Tag Archives: Adventure

Let’s go on a quest! Characters usually embark on a grand journey, encountering various obstacles along the way.

Avatar the Last Airbender – Review

Japanese Title: Abatā Densetsu no Shōnen An

 

Related: The Legend of Korra (sequel)

Similar: Fullmetal Alchemist

Gundam SEED

Vision of Escaflowne

 

Watched in: English

Genre: Fantasy Action Adventure

Length: 61 episodes (3 seasons)

 

Positives:

  • Excellent, thoroughly developed characters.
  • Fluid and awesome action with magnificent spell effects.
  • Perfect pacing.
  • Great for children and adults alike.
  • Pleasant Humour.
  • Engaging story that keeps getting better, particularly in the third season.

Negatives:

  • Takes a little time to get used to characters sounding American despite none looking so, though this won’t hinder my experience.
  • Finale makes a single poor decision.

I first heard of Avatar the Last Airbender with the announcement of the film by the same name. As an introduction to the world of Avatar, the film couldn’t have gone worse. However, surrounding all this excrement was a fanbase livid at the mutilation of their beloved show. I kept hearing how amazing the show was. Now, source material is often better than adaptations, so I figured the cartoon must be better. But amazing? No, I doubted that. I have encountered many rabid fanbases in my time surrounding anime (I know that this isn’t anime, but the same audience enjoys it) and rarely do they result in something worth your time. In the end, I acquired this show for the sole purpose to educate myself when I argue that the show isn’t all that great. Instead, Avatar turned out to be…phenomenal.

Our story starts with the awakening of Aang, airbender and the next Avatar incarnation discovered frozen in an iceberg by two nomads of the Water Tribe. Aang has little time to learn the remaining three elements (Earth, Water, and Fire) before a comet passes Earth that will empower the current Fire Lord, who seeks world domination, into a being of living destruction – all the while hunted by Fire Prince Zuko.

Aang travels with waterbender Katara and her brother Sokka across the world, encountering a wide cast of characters on their many adventures. The characters are a large part of what makes this a great show. Katara, the motherly type, has to keep her brother’s antics in line. Much of the comedy comes from Sokka, who can’t waterbend like his sister and must fight with his lucky boomerang.

Aang is the weakest of the cast at the beginning; not saying he is a bad character – far from it, great in fact – he simply doesn’t hold up to the rest. He has one of those righteous personalities. You know the type: doesn’t kill people or even really harm them, no matter how evil, vegetarian because he can’t harm animals, and other pious life choices. At first, I thought this would make for great conflict considering his mission, and it does for a while, only to throw a reversal later. While Aang’s story is great, the other major characters experience more interesting story arcs that culminate in epic conclusions. If anything, that is a testament to Avatar’s quality. When the supporting cast has such fantastic arcs that the protagonist’s arc couldn’t possibly live up to them, you know you have something good.

The best character of all is Prince Zuko the firebender. Upon first meeting, he irritated with his whining about lost honour and his obsession with the Avatar. However, my opinion turned around as he developed. Before long, I realised that the writers intended for one not to like him so that his growth will mirror one’s opinion of him. Truly great writing.

Full thought went into every side character – the creators didn’t take shortcuts even for single-episode appearances. From the completely nutters, bad-joke-loving, king of Omashu to Zuko’s uncle, Iroh (voiced by legendary Mako – one of his last roles), I looked forward to each new location for the characters they will meet.

Humour is a strong element of the series. In the first season however, as an older viewer, you may find some moments a little too tailored towards the intended young audience. Thankfully, the third season’s high notes with some truly dark moments well make up for this. Prepare to laugh plenty throughout the show, especially at the hands of Sokka. If you have kids, watch it with them to earn many awesome points in their eyes, and with the show tailored towards them, the pacing is never dull, as the writers knew they could never release their attention. Every single episode captured my interest.

Action never occurs for the sake of action, so you don’t get tired of seeing the elemental powers. Take Naruto, for example, and his overused shadow clone technique that grows old because he whips it out at a whim every few minutes. Yes, it’s great when executed correctly, but could have been better with less airtime. Avatar doesn’t make that mistake.

In the end, Avatar the Last Airbender is a brilliant show. With many likable characters that experience proper development, action and visuals that fit the themes, and an overall plot that concludes with an epic finale, this is easily a must watch.

Art – Very High

Art and animation of a high quality in a colour palette suited to the elemental nature of the powers. It looks particularly great in action – water flowing across the screen as fire rages, wind slicing things apart while earth smashes the environment. Visuals’ only flaw is in the animation of the mouths, where it could have done with a few more frames to match the other smoothness.

Sound – High

Masterful acting once acclimated to the American accents in an Asian setting. Audio effects for spells are great.

Story – Very High

Only a few missteps with the protagonist and a lack of intensity in season one hurt this show’s story. Avatar will still surprise with just how good it is, the final season in particular. Hilarious, too.

Overall Quality – Very High

Recommendation: Rent it, buy it, watch it. Then you can join in on the discussions as to why the movie is so damn terrible. Get the kids involved as well.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive:

Extensive Character DevelopmentHilariousPositive Recommended English Voice TrackRiveting ActionStrong Lead CharactersStrong Support CharactersStellar Voice Acting

Negative: None

Beet the Vandel Buster (& Exelion) – Review

Japanese Title: Bouken Ou Beet (& Exelion)

 

Similar: Ragnarok

Sword Art Online

 

Watched in: Japanese

Genre: Battle Action Adventure

Length: 77 episodes (2 seasons)

 

Positives:

  • Nothing

Against:

  • Art is flat and lacklustre with a low frame rate.
  • Battles are lame and empty, yet drawn out where yelling grants power.
  • Ability casting sequences look ridiculous.
  • Stupid characters with dumb names; protagonist in particular with a voice of poison to your eardrums.
  • Opening sequences will fry your brain.
  • Minimal effort in show’s creation.
  • Lip-sync hardly matches the dialogue.
  • Electricity freezes things?
  • Too often, sound effects won’t match what is on screen.

You never imagine that a show with more than one season could be this bad. You think to yourself, at worst it will be so-so, something forgettable. Then Beet the Vandel Buster comes along ready to shatter all your notions about quality. This show is bad, atrocious even.

Where to start?

The plot: this is your typical battle anime. Protagonist Beet and his gang of Busters face Vandels (demons trying to rule the world), each encounter lasting several episodes before they repeat the process with a different enemy. Oh, there’s an EXP and levelling system from RPGs in this as well, though it doesn’t do anything of importance. Action is repetitive and formulaic: villain shows up to boast about how powerful he is, hero proves him wrong, but no, the villain has a trick that nearly kills the hero, then, oh wait, I shall yell to get super powerful. I win. Yes, yelling in this show makes you powerful. If tied down, no matter how tightly, yells will give Beet the strength to break free. You may think this is a power contrivance, but it’s a mercy compared to having to watch the ridiculous weapon summon animation for his idiotic sword every episode coupled with the static attack sequences – streaked background fights everywhere.

The overall story starts and ends with little more than defeat of some demon before they fight the next. It would at least be enjoyable if the fights were worth mention; however, they are so empty and without strategy that you long for Beet to just yell his way to victory. Unfortunately, you have to endure episode after episode of the same dragged out fight until you give in and just end your life right there. Ability power is inconsistent, as sometimes a skill will instant kill, where other times it just scratches creatures of similar power. Also, electricity freezes targets? And bullets don’t do what bullets do, as in, they don’t kill…or cause any real damage…and can be dodged by running at slower than human speeds… Forget about physics. When convenient, gravity seems non-existent, then it returns stronger than normal, when convenient, to make up for any earlier absence.

It doesn’t help that the characters are so unlikable to the point of irritation. There is Beet the brat who yells too much and somehow wins fights despite being the stupidest person alive. He gets one of the strongest Buster teams killed within the second episode and is rewarded with a Deus-ex Machina of no-consequence power for his ass-hattery. Expect to see plenty of cliché yelling-to-the-sky-with-closed-eyes moments from him – I think they are supposed to make you care about the character…I’m not sure…I just want him to burn.

The rest of his crew is as clichéd. Poala, his childhood friend, is your typical violent tsundere to Beet. Next, we have Milfa (I do not joke about these names), who is either old enough to match her physical stature, and thus a paedophile, or is an extremely sexualised early teen girl. And finally, to round off this band of banality is Kiss, a blonde boy who specialises in spellcasting and nothing of use. Again, not joking about the name. This doesn’t need to be said at this point, but if I must: There is no character development.

As much effort into the art as into the plot – flat, no depth, and the most you see is one-tone shading. It is hard to say if the sound design is worse or better than art. The voice work is lifeless or generic for most characters, except Beet, always the exception, who has quite possibly the worst voice in anime history. You know, I think we could mount a case for aural assault after hearing him. He couldn’t be any more obnoxious. No voice is skilled or suited to the role. That said, Beet is so atrocious that he eclipses them all with his awfulness. I don’t know if one should be thankful or horrified…

The ear murder doesn’t end there. After it is done yelling your eardrums into pulp, it tops it off with lip-syncing that only fits the dialogue half the time, and sound effects that don’t match the action on screen. When a man lifts a boulder, you hear the sound of a rope under strain…seriously, who didn’t notice that error? An energy attack hitting an insect carapace makes the sound of two clashing swords…I mean really, how…just, how? These errors happen far too often to pass as innocent mistakes.

If by this point I haven’t convinced you that this is a bad anime and you still want to watch it, then go right ahead. I won’t stop you; my conscience is clear now that you have been warned. Everything about Beet the Vandel Buster is atrocious. Stay away.

Art – Very Low

Lifeless art and too few frames leaves you thinking this was a waste of colour in this world. Half the time characters don’t even animate. Sliding across the screen is how it works these days, apparently.

Sound – Very Low

Voices to make your ears bleed. SFX chosen with a dartboard.

Story – Very Low

Repetitive battles filled with Deus-ex Machina moments and no development.

Overall Quality – Very Low

Recommendation: If you watch Beet the Vandel Buster, Beet will turn you into a drooling idiot before long. Don’t say I didn’t warn you.

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Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Deus Ex MachinaEar Grating Voice WorkHorrendous ActionNo DevelopmentRepetitiveRubbish Major CharactersUgly Artistic Design

Allison and Lillia – Review

Japanese Title: Allison to Lillia

 

Similar: Last Exile

The Pilot’s Love Song

 

Genre: Adventure Romance

Watched in: Japanese

Length: 26 episodes

 

Positives:

  • A real sense of charm from its beautiful, storybook visuals populated by good characters with believable relationships.
  • Strong sound effects, for the action in particular.

Negatives:

  • Story never hits a high note.
  • Ambiguous character ages.
  • Final twist is…unexplained.

In a world based on Europe’s 1920s, there lays a continent divided by a gargantuan river into the two regions of Roxche and Sous-Beil. Both sides were at war for one-hundred-and-thirty years, but are currently in cease-fire. Tensions are still precarious as neither side is willing to give way in the issue over which region existed first; the older believes they have rightful ownership of the younger’s land. A feeble cause, I know, but wars have been fought over far less.

We follow the tales of two Roxcheans: Wil, a down-to-earth, book smart, loyal, peace-loving guy, and his friend, Allison. She’s an adventure girl, feisty, reckless, defiant, likes to ‘borrow’ without asking, sleeps way too much, and is a classic cover-hog. Her escapades get him into trouble, dragging him along for the ride. Their teamwork, complementing personalities and natural behaviour to each other makes for a believable friendship. Their ages are difficult to surmise, for Wil is in the fifth grade at the start, but they obviously aren’t eleven. A quick search revealed they are both seventeen, yet there is still one problem: how is a seventeen-year-old girl a proper military pilot? Maybe things were different in the twenties…

Another time it may be, and yet, I still felt uncomfortable at the relationship of two support characters, pilot Carr the charming love letter guy and Fiona, Princess of Ikstova (a small country between both regions). This isn’t a spoiler, as it happens quickly – which isn’t a problem – he looks twenty-something and she, ten (another search reveals her as twenty years old. Twenty!) No matter how hard you try, you can’t skew her appearance to adulthood. Their relationship isn’t explicit or ‘icky’ in anyway, it just looks inappropriate. And no, it isn’t a childhood crush you have on a celebrity; he is the instigator.

Back to Allison and Wil. When an old codger tells them of a treasure about a cover-up in the war that could end all strife, they are dubious. Then the old man is kidnapped and the adventure is on! They give chase into Sous-Beil using a seaplane. The conflict isn’t simply good versus bad. Both sides have positive and negative aspects, no outright evil nation.

Allison and Lillia’s narrative is more a series of short stories rather than a single large story. Yes, the characters and their lives link each; however, they are also self-contained arcs. I don’t understand this structural choice since they could have had the same stories, but with more ties between them. As it is, the plot doesn’t get a chance to escalate, build mystery, hit that high point in tension where everything comes together. You will see twists and have those tense moments, only without that expected crescendo. In fact, the pace slows the further the show progresses.

This show is loaded with charm. From the light-hearted and well-timed humour to the innocence of youth, and the beautiful storybook style art, you can’t help but enjoy yourself.

Allison and Lillia is an enjoyable show – even for the kids – that captures a sense of family and friendship, and what people are willing to do to protect those important to them. If only the plot had more heft and mystery to it…and characters’ ages were clearer (yes, it bothers me that much).

Art – High

Beautiful art full of charm. Magnificent vistas inspired by European countrysides are a pleasure to behold with the splendid environmental lighting effects.

Sound – High

The music throughout is well composed, matching the show in its European inspirations. Sound effects for the inorganic things are excellent. You feel bullets whiz past, explosions shake the ground, and hear planes fall to the horizon. The right actors for each character, especially for Allison, who could have gone the obnoxious road often associated with the young, strong female types.

Story – Medium

A tale of adventure against a backdrop of war torn countries. A missed opportunity, but enjoyable nevertheless.

Overall Quality – Medium

Recommendation: A good show. Allison and Lillia is the ideal anime to watch with your kids, as it offers a fun adventure for all.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive:

Charm

Negative:

DissapointingWeak End

Magical Shopping Arcade Abenobashi – Review

Japanese Title: Abenobashi Mahou Shoutengai

 

Similar: FLCL

Excel Saga

 

Genre: Fantasy Comedy.

Watched in: Japanese.

Length: 13 episodes.

 

Positives:

  • Nothing.

Negatives:

  • No visual detail, other than breast physics.
  • Mind-numbing characters meandering through a pathetic plot.
  • Several disturbing elements like underage nudity.
  • Unfunny comedy.
  • The character voice work, especially for the protagonists, is either loud or whiny at all times, which gets annoying fast.
  • Incoherent…everything.

Where to start, where to start… This anime is terrible. There is really no other way to put it. I could probably leave it at that and advise you never lay eyes on this abomination, but you deserve elaboration.

The characters are awful. Not a single one of them is redeemable in any way. Every episode, you have to endure obnoxious character after obnoxious character, especially the leads. The boy, Sasshi, spends all his time either yelling like a twit or fantasising about fondling – among other things – the breasts of his older sister and grandmother… (As I write this, he just made out with his grandmother…)

No, you didn’t misread.

He is rounded out in stupidity by his friend, Arumi, who yells just as much he does, but thankfully doesn’t dream of groping her family. When she isn’t yelling, Arumi keeps hitting the kid over the head with a paper fan – typical aggressive anime girl behaviour – only, she doesn’t hit him when he’s at his stupidest. To be fair, that would mean her hitting him non-stop. For a comedy, they simply aren’t funny.

The supporting cast in no better. We have this old woman, (possibly a man, though she does have personal airbags on her) who hits on the kid, a low teen…and likes to be whipped and ridden by little boys. Sasshi’s older sister is even creepier as she’s always in the least amount of clothing for her younger brother…and likes to play dominatrix with her father and grandfather, followed by her brother. This has got to be some twisted fan-fiction; it’s the only explanation. There’s also a blue haired man called Abe, I think (unmemorable), who is supposed to be the sage or sorcerer of this world, or something. I have no idea, as he’s pointless.

The greatest mental challenge this anime presents is whether the characters or story are worse. The narrative, such nonsense, is difficult to describe. Best I give you random bits first (it will make just as much sense either way.)

It starts with the news that the restaurant owned by the girl’s family will be closing, the latest of many shops in the same shopping centre. That’s where the normality ends. Dragons appear in the sky, old people morph into mushrooms, and a rainbow bridge manifests before them. The two kids are transported to different worlds, each depicting the shopping arcade in alternate realities, a parody of something famous: Voltron, Bruce Lee, film noire, JRPGs, Apocalypse Now, etc. This isn’t anything new, to use a different pre-established world episode to episode, and has produced great results in the likes of Doctor Who. With Abenobashi however, it is nothing more than a gimmick, as the humour has nothing to do with the parody subject. Take, for example, the film noire episode: the joke is that getting shot turns you into a comic relief midget… Yeah, I don’t get it.

In the JRPG parody, they defeat the Great Evil Lord, a giant skeleton in armour, by waving a giant floppy sword (not a euphemism) at its chest so that its breasts inflate to such a massive size that, get this, it falls over and they pop, defeating the creature… I can’t make this up.

Wait there’s more! There are breasts bouncing around as balls, dinosaurs with breasts bigger than their heads, and you have to watch the kid urinate while running with his seabiscuit in hand. The humour is random and relies too much on the characters being imbeciles. They try throw a twist to the story, but since I care naught for anything at this point, I laugh (for the first time) at how feeble the writing is. Zero coherency and zero intelligence are the themes of this show.

At first, I thought Magical Shopping Arcade Abenobashi  would be weird and simply not my sort of thing. A few episodes in however, it became more and more twisted, less and less funny. There is little to analyse here, for nothing makes sense, even the message they try to cram in at the end. I cannot fathom what audience the creators had in mind because it is inappropriate for kids with its underage nudity and not-so-subtle sexualisation, while too stupid for adults.

Art – Low

With characters super deformed for comedic effect at all times, it kills any potential for visual humour. No effort went into the art, especially the characters with no detail or lighting depth to them. Voice and mouth doesn’t synchronise half the time.

Sound – Very Low

Many of the music tracks are rip-offs of famous themes, especially Star Wars ones, done poorly. The voice acting is as obnoxious and ear grating as the characters, no matter if many of these actors have done great voices elsewhere. You may claim hearing damage compensation.

Story – Very Low

Such rubbish. The obnoxious and creepy characters would have been fine if humorous. They aren’t.

Overall Quality – Very Low

Recommendation: Don’t watch this torture. Magical Shopping Arcade Abenobashi isn’t even so bad it’s good.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive: None.

Negative:

Atrocious PlotEar Grating Voice WorkIncoherentInduces StupidityNot FunnyRubbish CharactersTorture MusicUgly Artistic Design