Each story takes you to a new country with new characters, keeping it fresh
Earlier art doesn’t hold up
Lack of complete translation
Golgo 13 is the second bestselling manga series of all time (behind One Piece) and the longest running manga still in publication at 200 volumes so far. I didn’t know this when I started. Never even heard of Golgo 13. I thought I was doing quite well at 13 volumes ahead of this review. Turns out Golgo 13 is a big deal! It took COVID-19 to pause this series for a few months after 52 years of constant releases.
This veteran manga is about the titular Golgo 13, a professional assassin for hire, willing to take on any job as long at the pay is right and the deal is straight. Try to cross him or double deal and he will kill you. If the shot is possible, even by the slimmest chance, he will make the kill.
Golgo is a James Bond type with little known about his origins – what we do know could just as well be false. He’s a man of few words who keeps to himself except when there’s a job to do or a beautiful lady in his path. It’s speculated Golgo may have dozens of children around the world due to his amazing penis (their words, not mine). He harkens to an older era of spy thriller, where plot continuity and character depth weren’t expected. Each volume is a couple of standalone stories, like hour-long episodes of a TV show, often drawing on real historical events but changing them into a “what really happened” conspiracy plot. Iraq’s weapons of mass destruction, the Tiananmen Square massacre, and Princess Diana’s death are but a few of the historical events that intersect with Golgo’s job.
I prefer this structure for this sort of protagonist, just like the James Bond novels. Had it been one long story, I would have grown bored around eight volumes in, as this character type doesn’t work for a continuous story, where you want to know and see him evolve over arcs. That doesn’t work here. Instead, each “episode” is an engaging spy thriller. I read one episode per sitting.
Included at the end of each volume are intel files profiling Golgo and his many exploits. It talks of his preferred clothing, including underwear, notable injuries, skills, and, my favourite, his body profile. See below for your amusement. A fun addition.
“…at any rate, an amazing penis.” Legendary line.
One weird writing device is the overuse of the ellipses. I’m not sure if this was commonplace in 60s manga – I’ve never seen it – but the author always has to make it clear when a character gives no vocal reaction. You’d think a simple lack of dialogue would suffice, but no, they must think “…” Not a real problem, though still a weird choice.
Golgo 13’s art in the early volumes is outdated by today’s standards, though it holds up well enough. The environments, particularly in the establishing shots, are full of clear detail.
While I do recommend Golgo 13, I should note the incomplete English translation. Only 13 volumes (a best of collection?) have had official translations (even less from fan translations) and I believe they aren’t in original order either, not that this matters with the independent story structure. However, 13 volumes is plenty enough to leave me satisfied. I have had my fill.
Art – Medium
Story – High
Recommendation: Read it. As the oldest manga still in publication and an all-time bestseller, Golgo 13 surely is worth a read.
Eternal Sabbath entered my radar over a decade ago through a passing recommendation, which I wouldn’t have remembered were it not for that absolute metal name. This turned out not to be a story I expected, though still a welcome one.
Eternal Sabbath is about two psychic beings born from experimentation, one of them a success, the other a failure and clone of the former, and how the difference in treatment of these two affects temperament. Akiba is the original, possessing immense mental powers to invade the minds of others, project hallucinations, and even kill with a mere thought. Isaac, the child clone, has the same power but without the maturity. He’s a test tube child, never intended for the real world until he breaks free and roams the streets with the power of a god. An unloved child is tragedy. An unloved god child is a catastrophe.
The protagonist of this story, however, is human woman by the name of Mine. She’s a neurologist brought on the case when a victim suffers an odd mental attack, seemingly all in the victim’s head yet with very real injuries. Interestingly, she’s immune to the more dangerous telepathic powers. This draws Akiba’s attention.
I want to start with Akiba. What a great character. First impressions establish him as someone with a sense of justice yet an absolute prick as well, uncaring for those around him and inconsiderate of the privacy and autonomy of others. After all, why does he need to care when he is, in essence, a higher being? He can walk into someone’s house, eat their food, rifle through their things, and leave without a trace in the owners’ minds. He isn’t cruel though. When he meets Mine, finding much of his power blocked and her calling out his behaviour, he can’t help but feel drawn to her. His arc sees him turn from a selfish individual into a caring human.
I love the subplot of his fake identity. Akiba isn’t his real name – it belonged to a man who died. “Akiba” took his place and manipulated the man’s relatives into believing he was the real Akiba who had never left. Even if it does bring them joy to see their Akiba again, it is quite cruel when you consider it. He treats them well, of course, but it’s just a cover for him. However, as Akiba grows into a real person, thanks in no small part to Mine and seeing his evil reflection in Isaac, this identity becomes more than a cover. You don’t need this subplot to tell the main story, but it enhances character and theme, as every good subplot should. It works as a perfect tracker for his change in emotion.
Similarly, Isaac takes over another child’s life. Here we have the opposite to Akiba. Isaac mistreats the parents, always acting like a spoilt child, mind controlling them to do his bidding. As Akiba improves, Isaac declines further into cruelty, psychopathy, and eventually, depravity. The closest thing he has to a friend is Yuri, a little girl from school. She too is a neglected child, though not an evil one, but her poor understanding of morality and consequences leads her to encouraging Isaac’s evil for her benefit.
Then we have Mine, a strong woman balanced by uncertainty about her role in all of this. When the case starts affecting people around her, she questions if there is something she could have done better, if she is responsible in some way as a person aware of these supernatural beings and largely immune to them. What she goes through would certainly drain the mentally toughest of people.
Eternal Sabbath is a page-turner laced with tension. Isaac is a genuine threat. It’s good to see a villain with a personality for wanton killing actually kill people indiscriminately, and it never feels forced like those villains that “shoot the dog” just to show how evil they are. His actions are always in line with his character. This doesn’t mean he is predictable, mind you, as he is complex despite his immaturity. From his perspective, he feels justified in his actions, sometime even committing what we see as evil to “help” others. Most chapters end on cliffhanger once things get going, so I have to read the next to find out what happens.
I’m glad I remembered Eternal Sabbath. It was a worthwhile read and receives my recommendation.
Art – Medium
Story – High
Recommendation: Read it. Eternal Sabbath is a simple yet tense manga that holds your attention to the end.
My first impression of Oldman: “Is that Sean Connery?” “Is that Cate Blanchett as the queen on the key art?” “Is that Rhys Ifans as the doctor?” Apparently so. The author Sheng Chang uses real actors for reference with his characters, as if casting them in a film (and in the hopes that someone like the late Sean Connery would act in an adaptation).
Oldman is a medieval action manga with one fantasy element. The titular Oldman, imprisoned son of the queen, breaks out of jail to enact revenge on his ageless mother. On the way out, he grabs Rebecca, a once legendary warrior doomed to rot in her cell with both arms and legs severed from her body. They join a few other characters on the quest, including a doctor to construct a new set of limbs for Rebecca.
The opening volume of Oldman is excellent and shows so much promise. The conflict inherent between Oldman and the queen is obvious, but the questions garner much intrigue. How is such an old man the son of a young queen? What the hell happened to Rebecca? Who is the other girl with amnesia yet friends with Oldman? Can he do real magic or is it all trickery? Volume 1 made me binge this series in a single sitting.
Sadly, it doesn’t hold up through to the end. The middle section flakes on the detail as it sets up a decently complex two-thread plot, with the final act rushing to the finish line. There is a great story here that needs at least 10 volumes to do it justice. I can see this making for a good 26-episode anime should one flesh out the skeleton presented.
The mix of action and surprising amount of comedy layered with mystery succeeds well. However, the action physics need work. Take Rebecca’s mannequin limbs. They have built in enhancements, including explosives that create rocket-like punches. Except, these explosives would shatter her arms to splinters before anything else. It doesn’t makes sense. Also, taking a few lessons from Shadiversity on the effectiveness of arrows and full plate armour wouldn’t go amiss. Just because you use Hollywood actors for reference, doesn’t mean you should use outdated Hollywood medieval action as well.
I do wish Oldman had more time.
Overall Quality – Medium
Result: Give me a fleshed out remake.
* * * * *
Korean Title: Diamond Dust
Genre: Drama Music Romance
Length: 40 chapters (3 volumes)
Diamond Dust is a manhwa webtoon about a piano prodigy with strict parents and the terminally ill underground musician she falls in love with. If you are imagining the stereotypical strict Asian parents forcing their child down one career path from birth, then you’d be right. And if you imagine the romance is the usual misery lit, then you’d also be right. In essence, Diamond Dust is predictable. Yet, the merging of the two story types makes it more engaging than seeing either apart.
The piano career side features a father that resents everyone in his family without prodigious talent (the mother is just as bad). He forces the girl to practice piano 12 hours a day, bans socialising, and freaks out at the slightest action that could endanger her golden hands. The parents are truly nasty, but in that believable sense where you see they believe that they’re doing what’s best for their daughter. She does find massive success until she (obviously) has a breakdown after one too many high-pressure performances. Her fingers cramp up. She cannot play.
Warmth and comfort arrive in the form of a young musician trying to make it in a struggling band. A tumour is pressing into his brain, affecting his memory and ability to concentrate. The romance follows all the beats you expect. She rebels against the parents, his conditions strains the relationship, the parents try to keep him away from her, and so on. Diamond Dust does this well. Don’t expect any surprises.
One last thing I want to note is the design of the two main characters. They suffer from same-face syndrome (until the cancer progresses), which makes them look like siblings – not something you want from a romantic couple. If not for the different hairstyles, you wouldn’t be able to tell them apart in close ups.
Overall Quality – Medium
Result: Not bad. Wasn’t disappointed.
* * * * *
Japanese Title: Kyouko
Genre: Action Drama
Length: 14 chapters (2 volumes)
If you know anything about B movies (low budget, non-artsy films), you will be familiar with the hack director’s number one plot device for conflict and motivating the protagonist – rape. There is so much rape. More specifically, the filmmakers don’t understand the crime and no one cares after it happens. They use it like a villain randomly shooting a puppy to show how evil he is.
Kyouko (aka The Accident) is one such example. The protagonist, a woman, is gang raped in the first chapter as her boyfriend watches on, helpless. An American soldier happens to pass by and rescues her. Rather than show any signs of trauma at the experience, she dumps the boyfriend and is ready to jump this American’s bones right away. Then someone assassinates him. Her quest for revenge turns into action schlock with dumb conspiracies.
Another manga I read after Kyouko that fit the mould is Mephisto. That protagonist is a rapist, serial killer, and bathes in the intestines of children and we are supposed to sympathise with him? Ha!
Overall Quality – Very Low
Result: Truly a B movie in manga form.
* * * * *
Cradle of Monsters
Japanese Title: Mouryou no Yurikago
Genre: Action Horror
Length: 41 chapters (6 volumes)
Continuing with the B movie inspirations, we have Cradle of Monsters, a horror manga that blends The Poseidon Adventure with The Walking Dead and a low budget. After a cruise ship capsizes in the middle of the ocean, everything goes to hell as most of the passengers turn into zombies and many of the remaining living become murderers. Amongst this chaos are a few survivors, most of them teenagers from the same school on a trip.
This is not a good manga. Quickly you will notice how the fan service takes priority and how irritating it is. While people are dying, the primary concern of the artist is to have a panty shot or for the writing to mention how a character isn’t wearing panties. Half of the deaths mention this, I swear. The ultimate fan service in Cradle of Monsters (or so the author believes) is the frequent golden showers before or at the moment of death. This guy has a serious fetish.
Should you look past the fan service, there isn’t much on offer anyway. To say the characters are one-dimensional would be to give them too many dimensions. Everyone in this story is evil except for maybe three people. I find it so dull when a disaster story makes everyone incomprehensibly evil. Apart from being unrealistic, it’s also predictable. Furthermore, there are so few survivors. It isn’t as if this situation has been raging for months while the infection spreads. Maybe, what, a few hours have passed since the incident and only 20 or so people are alive out of everyone on a massive cruise liner? The author is clearly lazy.
This story wasn’t planned out either. Characters will teleport around the ship for dramatic ambushes, surprise reveals, and last second rescues. It makes no sense how they catch up or get ahead of the main group when navigation is so limited. Again, lazy.
Character backstories also suffer under the lack of forethought. Many characters have a backstory that suddenly reveals a talent they just so happen to need to get out of a situation. “I never mentioned this before, but in the past I studied this thing, so I can use it to clear this obstacle for us.” I believe they call this an “ass pull” in the business. Happens over and over.
And finally, this horror manga isn’t scary. The art is quite bad, so turns supposed frightening moments into comedy, which combined with the above-mentioned issues makes for a yawn-inducing experience.
Overall Quality – Low
Result: That’s going to be a no from me on the golden showers.
Captures the feel of noir, spy thrillers, and supernatural mysteries
High quailty art
Before you go any further, just read Billy Bat. This is a manga best experienced with no prior knowledge of the ride – don’t even read the blurb. Do I recommend it? Absolutely. However, should you be someone who doesn’t take a recommendation on blind faith, then read on. I won’t be spoiling anything outside of a normal review.
Billy Bat blends reality with fiction, narrative with meta, and delivers a riveting story. The first chapter (seriously, don’t read further if you want to go in blind) opens on a bat detective called Billy answering the request of a gruff dog to tail his flirtatious poodle wife, a dame with too much beauty for her own good. Little does Billy know, he isn’t the only one on the case. A grander conspiracy unfolds until…the art loses colour? The line work turns to sketches. We zoom out of Billy’s world and into a messy artist’s studio in America, where a man hunches over his drafting table as he desperately tries to conclude the latest chapter of his comic book series, Billy Bat. This artist is Kevin Yamagata.
As if his deadline wasn’t enough, two police officers come knocking and commandeer his studio for a stake out, observing a supposed Russian spy in the next building. The Red Scare is in full effect. Furthermore, one officer claims to have seen Billy Bat’s logo scratched on a wall in Japan, years before the start of the comic. How is that possible? Kevin flies to Japan to investigate. He has no idea what he’s in for.
I didn’t know what I was in for with Billy Bat. Coming from Naoki Urasawa, the mind behind Monster and Pluto, I had high expectations yet no idea what to expect. I couldn’t stop turning the pages to see what wild turn this ride would take next.
This story draws on real world conspiracies from the assassination of JFK to the moon landing, including real people from history as key characters in the tale. The conspiracies go far deeper than you know! Importantly, Urasawa doesn’t just take the events and people from history in lazy manner, doing no work for himself. The way they incorporate into the greater Billy Bat mystery is compelling. Familiarity with the true stories makes it even better, as you know what is going to happen, yet you don’t, not really, because you have to account for Billy.
The mystery is so winding that if you read the first volume then jumped to the middle of the story, you would have no idea how it got there. I haven’t even mentioned the parallel stories across time. On paper, Billy Bat may sound overwhelming with so many characters across a dozen plot threads in different timelines, but Urasawa handles this many-pieced puzzle with such deftness that it’s easy to keep up. There are only a couple of moments of confusion.
If you’re familiar with the author’s other works, you already know to what I refer. Hell, you probably aren’t reading this because you took my advice to skip this review and go for the manga. For newcomers to his work, Monster is an easier place to start, though it is much darker (and quite different) or you could go for Pluto, a shorter manga but again, quite different.
There isn’t much more I can say about Billy Bat without giving it all away. The art is top notch, of course, as expected from Urasawa. It’s a pleasure to read his work every time. Hope you enjoy this or one of his other works as much as I do.
Art – Very High
Story – Very High
Recommendation: Must read. Unless you don’t like mind-bending stories whatsoever, I see no reason not to read Billy Bat.
This batch of manga has a Western and horror focus, with a little romance to end things on a lighter note. We start with The Metamorphosis, a manga adaptation of Franz Kafka’s famous book of the same name about a man who finds himself transformed into a giant insect one morning. I haven’t read the book, so everything I say applies only to the manga.
The story is largely in flashbacks as the man reflects on his life and the events that led to his isolation as an insect man in his bedroom, shunned by family. As a dutiful son, he takes on all the burdens for his family after his father loses his job. He works hard and soon make decent money travelling from town-to-town selling fabrics. However, his family grows complacent under the ease of their lives now that food is always on their table. The father in particular is lazy. He’s the “back in my day” and “I could show them a thing or two” type to do nothing while reading his newspaper, ignoring the fact that he needs a job. Even the sister, who is the nicest of them, relies on the man for violin tuition money.
This is an interesting story, and while I’m sure the book is better with it’s 200 pages versus the manga’s five short chapters, I quite enjoyed it. Further research after finishing this has revealed to me that there are many interpretations of the story. And the interpretations are varied. I took it to be a harsh reflection of what it means to have others take advantage of you, take you for granted when you give everything and ask nothing in return. The moment you can no longer keep giving is when they no longer see you as useful. You are pathetic, disgusting. An insect.
If you haven’t read The Metamorphosis but want to have a simple understanding of the story, then the manga is an easy gateway. The art is suitably creepy for the insect, though a bit too simple elsewhere.
Overall Quality – Medium
Result: Found it by accident and enjoyed it.
* * * * *
H.P. Lovecraft: Various Stories
Japanese Title: Lovecraft Kessakushuu
Genre: Fantasy Horror
Length: 8 stories of varying length (1-3 volumes each)
H.P. Lovecraft is synonymous with supernatural horror. There is no greater influence on the genre. Cthulhu, monsters of the unknown, mind breaks from forbidden knowledge, and most of the things that nightmares are made of come from his works. It came as a surprise – while browsing at random – to see several of his stories adapted to manga form.
This review covers most of the Lovecraft manga (I couldn’t get my hands on a couple of them) adapted by Gou Tanabe, a Lovecraft connoisseur, including The Haunter in the Dark, The Colour Out of Space, and The Hound and Other Stories.
Another surprise is in how good these manga are. The Metamorphosis is around about the quality I expect of classic adaptations to different formats. This has been quite consistent in comic books, cartoons, and short films that I have seen of classics. Tanabe’s manga do a great job of evoking that air of insanity and general “what the hell is that” tone of Lovecraft’s short stories. The art is among the most realistic that you’ll find in manga, showing much of the story and characters emotions before one even considers the accompanying words. This is proper horror art.
I haven’t read the original versions of these stories (all of my Lovecraft experience come from works influenced by him, mostly video games), but they work perfectly for the uninitiated. At no point do I feel lost, as if there is an expectation that I already know the details of the Lovecraft universe.
These stories, as is most often the case with Lovecraft, involve mysterious supernatural entities, whether monster or ethereal concept, that slowly corrupt the world and its characters. My favourite of these is The Haunter in the Dark. A writer with a passion for the occult takes in interest in a gothic church he can see from his bedroom window. There are local stories about what went on in that abandoned church, yet no one is willing to speak of them. His curiosity gets the better of him and he awakens a creature from the dark. He had better hope the power doesn’t go out…
At the Mountains of Madness is the longest of the adaptations at 25 chapters and one I haven’t had a chance to read. I want to see a story that has a little more time to explore a concept in greater detail.
These manga aren’t perfect, but they are an engaging short reads late at night. Read a few or all of them, it’s up to you how deep you want to delve into madness.
Overall Quality – High
Result: I want to read more Lovecraftian works. These are a good introduction, which I recommend to anyone with a horror interest.
* * * * *
Spring Breeze Snegurochka
Japanese Title: Harukaze no Snegurochka
Genre: Historical Drama
Length: 7 chapters (1 volume)
Continuing with manga based on the West, we look at Spring Breeze Snegurochka. This time we go into Russian 1933, the Soviet Union era, where a woman in a wheelchair and the man that cares for her are in search of something within an old mansion, now controlled by the secret police. They will do anything to find the object.
The most interesting aspect of this piece is the Russian focus, a subject you don’t see much of out of Japan. It taps into many real figures from history, including Rasputin, the Russian royal family, and domestic rebels. Combined with the fictional characters, Spring Breeze makes for decent “what if” alternate history story if you have some familiarity with Russia’s past. If you don’t, the plethora of complex Russian names will go in one ear and out the other. The story is dense with characters, particularly in the latter half when the secrets unravel and people unmask themselves. There is a notable character reveal that means nothing if you don’t know who he is already.
As for the story itself, the history aspect is interesting but not so much for the main two characters. The woman’s rape into Stockholm syndrome into love (?) arc doesn’t work or make sense, not with the page time given. The man is the quiet type with no screen presence.
I don’t recommend this unless you love the subject matter.
Overall Quality – Medium
Result: Interesting to see a manga take on Russian history.
* * * * *
Japanese Title: Cambrian
Genre: Horror Science Fiction
Length: 28 chapters (3 volumes)
To go back to horror for moment, let’s stop at Cambrian. This is a disgusting manga. Literally. It features a biologist who believes he has created the next step of human evolution, splicing humans with marine creatures. He can now transform into an ammonite and rapes women with his tentacles (eating them is also involved) to spread his mutation. He infects a few and they infect more, creating a cult that will take humanity into the “next step.”
Yeah, no thanks. I don’t want to have barnacles covering my skin, even if it means I can rollout like Golem. Patrick maybe a hilarious cartoon character – doesn’t mean I want become a starfish. Looking like the Alien isn’t worth regeneration powers. Especially if my hair now forms into a sea biscuit. The main woman develops spiked nipples and a vajine spike for defence when aroused. I can imagine Cambrian would give nightmares to some people.
There’s a lot of sex (little of it consensual) and sexual violence (not many sample pages I can use for below). However, this isn’t a ℌệ𝔫𝔱ằ𝔦, though I’m sure it’s someone’s fetish. This is more of a sexual horror series, relying on grotesque body horror to engage the audience. This isn’t for me. Even outside of the sex and horror filling most pages, there is little in the way of character development or story. It’s frankly rather boring despite the shock value.
Overall Quality – Low
Result: Wouldn’t have bothered if I knew the result.
* * * * *
Japanese Title: Majo
Genre: Contemporary Fantasy
Length: 7 chapters (2 volumes)
Enough of the revolting. Why don’t we cheer ourselves up with a manga of magical girls meets Western literature? Dying of the plague is a welcome change.
Witches is an anthology of short stories set in the recent past of our world. Each story chronicles a girl or woman that has to deal with some injustice and she discovers a magical power along the way to help her. The issues are more in the mental realm – dealing with a bigot or some close-minded individual, for instance.
While the stories are from diverse locations and cultures, they do rather feel the same more often than not. Strip away the dressings of the art, the environment, and the personalities – boil down to core plot and character details – and you find much repetition. The dynamic of “good character is wise and smart against bad character, who is dumb and evil” is overused. Witches lacks character subtlety. Read one of these stories and you have read them all.
I want to focus on the art, for a moment. It is simultaneously great and poor. On most pages, in black and white, I do not find the abundance of detail appealing. The art is too messy, the details lost in the mayhem. Rather than admire the art, I find myself looking closer and asking, “What is that supposed to be?” However, there are the occasional colour pages and suddenly it all makes sense. When you have nine different shades of green in a random pattern to create nature, it looks good. Turn it black and white and all we have are scribbles. It recalls that meme of “The teacher’s copy [of the colour image] vs. students’ copy [black and white on the exam sheet],” where you have to label an undecipherable image. I wonder if the artist did the whole original in colour.
It’s probably a matter of taste. I can image people loving the chaos of the visuals as an accompaniment to the chaotic magic. The art is certainly not generic. I would never insult it so.
Overall Quality – Medium
Result: Unusual and different.
* * * * *
Korean Title: Annarasumanara
Genre: Mystery Romance
Length: 27 chapters (3 volumes)
Keeping with the theme of magic and adding a dash of romance to the potion, let’s finish on Annarasumanara, a manhwa that blurs the boundaries of magic and reality.
We follow a high school girl going through a rough time, lost in her mind amid the pressures of succeeding at school while feeding her sister. Her dad abandoned them after failing in his career. She finds comfort in visiting a handsome magician at a nearby abandoned amusement park, rumours saying he can perform real magic. (“Annarasumanara” is the magician’s equivalent to abracadabra.)
Annarasumanara is a poignant manhwa that allows the art to do most of the talking to great effect and leaves much open to interpretation. Is any of his magic real? That was just a trick but maybe this was real… How else would you explain it? Similarly, her opinion of the magician is up in the air for much of the story. I like that this isn’t the usual instant infatuation prevalent in manhwa.
There is a subplot between the protagonist and a male classmate, the rival for the top spot in exams. He comes from big money (their house is like a palace on top of a high rise on top of a casino – hilarious metaphor) and ends up paying her to do worse on exams so that he can appear greater. A one-sided relationship develops on his part. He admires her independence, resents her love for the magician. The best part about this guy is his design. He looks like a…worm? Hard to describe – look below. All girls in school call him handsome though, which makes it even better.
I like this one. The writing isn’t spectacular, but the reliance on art over text more than makes up for it.
Overall Quality – High
Result: I recommend it alongside the Lovecraft manga of this batch.
* * * * *
Ao Haru Ride
Japanese Title: Ao Haru Ride
Length: 53 chapters (13 volumes)
Wait! One more before we go. Quick one, I promise.
Ao Haru Ride is a shoujo romance about a boy too aloof to share his feelings and girl too shy to take charge. Or is that blurb for another shoujo manga? Most certainly. This is generic shoujo. The art is indistinguishable from its peers and the characters are so inoffensive to the audience’s sensibilities that they don’t stand out in any way.
Most of my manga reading is before sleep (I have a half-finished brick of a fantasy novel by my bed, untouched in months because of manga). Let me put it simply: Ao Haru Ride is great for falling asleep.
After two or so volumes, I can’t be bothered with this. Ao Haru Ride is one of my few dropped manga. I won’t be mentioning any similar shoujo manga in future. It would be repetitive.
Overall Quality – Dropped
Result: I will confuse this for another dozen shoujo manga in future.