From Up on Poppy Hill – Anime Review

Japanese Title: Coquelicot-zaka kara

 

Similar: Whisper of the Heart

Kids on the Slope

Watched in: Japanese, English, & French

Genre: Historical Romance

Length: 1 hr. 35 min

 

Positives:

  • Art and detail.
  • The soundtrack takes you back.

Negatives:

  • Not much story.
  • The main thread is a dud.
  • Shallow overall.

(Request an anime for review here.)

When Hayao Miyazaki neared retirement (and un-retirement every other year), it was logical for Studio Ghibli to train up a replacement, and who better than the son of your prodigy to take the reins? Thus, Gorou Miyazaki received blessing to head his own projects, the second of which was From Up on Poppy Hill.

Set in a seaside town of 1960s Japan, From Up on Poppy Hill follows high school girl Umi and her work at Coquelicot Manor, a boarding house run by her family. Her school is in turmoil as the old clubhouse faces demolition in the push for modernisation before the 1964 Tokyo Olympics. As Umi helps the clubs, she grows closer to one boy in particular – Shun, the cool kid fawned over by the girls – and eventually helps him find the truth about his father.

Let’s start with what I like about From Up on Poppy Hill. The atmosphere is fantastic. Old lounge music warbles as we roam the evening streets of this seaside town bathed in golden street lamps. Bikes tick past, cars rumble on, and vendors announce their wares. Can you smell the fried meats? For something completely different, we go to the school clubhouse, where dozens of clubs have carved out a niche in this ancient manor. The mechanics tinker, the chemists concoct, and the philosopher yells existentialism. Floor to ceiling, wall to wall, generations of trinkets and books plaster the manor. One could get equally lost in the knowledge or in the labyrinth of junk that fills this beloved institute.

The clubhouse is the sort of place you could use as the single setting for an adventure game packed with puzzles. Professor Layton would die happy. It breaks my heart when they have to clean it up to be presentable to the committee in charge of the modernisation effort. The Ghibli magic is still here in art and sound.

When it comes to the characters and story, however, the mana pools have run dry. First, the characters: they are remarkably unremarkable – pleasant people but not compelling characters. Umi doesn’t have Sophie’s feistiness or Chihiro’s strength found in Hayao’s works. If Gorou wanted to do something different for his protagonist than his father had done, that’s fine, commendable even. Sadly, he’s removed those aforementioned defining qualities and replaced them with…not much. Shun suffers from similar problems. He’s the cool kid and kind to Umi, but nothing more. These characters aren’t bad. No, they fall under the worst designation of all – forgettable.

And so does most of the story. The main thread is the relationship between these two kids and their search for Shun’s biological father. I won’t give anything away, but let me sum it up in one word: dud. I can’t imagine how anyone saw this plotline and said, “Yes, that is engaging enough to keep everyone to the end.”

As for the second thread, saving the clubhouse, it is better than the first with its greater sense of fun and doesn’t end in a dub. However, the success of this plotline is largely attributed to the art and sound qualities I talked of earlier, not the story itself. Where characters are concerned, the quirky side characters like the philosophy club president outshine the protagonists with mere minutes of screen time. I enjoyed the ensemble cast much more than the protagonists, except for when the two go into town for shopping (thanks to the atmosphere).

This story is too simple, even by simple story standards. It has everything but story and characters, the two elements Hayao Miyazaki usually does best. From Up on Poppy Hill’s greatest use is as an antidote to recover from Grave of the Fireflies when in the middle of your Ghibli marathon.

Art – Very High

The art maintains Studio Ghibli’s high standards – the evening lights evoke great atmosphere. The design and details of the clubhouse warrant full attention.

Sound – High

I could listen to this soundtrack any time I need to relax – love it. English and French voices are fine, but the Japanese is best.

Story – Low

A girl helps a boy find his true father while saving the school clubhouse from demolition. Both of these plot lines receive surface-deep exploration and the mystery of the boy’s father is underwhelming, leaving the atmosphere to almost singlehandedly carry you through From Up on Poppy Hill.

Overall Quality – Medium

Recommendation: For fans of historical Japan. From Up on Poppy Hill’s story isn’t a reason for attendance. However, if you want to relax in an atmospheric 60s Japan with light conflict and a pleasant soundtrack, then look no further.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Great Music

Negative:

Shallow

Orange – Anime Review

Japanese Title: Orange

 

Related: Orange: Mirai (alternative perspective + extended ending)

Similar: Erased

AnoHana

Blue Spring Ride

 

Watched in: Japanese & English

Genre: Science Fiction Drama Romance

Length: 13 episodes

 

Positives:

  • Nice colouring and animation.
  • Some sweet moments.

Negatives:

  • Forgettable characters.
  • One of the weakest, most non-committal endings.
  • Needs to be smarter.

(Request an anime for review here.)

The more I think of Orange, the dumber it gets. Okay, you receive a letter from your future self warning of the death of a friend. Included are a list of events and instructions on how to save your friend. Do you: a) Read the whole letter to know what’s to come or b) Leave the letter and read each event at the last moment or better yet, after the crucial event. Now imagine you’re the future self, do you: a) Tell your past self exactly what happens or b) Keep events vague so the story isn’t spoiled. You know, I’m not convinced you care about saving your friend.

This scenario is where Naho finds herself. The letter from her future warns that the new transfer student, Kakeru, who joins her circle of friends, will die soon. The letter laments Naho’s many regrets in life, such as not playing in a school baseball game, sharing an umbrella with Kakeru… Wait, these are the crucial regrets that will save Kakeru’s life? Furthermore, the ultimate plan save to Kakeru is to get him together with Naho. It’s not that he has deep psychological issues because of his unstable mother and her suicide. No, he needs a date. The goals are so menial, so petty that despite the consequence being someone’s death, it doesn’t feel as though the story has anything at stake. Orange is a slice of life anime trying to convince us it’s a drama.

I can’t even talk of what happens during spoiler moments (‘spoiler’ is too strong a word here). There is a twist of sorts in act 2 that makes Naho’s decision not to read the whole letter seem genius. Turns out, Naho doesn’t get smarter with age.

Look, the premise is interesting, but such a timid approach isn’t viable. Compare Orange to Erased. Both feature abuse, parental problems, warnings from the future, and death as the consequence, yet feel nothing alike. Where Erased has tension, Orange worries about playing sports. Erased has its many faults and I appreciate that it’s easier to pull off this story when you have a murderer to confront, but at least it understood the weight of its consequence. The only time Orange bothers to have any weight is in the final episode. And you know what caps it off? One of those non-committal, insipid endings that doesn’t want to make the tough choices with its characters. The live-action film deviates from the source material in this one aspect, to better results, which is something.

As if that wasn’t bad enough, the explanation for how the letters travelled back in time is…idiotic. This is fiction, where you can do whatever you want and you went with the science fiction equivalent of ‘pulled out of the arse’? I would show no surprise if I learnt that Orange took a day to write. No effort went into any part of this story.

I have enjoyed many mediocre or bad stories because of good characters. Orange does not have these. Naho is too dim-witted to find endearing. Apart from not reading the whole letter like a logical person, one point of “conflict” has her not understand what Kakeru means by holding out his hand. “A guy I’m dating (sorta) reaches for my hand several times. What could he possibly want? What does it mean!?” No joke, she has to consult her friends for an answer. I really hope no one’s relying on Naho to save a life…

The other friends are forgettable. I honestly forgot the nerd friend until past the mid-point, thinking he was a background filler student until then. These friends lack those moments that endear the reader to the group. The first scene that tries in episode one has them hanging out, eating bread from one friend’s family bakery. I don’t know about you, dear reader, but eating bread isn’t enough to make me love characters. They have some joke about one girl’s nickname related to a shinkansen, which they find hilarious…for some reason. Think back to your favourite group of fictional friends and how quickly you loved them. The TV show Friends is my go to example – one scene and I want to see more of them. Orange’s friends can barely fill a test tube with their chemistry.

What good is there to say of Orange? Well, it isn’t atrocious, more sigh-worthy when logic jumps out the window, and the visuals and audio are pleasant. They fit perfectly to the slice of life Orange wishes it could be. In essence, everything taken from the manga is lazy while the rest is good.

Art – High

Nice colours and a good amount of animation found here, but some of it looks strange, such as the way a couple of characters smile – coat hangers in their lips.

Sound – Medium

The voice work is good in Japanese and English, though the script doesn’t allow for much. I like the OP and ED for being different from other anime in the genre.

Story – Low

A schoolgirl receives a letter from her future self to save a friend from death. Orange is a slice of life masquerading as a drama that needed more thought before the first draft.

Overall Quality – Low

Recommendation: Skip it. Orange makes no effort to recommend itself. Watch Erased if the premise entices you or the recently reviewed Your Lie in April if you want a romance about avoiding regrets.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Induces Stupidity

Your Lie in April – Anime Review

Japanese Title: Shigatsu wa Kimi no Uso

 

Similar: AnoHana

Kids on the Slope

Nodame Cantabile

Chihayafuru

 

Watched in: Japanese & English

Genre: Music Drama Romance

Length: 22 episodes, 1 OVA

 

Positives:

  • The protagonist’s arc and conflicts.
  • Balance of humour and drama.
  • Gorgeous music in both audio and visuals.

Negatives:

  • Love interest lacks a dimension.
  • Finale climax isn’t as strong as the mid-point.

(Request an anime for review here.)

Your Lie in April was the fan darling of the fall/autumn 2014 and winter 2015 seasons and though I avoided discussions, morsels still fell off the grapevine to inform me of its heavy emotional content. I feared another Clannad. But after several requests for review, it was time to step up.

Since the death of his mother, former piano prodigy Kousei can no longer ‘hear his music.’ The world is monotone in his eyes. Along comes Kaori, his opposite, a violinist with energy, colour, and humour he has never had. Her exuberance forces him back onto the stage to play a duet with her in a contest. She sees the potential to revive his passion.

Your Lie in April shows its strengths within minutes. First, I love the humour, which punctuates the drama to avoid depressing the audience – “The school shouldn’t be standing in the ball’s path!” Kousei’s childhood friend says after she smashed a baseball through a classroom window. In contrast, we have the foreshadowing, hinting of the sobriety and weight that is to come. The absence of his mother, the abuse he received by her cane, his lifeless view of the world, and his lack of joy are excellent foreshadowing. This is how you do dramatic storytelling – not by suddenly throwing it in for the final act.

As Kousei’s backstory unravels and his arc progresses, we see April’s most brilliant quality – the love-hate relationship between Kousei and his mother. The writer could have left the backstory at child abuse or even just having a dead mother, but this delves so much deeper. Boy abused by his mother – that’s the basic level. Boy abused by his mother, who wants him to be the prodigy she couldn’t be after illness claimed her motor functions – interesting. Boy abused by his voyeuristic mother, whom he still loves and wants to impress despite an awareness of the abuse – now you have my full attention. And she affects him more in death than in life? I can only be so engaged! Remember, this is just one thread in his arc.

The way the narrative shows this internal drama is spectacular. The spectre of his mother leering over his shoulder during a performance conveys all we need to know in a single image. That said, his inner monologue could do with trimming in parts.

Where Your Lie in April stumbles is in Kaori. If someone has recommended this anime to you, they have most likely done so by focusing on her and her arc as the best aspects. However, Kaori lacks the dimensions seen in Kousei. Earlier, I talked of the several layers in Kousei’s conflict with his mother, but for Kaori, she stops at the first level. She’s a girl with a serious illness. And that’s it for her conflict layers. By no means does this make her a bad character, yet for someone that is near equal protagonist to Kousei, it isn’t enough. Having a tragic circumstance doesn’t make a character deep – that way lies emotional manipulation.

Her main purpose is to be Kousei’s opposite as she brings him back to life, which she does excellently. The problem dwells in the two-way exchange. Because her own conflict is only surface deep, Kousei does not have much to help with in exchange. She complements him, but he doesn’t complement her with even a tenth of the effectiveness. For a great example of her role done right, look to Kimi ga Nozomu Ein, where the love interest also has to bring the protagonist back to life. The difference between Kaori and Nozomu’s girl is that the latter has her own intangible weakness to interfere with her good qualities. She’s helpful and kind, but also selfish, never mind the seed of resentment buried deep within her towards the protagonist’s previous girlfriend, who was also her best friend (drama!). This gives the protagonist an angle to help the love interest in return. Kaori is kind – no but. Yes, she’s sick, though as mentioned earlier, that doesn’t automatically give emotional flaws. Now, if the illness made her bitter or some such, then we’d be talking.

Kaori’s design problems also result in her finale having half the impact of Kousei’s dramatic high note at the mid-point. If their relationship had had more give and take, her finale would have struck better. The finale is still good regardless because of his perspective on the events and the spectacular final performance (bloody hell that is beautiful).

Also, she’s too whimsical. Her introduction has her dancing and playing music atop a kids’ igloo, tears in her eyes, as birds fly around her. I know her liveliness is to juxtapose his introduction – the episode is titled ‘Monotone/Colourful’ after all – but this is so whimsical that a flock of tweety birds now serenade me awake every morning and bring me my slippers.

Again, I want to stress that Kaori is not a bad character. She is plenty of fun and complements Kousei well, but is average beyond this and not the reason to watch Your Lie in April.

I wish I had more space to explore the childhood friend’s arc – my word count is already high – so a quick note, since it’s worth mention. She realises she has feelings for Kousei only once he takes an interest in Kaori. She was there for him through the worst and now…he’s turning away. This is an effective subplot in showing another consequence of Kousei’s actions. I feel so sorry for her.

Well, here we are, the end of an anime I both looked forward to and dreaded. Your Lie in April turned out much better than I anticipated (Kousei’s arc, honestly, brilliant) and I would recommend it to most viewers.

Art – High

Colourful and vibrant art makes this anime leap off the screen, especially in the spectacular final performance. Full animation when playing music is great to see and they mask the CG well.

Sound – Very High

Piano and violin? You truly are trying to make me love you, aren’t you? The VO is great in both languages, as should be expected these days.

Story – High

An aimless pianist has colour injected back into his life when a girl his opposite forces him to tickle ivory again. Your Lie in April has one of anime’s greatest character arcs in its multi-layered protagonist, but the love interest, who should by all right be his match in quality, doesn’t leave his shadow.

Overall Quality – High

Recommendation: Watch it. Your Lie in April is a great anime, worth it for the protagonist alone. Even viewers averse to heavy drama will find the humour enough to stave off depression after the story’s darkest moments.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Deep NarrativeExtensive Character DevelopmentGreat Music

Negative: None

Revolutionary Girl Utena – Anime Review

Japanese Title: Shoujo Kakumei Utena

 

Related: Revolutionary Girl Utena: The Adolescence of Utena (alternate version)

Similar: Penguindrum

Kill la Kill

Rose of Versailles

 

Watched in: Japanese & English

Genre: Psychological Fantasy Drama

Length: 39 episodes

 

Positives:

  • Good imagery and world design.
  • Silhouette sisters.
  • The comedy episodes.

Negatives:

  • Overused sequences.
  • Black Rose arc.
  • The villains and their metaphors.
  • The Rose Bride is boring.
  • Too much recap.

(Request an anime for review here.)

I am hesitant to include Rose of Versailles in the ‘Similar’ section above, for it gives false expectations of Revolutionary Girl Utena. I expected Versailles in high school, but really, they share little beyond having tomboy protagonists. I am opposed to you having the same initial expectations that I had.

Revolutionary Girl Utena is a difficult anime to summarise. Not because the blurb is difficult – a tomboy called Utena fights off challengers in duels to protect the Rose Bride – rather, the blurb doesn’t convey what this anime is truly about. The story is a psychological exploration of characters through metaphors – the duels are irrelevant, for the most part, as is the Rose Bride and her ultimate purpose. This is about adolescence and the exploration of the many changes it brings to the young self.

Utena’s initial conflict revolves around her boyish dress sense (not that it should matter when the boys are more feminine than the girls) before she wins a duel against the current “owner” of the Rose Bride, a girl that gives the power to “revolutionise the world” and is unimaginably boring. After this, every day seems to bring a new challenger intent on owning the bride and her power. Here, we see one of Revolutionary Girl’s biggest problems – repetition.

Most episodes in the first two arcs go like the following: episode’s focus character has a desire taken by someone else, gets envious, the dark side seduces, convinces that getting the Rose Bride will fulfil the desire, the focus character challenges Utena, who climbs the duel tower for several minutes, they fight, and Utena wins. The stair climb looks and sounds epic and is better than any transformation sequence, but grows old after its second use out of thirty. The Black Rose Arc (two of four) is particularly egregious.

Furthermore, the duels have bad camerawork and worse choreography. None of the storyboard directors on staff knew how to do action, as evidenced by their credits. On top of using the cliché ‘two swordsmasters dash past each other, pause, one falls’ to end most duels, we never see any real fencing skill. The duels’ one strength is the setting and atmosphere, though sometimes it gets goofy. The goofiest fight has the challenger’s number one fangirl skiing (driving on two side wheels) around the arena in a convertible as more convertibles litter the area like trees. Does it mean anything? Not really – still amusing.

Episodes focused on the school diva break up this repetition with hilarious comedy, which is refreshing. She has a serious brother complex and can’t stand the idea of anyone getting his attention (little does she know…). One episode has this narcissist slowly transform into cow after wearing a cowbell she mistakes for designer jewellery. Another involves fighting a literal boxing kangaroo. I didn’t see that coming.

After the initial setup, the story doesn’t have much progression until the second half when the villains start doing something. Before then, every side character must have all of their angst laid bare, regardless of whether it’s relevant to the plot or not.

Hmm, these villains… Revolutionary Girl Utena leans on metaphor like Florida Man leans on his crutches after having his feet eaten by alligators when streaking. While half the symbolism works, the other half is symbolism for the sake of symbolism that makes no sense, which seems to be the corny villains’ primary purpose. The two main villains talk metaphorically at length while posing for a fan service softcore shoot together. At the opposite end, three women I refer to as the ‘silhouette sisters’ have a scene most episodes that twists moments from famous plays and tales to fit the narrative. Their metaphors are short, tight, and work even if you don’t get the reference.

Much of the symbolism tries to make you think deep thoughts (it’s sex), trying to be clever (it’s sex) at the expense of continuity and character consistency (hint: it means sex). The more obscure the sex symbolism, the worse the result unless it hits the spot. The silhouette sister work with their metaphors because they establish themselves as being a quirky Greek chorus of metaphors, consistent throughout the series. Others, like the villains, enter as one thing and exit as something unrelated for the sake of being artsy. And it doesn’t help that their metaphors are nonsensical, included to be artificially profound. If the writer weren’t possessed by allegory, he could have let the silhouette sisters carry the metaphors alone. They are superior in every way, from presentation to delivery.

Revolutionary Girl Utena has great depth half the time and total nonsense for the other half. Thankfully, the good outweighs the bad and is worth your time. I love the world design (wish we explored more of it), the silhouette sisters are a delight, and Utena is a great character.

A quick note on the movie, The Adolescence of Utena – it’s terrible. The spectacular environments and a personality for the Rose Bride cannot make up for the loss of all subtlety and a finale where Utena morphs into a racecar, participating in a race out of Redline. This ludicrous display must be seen to be believed.

Art – High

Utena has a good amount of motion for cel-drawn anime and an imaginative world. Everything is grand, designed to inspire awe and give the feel of Olympus.

Sound – Medium

The Japanese audio sounds dated and several actors need more training, while the English is weak in weight and delivery for all save a couple of characters – perfectly watchable though. The speed of speech is notably slow at times to match animation. I imagine the voice director often asked for slower retakes. The choral rock gets you pumped (shame it’s for lame duels).

Story – Medium

Tomboy Utena fights off challengers in duels to defend the Rose Bride from those who would use her power for unsavoury goals. Half great and half terrible, the metaphor-laden Revolutionary Girl Utena offers an intriguing anime in an unusual world.

Overall Quality – High

Recommendation: For fans of heavy metaphor and allegory. Revolutionary Girl Utena is better than the sum of its parts, but requires your patience to hit its stride and reveal its strengths.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Repetitive

Paradise Kiss – Anime Review

Japanese Title: Paradise Kiss

 

Related: Neighbourhood Stories (loose prequel)

Similar: Princess Jellyfish

Nana

Beck: Mongolian Chop Squad

 

Watched in: Japanese & English

Genre: Drama Romance

Length: 12 episodes

 

Positives:

  • Better second half.
  • Strong finish.
  • Perfect match of art to theme.

Negatives:

  • First act needs an overhaul.
  • Rushed in key moments.
  • Deceptive opening scenes for each episode.

(Request an anime for review here.)

You know you are in for a weird one when the anime opens to still images of the real world with an animated Godzilla wearing sunglasses in the background. Wait, no, this odd sequence and the ones for each episode have nothing to do with anything. Why start with something irrelevant and deceptive? Paradise Kiss is still on the weirder side, but this theme of starting poorly permeates the series.

Yukari is a hard-working student under pressure from her parents to be the best. She doesn’t care; she just wants to get away from it all. Opportunity strikes when some bleached guy with a safety pin for a lip piercing drags her into his fashion group. Apparently, she’d be perfect for their final project on the runway. Parental pressure and a desire for independence clash as Yukari finds her own goals in life.

Reading this start on paper, sounds solid, right? What could be wrong with it? Well, let’s go right to the first scene when she meets the blond guy. Their interaction as strangers goes beyond suspension. The idea was to show how ‘screw the social norms’ and persistent he is by having him stalk some poor girl to be his “model.” They overdid it. He’s so exuberant, so demanding that he doesn’t feel like a person. Asking a stranger on the street to be your model is beyond social norms already, especially in Japan, so there’s no need to yell it. To show his persistence, a simple forcing of his number onto her after insisting she’s the perfect model a couple of times would suffice. The version they went with is a case of trying too hard to show his character.

The same applies to meeting George, the love interest. He’s a douche from the start and has this forced confrontation with Yukari. Again, the idea was to show that he believes she should be independent and not allow her parents to dictate her life, just as his parents have no say in his life. Unfortunately, what we see is a writer who doesn’t know how to have characters with little connection clash. Once the characters have a proper connection, the confrontations are great because they have a platform to leap from. Before that, it feels like, “Er…these two need them to fight…er…let’s just have them get upset over something trivial. Next scene, I’ll get them back to normal anyway.”

The bad starts don’t end there. Yukari falls for George at near first sight, despite his douchiness. I’ve said this many times in my romance reviews, but falling for the douche is perfectly fine. However, to sustain the relationship beyond just wanting to jump his bone, you need something more. Now, – and here’s the baffling part – Paradise Kiss does give that something more, but only after they’ve moved beyond the honeymoon. Argh! It’s supposed to be the key that moves it from honeymoon to long-term relationship! Without this key, every honeymoon period ends in breakup. We see hints of this to spark the initial attraction, but it needs to escalate to become the key to long term. Damn it, Paradise Kiss, why is all your goodness in the second half without any of it present in the first half? This structuring frustrates me more than it should.

There are other such examples of ‘bad start but is much better later’ – almost every character introduction, conflict with Yukari’s mother, Yukari’s crush on a classmate, etc. – but I need to mention the good before this review is over. George’s good qualities, under the doucheterior, are great. His fashion skill is exemplary, – highly desirable to a model – he knows what to make that will please her, and he never holds her back like her mother does. He embodies the independence she craves. (Of course, we see all of this an act late!) The relationship moves at a faster than usual pace, which is refreshing in anime, and doesn’t stall through contrivances. As alluded to earlier, the second half is much better, for the story no longer needs to set up conflict or characters, leading to natural drama.

Possibly my favourite part of Paradise Kiss is the final scene, the epilogue that shows us where the characters end up. I hate to sound so childish, but it’s a very ‘grown up’ ending. It isn’t glitzy or glamorous, contrary to the fashion theme. It’s real. This ending left me satisfied despite all preceding faults and made me appreciate Paradise Kiss more over the days that followed.

As I told the dear reader that requested this review, I almost dropped Paradise Kiss. I was going to give it three episodes to grab me, which it would have failed to do. The request, however, forced me to watch to the end, for which I am glad.

Art – High

The glamorous art fits the fashion and the animation is good, but the camera really needs to back up. Just back up! There’s no need to have every shot be up the subject’s nose.

Sound – Medium

I like the OP. It’s catchy – groovy, even. Though the voice work is good, the script lacks lines to create early connections between characters, replacing them with characters stating the obvious on moral lessons.

Story – Medium

A girl with no direction save for the next exam has her life changed when an eccentric fashion group drags her into being their model for a fashion show. Starting weak and ending strong, Paradise Kiss is a bit of a mess in structure, but an interesting anime nonetheless.

Overall Quality – Medium

Recommendation: Try it. If you like fashion or stories about characters seeking independence too early in life, Paradise Kiss has you covered.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Terrible Start

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