Category Archives: Anime Reviews

Aria the Animation (all 3 seasons) – Review

Japanese Title: Aria the Animation

 

Related: Aria the Animation; Aria the Natural (season 2 – included in review)

Aria the OVA: Arietta (included in review)

Aria the Origination (season 3 – included in review)

Similar: Sketchbook: Full Color’s

 

Watched in: Japanese

Genre: Slice of Life Fantasy (-ish)

Length: Season one – 13 episodes; Season two – 26 episodes; 1 OVA; Season three – 13 episodes.

 

Positives:

  • Nice Venetian architecture.
  • Beautiful water effects and reflections.

Negatives:

  • No tension, excitement, or danger.
  • Little plot to speak of with no progression.
  • Poor twists.
  • Too long and slow all the way.

With three seasons and a special, you would expect Aria the Animation to be something good, if not great, to garner so much support. It didn’t deserve such patronage. Now, it isn’t bad, I just can’t fathom how this got renewed after the first season. This story has no substance. It is difficult to place the genre. There is no relationship conflict to be a drama, not enough humour to be comedy, no action, not enough fantasy or science fiction, and no romance. I had to check the genre online, the first time I’ve ever needed to.

The story takes place on Aqua, formerly known as Mars until they filled it with water one-hundred and fifty years ago, in the city of Neo-Venice, a replica of Earth Venice. The recreation of Venice is one of the things I do like about Aria. They took care to include famous Venetian landmarks such as the St Mark’s Basilica, the island of Burano, and Plaza San Marco. The architecture and feel of the place is accurate, although it is much cleaner than real-Venice – if you have been there you’ll know the water is more green than blue. However, you have to suspend disbelief since filling Mars with water won’t make it function exactly like Earth.

Akari, the young resident of Neo-Venice dreams of being a professional gondolier (pilot of the boats Venice is famous for) under the tuition of Alicia, the blond-haired lady of the Aria Gondola Company who says ‘my, my,’ a lot. She becomes fast friends with other gondolier women: Aika, the apprentice with blue hair, her bossy teacher Akira, and the studious Alice – far too many similar names. The best character is the cat/teddy creature they have as the company mascot. He is fun to watch when he’s trying to charm the cat mascot of another company.

Each episode follows some unimaginative plot with no excitement, danger, drama, or tension. They are small adventures everyone has seen in one form or another. It would be like making an anime about someone going to the store to buy some milk before returning, and the largest conflict is the lack of exact change, therefore having to break a tenner. Nothing to hold your interest, essentially. No more needs to be said in regards to the story other than it’s pleasant but without substance. The only outright bad things are the twists that happen at random. Let’s time travel! No foreshadowing, no clues, no explanations, they just…happen.

Season 2 is a slight improvement to the first. The adventures they go on each episode actually have an unknown element that drives them to the end – don’t get excited, as it still isn’t anything interesting. On the negative, it’s twenty-six episodes long so you have to sit through twice as much. I guess if you’ve bothered with continuing after the first season, you must like it anyway. Finally, the OVA and season three have another small increment in quality with more shading and layers in the art, but the story is more of the same.

Unfortunately, little good can be said about Aria, and yet, little that is outright bad. It’s just…eh. I simply don’t understand what prompted so many seasons. I can only recommend it if you want to watch something that takes no thought or analysis on your part as you glide over the pleasant waters of Venice.

Art – High

The architecture and water carry the visuals. The wavering reflections of Neo-Venice look nice. Characters have the standard anime look, other than the elegant designs of their gondolier outfits, interspersed with morphs into the adult chibi.

Sound – Medium

Solid guitar tunes take up the majority of the compositions, an apt choice for a gondola ride.

Story – Low

A slow gondola ride through Venice with no conflict, no drama to experience. Sit back, and sleep.

Overall Quality – Low

Recommendation: Meh. Watch it if you just want to give your mind a rest. How did Aria receive so many seasons?

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Lacks ConflictNo DevelopmentPoor PacingShallow

Advertisements

Sweet Blue Flowers – Review

Japanese Title: Aoi Hana (Not to be confused with Ano Hana)

 

Similar: Maria Watches Over Us

Whispered Words

 

Watched in: Japanese

Genre: Yuri Romance

Length: 11 episodes.

 

Positives:

  • Nice backgrounds.

Negatives:

  • Terrible characters void of meaningful emotion in empty relationships.
  • Mary-Sue character praised as a goddess.
  • Stiff animations.
  • Lifeless voice work delivers unnatural dialogue.
  • Dull start, middle, and end.
  • Repetitive music.
  • Thinks Wuthering Heights is good.

Even with all the above, one still can’t grasp the drivel that is Sweet Blue Flowers. It’s so bad that I wonder how a studio green lit this loathsome rubbish. One look at the script would turn even the most novice of readers into twitching masses of ooze from the sputum this show vomited all over them.

It’s supposed to be about the budding romance and troubled relationships of teenage lesbian girls, yet it is so far from it; oh, you have no idea. The lead characters are supposed to be Fumi the spineless, and her brunette childhood friend, Akira, who is a friendly girl and stands up for others. I say supposed to be because a supporting character, what’s-her-name, girl with short black hair, Mary-Sue… She is in the anime more than Akira and at least as much, if not more so, than Fumi.

Fumi suffers heartbreak when her cousin marries a man. They were in a secret sexual relationship, but this cousin must be at least five years older for her to be getting married – remember, Fumi is about fifteen at this point and we are never told how long ago this relationship started. To get over it, Fumi falls instantly in love with Mary-Sue wench, they break-up after what is supposed to pass for a relationship, and we are now almost done with the show. I can’t spoil anything, for nothing happens! They fall in ‘serious’ love, have empty conversations, looking dead all the while, split for…what amounts to nothing, and act heartbroken. Again, act, because it’s so lifeless and pathetic that I experienced more emotion playing Hearts on the computer while watching this. (Gah, Queen of Spades on second clubs drop!)

Meanwhile, Akira does…nothing. Every girl in two neighbouring all-girls schools (one of them Catholic) turn lesbian for bitchy Mary-Sue wench – I jest you not, she’s a total jackass, even to the girl she ‘loves,’ and still everyone wets their knickers at the sight of her. You are told that she’s oh-so-amazing at everything, but it’s never shown. Even her family, who are high-society, don’t raise a single objection when their daughter announces she’s a lesbian nor do they have a problem with her trying to have an affair with her teacher – of course they don’t care that the teacher and seventeenish-year-old bitchy Mary-Sue trull-wench see each other regularly at school either. Oh yes, she did move away, after rumours started, all the way to – drum-roll please – next door!

We still aren’t done. It’s perfectly normal for fifteen-year-old catholic school girls to be engaged to adult men. What was that? I just made that up? No, even the school acknowledges this. In the advertisement for the school play of the vomit inducing novel Wuthering Heights, it states that the only males who can attend must be family or fiancés of the girls. Nothing is addressed, nothing is questioned; just like the farcical relationships, we see no conflict. No one has a problem with anything, no matter how sordid – especially if it involves bitchy demimondaine Mary-Sue trull-wench.

Look, the problem has nothing to do with them being lesbians. The truth is that no one, not even a lesbian herself, would give no reaction to their daughter being one (never mind the affair with a teacher). It’s out of the norm. You don’t bring in such subject matter without giving the attention and conflict it deserves. It’s pathetic. This reminds me of tokenism, where a minority or gay guy is forced into a plot to give the illusion of being progressive, when in reality it is nothing more than insulting.

So what do they do if not overcome conflict? Nothing, in fact…the dialogue is mere filler on irrelevant rubbish such as the school’s value on height and how it makes you tough, for some reason. (Don’t look at me, I don’t get it either.) Not a single conversation is natural. It’s all so rigid and slow like these girls have trouble understanding a word spoken. The girls cry at the drop of a hat. We have no real characters, little personality and no depth. The most exciting event for them is seeing the school chapel and tearoom.

Voice work is just as stimulating with its monotone drones, sad sack vocals and unnatural speech. Only Akira differs, but is still bland. Most scenes have no music, making the dialogue feel even slower…

Sweet Blue Flowers does not have a gram of potential. In the end, we are left with atrocious characters, no development, nothing redeemable, and let’s not forget, super bitchy demimondaine Mary-Sue trull-wench.

Art – Medium

A filter of mist hangs over to give this anime a faded look. While the backgrounds look nice in colour sketch art, they have no movement to them with immobile characters – no nod, no moving mouth in speech, no waver of wind, nothing. Something as simple as a shift in light and shadow on trees when they rustle could have been a huge improvement. Characters don’t even project shadows (a patch the size of your foot doesn’t count).

Sound – Very Low

Music consists of slow piano pieces – a few tracks or many, not sure, since they all sound the same. String instruments occasionally take over, but they don’t add another layer. Dead acting.

Story – Very Low

What more is there to say?

Overall Quality – Very Low

Recommendation: Not worth your time in the least. Sweet Blue Flowers is eleven episodes too long. Forget I ever mentioned it.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive: None.

Negative:

Atrocious PlotAwful DialogueInduces StupidityLacks ConflictMary SueNo DevelopmentRubbish Major CharactersShallowTorture MusicUseless Side Cast

AnoHana: The Flower We Saw That Day – Review

Japanese Title: Ano Hi Mita Hana no Namae o Bokutachi wa Mada Shiranai.

 

Related: AnoHana: The Movie (sequel)

Similar: Angel Beats!

Waiting in the Summer

 

Watched in: Japanese

Genre: Young Adult Drama

Length: 11 episodes.

 

Positives:

  • Emotionally powerful story surrounding a strong cast of characters with development.
  • Proper opening and closing.
  • Good animation with an attention to character movement details.
  • Great voice acting that conveys the characters’ emotions.
  • Oozes charm.

Negatives:

  • Characters’ side plots needed more time.
  • Visual character detail drops at times.
  • Too few music tracks.

Ano Hana, or the excessively long name above, is a show I went into not knowing what to expect. By the end of its eleven episodes, I was impressed at its ability to weave charm, emotion, character, humour, and conflict into one. This is an anime not to be missed.

We arrive as high school student Jintan is shadowed by the ghost of his childhood friend, the late Menma. She pesters him non-stop and eats his food. As kids, they were part of a group of six friends called the ‘Super Peace Busters.’ Since the death of Menma, they drifted apart, venturing down different paths in life. Jintan fell into a state of depression, failing exams, avoiding school, all the while attributing the hallucination of Menma to stress. The adorable Menma tries her best to cheer him up with her loony antics; she’s a cute character with the heart of a child and innocence to match. She isn’t overdone either, keeping her from becoming an irritation, as is often the case with her character archetype.

Jintan soon realises she will move on if he completes her wish, only, she can’t remember what it is, the scatterbrain. They figure it involves getting the old group back together. This is harder than thought since everyone has changed after so many years, and only Jintan can see Menma. Former friends have turned either pretentious like the black-haired girl, Tsuruko, or callous and heartless as Yukiatsu, the light-haired boy. Only Poppo, the boisterous traveller believes Jintan that Menma has returned. Lastly, there’s Anaru, who has joined the trendy girls out of low self-esteem despite being little like them. The acting is fantastic, particularly for Anaru.

The struggle is on for Jintan, with Menma’s well-meaning help, to rekindle their friendships. Even Pokémon games are used (or Nokémon as they retitled it here) to bring back the memories – they incorporated it accurately from the three starters, trading to evolve, hunting in grass, and even using a link cable for Gold Version!

Conflict is interspersed with light-hearted humour that never overpowers the emotion of the show. An adorable charm complements the heavy moments, creating a good balance where no single aspect becomes too much. With a well-crafted plot built on a foundation of believable, three-dimensional characters, you feel the emotions, the trials and triumphs of everyone. The side plots are relevant, as they have to deal with problems like any other teenager; often, writers will forget that problems don’t go away just because another arises. We still see jealousy, selfish motives in relationships, and doubt at capabilities. Jintan especially has to overcome great adversity before the end. Looking at a poster or screenshot doesn’t do this anime’s depth justice.

Warning: if you are the sort who shows emotion in times of sadness for a show or movie, prepare for rivers here.

My one complaint in terms of plot is how little time some of the side stories get to develop. Another episode or two could have satisfied every thread.

You won’t go wrong in watching Ano Hana. You will feel joy and sorrow simultaneously for deep characters brought to life by the right voices, leaving no reason not to spend time with the Super Peace Busters.

Art – High

The art leans towards charm rather than the emotion. That’s not to say the emotion won’t come through their expressions – the opposite in fact. Menma’s cute design enhances the sorrow you feel for her, while making her more adorable during her wacky moments. No compromises were made with the environmental art; however, the same can’t be said for the characters. There are times when the quality slips, in particular regards to light and shadow.

Sound – High

An aspect I rarely comment on, for it is usually unremarkable either way is the opening and ending sequences. Ano Hana manages to do both beautifully, music and art matching the story well. It is unfortunate the same can’t be said for the background tracks, which are lacking. At first, I thought the acting was nothing special outside of Menma – who sounds adorable – but was pleased to concede defeat when the emotions hit their high notes, delivered with skill by the actors. Anaru the trendy girl is especially good.

Story – High

A coming-of-age story that looks to the past filled with depth, emotion, and conflict. Brilliant.

Overall Quality – High

Recommendation: Watch it. Ano Hana surprised me with the quality of its narrative, delivering mature drama rarely found in teen stories.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive:

CharmExtensive Character DevelopmentGreat OP or ED SequenceStellar Voice ActingStrong Lead Characters

Negative: None

 

Angel Heart – Review

Japanese Title: Angel Heart

 

Related: City Hunter (main series)

Similar: Phantom: Requiem for the Phantom

Noir

 

Watched in: Japanese

Genre: Action Comedy

Length: 50 Episodes

 

Positives:

  • Has a good sense of humour, particularly involving City Hunter.
  • City Hunter is a great character with an equally good voice actor.
  • Haunting music enhances the sombre moments.
  • Starts strong, but…

Negatives:

  • …the plot wanes after thirteen episodes and goes on too long.
  • Start isn’t indicative of the remainder of the series.
  • The few supernatural elements are vague.

Ever watched a show that starts about one thing, only to change direction part way in? Angel Heart is one such show.

Angel Heart starts regarding an accelerated growth fourteen-year-old assassin, codename Glass Heart, who has a sudden moral crisis after killing a little girl’s father. Glass Heart kills herself by leaping off a tall building. However, the organisation she worked for revives her using advanced medical technology and transplanting a new heart into her. This heart belonged to recent accident victim, Kaori, and causes problems for Glass Heart, as she recalls memories and emotions of its original owner.

We are plunged into two minds: the killer instinct of Glass Heart and the kind mercy of Kaori. As Kaori’s thoughts seek out her fiancé, City Hunter – a former assassin turned good guy for hire – police officer Saeko investigates the theft of the donor heart alongside City Hunter, who swears to kill whoever has it. Memories flash through Glass Heart’s mind, conflicting opinions of what she feels for people, and which sentiments are truly hers.

Thirteen episodes in, all this changes as the psychological conflict is no more, the serious tone dropped for a lighter-hearted atmosphere, and the show loses any central plot. It becomes a case-by-case serial where City Hunter takes on various clients. For the most part these individual cases are interesting in their own few-episode stories, but with no overarching plot, there’s nothing to keep me going. Unless it’s a comedy or a near movie-length detective serial (think Poirot), one simply can’t follow this format – yes, one could have a few individual stories peppered throughout, just not as a basis for the show. The arcs themselves also linger for an episode after resolution. The intricate web of X is related to Y, but Y works for Z, while Z wants to kill X, however, A is spying on Y, yet A isn’t what he seems, etc. from the first arc is swept away.

There are a few other minor story related problems; the occasional supernatural elements are poorly explained or vague. The blind barman for example, can know who people are by simply being near them. In fact, this show has that whole ridiculous ‘sense someone’s aura’ to know what sort of a person they are – assassins identify each other this way. Fortunately, this doesn’t amount to much as no conflict is solved through this, meaning it could be removed without effect. There is also that common action trope where bullets seem incapable of hitting a target when convenient, despite being surrounded.

It’s all a real shame, as the characters are quite good: Glass Heart with her dual mind, Mochi the sissy son of a Yakuza boss who has to do whatever people can rope him into, and the blind barman who knocks sense into City Hunter when needed. City Hunter himself is the strongest of the lot, equal parts comedic perv and action man; he’s a good character with plenty of diversity to him. His voice actor does an exceptional job of transitioning from his serious tone to his comedic idiolect. The humour of this show is well executed, even during its occasional presence in the first thirteen episodes, yet it still isn’t enough to carry like in other anime – FMP: Fumoffu, Trigun, etc.

Angel Heart could have been a great show if it had stuck to its original idea of exploring the morality of an assassin. Instead, we are left with many tacked on episodes. It should have been no more than thirteen to sixteen episodes like the original series, City Hunter ’91.

Art – Medium

The art matches the tone of the show’s first thirteen episodes with a mature style found in films such as Perfect Blue and Ghost in the Shell. There is some creative psychedelic imagery at the start, but along with the tone change, such creativity is lost, leaving the unimaginative behind.

Sound – High

The acting is great, even for side characters, and I was pleased to see use of other languages (Chinese, Korean) not just Japanese – in anime, everyone tends to speak Japanese as a first language regardless of what country they hail from. The music is good, ranging from mystery to pop to electro.

Story – Medium

Strong start with the story of a conflicted assassin that unfortunately wanes too soon and stretches too far.

Overall Quality – Medium

Recommendation: Watch the first thirteen episodes, rest at your own discretion.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

DissapointingMisleadingWeak End

Allison and Lillia – Review

Japanese Title: Allison to Lillia

 

Similar: Last Exile

The Pilot’s Love Song

 

Genre: Adventure Romance

Watched in: Japanese

Length: 26 episodes

 

Positives:

  • A real sense of charm from its beautiful, storybook visuals populated by good characters with believable relationships.
  • Strong sound effects, for the action in particular.

Negatives:

  • Story never hits a high note.
  • Ambiguous character ages.
  • Final twist is…unexplained.

In a world based on Europe’s 1920s, there lays a continent divided by a gargantuan river into the two regions of Roxche and Sous-Beil. Both sides were at war for one-hundred-and-thirty years, but are currently in cease-fire. Tensions are still precarious as neither side is willing to give way in the issue over which region existed first; the older believes they have rightful ownership of the younger’s land. A feeble cause, I know, but wars have been fought over far less.

We follow the tales of two Roxcheans: Wil, a down-to-earth, book smart, loyal, peace-loving guy, and his friend, Allison. She’s an adventure girl, feisty, reckless, defiant, likes to ‘borrow’ without asking, sleeps way too much, and is a classic cover-hog. Her escapades get him into trouble, dragging him along for the ride. Their teamwork, complementing personalities and natural behaviour to each other makes for a believable friendship. Their ages are difficult to surmise, for Wil is in the fifth grade at the start, but they obviously aren’t eleven. A quick search revealed they are both seventeen, yet there is still one problem: how is a seventeen-year-old girl a proper military pilot? Maybe things were different in the twenties…

Another time it may be, and yet, I still felt uncomfortable at the relationship of two support characters, pilot Carr the charming love letter guy and Fiona, Princess of Ikstova (a small country between both regions). This isn’t a spoiler, as it happens quickly – which isn’t a problem – he looks twenty-something and she, ten (another search reveals her as twenty years old. Twenty!) No matter how hard you try, you can’t skew her appearance to adulthood. Their relationship isn’t explicit or ‘icky’ in anyway, it just looks inappropriate. And no, it isn’t a childhood crush you have on a celebrity; he is the instigator.

Back to Allison and Wil. When an old codger tells them of a treasure about a cover-up in the war that could end all strife, they are dubious. Then the old man is kidnapped and the adventure is on! They give chase into Sous-Beil using a seaplane. The conflict isn’t simply good versus bad. Both sides have positive and negative aspects, no outright evil nation.

Allison and Lillia’s narrative is more a series of short stories rather than a single large story. Yes, the characters and their lives link each; however, they are also self-contained arcs. I don’t understand this structural choice since they could have had the same stories, but with more ties between them. As it is, the plot doesn’t get a chance to escalate, build mystery, hit that high point in tension where everything comes together. You will see twists and have those tense moments, only without that expected crescendo. In fact, the pace slows the further the show progresses.

This show is loaded with charm. From the light-hearted and well-timed humour to the innocence of youth, and the beautiful storybook style art, you can’t help but enjoy yourself.

Allison and Lillia is an enjoyable show – even for the kids – that captures a sense of family and friendship, and what people are willing to do to protect those important to them. If only the plot had more heft and mystery to it…and characters’ ages were clearer (yes, it bothers me that much).

Art – High

Beautiful art full of charm. Magnificent vistas inspired by European countrysides are a pleasure to behold with the splendid environmental lighting effects.

Sound – High

The music throughout is well composed, matching the show in its European inspirations. Sound effects for the inorganic things are excellent. You feel bullets whiz past, explosions shake the ground, and hear planes fall to the horizon. The right actors for each character, especially for Allison, who could have gone the obnoxious road often associated with the young, strong female types.

Story – Medium

A tale of adventure against a backdrop of war torn countries. A missed opportunity, but enjoyable nevertheless.

Overall Quality – Medium

Recommendation: A good show. Allison and Lillia is the ideal anime to watch with your kids, as it offers a fun adventure for all.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive:

Charm

Negative:

DissapointingWeak End