Poor resolution to the narrative with a feeble climax.
There is not much here unless you are familiar with the main Oh My Goddess! series.
Fighting Wings is a two-episode special of the celebrated Ah! My Goddess series. It fits in somewhere after the second season, though there isn’t a direct link between the stories beyond the general premise of the show: university student Keiichi accidentally called the Goddess Hotline, summoning the goddess Belldandy, who has been his girlfriend since.
For those wanting this special to further the main plot, you will be disappointed as this focuses instead on side character, Lind a Valkyrie warrior goddess, who made a few appearances in earlier shows. When a phantom known as the Angel Eater goes on a rampage in Yggdrassil (heaven), Lind descends to Earth, the next target, where Keiichi and the goddesses reside. The plot moves at an improved pace from the second season, and sports a good amount of action with cool magic enhanced by the clean and beautiful art you can expect from the Ah! My Goddess series. The symbiotic angels of the goddesses are of particular beauty. If only the new angels didn’t have names like Cool Mint (spoken in poor English by the Japanese voice actors).
Cheesiness is Fighting Wings’s biggest flaw. With humour thrown into the middle of serious scenes, it makes you wonder if comedy wasn’t an afterthought once they realised that there was going to be none in this romantic comedy. To exacerbate matters, the humour isn’t a success, falling far short of the main series.
The turnabout for the heroines is also rather lame, far too convenient without much of a struggle or conflict. Suffering in a similar manner is the side plot of Skuld, the youngest goddess, unable to summon her angel, resolved with zero effort. With a lack of resolution against the villainy, I was unsatisfied and questioned why they bothered. Don’t misunderstand, I didn’t hate these episodes – Lind’s story has closure at least – they are merely disappointing. Yes, the voice acting is good with the regular voices from the series, and the music matches the Celtic and Nordic tunes of norm, but none of these live up to the equivalent in the first season, and more particularly, the movie.
It has left me with one positive though; I do want to see more of Lind’s story and hope she does make a return in future.
Overall Quality – Low
Recommendation: For fans of Ah! My Goddessonly. You aren’t missing out on much if you choose to skip Fighting Wings.
Mind-numbing characters meandering through a pathetic plot.
Several disturbing elements like underage nudity.
The character voice work, especially for the protagonists, is either loud or whiny at all times, which gets annoying fast.
Where to start, where to start… This anime is terrible. There is really no other way to put it. I could probably leave it at that and advise you never lay eyes on this abomination, but you deserve elaboration.
The characters are awful. Not a single one of them is redeemable in any way. Every episode, you have to endure obnoxious character after obnoxious character, especially the leads. The boy, Sasshi, spends all his time either yelling like a twit or fantasising about fondling – among other things – the breasts of his older sister and grandmother… (As I write this, he just made out with his grandmother…)
No, you didn’t misread.
He is rounded out in stupidity by his friend, Arumi, who yells just as much he does, but thankfully doesn’t dream of groping her family. When she isn’t yelling, Arumi keeps hitting the kid over the head with a paper fan – typical aggressive anime girl behaviour – only, she doesn’t hit him when he’s at his stupidest. To be fair, that would mean her hitting him non-stop. For a comedy, they simply aren’t funny.
The supporting cast in no better. We have this old woman, (possibly a man, though she does have personal airbags on her) who hits on the kid, a low teen…and likes to be whipped and ridden by little boys. Sasshi’s older sister is even creepier as she’s always in the least amount of clothing for her younger brother…and likes to play dominatrix with her father and grandfather, followed by her brother. This has got to be some twisted fan-fiction; it’s the only explanation. There’s also a blue haired man called Abe, I think (unmemorable), who is supposed to be the sage or sorcerer of this world, or something. I have no idea, as he’s pointless.
The greatest mental challenge this anime presents is whether the characters or story are worse. The narrative, such nonsense, is difficult to describe. Best I give you random bits first (it will make just as much sense either way.)
It starts with the news that the restaurant owned by the girl’s family will be closing, the latest of many shops in the same shopping centre. That’s where the normality ends. Dragons appear in the sky, old people morph into mushrooms, and a rainbow bridge manifests before them. The two kids are transported to different worlds, each depicting the shopping arcade in alternate realities, a parody of something famous: Voltron, Bruce Lee, film noire, JRPGs, Apocalypse Now, etc. This isn’t anything new, to use a different pre-established world episode to episode, and has produced great results in the likes of Doctor Who. With Abenobashi however, it is nothing more than a gimmick, as the humour has nothing to do with the parody subject. Take, for example, the film noire episode: the joke is that getting shot turns you into a comic relief midget… Yeah, I don’t get it.
In the JRPG parody, they defeat the Great Evil Lord, a giant skeleton in armour, by waving a giant floppy sword (not a euphemism) at its chest so that its breasts inflate to such a massive size that, get this, it falls over and they pop, defeating the creature… I can’t make this up.
Wait there’s more! There are breasts bouncing around as balls, dinosaurs with breasts bigger than their heads, and you have to watch the kid urinate while running with his seabiscuit in hand. The humour is random and relies too much on the characters being imbeciles. They try throw a twist to the story, but since I care naught for anything at this point, I laugh (for the first time) at how feeble the writing is. Zero coherency and zero intelligence are the themes of this show.
At first, I thought Magical Shopping Arcade Abenobashi would be weird and simply not my sort of thing. A few episodes in however, it became more and more twisted, less and less funny. There is little to analyse here, for nothing makes sense, even the message they try to cram in at the end. I cannot fathom what audience the creators had in mind because it is inappropriate for kids with its underage nudity and not-so-subtle sexualisation, while too stupid for adults.
Art – Low
With characters super deformed for comedic effect at all times, it kills any potential for visual humour. No effort went into the art, especially the characters with no detail or lighting depth to them. Voice and mouth doesn’t synchronise half the time.
Sound – Very Low
Many of the music tracks are rip-offs of famous themes, especially Star Wars ones, done poorly. The voice acting is as obnoxious and ear grating as the characters, no matter if many of these actors have done great voices elsewhere. You may claim hearing damage compensation.
Story – Very Low
Such rubbish. The obnoxious and creepy characters would have been fine if humorous. They aren’t.
Overall Quality – Very Low
Recommendation: Don’t watch this torture. Magical Shopping Arcade Abenobashi isn’t even so bad it’s good.
Stunning art and detail beyond what one expects in anime.
Good atmosphere built from snow and rain particle effects combined with excellent environmental noises.
Too limited in scope.
Second part feels weak compared to the rest.
5 Centimetres per second is a rather unique anime in the sense that it has so few elements to its story, instead choosing to focus on one issue at a time. This allows for a deeper look into a single question or emotion, without distraction from other things.
This single movie is split in three, following different stages of the protagonist’s life. Now, before we dive into the story and characters, I must mention the visuals, as they strike you from the outset. All visual aspects are incredible; from the gorgeous environments to the watercolour art style, they will impress. The artists have taken great care to include plenty of detail in their environments, and made sure every single frame is of the utmost quality, the skies in particular – you see many sunsets and moments of twilight.
Animation is well done, especially with how many assets are animated at once on screen, avoiding that common anime issue where most of the world seems frozen outside of the focal asset. Lighting and shading is another standout area where no shortcuts were taken, no surface neglected. Even more impressive, I find, are the reflections; again, just as much work was put into this aspect as any other.
Now, the story. We follow male protagonist, Takaki and his female friend, Akari as they try to reunite after a few years separation. When they last met, they were graduating from primary school into middle school, only Akari was moving elsewhere with her family. They kept in touch through mail and phone, and at last as they near high school, they have a chance to see each other again. Alas, problems arise when Takaki’s train experiences delay after delay from the blizzard outside.
This first episode is told through a mixture of the present – the train journey – and flashbacks detailing their primary school years. It has a slow start, and never really speeds up to be honest, but it does establish their relationship and the current situation well. You feel the desolation and sorrow faced by Takaki, enhanced by the environment and weather to great effect. I don’t know if it was because I was watching this in a Himalayan winter or if the sense of cold was done especially well, but I felt cold while watching this.
As I said earlier, this story likes to focus on one thing at a time. In this first part, it speaks of an aspect often forgotten in young romance stories, in that their lives aren’t in their control yet, no matter how much they wish otherwise.
For the second episode, we re-join Takaki as he nears high-school graduation, this time told through the eyes of a new female character, Kanae, has been in love with him for years and is desperate to tell him before they leave school. Weather and the environments to symbolise the narrator’s emotions are put to great use; the near constant twilight adds to the imminent – and inevitable – change in her life. It is another look at how little control you have in life, even when you have aged considerably. Kanae struggles to adjust with the forthcoming changes.
Unfortunately, I found this second part to be the weakest of the three, as it doesn’t tie very well into the other two. However, it does contain the most beautiful artistic qualities.
We leap a decade into the future for episode three, Takaki now in the workforce with a dreary, repetitive job and an everyday routine. And again, visuals used to superb effect here. I don’t want to give anything away, but this third part asks the most powerful question of the film: given the opportunity, would you pursue a childhood dream as an adult even though all circumstances have changed? Nothing I have said so far would be constituted as spoilers as it isn’t the set-up of each episode, but rather the characters’ responses that matter.
Overall, 5 centimetres per second is a good movie, with each area seemingly executed exactly as the director wanted; however, this does mean you see a limited scope of this story and world. It feels like the sort of film that a small team would make and enter it in a film festival with the sole purpose of leaving the audience with a question they should ask themselves – oh, and show off amazing visuals in the process.
Art – Very High
Absolutely phenomenal. Worth seeing for the visuals alone.
Sound – High
Audio is the most ordinary of the film’s qualities. With so few characters and a consistent tone throughout, there is no diversity in the voice work. That isn’t to say the acting is bad, simply ordinary. 5 centimetres per second boasts little music, preferring to have ambient sounds and atmosphere take over, which it does superbly; however, due to the constant quiet, it lessens the atmospheric impact in the crucial moments. This seems intentional, in line with the single-minded focus of the narrative.
Story – High
A focused story on romance and coming-of-age that asks deep questions, at the cost of breadth.
Overall Quality – High
Recommendation: A film worthy of an hour of your time unless you require joy in anime. Watch 5 centimetres per second in a winter snowstorm, if able.