Battle Angel Alita – Anime Review

Japanese Title: GUNNM

 

Related: Alita: Battle Angel (live-action movie – included in review)

Similar: Ghost in the Shell

Texhnolyze

Metropolis

 

Watched in: Japanese & English

Genre: Action Science Fiction

Length: 2 episodes

 

Positives:

  • Good art and animation.
  • Grimy cyberpunk world.

Negatives:

  • Severely clipped version of the full story.
  • Little connection with the characters.

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Having seen the recent Hollywood release of Alita: Battle Angel in cinema and received a reader request, I thought it fitting to visit the anime version of Battle Angel Alita. This will be a combined review of sorts for the anime and movie.

Based on the nine-volume manga Gunnm from the 90s, this franchise is a classic of sci-fi. It follows Dr Ido and the cyborg Alita (or “Gally”) he reconstructed from a severed head found in the scrapyard. With no memory of her origins, Alita explores this cyberpunk city of bounty hunters and criminals as she learns to live and love.

Two episodes for nine volumes of content? It should come as no surprise to you when I say that Battle Angel Alita is an emaciated anime adaptation. Even if we ignore the manga for the moment and look at this on its own merits, there are notable issues. The story hops from key scene to key scene without the “in between” scenes where the non-crucial moments happen, yet these in betweens are often what bring a story to life and make us connect to characters.

I find this most notable in the first act, where Alita awakens with a new body and familiarises herself with the world around her. In the movie, we stay with her as she learns to control her body, wanders the city and makes friends. This is effective at endearing us to her so that when the action and suffering starts, we care about what happens to her. In the anime however, she wakes up and has no adjustment period. It skips over the first act character development. Furthermore, the movie’s take ingrains within us that she is a cyborg, whereas anime Alita just feels like a regular girl, which is rather important as a core theme is an exploration of what it means to be human.

The anime’s real focus is on the action and main events from the first half of the manga (the movie covers almost the same portion of story, though expanded upon). And when it comes to action, the anime delivers gory goodness. There are several brutal scenes.

Surprisingly, the movie doesn’t tone the violence down as much as one would imagine. Tearing the arms off a machine gets you a lower age rating than if they were flesh, so there’s plenty of brutality to go around. There is even one scene involving a severed head that is more unsettling in the movie than in the anime. I am surprised by some of the things they got away with.

The main plot events are similar across the manga, anime, and movie. The manga will of course have the most detail, but the movie isn’t short on story. It doesn’t feel like a time lapse of a longer story, unlike much of the anime.

I enjoy the story of Alita: Battle Angel. It has an endearing protagonist, some nasty villains, good exploration of theme, and a few turns I didn’t expect it to take. I greatly appreciate a story that claims it lives in a brutal world and delivers on that promise by making characters vulnerable at all times.

Something interesting I learnt after the fact was that the character of Chiren was a creation for the anime, which the movie took and expanded upon further. She is Dr Ido’s ex-wife (works as a cyberphysician like him) and a villain willing to do whatever it takes to return to the city in the sky for the elite. She is a good addition in giving more to Ido’s personal story. And she’s involved in two of the most disturbing scenes in the movie, which I won’t give away here.

A significant element of the movie and manga that is absent in the anime is the fictional sport of motorball. Imagine high-speed rollerblade racing mixed with basketball where anything goes, including shattering opponents to pieces. As long as your head survives, you can comeback back next time. Alita discovers an early passion for the sport thanks to the film’s love interest and it continues to play an important role throughout. The movie brings the visceral sport to life.

Lastly, I want to talk of the visuals. All three versions look great. Though the film version has more colour and visual variety, all versions paint a harsh world full of details. I am a huge cyberpunk fan and setting alone can often make or break my interest. The setting was the best of all elements in the movie for me. It’s rich with life and society. One gets a sense of how people would live in such a place, of how things work in this world. The bounty hunters (called “hunter-warriors”) in particular are great representations of the city with their rough personalities, rough morals, and equally rough cyborg bodies. They also generate good action in all mediums.

As for Alita herself in the movie, you will immediately notice how strange she looks with her large anime eyes. Interestingly, the director didn’t do this to make her look more anime-like. If that were the case, why was no one else given that look? It was a conscious decision to have Alita in full CG that gives an uncanny valley effect to remind the audience that she isn’t human. For myself, the eyes didn’t bother me after a while. What gets me is her smile. I don’t know why, but every time she smiles, it hits me with the uncanny valley. Whether you like the look or not, it does succeed in that regard, so don’t let it put you off watching the movie if the premise interests you.

So, to summarise: the manga is the fullest and most in depth version, while the movie is a good experience that doesn’t feel incomplete (barring the future sequel). The anime, unfortunately, is only worth watching after you have gone through one of the other versions, for it will lack any emotional weight otherwise. The anime is good supplementary material when you can fill in the gaps.

Overall Quality (for the anime) – Medium

Recommendation: Read the manga or watch the movie instead. While Battle Angel Alita is a nice looking OVA, the clipped story and lack of character moments makes it more of an ad for the manga. The live action film is also a better alternative for those who don’t want to read nine volumes.

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Street Fighter II: The Movie – Anime Review

Japanese Title: Street Fighter II Movie

 

Related: Street Fighter II V (series version)

Similar: Spriggan

Afro Samurai

s-CRY-ed

 

Watched in: Japanese & English

Genre: Action

Length: 1 hr. 41 min. movie

 

Positives:

  • Faithful to the characters from the games.

Negatives:

  • Not much to it outside a series of duels.
  • Animation stops between fights.

(Request an anime for review here.)

It’s not easy making a story based on a fighting game property. Fighting game stories have the problem where no one can win, just as one girl can’t be the “one true pairing” in a harem, otherwise you invoke the wrath of all who aren’t fans of the winner. Even when the story is a simple “heroes versus villains” affair, they can’t kill off the villains because it didn’t happen in the games. (If they ever do, they pretend it never happened in the sequel.) Really when adapting such games, they should do what League of Legends did a few years ago – retcon all lore and remove any ties between game and story beyond having characters in common.

For Street Fighter II The Movie, it’s the straightforward approach one would expect of the genre. Supervillain M. Bison has set plans in motion to crush the competition by brainwashing powerful fighters into becoming his pawns. Chun Li of Interpol heads up the counteroffensive, trying to recruit Major Guile and other fighters to her side. They are against the clock as Bison closes in on Ken and the legendary fighter Ryu.

If you haven’t guessed already, this brainwashing plot is merely a means to have Ken fight Ryu for the ultimate fan service action. I’d say it’s a spoiler, but why insult your intelligence? The whole film is fan service. This is why the fans are here.

Street Fighter II pairs up fighters with some semblance of story connection, such as Chun Li vs. Vega, as it moves from one duel to the next with a little story in between. I suspect the production team’s decision to have Ryu on a wanderer’s journey through Asia was just a means to encounter various fighters along the way. You know what? It works. At least they didn’t go for the clichéd tournament story. Though a few characters do feel shoehorned in with barely a justification, story-wise. Again, fan service.

If you want more story, you will have to see the live action Street Fighter movie starring Jean-Claude Van Damme as Guile and Kylie Minogue as Cammy (yes, the pop singer).

As a fan service film, you can’t stray from the source material, particularly when it comes to characters. This gets weird when seeing them in their signature costumes. I mean, why is Cammy wearing a green swimsuit that gives her a wedgie when assassinating a politician? Doesn’t make sense, but if you want to stick to the games…

There are a few things I found too dumb, even for what this anime is. For example, one fight takes place on the wings of a jet in flight with no adherence to physics. Then there’s Bison’s cyborg. It travels around the world observing fighters and scanning their power levels for his grand plan. Somehow, this obviously half-machine can walk around allied HQ without anyone noticing. In fact, nobody notices this thing anywhere.

It’s funny I should mention the live action movie earlier, since while writing this review, I realised I would rather watch that version over this animated one. Not because it’s better – the anime is leaps and bounds above – but because of how silly that movie is. I can laugh at how bad and inaccurate it is. There’s a big disconnect between a fan service movie like Street Fighter II and me. Simply, I am not a Street Fighter fan (I was into Soul Calibur). I have nothing against it, but without a connection via the games, I feel nothing for this anime unless they had gone the 10 extra miles to develop some complex story. I suspect most non-fans will feel the same.

I will give it credit: this is the best of the fighting-game-to-anime adaptations (unless there is one I haven’t head of), though it isn’t a high bar to beat. Street Fighter II knows what it is, knows what the fans want, and it focuses on this, as indicated by allocating 90% of the animation budget on the fights. And for what it wants to be, Street Fighter II The Movie is fine.

Art – Medium

The budget went into the fights, which look good, while scenes in between are static with minimal and often repeating animations. The cel drawn look adds nice grit to the action tone.

Sound – Medium

The dub is a watchable average. Good soundtrack of rock and electronic to pump up the action.

Story – Medium

A group of fighters work against a super villain’s plan for domination through mind control. It’s a straightforward story to facilitate the fan service.

Overall Quality – Medium

Recommendation: For Street Fighter fans only. The other potential audience outside of SF fans I can think of would be people who like to watch battle anime just for the 1-on-1 fights.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Grandmaster of Demonic Cultivation – Anime Review

Chinese Title: Mo Dao Zu Shi

 

Related: Grandmaster of Demonic Cultivation 2 (sequel – TBR 2019)

Similar: Avatar: The Last Airbender

Twelve Kingdoms

Castlevania

 

Watched in: Chinese

Genre: Historical Action Fantasy

Length: 15 episodes

 

Positives:

  • Great characters.
  • Gorgeous backgrounds.
  • Action looks fantastic.
  • Such lovely music.
  • Perfect finale to end the season.

Negatives:

  • Magic is a little inconsistent.
  • Jarring time skips.
  • Occasional bad CG.

(Request an anime for review here.)

Now this is more like it! Grandmaster of Demonic Cultivation gives a far better first impression to donghua (Chinese anime) than The King’s Avatar did. It still has that unrefined edge from this new market, but combining Avatar: The Last Airbender and Twelve Kingdoms with a touch of Game of Thrones still makes this a great series well worth the time of fantasy fans.

The story is set in a province of fantasy China where five clans of cultivators of magic live an uneasy peace. Of these cultivators, most peculiar is Wei Wuxian. He is the reincarnation of the legendary cultivator of demons and necromancy, one feared by all. Contrary to his infamous reputation however, Wuxian is a likeable goof known for his cheek and mischief at the monastery colloquially known as the “Wall of Rules” (for its list of 4000 rules, of course), when he should be studying with the other cultivators. Opposite him is Lan Wangji, who takes life too seriously as the perfect student that never smiles. He’s responsible for turning Wuxian into the monastery instructors more than once. Life becomes more than fun and games for Wuxian and his friends when one clan closes its iron grip around the others.

The comparison series I used above are perfect descriptors for Demonic Cultivation. We have the might of one clan against everyone else similar to Avatar. Wuxian has Aang’s playfulness amidst all the violence. The etiquette and Chinese mythology influences seen in Twelve Kingdoms have ingrained themselves within the fibres of society. The brutality of war and politics like in Game of Thrones plays its role too. And I am pleased to say this series succeeds in all these elements.

The characters, the action, the environments – god, the environments! – reassure you this is quality fantasy. I love how Wuxian controls the dead by playing unnerving music on a flute (recalls that villain from Naruto who used to control her ogres). It tells much about his character. Even the product placement works.

If I may go on a tangent, the sponsorship ads are great. How would you fit modern products in an ancient fantasy series, you ask? Well, Demonic Cultivation achieves it by taking a scene from the episode (saves on animation budget) and makes it about the product instead during the ad break. For example, the episode has a scene with a tiff between Wuxian and Wangji over something story related, while the ad takes the same tiff and makes it about the fact that Wangji is such a stick in the mud because he hasn’t eaten a Cornetto yet (“You’re not yourself when you’re hungry” type ad). They’re amusing. More like skits instead of ads.

Anyway, back to the show.

Grandmaster of Demonic Cultivation is full high fantasy. The most common reason I hear for people being put off high fantasy is all the specialist terms and names you have to learn (Hobbit, Rivendell, Mordor, Nazgul, Dunedain, Numenoreans, Eldar, Vanyar, etc. for The Lord of the Rings). It’s especially important to have some sense of who’s who and what’s what when reading high fantasy, as the story isn’t fed to you like when watching a film. In the case of Demonic Cultivation, the barrier to most people reading this review comes from it being foreign fantasy, where the conventions aren’t the same as what we are used to. Once you grasp one Western high fantasy series, it’s much easier to move onto the next. But going to another language, another culture, another history, it’s almost like starting fresh.

For me, the greatest challenge was those damn names. The subtitlers – Sigmar bless them – did their best to note cultural context and meanings for name and titles, but I still had characters and relationships confused. You hear the same surname, so you think the characters are related, right? No, they aren’t. Other times have a character named one thing, only for it to be something else in another scene. Turns out, pre-20th century China had a convention called “courtesy names”, where people would receive another name upon reaching adulthood. Couple this with the fact that these names – Wei Wuxian, Wei Ying, Lan Xichen, Nie Huaisang, Yu Ziyuan, to name a few – are nothing like Western or the usual anime names and it becomes difficult to remember any names at all. (I had to look up Lan Wangji’s full name for the blurb above and he’s second billing!)

Now I’m sure this isn’t an issue whatsoever to Chinese locals, just as Western or Japanese high fantasy is second nature to me, yet for the uninitiated, it will take time. Stick to it because the payoff is well worth it. Even if you can just remember how characters connect and who’s superior to whom, it will work out in the end. (Little easier said than done though, with characters from the same clan looking like each other in the same uniform and same hairstyles. They love that long hair.)

While this adherence to traditional naming schemes is a positive even if it increases the barrier for entry, since it enriches the world and its lore (in fact, I wish they had applied the same complexity to the magic by laying out rules), the frequent timeskips are a definite negative.

Timeskips bookend each story arc, often leaping over what seem like important events. The most notable is when the villain clan makes their move. One episode ends, everything seemingly fine, before the next opens to the clan in near total control of the others. How the hell did that happen? Did anyone say no or did everyone surrender unconditionally? How did we get here? It isn’t implausible that this conclusion would occur, but it would be nice to see the events that led there.

These timeskips remind me of watching a TV series before the advent of DVR and video on demand/downloading. You would watch an episode, then miss a few weeks because scheduling conflicts, and when you finally catch another episode, you wonder how it got here from where it was the last time you watched. “Weren’t those two madly in love? Why are they trying to kill each other? Wait, isn’t that guy dead?”

If you go in blind, the point of the story can be confusing because it takes a few episodes to get into the real plot. I thought at first the story was about other cultivators hunting Wuxian for his use of necromancy. Turns out, they just hate him because he’s a troublemaker at school. Early episodes make up the “school years” arc.

Demonic Cultivation also doesn’t wow the audience (outside of its amazing backgrounds) these few episodes. Once the story gets going however, it grabs you and doesn’t let go until it ends on a fantastic final act. That finale has left me craving more. (Season 2 in July!)

If you haven’t tried any donghua yet, let Grandmaster of Demonic Cultivation be your first. It’s a little rough and a little difficult for those foreign to Chinese fantasy like me, but don’t let that stop you enjoying this new perspective on anime.

Art – High

Picturesque backgrounds, varied environments, fluid animation, and impactful spell effects should earn an art rating of the highest tier. Unfortunately, 5% of this art is early 2000s CG monsters and buildings, and it looks bad. The CG in some important scenes looks so bad that you can’t help but wonder why they didn’t take an extra two weeks to do them normally. Some CG shots don’t even need to be there. Just cut them. A still painting to establish setting would have sufficed – the environment artists are certainly talented enough to make it beautiful. Also, supporting character faces and hairstyles could use more variety.

Sound – High

Unlike The King’s Avatar, the audio is spatial and uncompressed (characters on the right sound from the right), which is a huge improvement. The acting has a little ways to go yet. Such lovely music though! I love classical Chinese music with traditional instruments and I could listen that opening song forever.

Story – Very High

A demonic necromancer reincarnated in the body of a trickster gets up to no good against the backdrop of a brewing war between clans of magic. Great characters in a story of complex interpersonal and political conflicts makes for a great series.

Overall Quality – Very High

Recommendation: Watch it. If there is the right donghua to begin with, Grandmaster of Demonic Cultivation is it.

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Awards: (hover over each award to see descriptions; click award for more recipients

Positive: 

Deep NarrativeFluid AnimationGreat MusicGreat OP or ED SequenceStrong Lead CharactersStrong Support Characters

Negative: None

The King’s Avatar – Anime Review

Chinese Title: Quanzhi Gaoshou

 

Related: The King’s Avatar Season 2 (TBR)

Similar: Log Horizon

Overlord

No Game No Life

 

Watched in: Chinese

Genre: Action Fantasy

Length: 12 episodes

 

Positives:

  • Good character designs.
  • True to MMO vernacular and mannerisms.

Negatives:

  • Low tension since protagonist never loses.
  • Some shocking CG.
  • Acting and audio placement is sub-par.

(Request an anime for review here.)

Ye Xiu is a legend on the esports scene of the MMO game Glory. He’s a 10-year veteran, having contributed numerous guides to the game, pioneered gameplay techniques, and won several championships. However, his skills aren’t a match for the current crop and his organisation forces him to retire from the team and hand over his account.

Alone and on the street, he finds lodgings in a net café’s dusty backroom in exchange for work as a night manager, which is perfect as this gives him opportunity to hit the grind hard on Glory’s newest server. As the newly created Lord Grim, he uses his extensive knowledge and talents to achieve server first kills, soon drawing the attention of other hardcore players to the server.

If you haven’t heard or noticed already, The King’s Avatar is a Chinese anime (or “donghua”). I love MMOs and I love esports, so this is the perfect first anime for my foray into this burgeoning market.

Before I level my criticisms, I want to talk of the positives. First, the author knows his online RPGs. Unlike most isekai anime claiming to be in an MMO world, The King’s Avatar actually has the feel of a true MMO community. The social aspect is authentic from the way they talk to the rivalries that form over first dungeon kills and PvP skirmishes. I like the inclusion of competitive PvE, instead of taking the easy route of focusing only on duels. There’s good MMO humour as well, such as doing menial tasks no matter how great you are and on the overcrowding of server launches.

I also like the in game character designs. The gear looks great, though it is inaccurate for low-level armour to be so coherent, as any MMO player will tell you, but it’s understandable to make characters easily identifiable.

You will have to suspend your disbelief in how the gameplay translates to drama. The King’s Avatar places too much value on player skill at the expense of mathematical limitations found in an MMO. Because of stats, gear, and all the RPG mechanics of an MMO, skill can only get you so far. The best player in the world on a level 1 character isn’t going to solo a level 30 boss monster. The mechanics don’t allow it. It makes sense that a veteran would accomplish much on a new server, though not to such an extent. Take it as creative licencing.

Furthermore, they make a big deal about Grim’s high APM (actions per minute), which isn’t relevant to an action bar MMO since you only control one character limited by animations and cooldowns (reaction time matters more). In StarCraft, APM is of huge importance because it allows a player to micromanage every unit in their army simultaneously, while also managing economy and construction. None of that matters in an MMO. That said, it isn’t a big deal. There’s only so many ways one can “dramatise” gameplay.

Now for the real problems.

When Grim first starts on this new server, he’s just dunking on scrubs before other pros join. Sadly, they don’t bring a challenge. There is no tension after a few episodes once you realise he’s so much better than everyone else. It isn’t the Mary-Sue problem of “protagonist beats the supposedly unkillable enemy with a sneeze”. Rather, the best players aren’t on this server to challenge him. He’s like a League of Legends pro player smurfing on an alt account but still in Silver tier on his climb to Masters. It’s fine at first, but we never see it become more difficult. Some organised teams do join, though it isn’t clear how good they are meant to be – amateur is my impression. Even if later seasons escalate (I hope they do), it wouldn’t change how easy this season is and I would skip most episodes on a re-watch as a result. They should have made him someone fallen far from the throne determined to climb back up with tough opponents along the way. The first scene should have been him costing his team a tournament win.

The other notable problem is one found in Chinese cinema in general – poor overdubbing. Overdubbing happens when an actor’s dialogue isn’t clear, due to things like explosions in an action scene, which requires the actor the re-record the line in character during post-production. Most films need some overdubbing these days, though Hollywood has managed it so well that you can’t tell where it occurs. China, on the other hand, has to overdub so much of its dialogue, even in scenes that shouldn’t need it, and they do such a poor job that it’s not uncommon for voices to sound separate (and out of sync) from the actor on screen. The King’s Avatar doesn’t have it so bad, though you can see elements carry over. It has the feel of a janky production.

In all, The King’s Avatar didn’t give the greatest first impression of donghua. However, it was better than I expected and next week I’ll be looking at Grandmaster of Demonic Cultivation, which is shaping up to be far superior.

Art – Medium

The King’s Avatar is simultaneously beautiful and ugly. We have well-drawn characters, slick action, and dazzling atmospherics on one hand, yet we also have scenes with dozens of the worst CG characters tapping away on their CG keyboards in front of CG monitors in a CG net café. The environments are similar. We have gorgeous fantasy vistas mixed in with blocky CG building interiors.

Sound – Low

The acting isn’t quite refined to the level of Japan and the West when it comes to voice work for animation. Audio compression prevents the voices from following the characters. It’s as though you can hear the recording studio behind the screen.

Story – Low

A pro esports player forced to retire plots his return to the top on a new server for a fantasy MMO. The idea is an interesting one that could pay off in the end, but as far as this season goes, having an unbeatable protagonist makes for a tensionless story.

Overall Quality – Low

Recommendation: For MMO action fans. If you’re a fan of those numerous MMO anime, The King’s Avatar will please you. I just hope it gets more challenging. I’ll likely revisit this series in future. There is also a live action drama on the way, which looks to have more of an esports focus according to the trailer.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Skip Beat! – Anime Review

Japanese Title: Skip Beat!

 

Similar: Maid-sama!

Ouran High School Host Club

Glass Mask

 

Watched in: Japanese & English

Genre: Comedy Romance

Length: 25 episodes

 

Positives:

  • Often funny.
  • Doesn’t make protagonist instantly great.
  • The visual humour.
  • Energetic performances.

Negatives:

  • Just getting started.
  • The love interest is too stiff.

(Request an anime for review here.)

Great, another title to add to the list of anime that deserves completion. Why does Glass Mask get 51 episodes while Skip Beat, the superior anime of the arts, only has 25 episodes? Shameful!

Skip Beat is a romantic comedy centred on the lovable goof that is 16-year-old Kyouko. She is a diligent supporter of her childhood friend turned idol Shoutarou Fuwa, acting as a de facto housewife – away from her family – while he climbs in popularity. Little did she know that he is scum! All this time, he was taking advantage of her kindness to have a free maid that will cater to him. Kyouko swears revenge by aiming to do the one thing Shou would hate more than anything: become an idol more popular than him and work with his rival, the enigmatic Ren.

There is only one problem with her plan. She has no talents.

Kyouko is a fantastic character. I love her determined naiveté towards the entertainment industry. After a makeover from frump to fashionista, she spends her time walking around the trendy districts of Tokyo just waiting to be discovered. Love it! When that doesn’t work, she barges into a talent agency demanding to become a star. That goes nowhere fast. (A chibi devil Shou in her head taunts her after every failure.)

However, after a bout of stubbornness, an agent does take pity and allows her to join as a low-level assistant, performing janitorial and porter duties to earn “the people’s love”. So committed is she to the task that she cleans the floors to a perfect polish, which has everyone slipping down the corridors.

If I haven’t made it clear already, Skip Beat is heavy on comedy to much success. Eventually she does more than clean and gets to perform before the camera, leading into the light drama of the story.

I like how it doesn’t take the Glass Mask approach of making her a prodigy overpraised by all. Her first performance is a scene doing a tea ceremony opposite Ren, something she learned from her time working at a ryokan (traditional Japanese inn), so it makes sense that she executes it better than the rival actress when it needs little acting on her part. And the surrounding crew don’t have their minds blown by her every gesture either, as they would in that other anime. It only becomes a little silly about over exaggeration for the final performance rehearsal of the show.

Where Skip Beat faceplants in the arts aspect is with Ren. He supposedly never does more than one take of a scene, which is stupid. For one, no director would accept this. For two, if there is one thing I can tell you about J-drama actors is that they could do with more takes. Also, Ren isn’t much of an engaging character. He’s the stoic type – “OMG! He’s so quiet and mysterious. I’m in love!” He seriously needs more expression. Perhaps that would come later in the story.

This leads to the next and most significant problem with Skip Beat. It is incomplete. And when I say incomplete, I mean barely getting started before it halts. This may be the worst case I have encountered of an incomplete good anime. At least Berserk can be taken as a series with a “villain wins” ending. For Skip Beat, it is little more than the first act in these 25 episodes and leads to all sorts of problems, not least of which is in the romance.

To no one’s surprise, the story setups up a love triangle with Shou, Kyouko, and Ren, but we never even reach that point when the triangle is official. In fact, Shou is barely in the anime after she learns of his true nature. In isolation, it’s fine – it makes sense to keep him aside while she grows closer to Ren first, but when the script stops suddenly, it’s so unsatisfying to have zero resolution on anything.

Skip Beat the manga has 43 volumes so far and is still ongoing (not on hiatus), so if you intend to get into this anime and want closure, prepare to read. So frustrating! Perhaps it could see a revival like many others chosen in recent years.

Art – Medium

The art is dated at this point. It is expressive though and sports good visual humour, which is perfect for Skip Beat.

Sound – High

Interestingly, the dub translates everything, including the songs and does it well. The songs sound as if the same people performed them in both languages with perfect fluency. The dub acting is great too. I prefer it for making Kyouko more manic and Shou goofier, leaning further into the comedic side. Of course, the Japanese works great too.

Story – Medium

A girl decides to become a mega star in revenge for being used by another star she thought was her friend. Skip Beat is funny, often unexpected, and too criminally incomplete to reach its full potential.

Overall Quality – Medium

Recommendation: For those willing to read the manga afterwards. Skip Beat is tons of fun, but it’s also the mere start of the story, so prepare to get into a lengthy manga if you desire closure.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Incomplete

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