Tag Archives: Action

Often high in violence and fast-paced. Not necessarily gory, though can be.

GetBackers / Kiddy Grade / Witchblade – Quick Thoughts

GetBackers

Genre: Supernatural Action Comedy Science Fiction

Length: 49 episodes

Today theme of quick reviews is action anime I liked at one point, yet haven’t seen in a long time and haven’t reviewed. When I did my “Watched but Not Reviewed” list (missing quite a few titles, in hindsight), it brought many anime back to my attention that simmered to the surface until I had the urge to check them out again. Are they as I remember?

We start with GetBackers, my favourite of the three in the past. It even featured an honourable mention in my “Former Favourite Anime” list, so this was important to me. I need to say this right away though: GetBackers does not live up to my memory whatsoever. The art is super budget for this super powered series. The animation is far more of a slideshow than I remember and the characters have little detail, though their designs are unique so clarity isn’t an issue. I swear it looked better in my head.

GetBackers is set in an alternate Earth where some people have superpowers akin to The X-Men (each can do their one thing) and most of these superhumans work as either Retrievers, Transporters, or Bodyguards at odds with one another. It’s like John Wick – you have to accept this is how the world works or we aren’t going anywhere. Main duo Ban and Ginji work as Retrievers, the GetBackers, guaranteeing satisfaction no matter how small or impossible the request. Unfortunately, they are horrendous with money even after a big payday and so live in squalor.

To give a few positives, the main duo is good fun and the humour is successful, for the most part. GetBackers also feature the best – the best – use of chibification in all of anime. If I will forever remember one element of GetBackers for the rest of my life, it will be the chibification perfection. I still laugh whenever Ginji turns into a scared chibi after realising he’s alone with Dr Jackal.

Now for a dose of memory versus reality. I remember GetBackers as an awesome action series with cool powers, varied characters, and a mysterious plot. In reality, we have repetitive action, cool though limited powers, varied but one-note characters, and puddle-deep mystery. It astonishes me how different this is from memory.

GetBackers was in the early years of when I really got into anime and when one is at that early stage, everything is so much more impressive. I believe this was my first super power variety anime (saw Scryed later). I can imagine past me having a conversation with present me, gushing about how cool the powers are and how there are so many, how unique it is, only for present me to pull out 30 anime that do the same and often better. Conversation over.

It’s why I don’t blame newcomers for thinking everything is amazing. Everyone has been there. Every anime is a 10 when you have only seen seven of them. As one’s mental library builds, the flaws start to come out when a superior example is available.

A key detail I never noticed was the repetition. Nowadays, repetition almost guarantees to kill my interest, never mind rewatching the series, as I did several times with GetBackers in its heyday. Ban has the power to make people see illusions for one minute after eye contact. Let me tell you, no word of a lie, that this resolves every case. I love illusion powers and I thought this was the coolest thing ever, but man is it the same resolution every time. A common scene is to have the villain kill the heroes, immediately vocalise his plan/list of compatriots, and then for Ban to say “Just one minute”, revealing it was all an illusion. This is no Sharingan level of cool.

On rewatch now, GetBackers was okay for the first few cases. Once they enter the Infinite Fortress – a labyrinthine slum filled with superpowers – it loses the fun. The anime also didn’t adapt the biggest reveal of the story, which would have explained why people have these powers and why the Infinite Fortress matters. Knowing the twist, however, I’m not sure I entirely disagree with cutting it.

I tried the dub for the first time (none of these anime had a dub at the time) and holy Pokéballs, Shinji, is it not good. It isn’t “they recorded random people on the street” levels of bad. These are clearly actors, just not voice actors. This is a great example of a professional dub that studios thought were fine once upon a time, which thankfully doesn’t fly anymore (at least, I hope not). The lack of energy in the voices, the stiff reads, the monotones, bloody hell, what a disaster. The acting starts bad and only gets worse with each new character introduced. It’s hard to believe the likes of Cowboy Bebop managed a perfect dub when this was normal.

Almost forgot – the OP song may just be the worst I’ve heard in anime. If you want to know my taste in music, then take this and imagine the opposite.

*     *     *     *     *

 

Kiddy Grade

Genre: Ecchi Action Science Fiction

Length: 24 episodes

Next we have Kiddy Grade, an anime similar to GetBackers with a variety of super powered pairs facing off, but in a heavy sci-fi setting. Our leading ladies are Éclair and Lumière, agents of the Galactic Organisation of Trade and Tariffs. While the organisation’s name implies involvement only in commerce, it actually has fingers in every space pie (everything comes back to money if you look far enough).

This is a spy thriller with Éclair donning a number of disguises, undercover missions, and gadgets for every conundrum. It explores several “what if” questions from the setting and sci-fi concepts for drama. Even the powers have sci-fi roots. Lumière can talk to computers, for example, and Éclair’s strength comes from body modification. There is effort in the world building.

After the stark difference between memory and reality with GetBackers, Kiddy Grade is about as I recall. I should note that this anime came to me later in the experience track and that I didn’t love it at the time, just enjoyed it enough for a rewatch (when you didn’t have much variety, rewatches were common). My opinion of it has fallen – I lost interest by the end of act one this time – as this is a case where once you’ve seen so many better versions of this story, this setting, this idea, you can’t help but wish for something else. Also, my distaste for lolis has only increased, of which there are too many here.

The similarities between Kiddy Grade and the previous anime are uncanny, right down to espousing the same basic morality lessons – “Being evil is bad.” “Don’t kick puppies.” I never put the two together until this rewatch.

However, Kiddy Grade works better than GetBackers by having more variety, more effort in the narrative through line, and significantly better art. Without looking it up, I want you to guess how far apart these anime released.

Five years? Three years? Three months? Try five days apart. Kiddy Grade is better representative of how standard anime looked in the early 2000s. The production holds up from studio GONZO and the dub is so much better than GetBackers that you’d never guess they came from the same year. It’s fascinating to see.

*     *     *     *     *

Witchblade

Genre: Action Science Fiction

Length: 24 episodes

And finally, we have Witchblade, based on the American comic series of the same name and the anime I had watched last of the three. By the time I got to this, I had seen plenty of anime, so I was under no illusions towards its quality. The question is whether my slightly favourable memories are too kind or too harsh.

This is a more mature series than the other two. A sci-fi action series like the others, except hyper sexualised in the ass kicking. Kiddy Grade has panty shots; Witchblade has death by snu snu. If the shot in the OP of the protagonist wiping streaks of blood across her bare arse, vagina blade in full view, isn’t enough to tell you what this anime is going for, then no one can help. Witchblade is about tall, leggy, busty women in scant armour beating the life out of one another (toned down from the comics, if you can believe it). The Witchblade lusts for battle – literally – as combat turns it on to orgasmic peaks.

And if it were in the hands of a worse team, that’s all Witchblade would be. However, this anime has more to it, for at its heart is the story of Masane doing everything she can to give her daughter Rihoko a better life. Their relationship, not the action, is the spine of Witchblade. In fact, of these three anime, Witchblade has the least action with far more time spent on character and relationships. Furthermore, despite being more sexual than the others by leagues, it is the most mature (and certainly less creepy than Kiddy Grade). It has a surprising romance that doesn’t forget Masane’s status as a single mother. Long before the end of the story, I care for this woman and her daughter. I feel for the struggles they go through as a child welfare agency wants to separate them. And I appreciate how grown up the romance is without changing the tone into a heavy drama.

Should action be your main draw, then Witchblade also delivers. It isn’t repetitive, unlike the other two, nor does it drag beyond its welcome and doesn’t pause to exposit on how the powers work every fight. This isn’t some spectacular anime, of course – more lore, a darker mystery, and more development to the antagonists wouldn’t have gone amiss. It engaged me to the end, however, and that is worth something.

I also like the scientific approach to the Witchblade. If you supposed this device and its power was real, how would scientists approach it? Masane ends up working for a corporation doing such research (they pay her to kill rabid mutants and machines on the streets) and the antagonists come from a rival corporation developing other Witchblades, exploring the genetics of it all. They are trying to make it work with men as well (the device only functions on women).

So much to my surprise after this trio revisit, Witchblade turns out to be the best of the three, no contest. The production quality is also the highest, though it is newest. When considering my opinion of these three at the time I first watched them, Witchblade was the lowest. Now, it’s the best.

Recommendation: I recommend Witchblade – I give it a medium rating, with a low for the other two, which I don’t recommend. GetBackers is too dated, too repetitive, and too long for me to justify, while Kiddy Grade is somewhere in the middle. There is simply so much better these days. If you do want similar from that era, go with Scryed. Witchblade’s focus on a much older protagonist than usual with an older relationship too makes it stand out from the crowd.

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Yu Yu Hakusho: Ghost Files – Anime Review

Japanese Title: Yuu Yuu Hakusho

 

Similar: Bleach

Hunter x Hunter

InuYasha

 

Watched in: Japanese & English

Genre: Action Comedy Fantasy

Length: 112 episodes

 

Positives:

  • Fun, likeable characters
  • Good pace for a battle anime
  • Surprisingly strong dub considering age
  • Foreground artwork holds up…

Negatives:

  • …most background artwork doesn’t
  • Overuse of several battle tropes

(Request an anime for review here.)

There are many classic battle anime from the hand drawn age, few of them any good. I thought I would look at one – just one – in full to get a feel for the classic era outside of Dragon Ball Z. Yu Yu Hakusho: Ghost Files comes the highest recommended so let’s go with that. And at a mere 112 episodes, it can’t be that hard to suffer through if the worst comes to the worst.

However, to my delight, one of Yu Yu Hakusho’s strengths is a good pace. You don’t feel its length across the four arcs as no fight drags beyond a few episodes. But I’m getting ahead of myself.

Yu Yu Hakusho is about a 14-year-old delinquent who dies one day saving a boy from being hit by a car, which goes against his nature. The kid baby in charge of spirit realm admin gives Yusuke a chance at revival if he can complete several tasks to prove himself as a Spirit Detective. Under the guidance of Shinigami Botan, he races against the clock to keep his spirit alive and his dead body intact. The story starts off, as most shounen do, with a series of smaller stories before it dives into longer arcs with bigger action.

Something I immediately like about Yu Yu Hakusho are these smaller stories. It avoids the tedious “monster of the week” structure found in the likes of Bleach, instead foregoing action in favour of a character focus. Early episodes are about Yusuke’s soon-to-be friendship with Kuwabara, another delinquent always hungering for a fight, who can’t handle that his rival is dead. He’s my favourite character, voiced brilliantly in the dub by Christopher Sabat (you wouldn’t know he voices Vegeta when you hear him here). Great dub, by the way. Kuwabara is such a meathead but you love him more for it.

These early episodes are the best of the show, for me. Perhaps I have seen too much shounen action – this action is good, mind you, and we’ll get there – but I like the character and humour focus of the first season, where Yusuke goes on mini capers taking care of incidents around town. The demon world is also a rather unimaginative setting (think a wasteland like any other). As such, later seasons aren’t as engaging. I suspect, however, I am in the minority for this opinion.

Yusuke also enlists the help of, begrudgingly at first, two demons when it comes to fighting the stronger denizens of the other realm. Kurama the fox spirit and manipulator of plants acts as the brains of the operation, while Hiei the fire demon born to a tribe of ice demons brings pint sized firepower. Get used to the idea of enemies becoming friends, for this writer loves the trope. As a set, the team make for a good balance of characters that don’t feel like usual archetype slots of a shounen cast.

Now to the action. Yu Yu Hakusho defies expectations of shounen action. Fights don’t last a dozen episodes – most are over in one. It knows when a fight is insignificant in the grand scheme and doesn’t drag it out. If this were Bleach or DBZ, every minor squabble would take 10 episodes at least. Here, the fight lasts long enough to have meaning and for the combatants to entertain, but then it moves on. It also mixes things up in who wins or loses. Only major fights take a few episodes, usually as the big finale for the season, and there aren’t many of these. Yes, one could tighten a few encounters, though not a major issue.

Villain designs, while dated, are entertaining at times. This anime has the most hilarious muscled villains. Muscles on top of muscles. It’s like a parody – “Oh yeah, you reckon going Super Saiyan was ridiculous? Check this out!” Straight out of botched surgeries.

Furthermore, Yu Yu Hakusho skips over training arcs. It shows a little to give the audience an idea of what Yusuke’s up to before the narrator says, “In this way, two months of training passed.” More anime should do this. The one notable training arc it doesn’t skip over in a later season has other threads woven through to avoid hitting a dead stop (rasengan training in Naruto still haunts me).

There has been a fair amount of praise from me so far, so let me temper this with criticisms, all of which revolve around the action. I despise the trope of enemies explaining how their ability work to the hero for the sake of the audience. This makes them stupid and I hate stupid. One opponent even tells of his technique before the fight. You can perhaps get away with a single enemy cocky enough to do this, not the majority, as seen here. Then we have the constant commentary from the sidelines that the hero can’t possibly win…right before they win. Lastly, it also overuses the trope of:

“You may have beaten my teammate, but he was weaker than me.”

“You may have beaten those two, but I am stronger.”

“I may be the last of my team, but the other guys were nothing compared to me.”

This happens with just about every enemy team, particularly in season 2, which is a tournament arc. These tropes are fine in moderation. Yu Yu Hakusho likes to wolf them down like a kid at the desert buffet going back for fifths. This repetition hurts the series the most and contributes to times when the pace feels off. And once you notice the pattern emerge, what’s to stop you from skipping a few episodes when you’ve seen this already?

Even so, Yu Yu Hakusho is an overall success. This isn’t the battle shounen to change your mind on the genre. It’s still for that core demographic. However, if you are part of that core and are tired of modern series going on forever, look no further than Yu Yu Hakusho with its complete story at a mere 112 episodes.

Art – Medium

The art is a mixed bag. We have moments of great animation (usually the battles) and some quality backgrounds. We also have sliding animation, bland backgrounds, and streaks. Done by hand with texture is a plus.

Sound – High

With a surprisingly good dub for such an old anime, you can go with either track here. The opening song, which stays throughout the series, doesn’t seem to fit a battle anime, but it grows on you.

Story – High

A delinquent and his unlikely allies have to deal with all manner of supernatural entities on the streets and in the arena. Fun characters, good pacing, and solid action make Yu Yu Hakusho a ride to the finish.

Overall Quality – High

Recommendation: For classic shounen fans. Yu Yu Hakusho won’t convince those averse to battle anime to change their minds, but it is a good classic of the genre and doesn’t drag for 100s of episodes.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Vinland Saga – Anime Review

Japanese Title: Vinland Saga

 

Similar: Dororo

The Heroic Legend of Arslan

Berserk

 

Watched in: Japanese

Genre: Historical Action Drama

Length: 24 episodes

 

Positives:

  • Good music

Negatives:

  • No effort at historical realism
  • Empty protagonist
  • No likeable characters
  • Super powered warriors when convenient
  • Art is riddled with problems

(Request an anime for review here.)

It shouldn’t be difficult to write a story about Vikings marauding the coasts of Europe. At minimum, it shouldn’t be difficult to know that Vikings didn’t act like high school anime characters. It should be easy, yet Vinland Saga fails in nearly all possible measures.

I need to go from the start, where an early sign warned of the direction for which this anime headed. Thors, leader of the village and father to Thorfinn, finds a runaway slave on his land. His family tries to rehabilitate the slave, but he soon dies. Worse yet, his owners come to collect and Thors, being the honourable Viking that he is, refuses to return him even as a dead body, offering a few cows instead. He buries the slave.

I understand what the author is going for here – difficult not to – however, the execution shows a lack of thought into the time and place of this story. Thors acts like a modern day person objecting to slavery. This likely stems from the author’s inability to separate his personal feelings from the characters within the story. Some authors think it makes them noble or better people if they write moral characters, regardless of whether it fits the story. This only makes them bad writers. A great writer doesn’t just write the good guys that align with their personal morals, while all villains are everything they see as reprehensible.

This slave incident is minor, in the grand scheme, yet it is an early indicator of problems to come. In 99% of fiction, every core problem has a presence within the first chapter or two (or first episode or two, in the case of anime). It’s why author agents and publishers can reject a novel within a few pages. If characters are shallow in the finale, they will be so in the opening as well. Mistakes echo in every chapter.

The author wants you to know how noble Thors is so that when he gets into an ambush later, executed by the mercenary Askeladd at the behest of the Danish king (Thors deserted his army years ago), you buy into the idea that he would let himself die for the sake of his honour and morals. Thors challenges Askeladd to a duel and wins. It doesn’t take a genius intelligence to foresee that a sellsword driven by gold wouldn’t hold up the terms of the duel. That isn’t the problem. We run into heightened levels of stupidity when Thors, who up until now has outsmarted and outfought the entire mercenary crew singlehanded, refuses to dishonour himself and “cheat”, even though his death leaves his village without a leader, without their strongest (possibly only) fighter, and his family without a father. For honour.

I hate stupid characters. An honourable character isn’t stupid. Someone who doesn’t save themselves, not even for the sake of others, just to preserve their honour is loathsome, however.

And so, Thorfinn makes it his life’s mission to kill Askeladd. Does he turn himself into a killer so he can stab him at the first opportunity? No. Thorfinn joins Askeladd’s crew, fights for him, does his dirty work, all so he can prove himself worthy of an honourable duel to the death.

Mistakes echo in every chapter.

This stupidity compounds further when we talk fighting prowess. After a jump of some years, Thorfinn is a trained warrior, often sent in first like a scout or assassin capable to dispatching a dozen enemy soldiers with ease. There is no doubt of his deadliness. He could kill Askeladd any day now, whether in his sleep or with his back turned. That wouldn’t be honourable though.

I hate stupid characters and Thorfinn is the stupidest in the lot.

Speaking of his deadliness, Vinland Saga has a crippling issue of nonsensical character strength. Looking at this show, you would imagine we were in for a realistic Viking saga. It couldn’t further from. This first rears its nonsensical head when Thors leaps five metres into the air in the battle against Askeladd’s crew.

At first, I thought it was a minor exaggeration of strength, as was often done in folk tales of legendary warriors. However, one warrior fighting for the English can hurl boulders with the strength of a trebuchet using his bare hands. He can also mow down a half dozen soldiers with a single throw of a hand axe. It’s ridiculous.

The issue isn’t the strength (anime is no stranger to super powers). Rather, there is a problem in how it affects tone and breaks the in-story logic of the world. If a warrior were that strong, he could conquer the world. Just give him a cart of boulders and no fort stands a chance. The story avoids this pickle by conveniently forgetting that some characters are super powered when required. Thorfinn does duel Askeladd early on – after we see him massacre a squad – and one would think the kid had never held a weapon with the way he fought. Vinland Saga can’t decide if it wants to be a realistic Viking drama or a battle anime.

Not only is inconsistency a problem, it also makes action less interesting. One battle has Askeladd and co hired by a French nobleman to siege the castle of a rival nobleman. The enemy has a fortified position with view of open ground in front of their castle and a river protecting their rear, guarded up and down stream. The Vikings manage to bypass this defence by hoisting their longships on their shoulders and charging full tilt from the forest into the water. They run as if these boats are as heavy as a paperweight. No one gets tired either. If all trained warriors were this strong, that castle wouldn’t have lasted a day even without Viking help. Let’s not forget to make these same Vikings weak in the next fight so we can kill some off. It would have been better to go more supernatural – incorporate powers bestowed by the Norse gods or something – and work out clever uses than to have this nonsense. Or you go grounded and use some brainpower.

When I talk of realism, I don’t mean everything has to be exactly as it was in real Viking times. I’m talking of getting the tone and feel right. The recently reviewed Dororo is more realistic than this despite having monsters and magic. I praised it for how it truly feels like a nation gripped by famine during samurai times. The way the characters act – the way the monsters and magic affect them and the world all makes sense. Everything fits together.

In Vinland Saga, nothing works. You have these stupid overpowered characters that turn weak when needed. You have a protagonist with no depth beyond his “I’m angry and will kill you” attitude 24/7. Everyone acts like a modern day anime character. The big twist of the story makes Askeladd protagonist (he should have been from the start) and introduces enough allegiance flip-flopping to make you want to hook your brain through your nose.

Is Vinland Saga the worst anime? It is the worst Viking anime, sure. I hated Vinland Saga more and more with each passing episode. I do not recommend this to anyone. If you want Viking content, go watch the History channels Vikings instead.

Art – Low

I could show you many nice still of Vinland Saga. I would however be hiding the insane amount of CG and poor implementation. The number of scenes with characters running (read: sliding) across a CG ground are too many to count. Even the OP has one. This anime almost looks great, except there is something wrong in every shot.

Sound – Medium

Thorfinn’s performance is laughable. The script is rubbish for a historical Viking show. The one redeeming quality is the great soundtrack.

Story – Low

A Viking boy swears revenge against the mercenary that killed his father. With so many stupid character and inconsistent strengths, the feeble plot is the least of the problems here.

Overall Quality – Low

Recommendation: Skip it. I don’t recommend Vinland Saga, especially to Viking fans.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: 

Hollow World BuildingInduces Stupidity

Code Geass: Re;surrection & Akito the Exiled – Anime Review

Japanese Title: Code Geass: Fukkatsu no Lelouch & Code Geass: Boukoku no Akito

 

Related: Code Geass (original timeline)

Code Geass movies (prequels – alternate timeline)

 

Watched in: Japanese & English

Genre: Mecha Action Science Fiction

Length: Re;surrection: 1 hr. 52 min. movie

Akito the Exiled: 5 episodes

 

Positives:

  • Good acting
  • Animation and visuals in general hold strong
  • Resurrection’s villain has an interesting power
  • Akito the Exiled gives us a different view of the war

Negatives:

  • The alternate timeline is bad fan fiction
  • Far stupider than the main series
  • Lacks weight and consequence
  • Unjustified series revival

(Request an anime for review here.)

Warning: Contains implied spoiler for Code Geass – go watch the series first if you want to avoid any spoilers!

Of all the anime franchises out there, Code Geass is amongst the last I would have picked for a revival. It has, to this day, one of the best endings in the medium. Everything wraps up in a neat, satisfying end that doesn’t need further exploration. It’s done; leave it!

Later they announced the spin-off series Akito the Exiled to mixed reviews and it was largely apart from the series proper. So, whatever. Then they start the Code Geass Movies, which I thought was a simple cash grab that repackages the series into an a set of abridged films (Gundam often does this to maintain interest between new releases). Now we come to Resurrection, the fourth film that promises to continue to story from where the series ended. I look at the poster and see Lelouch featured. If you’ve seen the series but not the movies, you will understand my confusion at his involvement. That’s when I learn the movies changed key events from the original series.

Most notable amongst the changes is the reversal of several character deaths. Pivotal moments that had a significant impact on the story and characters undone without a second thought. One would imagine this wouldn’t go down well amongst fans – surely, the meaningful consequences are one of the key factors that drew them to Code Geass. However, while researching the production of the films and the motivations behind the changes, I would see comments underneath articles of such stupidity that it hurts to be distantly associated with them as fans of the same series. Things like, “Movie so much betta cuz [character] lives and [character] don’t make stpd decicion. Like if agree.” Mastery of language isn’t a strength amongst these commenters.

In discussion with my friend about Resurrection after having watched it together, he tells me of something called “saviour fan fiction”, where fans who don’t like that their favourite character/s died will rewrite the canon to have them survive and often help/save the day. Looking further into the background of these movies, I start seeing this everywhere. Almost everyone who likes the alternate timeline does so because some character doesn’t die. They don’t care that it undermines the story, that the challenges these characters faced is what gave them depth. If not for these complex character arcs, would they have liked the characters to begin with? Whom am I kidding – these saviour dimwits can’t see beyond the superficial.

I haven’t even talked about Resurrection yet.

Resurrection starts shortly after Lelouch brings peace to the world. This time of peace isn’t beneficial to all, however, for the Kingdom of Zilkhstan’s primary trade was in weapons and who needs those anymore? Their ruler, Princess Shamna, kidnaps Nunnally of the United Federations council and uses the girl to amplify her Geass power as tries to elevate her kingdom once more. Many characters from the previous story arrive to get her back.

There are so many problems here – even ignoring the alternate timeline changes – that I don’t know where to begin. Let’s start on the premise. No kingdom, were they as powerful as purported here, would collapse to rubble if they couldn’t sell weapons anymore. One, people would still buy weapons (though not as many) and two, what of their other industries? Did everyone in the kingdom work in weapon factories?

Then we have the characters. The news ones – most of them from the kingdom – are so forgettable. There is this one scene where the crippled prince has Suzaku in chains and starts whipping him with a cat o’ nine tails like it’s some fetish. It’s so random that my friend and I burst into laughter. I couldn’t tell you what the enemy fighters are about. The only new character with a hint of complexity is the princess. As for the returning characters, they are mere silhouettes of their former selves. The greatest issue here is the sheer number of them. It feels as if Resurrection wanted to include the entire cast from the original 50-episode series. Surely, production would be smart enough to know you can’t do this in under two hours. Then you remember this is just fan service to satiate the drooling saviour fan fic writers. Of course, go ahead, cram everyone in and make sure we get plenty of framed arse shots instead of character arcs.

The worst offender is Lelouch himself (to be fair, this is also because he’s the most important). He starts the film as a brain dead simpleton (literally) until CC restores him to health amidst this conflict – nice coincidence to have them hiding in the one village in the world where any conflict is happening. The moment he recovers, he’s back to his old self. No concerns whatsoever for how he got there to begin with after what he did to bring peace. Why do this, why even involve him if you’re going to undo everything? You could have used someone els— Oh, silly me. Of course – fan service!

They don’t even get the strategy right. Code Geass is known for smart characters and smart battles. It pits Lelouch in battles where brains matter more than brawn. Resurrection is nothing like that. Shamna has a cool power, full of potential for interesting battle scenarios. I won’t give it away, as it is the one good element of the story. All I’ll say is that it’s a power which is difficult to figure out. As such, Lelouch has to use deductive reasoning to figure out why she’s always one step ahead. It’s similar to L cracking how people are dying as if by the power of God in Death Note. Unlike that anime, where we see each step of the process, Resurrection rushes through the trial and error stage as Lelouch eliminates the possibilities.

If insistent on going through with this whole alternate timeline story, they should have at least turned this into a series. Everything is so rushed. We don’t get to know any of the new characters, the old characters only have a connection because of what we know from past stories, and the events jump from one to the next too quickly. This feels like a recap movie, not the definitive continuation of Code Geass.

Ahead of Resurrection, I thought I would check out the spin off series Code Geass: Akito the Exiled. This is part of the original timeline, taking place between seasons one and two. It is set in on the frontlines of Europe, where the Britannian Empire is invading the Europia United allied nations. We follow a secret military unit made up of people from all over Europe and Japanese street kids led by an aristocratic girl.

The first thing that jumps out to me is the accents in the dub. Set in Western Europe, they made the effort to give accents to characters from different countries, something I very much appreciate. They work – for the most part. The French accents, sadly, all use the wrong ‘r’ sound. It’s placed too far forward in the mouth (sounds more German) and makes me tick each time I hear it. An absolute minor nit-pick that most won’t matter to most – hell, most won’t even notice! – but I notice it every. damn. time.

Enough of accents. Akito the Exiled is better than I expected for a spin off series (the bar is set to low). Not to say it’s great or that it lives up to the Code Geass name. The action is engaging enough – could do with less CG – and the characters are fine, if a bit too simple. Unlike Resurrection, where the new introductions get 30 seconds of characterisation, Akito’s [almost] entirely new cast has far more depth and actual arcs. I should have mentioned Resurrection has no arcs.

I also like how it centres on a different part of the world. If you make a spin-off, it’s good to have something new. In fact, the worst aspects of the series are the tie-in elements to the original, namely the inclusion of Geass powers and the appearance of Lelouch. The powers feel tacked on and the villain’s power is a worse version of Lelouch’s Geass. He never uses it in an interesting manner. Would have been better without it.

Lelouch’s appearance is worse, as it comes across like a fan service cameo. He gets sent to take over the operation on the European front. The story sees a notable dive when he joins. I’m just asking myself the whole time why he’s there. The answer is obvious, of course – fan service – yet I still wonder.

Do I recommend either of these? Resurrection, definitely not; Akito the Exiled, maybe. The latter is decent for Code Geass fans that want to see more of the world, whereas the former undermines the value of the original. It should be offensive to any fan.

Art – High

The Code Geass continuations still look good – the movies more so than Akito the Exiled, where CG battle scenes are jarring amongst the 2D. Hard to fail here when coming off the back of the original.

Sound – Medium

There is a notable drop in script quality, though the actors still give it their all. The soundtrack, unlike the art, hasn’t maintained some level of quality. Utterly forgettable. Akito the Exiled’s writing is better.

Story – Low

Akito the Exiled shows us the war with Britannia on the European front, while Resurrection continues the series as a new threat rises in the time of peace. Akito the Exiled isn’t an awful supplement to the series, expanding the world and giving us a new set of characters. Resurrection, however, is bad fan fiction.

Overall Quality – Low

Recommendation: Avoid the Code Geass movies, especially Resurrection. Give Akito the Exiled a try if you want more that isn’t garbage.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: 

Disappointing

Mobile Suit Gundam: Iron-Blooded Orphans – Anime Review

Japanese Title: Kidou Senshi Gundam: Tekketsu no Orphans

 

Similar: Mobile Suit Gundam SEED

Gurren Lagann

Rainbow

 

Watched in: Japanese & English

Genre: Action Drama Science Fiction

Length: 50 episodes (2 seasons)

 

Positives:

  • Great mech designs
  • Doesn’t take the subject matter lightly
  • Perfect end for this story
  • Dirty land brawls

Negatives:

  • Lack of interpersonal conflict
  • Talks down to the audience regarding characters
  • Drags in the second season with space battles

(Request an anime for review here.)

I can only go so long without watching a new Gundam series. It was a while as I waited for this one to release in a complete collection (season 2 took forever). So, was it worth the wait?

Iron-Blooded Orphans centres on a squad of child soldiers, who manage to survive an attack when their military company leaves them to die as fodder. They live on Mars, a desolate planet that relies on the benevolence of Earth. Kudelia Aina Bernstein, daughter of one of Mars’s aristocratic families, leads the plight for independence, but her naiveté comes under fire when she sees the effects of war, particularly on children, first hand. Mikazuki and his comrades of Tekkadan, led by Orga, aren’t messing around when it comes to fighting for their lives.

First, I love the premise. It’s great how Iron-Blooded Orphans goes to the lowest level, to the people at the very bottom of the ladder. Even more so, I love how it doesn’t shy away from the tough circumstances these kids would face and the harsh violence they must commit. Episode 3 illustrates this when Mikazuki executes the leader of their military organisation – and man responsible for leaving them behind – with a bullet to the head the instant he talks back. I did not expect such good sense.

The story hooks you from the start with high stakes and high conflict. I’m sold right away. So what goes wrong?

It isn’t long before you notice something off about the characters, about the way in which they interact with each other. There is a distinct lack of interpersonal conflict. One would imagine that Kudelia’s naiveté could cause much drama amongst these poor downtrodden kids. Why does this spoilt rich girl think she can save us? But nope, there are a few minor comments here and there and we move on. Surely there would be conflict between Mikazuki and Orga. No, Mikazuki never questions his leader. He follows like a dog, a passive protagonist. A love triangle starts between Mikazuki, Kudelia, and this other girl (childhood friend). Come on, there has to be conflict here, right!? At best is a slight shyness from the childhood friend. The most conflict comes from minor characters, whose names you will never remember.

Even with a plethora of external conflicts on these characters, a story also needs internals ones (often aggravated by those external forces). It’s what makes characters human, relatable, and memorable. Regardless of what I think of the rest of Iron-Blooded Orphans, this single factor alone makes me prefer other Gundam series like SEED and Origin.

This problem is no more evident and sorely needed than in the case of the “legitimate businessman” and his harem of women that ally with Tekkadan. Supposedly, he’s married to all of these women whom he claims to love equally. However, there is clearly a favourite, which one would imagine is leading towards several cases of jealousy and thus conflict. Nothing comes of this weird relationship dynamic. His purpose is to create a bridge between Tekkadan and a large yakuza-like corporation they end up working for. Give me drama!

That leads to another problem with this series: too many characters. Way, way too many characters. Tekkadan has twice as many named characters as it should. Then we have businessman and his harem, followed by several enemy organisations, each with their own cast of characters. Gundam series generally have a large cast, but this is on another level. It’s not so much the quantity (Legend of the Galactic Heroes has far more) as it is the quantity at one time. When you have so many characters fighting for screen time, everyone suffers. The phrase “wide as the ocean, deep as a puddle” applies to much of the cast (still no one as bad as Cagali). Cut it in half. Yes, half.

I believe this is the reason we have so little character conflict. Not enough time when a hundred characters need their share in the spotlight. This also explains why everyone and their grandpa has to spell out their motivations for the audience. For instance, an enemy squad captain returns after defeat to challenge Mikazuki to a duel, knowing he stands no chance against the Gundam. Once defeated and given the chance to retreat, he requests to be killed instead. Why? Well, it’s obvious, but he has to give a dramatic monologue for minutes to make sure we understand. Iron-Blooded Orphans deals in heavy themes not for small children, so why talk down to the audience like children in regards to characters? People will get it. Every character has this moment.

Also do something about the creepy marriage between one of the antagonists and a child. It isn’t talked about enough by other characters. I’m not sure what they were going for here. If they want to establish that this isn’t unusual, they need to make a point of it. Just creepy.

To top it all off, I’m not a fan of the designs. I know this is personal taste, but the hairstyles are just too silly for a gritty war drama. Does anyone else think the protagonist looks like Sonic the Hedgehog? On the other hand, we have the mechs. There are awesome designs here. The main Gundam, Barbatos, a relic of an ancient war is one of my all-time favourite designs. I liked it before having even seen the series. 10 outta 10! Gundam of the year!

So far in this review, I have been quite negative – it comes from a place of love – so why did I enjoy this in the end? It is equal parts being a Gundam fan in general, the action, and the story.

The decision to have much of the action be up close and personal, mechs smashing into each other, tearing armour plate by plate instead of all the usual high tech beam weapons was an ideal match to the story’s tone. Some of the deaths, people crushed inside their cockpits, are brutal. I cannot emphasise enough how little Iron-Blooded Orphans holds back on the subject of child soldiers and war. It also gains extra points for featuring one of the only instances where a hero shoots an enemy in the head during their speech on “honour”.

Then we have the story, which stays engaging (apart from a lull in season 2) in the face of an average cast of characters. The meld of war, politics, shifting alliances, and scrappy fights had me until the end. And what an end it is. I should never have doubted the team to deliver the right ending, but this surprised me. The perfect end to this type of story.

Do I recommend Iron-Blooded Orphans? Yes, but not to Gundam newbies. This one is overloaded with specialist terms and names you’ve never heard of. It can get difficult to track who’s who when referred to by name alone. Or were they talking about an organisation? Go with Mobile Suit Gundam: The Origin if you want to start with the main line series or Gundam SEED / Gundam 00 if you prefer standalone stories.

Art – High

Though I’m not a fan of the character designs, there is no denying Iron-Blooded Orphans looks great. Best of all, repeat animations aren’t an issue and the action flows smoothly. There is a visceral quality to the way Barbatos carves up enemies.

Sound – High

I like the soundtrack, but I wish it had a little more grunge to match to the down and dirty lives of these kids. The acting is better than the script, which could do with a simple 10% trim that over explains characters.

Story – High

A squad of child soldiers find themselves holding destiny in their hands before they fight for a better future. A great story with mediocre characters comes to an excellent conclusion.

Overall Quality – High

Recommendation: Watch it (if it isn’t your first Gundam series). Iron-Blooded Orphans is a solid series despite its flaws. However, I don’t recommend this for first-timers to the Mobile Suit Gundam franchise.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None