One Piece: East Blue Arc (season 1) – Anime Review

Related: One Piece: Grand Line Inrush (season 2)

 

Watched in: Japanese & English

Genre: Action Adventure Fantasy

Length: 61 episodes (season 1)

 

Positives:

  • Textured art holds up in the remastered version
  • A brilliant variety of character
  • The world is already full of adventure and promises so much more

Negatives:

  • Shouting = dialogue
  • Luffy hasn’t done much so far

(Request an anime for review here.)

Never has the saying “better late than never” been more applicable to my anime viewing timeline. At over 900 episodes as of this writing, One Piece has reached proportions that seem impossible to tackle (read all about my recurring nightmare here, in One Piece and the Curse of the Backlog). However, I shall take this one episode at a time and finally conquer the seas! (Or until I no longer find it entertaining. Whichever comes first.)

For those of you marooned on an island in the South Pacific since 1999, One Piece follows the adventures of Luffy, a boy with ambitions of becoming king of the pirates and who has the power to stretch his body like Mr Fantastic. First, he needs a crew if he means to survive all that the ocean and other pirates have to throw at him. Much of this first season is travelling to various locations, where he meets and recruits crewmates. Among them, we have Zoro the three-sword pirate, Sanji the chef, Nami the cartographer, and Usopp the best pirate to have ever lived.

I had tried One Piece many years ago – a few times, in fact, but had given up within an episode or two. Revisiting it now hasn’t changed my mind on those opening few. They give a terrible first impression. What is with the shouting? Of the approximately 190 lines of dialogue in the first episodes, over 100 are shouted – that doesn’t even include the action/reaction yells and one-word screams. Some pink-haired kid yells just about every line he has! Yelling for dialogue is a trait of cartoons for little kids, as it holds their attention better. This coupled with Luffy’s laissez-faire attitude to the most dangerous situations (more on him later) makes One Piece feels so bloody juvenile. Is this for five-year-olds? Thankfully, this only holds true for the first few episodes. Once they reach the Usopp recruitment story (starts episode nine), the tone jumps up two age demographics.

I think back to the start of Naruto, which also had a weak few episodes. Who can forget the second episode where Naruto hangs out with that brat Konohamaru? However, Naruto was clever enough to include the scene when a teacher betrays him and shows him how life isn’t friendly or fair. This is a promise from the author that despite the juvenile tone of the early episodes, this isn’t a “happy go lucky” anime. One Piece needed that moment.

It’s obvious One Piece isn’t for small children with all the guns, alcohol, and smoking, which leads me into an aside about the original 4Kids dub, having gone down in infamy. I watched the new Funimation dub, which is unedited and matches the original Japanese, but I also looked into the 4Kids atrocity that removed blood, replaced all the guns with…something, swapped Sanji’s cigarette for a lollipop, skipped entire episodes, and cut the alcohol, amongst many other changes. This was their most censored import. Why bother bringing it over at all if they’re going to change everything, you ask? As I’ve discovered, the decision makers at 4Kids did not watch One Piece before acquiring the licence. It was a package deal with other anime, likely for a younger audience than One Piece. So when it came time to dub it, they realised it didn’t fit their target demographic and thus began the massacre. Funimation, thankfully, took over the project years later and undid all of the changes to release it remastered in HD.

This HD re-release was a fantastic idea. When I thought back to One Piece’s art style before this viewing, all I could remember was those giant mouths. I still hate them of course (they add to the screaming as well). However, outside of this pet peeve, One Piece’s art holds up well because of the textured environments and the character designs. Imagine if it had gone for the standard style of the day with those flat colours, two-tone shading/lighting, and shallow backgrounds. It wouldn’t have aged well at all! As for the character designs, I find some great examples here. I love the fish people from the octopus guy to the sawfish captain. The fat pirate queen in episode one and her look later in the season (plus her perfect skin power) has me laughing. Best design award has to go to Captain Smoker, a marine in pursuit of Luffy who smokes not one but two cigars at all times and has belts of cigars strapped across his massive biceps and chest. Bloody hilarious! More than having good individual designs, there is strong cohesion for such a large cast.

By contrast, I find audio to be One Piece’s weakest department. The original Japanese performances are a mixed bag, as is often the case in battle shounen, while the dub is quite good (the new one). The lack of great music so far most surprises me. I think back to how many iconic tracks Naruto already had by this point, though that is probably a genre exception. For many battle anime, the OPs are all people remember, sometimes just the songs created by the dub studio such as Pokémon and Dragon Ball Z.

As for story, I am mixed so far. It is better than my past impressions had led me to believe, there is no doubt here. This is very much a romanticised view of pirates and is rather tame, despite all of the “not safe 4Kids” content. Almost all story arcs so far have been about recruiting someone to Luffy’s crew and/or giving us their backstory. We have Zoro the edgelord with a sword in his mouth (I don’t like this design) who kept losing to a girl, Nami and the death of her mother at the hands of the fishmen she works for, Usopp the greatest pirate to have sailed the four seas and his tissue of lies, and so on. These are fine stories, some better (Nami) than others (Zoro). However, when I think of what Naruto and Bleach have accomplished by the 60-episode mark, they far outshine One Piece. Naruto has completed the Zabuza arc and is mid-chunin exam, while Bleach is at the climax of the Soul Society Arc. That said, anyone who has seen Bleach would tell you that one good arc doesn’t make for a great anime. One Piece has plenty more to show off, so I hope it delivers something great.

 

I don’t mean to say an anime such as this needs to turn dark right away as Naruto did. What I want is depth. Even if it’s just a few promises of what is to come. The biggest disappointment has to be Luffy. Battle protagonists are rarely the most interesting of the cast since they have little flexibility in demographic marketing, yet even by those standards, Luffy is a thumbs down from me at the moment. I hate how he doesn’t care about anything or how he laughs at every predicament. In a more serious setting, they would all be dead because of him. Not to keep drawing comparisons to Naruto, but when the orange ninja laughs and brushes off dangerous situations, there are consequences. Most of all, I hate how half of Luffy’s dialogue is yelling about how he’s going to be “king of the pirates”. We get it!

The action is quite good. Standard shounen content on the positive side of the scale. It doesn’t have the flashiness of Bleach or the strategy of Naruto or the brisk pacing in Yu Yu Hakusho. However, it doesn’t have any glaring problems either. One Piece hasn’t had the action drag for ages (Bleach, Naruto) or power reset (Bleach) or repeated some trope to death (there is always a bigger fish in Yu Yu Hakusho). I will want something more soon though or I’ll stop paying attention when a fight starts.

To end on a positive, I want to discuss One Piece’s greatest promise for the future of the series – the world. There is such variety and limitless possibilities for a world where you can sail to a new island, meet a new culture, a new species of person. It reminds me of a simpler classic Star Trek (one of my favourite franchises) and that is always a plus. I love the restaurant ship that roams the seas to feed one and all in a scrumptious experience. There are rules (“more what you’d call guidelines”) that vary by location. One gets a strong sense of character and personality at each destination. When the crew gets on that ship and hits the open blue, I want to see what island they will discover next. One Piece delivers a true feeling of adventure.

Quality so far – Medium

Current thoughts: The early episodes don’t give a good first impression, but once the longer story begins, One Piece stretches it’s creativity to give a good opening season with promises of so much more adventure. Luffy needs to grow up and do something. See you in the next season.

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Fancy Lala – Anime Review

Japanese Title: Mahou no Stage Fancy Lala

 

Related: Fashion Lala: The Story of the Harbor Light (spin-off)

Similar: Magical Angel Creamy Mami

Searching for the Full Moon

Kodocha

 

Watched in: Japanese & English

Genre: Comedy Drama Music

Length: 26 episodes

 

Positives:

  • Holds up well
  • Good lessons for little girls
  • Music is good in both English and Japanese
  • Doesn’t fall into formulaic magical girl episodes

Negatives:

  • Not cautious enough about a lone girl in the entertainment business

(Request an anime for review here.)

You probably haven’t heard of Fancy Lala – I hadn’t until this came in as a review request – and for good reason. If I gave you these two pieces of information, what does that tell you: “magical girl anime” and “1998”? Yes, it matches Fancy Lala, but also matches a titan of the genre, Cardcaptor Sakura. They didn’t just release in the same year. They came out in the same week. And Cardcaptor Sakura eclipsed the anime we will be looking at today.

Fancy Lala is about a third-grade girl with an imagination larger than life. Miho has a chance meeting with two little fairies (more like dragons) who give her a magical pen and notebook. Anything she draws in the notebook becomes real. Furthermore, the pen can transform her into the blue-haired teen Lala from her sketches. It isn’t long before an agent discovers her, convincing Lala to become a model and singer. Thus, Fancy Lala is born.

The first thing that strikes me about Miho is what she considers “cool”. Get this, right, she has the power to create any clothes she wants. Anything. So what does she draw? A transparent raincoat. Except it’s not even a raincoat. It’s a plastic wrap. Then we have her stage name, Fancy Lala, of all names. And I love it. I love how nonsensical her imagination is. This is what a nine-year-old would come up with. The brilliance of Miho is that she feels and thinks like a little girl, not what an adult says a little girl is like. I remember this one kid from primary school who said that if he were a billionaire, he would have a McDonalds at his house so he could eat there every day. That was the grandest thing he could think of. Miho captures that child mentality.

There isn’t as much fanfare as you would expect when she discovers the power. She’s rather casual about it, though I suppose transformation magic isn’t far out of the ordinary for a kid full of imagination.

The episode to episode story reminds very much of Clark Kent/Superman from the Lois & Clark TV series, except with modelling and school drama instead of dastardly villains. Lala has a photo shoot today, but oh no, Miho has to do something with her school friends at the same time! There’s plenty of transforming back and forth, Miho pretending to have arrived just as Lala left, and all that fun secret identity stuff. She notices how differently people treat Lala from Miho. The story strikes a good balance between real Miho plot and the Lala work plot. While she’s trying to make it as a model and then as a singer, she also has school events, family conundrums, and personal issues.

The one real gripe I have against Fancy Lala is how it handles the entertainment industry. Now, I know this a cartoon for little girls and not Perfect Blue; however, no one questions why a teenager never has her parents with her at any photo shoot, film set, or performance. You don’t want to teach kids to go into entertainment alone. The closest thing we have is an agent that tries to force her to work for him, from whom she flees, but then the woman she does join is also a stranger. She could be a trafficker for all Lala knows.

Apart from that, this anime has many great lessons to teach young girls. It explores the power of imagination, but tempers it with reality, talks about divorce, emphasises the importance of hard work and becoming someone people rely on, to name a few. When I first started Fancy Lala, it reminded me of Searching for the Full Moon, a similar anime I had seen long ago (in that, a girl with cancer can transform into a teen singer). Turns out it was inspired by Fancy Lala. This reminiscence was not a positive, for Full Moon was atrocious and taught some horrible life lessons. I expected to have much the same here – wish away your troubles, hard work doesn’t matter, and all that idiocy. Thankfully, Fancy Lala proved me wrong before long.

As a brief side note, Fancy Lala itself took from another series, as is the case with all art, called Creamy Mami, the anime that invented the idea of using an anime to promote idol singers. Fancy Lala’s twist was adding an actual story and drama.

Is it fair that Cardcaptor Sakura pushed this anime into obscurity? No, not in the slightest. Fancy Lala is the better anime. I like Cardcaptors well enough, but this not only avoids a formulaic structure each episode, the characters have more depth and the life lessons are far stronger. Fancy Lala has an ending I would not expect of the magical girl genre. It is a poignant end that leaves the audience with the best message of the series, while instilling inspiration and joy.

Art – Medium

The art is notably aged, but it holds up well and cel animation always has that textured beauty to it.

Sound – Medium

It shouldn’t surprise you to learn – considering the genre – that a first timer, an idol with a short-lived career after the series, voices Miho/Lala. Her acting is alright, better than one would expect. She’s here for the singing talent. The OP screams ‘90s magical anime. The dub actress is similar, whereby her musical ability is stronger than her acting. She’s fine in that regard as well. They did a good job translating the songs.

Story – High

A little girl finds a magic pen that transforms her into a teenager, soon becoming a model and singer. Packed with good lessons, escapist fun, and some nice music, Fancy Lala is a strong offering from the magical girl genre.

Overall Quality – High

Recommendation: For young girls. I like Fancy Lala. Do I recommend it? Not quite. Not unless it’s to a child or an adult who has fond memories of being the sort of child who would have loved this anime, ready for a comfort trip back in time.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

ID: Invaded – Anime Review

Japanese Title: ID:Invaded

 

Similar: Psycho Pass

Real Drive

Ghost in the Shell: Stand Alone Complex

 

Watched in: Japanese & English

Genre: Mystery Science Fiction

Length: 13 episodes

 

Positives:

  • Great concept
  • A nice blend of “hype” and “mystery” music
  • Weirdly awesome mental landscape

Negatives:

  • The abstract mind makes the mysteries unsolvable ahead of time

(Request an anime for review here.)

Every great crime mystery has three components to success. The first is an interesting crime that generates plenty of questions and mystery. This doesn’t mean it has to be something crazy like a dead clown hanging from a chandelier with foam sword in one hand and nuclear detonator in the other. It can be something as simple as a shot to head during lunchtime, dead body in the apartment, yet the neighbours heard nothing. The second component is engaging characters, most notably for the detective protagonist and the main suspects. You want to look forward to these characters parrying words. And lastly, to engage the audience fully, the crime must be solvable before the big reveal. You don’t want to make it obvious – keep them guessing, unsure of their theories – but the pieces must be present.

In this third component, ID: Invaded fails.

ID: Invaded is about a detective agency that can investigate cases by diving into the unconscious minds of criminals by using a machine called Mizuhanome. Our main detective, Sakaido, is a murder himself after avenging the death of his family, for only a killer can safely enter into the mind of another killer. While he investigates on the mental plane, rookie detective Hondomachi hits the streets to interview witnesses and suspects.

The look of the virtual world in the target’s unconscious is cool. The opening scene has Sakaido in pieces with digital cube particles instead of blood. After he pulls himself together, he needs to reconstruct the scene physically from the fragmented reality that is the human mind. It recalls games like Ghost Trick and Remember Me. I love this representation. There is no denying the visual engagement. It’s weirdly awesome. However, this very concept is also ID: Invaded’s greatest flaw.

What Sakaido is looking at, these pieces to a murder mystery, are abstract. Even the faces on the people in the unconscious realm aren’t accurate. They are an amalgamation of faces remembered from one’s life, just as it is in your dreams. This means that the clues don’t mean much until we see the answers. It’s like solving a 1000-piece puzzle of pure white that doesn’t reveal the picture until all pieces are in place. The audience doesn’t have the opportunity to solve the case ahead of time – as you would in an Agatha Christie novel – without relying almost exclusively on guesswork, and in a crime story, this drops audience engagement to a level no author wants.

Now, the visuals do make up some of the loss, as mentioned earlier, as do the unusual characters on both the law enforcement and criminal sides. One of the criminals, called “The Perforator”, likes to drill holes in people’s skulls. Always delightful. Sakaido is also an interesting protagonist with his status as both criminal (still in jail) and detective. Sorry, “brilliant detective” as the mind detectives call themselves. Side note: it took me a while to realise that brilliant detective refers to their job title and not a token of praise. Poor choice of name.

I’m not sold on Hondomachi. She feels like a character design first (adult that looks like a teenager) and personality second, though her role in the story is interesting. The Inception-like system of her in the real world on the job while Sakaido is in the brain finding clues works well. It adds a nice dose of tension when everything is parallel in real time. Incorporating the Mizuhanome in the crimes itself is another good choice that heightens the stakes. It isn’t just a tool. One could almost call it evidence in the grander story, similar to the PreCrime unit in Minority Report or the Sibyl System in Psycho Pass. I like it when wild science fiction concepts go all in on the unique selling point.

ID: Invaded is a good anime, all aspects considered, and its unique nature means you aren’t looking at “more of the usual”. So I do recommend it if you liked any of the titles that I referred to throughout the review. It’s a story I would like to see the author take another crack at to elevate it to greatness.

Art – High

ID: Invaded has one of the most distinct art styles for faces, notably in the eyes. Oddly successful. The abstract design of the unconscious is great.

Sound – High

Several solid tracks accompany the series – I’ll be listening to the OP & ED beyond the final episode. The mystery music of ethereal piano notes and sinister violin adds much to the scene. The acting is strong too and you can go with either language to suit your preference.

Story – Medium

A former detective turned criminal investigates cases by diving into the minds of criminals via a machine. This cool concept is a little too abstract for its own good, as it doesn’t give the audience the information needed to solve the case until the big reveal.

Overall Quality – Medium

Recommendation: For sci-fi fans. I recommend ID: Invaded to fans of Psycho Pass and Ghost in the Shell for its unique take on the exploration of the criminal mind to solve mysteries.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Mysterious Girlfriend X / Domestic Girlfriend / After the Rain – Quick Thoughts

Mysterious Girlfriend X

Japanese Title: Nazo no Kanojo X

Genre: Romance

Length: 13 episodes, 1 OVA

Today we look at a trio of romance anime with a taboo or socially repugnant theme, all requested by readers like you (some to torture me. I am a glutton for sufferring after all). First up is Mysterious Girlfriend X, about a boy who falls in love with a girl after tasting her drool. This drool once tasted creates an unbreakable dependency.

Is it as disgusting as it sounds? No, it’s worse. Off the desk, out of a test tube, and off her finger are but a few ways in which he consumes drool. If you don’t have a drool fetish, you will likely find this disgusting.

Magic drool is the only unique selling point of Mysterious Girlfriend X, for what we have here on closer inspection, once past the urge to vomit, is a boring high school romance. This is a perfect example of why a unique premise is the least important part of a great story. I’ve certainly never seen a story about a guy addicted to drool, and yet this is one of the worst romances in existence. It tries to sell you on the idea of how “mysterious” the girl is, both in the title of the show and the pitch – the guy even repeats how mysterious his girlfriend is to close off several episodes (“Did you notice him mention the title? Did you get it!?”)

The drool is a metaphor for love – when he’s sick, he’s actually lovesick, for example – and lust comes in the form of another girl’s drool for a forced love triangle at the last minute. Until that “twist”, nothing happens. It’s just the same events each episode. The characters are insufferably dull. He’s the clichéd shy guy and she is as mysterious as an open, empty box. Her other defining characteristic is carrying a pair of scissors in her panties and her inability to hold hands or accept a hug from the guy she feeds drool to. (Kill me slowly, why don’t you.)

The drool is an immediate putoff, but I hoped that at least there would be something more to it such as absurd comedy (think Chunibyo). Mysterious Girlfriend X can’t even be funny.

Overall Quality – Very Low

Recommendation: Avoid it. Even if you have a drool fetish, surely you want a better story and characters than this?

*     *     *     *     *

Domestic Girlfriend

Japanese Title: Domestic na Kanojo

Genre: Drama Romance

Length: 12 episodes

Now for a change of pace, we have a taboo relationship fetish. It follows Natsuo, a guy who just lost his virginity to some girl called Rui that he met at a party, as consolation for not believing he could sleep with his teacher, Hina (why such little faith?) Things take a shocking – shocking, I tell you – turn when his father announces that he is remarrying to a woman with two daughters. And who should those daughters be that step through the door? His first time girl Rui and his teacher Hina. And they’re all going to live together! Awwwkwaaaard

Well, it would be awkward if Rui didn’t keep trying to gobble his flight stick in the bath (he barely objects) and if he wouldn’t keep kissing his teacher (she objects by climbing on top of him for a bit of frottage). He may be a pervert as a teenager, but his teacher wouldn’t behave like this. If nothing else, she wouldn’t move in with the family. It certainly doesn’t gel.

Inconsistency is a serious issue of Domestic Girlfriend. Tone is all over the place. The love triangle (yes, it is serious about the idea) tries to be mature at times, but when no one truly objects to what is going on (even the authorities hand wave it clean), this feels written by a teenager who has never seen an adult relationship and self-inserted into a story. The next episode, it tries to play for comedy, such as when Natsuo and Rui stalk the teacher after work to uncover who she is in an affair with. Oh yes, there is an affair in this triangle as well. And I’ll give you one guess how the man knows Hina… He was her teacher! Such masterful plotting.

That’s not all. When Natsuo goes to the library one time, he sees what he thinks is the literature teacher kissing a student from the literature club. Turns out it was a misunderstanding from his viewing angle (she was getting an eyelash off his face – still inappropriate, by the way). But get this turn of events no one saw coming: the girl does have a thing for him and it is implied that she will make a move and the teacher would reciprocate. Hell, the literature teacher has a yaoi bait moment with Natsuo when they first meet.

Whenever I think Domestic Girlfriend can’t get any worse, it takes my expectations and does to them what Roy Mustang did to Lust, revealing even greater levels of idiocy. This is worse than a daytime soap opera. At least those are consistent and know how to play up the cheesy drama.

During the confrontation between Natsuo and the married man, we have the restaurant staff (friends to Natsuo) playing the overreacting comedic audience. Am I supposed to take this seriously or not? In case you were wondering, no, Natsuo isn’t presented as hypocritical.

The premise, as I reiterate often, doesn’t automatically make the story a failure. It’s about the execution. If a premise could sink a story before it begins, we would never be able to have protagonists that are murderers, for instance. What if such a situation did happen? What if the girl you slept with the other day did turn out to be your new stepsister? (Let’s keep the teacher out of this for the moment – would have been better cut it down to one character anyway.) You can’t blame the guy for what happened at the start. How was he to know, right? The question is what happens next. One would look at the psychology of it, the social connotations, and how people would react. Domestic Girlfriend merely pretends to do this. As for the teacher relationship, the idea isn’t unthinkable. It does happen, after all. So what if it did to this guy? Well, we ask the same questions as we did with the younger sister. Even if he were an adult, it wouldn’t be as simple as presented here. There is a reason any good university doesn’t allow relationship between professors and their students or why doctors can’t date patients. Asking the question, “What if?” isn’t a problem. How you go about answering that question is what matters.

Maybe Domestic Girlfriend isn’t trying to tackle this subject matter seriously, you ponder. What if it’s just smut? You would have a case to make if not for the novel subplot. Natsuo’s dream is of becoming an author like one of the Japanese dramatic greats, and he finds help in achieving this through the literature teacher. At the end of the series, his first novel, which he shits out in a few months, wins first prize at a contest and is celebrated by all. And what is this novel about? A student in love with his teacher.

I’m not sure I have seen a more pathetic anime than Domestic Girlfriend.

Given that the manga has far more volumes than what could fit in 12 episodes, I gave the final two volumes a gander only to find quite a different scenario, as expected, and a far worse ending, which didn’t go over well with fans, as I understand it. So you can’t even go to the source for a good version of this story.

Tackling such a difficult topic requires great skill and understanding of the human condition. You have three avenues to take that can turn out well – go serious and make a gripping drama, go full comedy and laugh at the absurd, or go maximum cheese like a soap opera. Failing those leaves you in this middle ground of nonsense. There is always the fourth option, of course. Go full lewd.

Domestic Girlfriend doesn’t have the balls to be hentai.

Overall Quality – Very Low

Recommendation: Avoid it. Domestic Girlfriend has nothing to recommend about itself and plenty to keep you away. I would have dropped this at episode one if not for review. Wait, I do have a positive. The opening song is great, far too good for this.

*     *     *     *     *

After the Rain

Japanese Title: Koi wa Ameagari no You ni

Genre: Romance

Length: 12 episodes

Lastly, we have After the Rain, also about a taboo potential relationship. Tachibana is a high school girl that keeps to herself as she works at a restaurant ever since a crippling injury knocked her out of the track team. Her manager, Kondo, is seen as quite the weakling for how much he apologises to everyone and puts the customers above himself, even when they are in the wrong. He’s 45 years old and unfortunately for Tachibana, she has feelings for him.

Now unlike Domestic Girlfriend, After the Rain doesn’t dive head first into the mire of taboo. It asks the “What if” question and then seriously considers it in a light drama way. He shuts her down when she confesses, but due to his weak and caring nature, he also can’t push her away outright.

At its heart, this story isn’t about the “romance” (it remains platonic). Every important character in a story should have a want and a need. The want is what they think will bring them success/happiness/whatever. The need is what will actually do it, unknown to them. She wants to be in a relationship with him to make herself happy. She needs to get back out there and stop using her injury as an excuse to hide. He wants to feel young again. He needs to grow a spine and take charge, do something for himself for once. The taboo is almost bait. They find comfort in each other (doesn’t cross the line) as they slowly discover these truths.

I say slowly because After the Rain is as slow as swimming in a honey lake. It could have handled the story in half the episodes and still not felt like a fast show. If one were to keep to 12 episodes, then we need more development, particularly from side characters. Tachibana’s best friend and running partner, who plays an integral role in her need, is barely a character considering her importance. The closest thing to an antagonist is a chef at the restaurant, who figures out Tachibana’s secret and blackmails her into a date. There is mixed messaging around the guy, as he is the one to truly point out how bad of an idea a serious relationship would be with the manager, yet the way it is presented with him as villain, makes it sound as if we are meant to disagree with him. Then the story drops him after the confrontation.

After the Rain ends up being a whole lot of nothing. The characters do have arcs, there is change by the end, yes, but those arcs are so small that I wonder if it was worth experiencing. Without the visual department working some absolute magic in the atmosphere, this anime wouldn’t have much going for it.

Artistically, there are some beautiful shots in After the Rain. Whoever did those clouds deserves a raise! The OP and ED songs are lovely as well.

Overall Quality – Low

Recommendation: Try it if you are an unrequited romance fan. After the Rain doesn’t have anything crippling against it, yet doesn’t much going for it either. You may be in the mood for something light with pretty colours.

(Request reviews here. Find out more about the rating system here.)

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