consistent to see me through to the end. The half-length episodes are a plus in avoiding drag.

On another note, I can imagine the art will put off some people. There is no getting around it – Cromartie High School looks like crap. There is barely any animation and they reuse stills. Even still frames are minimal in quality. Wouldn’t surprise me to hear the art team consisted of one artist for drawing, animation, and colouring. The only nice thing to say about the art is the occasional visual gag.

Cromartie High School is a niche comedy on a niche budget.

Art – Very Low

This doesn’t look good with barely any animation, repeated stills, and shoddy line work. Some visual humour is nice, but there isn’t much.

Sound – Medium

The voice acting, whether in English or Japanese, is surprisingly good when compared alongside the art. Music is weak.

Story – Medium

An eclectic group of high school students get up to who knows what. With consistent humour that builds over short stories in a variety of scenarios, Cromartie High School is an enjoyable romp of older anime comedy.

Overall Quality – Medium

Recommendation: For anime comedy fans. One episode probably isn’t enough to get a feel for Cromartie High School. Give it a few. Besides, they’re short.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Ugly Artistic Design