Category Archives: Romance

One or more romantic relationships play an important role. Not applied to tacked-on or minor romances.

Elfen Lied – Review

Japanese Title: Elfen Lied

 

Similar: When They Cry

Mirai Nikki

Deadman Wonderland

 

Watched in: Japanese & English

Genre: Horror Action Romance

Length: 13 episodes & 1 OVA

 

Positives:

  • An unsettling atmosphere crafted by contrasting the innocence of children with hyper-violent gore.
  • Haunting opening theme and soundtrack inspired by Gregorian chant.
  • The telekinetic protagonist’s volatile nature creates plenty of tension.

Negatives:

  • The clichéd humour doesn’t ever lighten the mood, which can make the constant tension exhausting.
  • The male love interest is a weak character that serves little purpose to the core.
  • In trying to imitate the Japanese voice track too closely, the English voices sound awful despite the skilled actors. The Japanese isn’t ideal either.
  • Outside of action scenes, most animation ceases.

A severed arm twitching in a pool of blood. Decapitated heads sail across the room, blood sprays the walls. Screams fill the air. At the centre of the carnage, a young girl, naked. Don’t be fooled by the innocent looking girl; Elfen Lied is violent and bathed in gore, not an anime for the faint of heart.

In the world of Elfen Lied (German for ‘Elven Song’) exists a race known as Diclonius. Human in appearance other than small horns protruding from the skull, Diclonii control telekinetic arms called vectors capable of tearing people in two with a flick. Their purpose is to eliminate humanity and spawn a population of their own. Lucy, the protagonist, is one such Diclonius, who escapes from the laboratory, massacring guards and researchers on the way out. She ends up on a beach in front of Kouta, the male love interest, and his friend Yuka. Her mind traumatised by a gunshot, Lucy now lies dormant, replaced by Nyuu, an innocent alter-personality with the mental development of a child. The laboratory dispatches other Diclonii and a mercenary to hunt Lucy down.

Elfen Lied is an anime of tension. It juxtaposes the young innocence of the characters with the violent nature of their telekinetic powers. How can something so small be so psychotic? Every scene with Nyuu is tense, for she could snap at any moment. A mere second of lost control and a character loses a limb or their head. A Diclonius doesn’t discriminate. Man, woman, child – all die in Elfen Lied. Elfen Lied is brutal and gory, contains child and animal abuse on physical and emotional levels. Do not watch this if you are prone to nightmares.

Nyuu/Lucy duality brings an interesting dynamic to the story. While her innocence is what keeps the power at bay, it is also her greatest weakness, as she is too naïve to control her power. It reminds of the 1931 Frankenstein film (which I highly recommend, by the way) where the monster doesn’t comprehend that actions have consequences, especially when those actions can be so destructive. Elfen Lied explores the nature of humanity, and what can come from it when a child is isolated, abused, and pushed to the limit. It accomplishes this goal rather well.

Music enhances these moments where a character’s psyche breaks and violence paints the screen. The opening is a tragic Latin opera called ‘Lilium,’ set to bizarre symbolist art inspired by Austrian painter Gustav Klimt. The hymn unsettles, a warning for what is to come. Several versions of ‘Lilium’ play throughout the series and are an important role in the narrative.

Unfortunately, that’s where the positives end. Outside of the Diclonii, the rest of the characters are either underdeveloped or dull. Kouta in particular is weak. While his backstory is good and ties with Lucy’s plot line, as a character he has no purpose other than to serve as a romantic device. He is just so dull. A street lamp with a blown bulb would be more interesting. Yuka is even more useless. She is nothing more than the third point for a love triangle. The writers could have cut her from the series with no effect on the plot. The romance between her and Kouta is lame, filled with generic misunderstandings and anime romance tropes. What little humour Elfen Lied has is trite, seen in every anime teen romance – trip over each other, grabbing the breast, up-skirts, etc.

The average voice acting doesn’t help either. Even though Japan records all actors at once, here they sound stilted with no interactions off each other. The dub is even worse. Kouta’s voice actor is as deadpan as the character, and the female actors tried too hard to imitate their Japanese counterparts, resulting in these awful squeaky voices. No child sounds like that! What’s strange is that the English cast has done great work elsewhere (same team as Full Metal Panic and RahXephon, both great English tracks), but here they sound like amateurs.

Despite all Elfen Lied does wrong, I enjoyed the story. It’s a great example of using gore to enhance the narrative surrounding innocent characters.

Art – Medium

Mouth movements comprise all the animation in most non-action scenes; sometimes, even the mouth doesn’t bother, too exhausted it seems. Other than the action scenes, visual details are low. The manga creator intentionally chose a ‘moe’ artist for the anime to enhance the contrast between innocence and violence. However, this style doesn’t look the greatest, especially on Kouta. Gore and action is great.

Sound – Medium

A great Gregorian chant-inspired soundtrack and tension music brought down by an average Japanese voice track, and an even worse English one.

Story – Medium

Protagonist Lucy carries the violent narrative with her dual personas and volatile nature. Shame then that the other pieces of her love triangle are worthless.

Overall Quality – Medium

Recommendation: Elfen Lied is a worthwhile anime for fans of uncensored violence. Watch in doses of three episodes at a time to avoid exhaustion from the constant tension.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive:

Great MusicGreat OP or ED SequenceHoly S***

Negative:

Useless Side Cast

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Bakuman – Review

Japanese Title: Bakuman.

 

Related: Bakuman – season 2

Similar: Shirobako

Space Brothers

Monthly Girls’ Nozaki-kun

 

Watched in: Japanese

Genre: Art Slice of Life

Length: 25 episodes (Season 1)

 

Positives:

  • Good pacing that details the manga creation process.
  • Real characters with ordinary problems.

Negatives:

  • Low tension reduces engagement over long sessions.
  • Doesn’t hit the needed emotional peak.
  • Romance lacks conflict.
  • Poor antagonist that never feels threatening.

For fans of manga, which I assume would be most anime fans, Bakuman is a dramatized behind-the-scenes look at the process of publication and serialisation of your favourite works.

One day, Saiko, a depressed and unambitious teen, returns to class after school’s end to retrieve a forgotten notebook, only to find it in the hands of classmate Takagi. He panics, his mind jumping to the sketches of his secret crush contained within the notebook. Takagi tells him not to look so worried; after all, it’s not as though it is a Death Note. In exchange for Takagi’s silence about the unrequited love, Saiko must join him in becoming full-fledged manga creators – Takagi as the writer, Saiko the artist. And so begins their journey on the road to publication.

This is an anime for those who read manga, preferably Shounen Jump, where Bakuman was first serialised. For anyone unfamiliar, Shounen Jump (also known as ‘Jack’) is a weekly publication in Japan with a variety of manga including Naruto, One Piece, Bleach, and many other popular works. Having your work serialised in such a magazine, and for it to be a hit with fans, is a big deal. In Bakuman, you will spot many manga – unfortunately, it all seems to be work published in Jump, which makes Bakuman look like an advertisement reel.

Following the new partnership, Takagi drags Saiko to the house of his crush, Azuki, who reveals she wants to be a voice actor and agrees to play the heroine of their series when turned into anime. Things don’t go as expected when Saiko yells out that he wants to marry her once they achieve their goals (remember, they are only fourteen at this point) and what do you know, she agrees. While this is a ridiculous setup to the relationship, it doesn’t continue in such a manner, instead walking a more subdued path for the show’s remainder; so subdued in fact, that there really is little conflict in this romance. The secondary relationship of Takagi and his girlfriend has far more screen time. In a way, you get the feeling that the romance was an afterthought to increase the number of plotlines from one to…two.

Saiko now has something to achieve. However, things aren’t as easy as imagined since voice actors become successful at a younger age than mangaka, meaning she may be gone by the time he amounts to anything. He must succeed before completion of high school. These are solid, well-rounded characters with goals like everyone else, and I appreciated that. For the most part, this show keeps the character development and interactions within the realm of realism.

Bakuman is more of a feel-good show than one that explores the emotional intensity of aiming for stardom. While, yes, it does have moments of failure, setbacks, and disappointment, it never portrays the turmoil quite as it could have and should have. Anyone who has had to go through that journey of trying to become a successful artist of any medium on talent alone – no help, no family inheritance, no connections – will tell you that it isn’t easy, that emotions run high, and at the best of times, you feel like the best you can do is tread water. I would go so far as to say that they should have included the emotional intensity of a show like Kimi Ga Nozomu Eien to capture that internal struggle. With that, Bakuman could have been one of my favourite anime.

The main antagonist offers little in the form of adversity. He is a manga prodigy, set for serialisation in his mid-teens and in competition for the same publication spots as them. My problem with this character is that we’re told he is great, never shown a reason why. He’s weird in your stereotypical young genius way, making constant sound effect noises with the behaviour of a two-year-old. Bakuman plays things too nice.

The best aspect of the show is the detail they put into the manga creation process from idea to print, the writers disguising it within an anime to prevent it feeling documentary-like. To top it off, you also get a taste of the manga they design. You aren’t just told about their work without ever seeing the results, as most career shows will do. One even hopes that some of their stories become real manga. Money & Intelligence, a one-shot set in a world where people can sell their intelligence directly into another’s mind, sounds great. I want to read it!

Bakuman is a worthwhile anime, particularly if you are a fan of manga. It doesn’t suffer from anything inherently awful, and yet never hits that greatness it could have. Still, I do recommend Bakuman to anyone who wants an enjoyable viewing experience.

Art – High

The art style is nothing special, but is neat and varied from your typical anime. Seeing them draw a variety of manga styles in one show is a treat.

Sound – Medium

Sound falls into much the same area as art: good, though not remarkable. None of the voice work is poor or irritating, except the antagonist, and the music is pleasant enough. The good opening song sounds like Japan’s version of the Backstreet Boys with that one song you thought was decent, but would never ever admit to.

Story – Medium

Better than most journey-to-career-success anime. Lacks emotional intensity.

Overall Quality – High

Recommendation: Bakuman is more enjoyable than its individual qualities let on, in particular for those who want to see the manga creation process.

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Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

DissapointingLacks Conflict

Sweet Blue Flowers – Review

Japanese Title: Aoi Hana (Not to be confused with Ano Hana)

 

Similar: Maria Watches Over Us

Whispered Words

 

Watched in: Japanese

Genre: Yuri Romance

Length: 11 episodes.

 

Positives:

  • Nice backgrounds.

Negatives:

  • Terrible characters void of meaningful emotion in empty relationships.
  • Mary-Sue character praised as a goddess.
  • Stiff animations.
  • Lifeless voice work delivers unnatural dialogue.
  • Dull start, middle, and end.
  • Repetitive music.
  • Thinks Wuthering Heights is good.

Even with all the above, one still can’t grasp the drivel that is Sweet Blue Flowers. It’s so bad that I wonder how a studio green lit this loathsome rubbish. One look at the script would turn even the most novice of readers into twitching masses of ooze from the sputum this show vomited all over them.

It’s supposed to be about the budding romance and troubled relationships of teenage lesbian girls, yet it is so far from it; oh, you have no idea. The lead characters are supposed to be Fumi the spineless, and her brunette childhood friend, Akira, who is a friendly girl and stands up for others. I say supposed to be because a supporting character, what’s-her-name, girl with short black hair, Mary-Sue… She is in the anime more than Akira and at least as much, if not more so, than Fumi.

Fumi suffers heartbreak when her cousin marries a man. They were in a secret sexual relationship, but this cousin must be at least five years older for her to be getting married – remember, Fumi is about fifteen at this point and we are never told how long ago this relationship started. To get over it, Fumi falls instantly in love with Mary-Sue wench, they break-up after what is supposed to pass for a relationship, and we are now almost done with the show. I can’t spoil anything, for nothing happens! They fall in ‘serious’ love, have empty conversations, looking dead all the while, split for…what amounts to nothing, and act heartbroken. Again, act, because it’s so lifeless and pathetic that I experienced more emotion playing Hearts on the computer while watching this. (Gah, Queen of Spades on second clubs drop!)

Meanwhile, Akira does…nothing. Every girl in two neighbouring all-girls schools (one of them Catholic) turn lesbian for bitchy Mary-Sue wench – I jest you not, she’s a total jackass, even to the girl she ‘loves,’ and still everyone wets their knickers at the sight of her. You are told that she’s oh-so-amazing at everything, but it’s never shown. Even her family, who are high-society, don’t raise a single objection when their daughter announces she’s a lesbian nor do they have a problem with her trying to have an affair with her teacher – of course they don’t care that the teacher and seventeenish-year-old bitchy Mary-Sue trull-wench see each other regularly at school either. Oh yes, she did move away, after rumours started, all the way to – drum-roll please – next door!

We still aren’t done. It’s perfectly normal for fifteen-year-old catholic school girls to be engaged to adult men. What was that? I just made that up? No, even the school acknowledges this. In the advertisement for the school play of the vomit inducing novel Wuthering Heights, it states that the only males who can attend must be family or fiancés of the girls. Nothing is addressed, nothing is questioned; just like the farcical relationships, we see no conflict. No one has a problem with anything, no matter how sordid – especially if it involves bitchy demimondaine Mary-Sue trull-wench.

Look, the problem has nothing to do with them being lesbians. The truth is that no one, not even a lesbian herself, would give no reaction to their daughter being one (never mind the affair with a teacher). It’s out of the norm. You don’t bring in such subject matter without giving the attention and conflict it deserves. It’s pathetic. This reminds me of tokenism, where a minority or gay guy is forced into a plot to give the illusion of being progressive, when in reality it is nothing more than insulting.

So what do they do if not overcome conflict? Nothing, in fact…the dialogue is mere filler on irrelevant rubbish such as the school’s value on height and how it makes you tough, for some reason. (Don’t look at me, I don’t get it either.) Not a single conversation is natural. It’s all so rigid and slow like these girls have trouble understanding a word spoken. The girls cry at the drop of a hat. We have no real characters, little personality and no depth. The most exciting event for them is seeing the school chapel and tearoom.

Voice work is just as stimulating with its monotone drones, sad sack vocals and unnatural speech. Only Akira differs, but is still bland. Most scenes have no music, making the dialogue feel even slower…

Sweet Blue Flowers does not have a gram of potential. In the end, we are left with atrocious characters, no development, nothing redeemable, and let’s not forget, super bitchy demimondaine Mary-Sue trull-wench.

Art – Medium

A filter of mist hangs over to give this anime a faded look. While the backgrounds look nice in colour sketch art, they have no movement to them with immobile characters – no nod, no moving mouth in speech, no waver of wind, nothing. Something as simple as a shift in light and shadow on trees when they rustle could have been a huge improvement. Characters don’t even project shadows (a patch the size of your foot doesn’t count).

Sound – Very Low

Music consists of slow piano pieces – a few tracks or many, not sure, since they all sound the same. String instruments occasionally take over, but they don’t add another layer. Dead acting.

Story – Very Low

What more is there to say?

Overall Quality – Very Low

Recommendation: Not worth your time in the least. Sweet Blue Flowers is eleven episodes too long. Forget I ever mentioned it.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive: None.

Negative:

Atrocious PlotAwful DialogueInduces StupidityLacks ConflictMary SueNo DevelopmentRubbish Major CharactersShallowTorture MusicUseless Side Cast

Allison and Lillia – Review

Japanese Title: Allison to Lillia

 

Similar: Last Exile

The Pilot’s Love Song

 

Genre: Adventure Romance

Watched in: Japanese

Length: 26 episodes

 

Positives:

  • A real sense of charm from its beautiful, storybook visuals populated by good characters with believable relationships.
  • Strong sound effects, for the action in particular.

Negatives:

  • Story never hits a high note.
  • Ambiguous character ages.
  • Final twist is…unexplained.

In a world based on Europe’s 1920s, there lays a continent divided by a gargantuan river into the two regions of Roxche and Sous-Beil. Both sides were at war for one-hundred-and-thirty years, but are currently in cease-fire. Tensions are still precarious as neither side is willing to give way in the issue over which region existed first; the older believes they have rightful ownership of the younger’s land. A feeble cause, I know, but wars have been fought over far less.

We follow the tales of two Roxcheans: Wil, a down-to-earth, book smart, loyal, peace-loving guy, and his friend, Allison. She’s an adventure girl, feisty, reckless, defiant, likes to ‘borrow’ without asking, sleeps way too much, and is a classic cover-hog. Her escapades get him into trouble, dragging him along for the ride. Their teamwork, complementing personalities and natural behaviour to each other makes for a believable friendship. Their ages are difficult to surmise, for Wil is in the fifth grade at the start, but they obviously aren’t eleven. A quick search revealed they are both seventeen, yet there is still one problem: how is a seventeen-year-old girl a proper military pilot? Maybe things were different in the twenties…

Another time it may be, and yet, I still felt uncomfortable at the relationship of two support characters, pilot Carr the charming love letter guy and Fiona, Princess of Ikstova (a small country between both regions). This isn’t a spoiler, as it happens quickly – which isn’t a problem – he looks twenty-something and she, ten (another search reveals her as twenty years old. Twenty!) No matter how hard you try, you can’t skew her appearance to adulthood. Their relationship isn’t explicit or ‘icky’ in anyway, it just looks inappropriate. And no, it isn’t a childhood crush you have on a celebrity; he is the instigator.

Back to Allison and Wil. When an old codger tells them of a treasure about a cover-up in the war that could end all strife, they are dubious. Then the old man is kidnapped and the adventure is on! They give chase into Sous-Beil using a seaplane. The conflict isn’t simply good versus bad. Both sides have positive and negative aspects, no outright evil nation.

Allison and Lillia’s narrative is more a series of short stories rather than a single large story. Yes, the characters and their lives link each; however, they are also self-contained arcs. I don’t understand this structural choice since they could have had the same stories, but with more ties between them. As it is, the plot doesn’t get a chance to escalate, build mystery, hit that high point in tension where everything comes together. You will see twists and have those tense moments, only without that expected crescendo. In fact, the pace slows the further the show progresses.

This show is loaded with charm. From the light-hearted and well-timed humour to the innocence of youth, and the beautiful storybook style art, you can’t help but enjoy yourself.

Allison and Lillia is an enjoyable show – even for the kids – that captures a sense of family and friendship, and what people are willing to do to protect those important to them. If only the plot had more heft and mystery to it…and characters’ ages were clearer (yes, it bothers me that much).

Art – High

Beautiful art full of charm. Magnificent vistas inspired by European countrysides are a pleasure to behold with the splendid environmental lighting effects.

Sound – High

The music throughout is well composed, matching the show in its European inspirations. Sound effects for the inorganic things are excellent. You feel bullets whiz past, explosions shake the ground, and hear planes fall to the horizon. The right actors for each character, especially for Allison, who could have gone the obnoxious road often associated with the young, strong female types.

Story – Medium

A tale of adventure against a backdrop of war torn countries. A missed opportunity, but enjoyable nevertheless.

Overall Quality – Medium

Recommendation: A good show. Allison and Lillia is the ideal anime to watch with your kids, as it offers a fun adventure for all.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive:

Charm

Negative:

DissapointingWeak End

Air TV (& Movie) – Review

Japanese Title: AIR & Gekijouban Air (Movie)

 

Related: Air Movie (included below in review)

Similar: Kanon

Clannad

 

Genre: Melancholic Romance.

Watched in: Japanese.

Length: 13 episodes, 2-episode special & a movie (retelling of the series).

 

Positives:

  • Has nice environmental art.

Negatives:

  • Dopiest character design in anime.
  • Vague story.
  • Moments meant to be deep are laughable.
  • Weak characters, most notably the lead female, surrounded by a glut of stereotypes that develop poorly.

You have not seen bad character art until you watch Air, an anime about…something – there isn’t much of a story. But first we have to talk about the characters. A hamster riding a t-rex in a tutu wielding a turnip is less ridiculous than this! You will either fall out of your chair with laughter or vomit with disgust at how terrible the characters are designed, more specifically the females.

Now we all know that your typical anime facial proportions are a little skewed, but as it is animation, it looks fine. Here we have what can only be described as caricatures of anime characters. The eyes are bigger than your fist, while the mouth is so minuscule it is often no more than a dot. Seriously, if the eyes were out of their sockets, they would be the size of American footballs. The girls look permanently drugged; hell, one of them even sounds it.

And that’s just the start of the problems. The characters themselves are just as dopey. Lead female Misuzu is supposed to be cute, but with the tripping, squeaky voice, clumsiness, overused ‘cute’ noises, cutesy honorifics, and drug-addled face, it’s a wonder they didn’t make her hiccough rainbows, shoot love hearts out of her chest, and have candy floss for snot since they had already overdone every cliché. Closing my eyes whenever I talk makes me cute! (Every girl does this, jealous of Brock from Pokémon.) The creators have never heard of ‘less is more.’

Even the dog, Potato, who was cute enough being small and fluffy has to say ‘piko’ constantly as if that is a must or he just won’t be cute. Instead, it’s irritating and tiresome. If that isn’t enough, we have her friends, Kano – also drugged – and Minagi, who looks and sounds drugged. She’s meant to be gentile and smart, but you really don’t see it – unless being more addled than the rest counts. The I’m-aggressive-but-it’s-cute slot is filled by Michiru, the youngest of the girls with obligatory cutesy noises added to everything, and to top it off, is played by the same voice actress who does all characters of that stereotype.

Okay, you may ask, they look and sound stupid, but if the story is good, it’s still worth my time, right? I am forever and truly sorry; the plot is utter nonsense. See, one of the problems is that to tell you what it’s about, I would have to spoil some for you as the story doesn’t begin till episode nine. What, nothing happens for eight episodes in a thirteen episode series? Oh, stuff does happen, it is simply irrelevant to the larger plot. Even lead male Yukito is irrelevant throughout this, as he does nothing until episode ten. Friend Kano gets magically possessed (her eyes were vacant enough already) by something, but that goes nowhere. Minagi the Addled is so far gone that her imaginary friend is real, which is also immaterial. And the small things that do matter are in fact retold in episode ten! Even the two-episode special is simply a stupidity-padded version of the flashback episode nine.

So, the plot, the plot…where did it go… I have no choice but to start at episode nine.

A princess in the past had the ability to fly with cursed wings and is hunted for it. Her ability is passed down through someone else’s line because of “willpower,” but it kills the descendants through dreams as kids. (How they get old enough to bear offspring for the bloodline, I don’t know – don’t think about it. The only answer is too twisted.) And, that’s it.

No character development either. To develop, you need a catalyst (usually an event or conflict), a reaction from the character, and then overcome the conflict (failure to overcome can also be growth), but in Air, there is no catalyst; characters cry or get angry out of nowhere, subsequently it dissolves without effort, and is forgotten. The only growth comes from the lead female’s mother (who looks eighteen – also vacant) starting as an irresponsible drunk before learning to care for her adopted daughter. Don’t worry, this doesn’t affect the main plot either. What moments intend to be poignant and heartfelt are empty since the characters aren’t developed enough and I couldn’t imagine anyone caring for them.

So can anything good that can be said for AIR? The art outside of the characters is quite nice, I guess, plenty of colour. That’s pretty much it. The series isn’t terrible in the sense that everything is outright bad; it’s just that nothing is developed, no relevant plot goes anywhere, and it all-round feels…empty.

Art – Very Low

Can anything else be said about this drug-addled character design? The environments are passable.

Sound – Medium

Some decent tunes and acting, except for the little girl and the cutesy noises.

Story – Very Low

The plot doesn’t begin until the ninth episode, at which point you can expect one of the most empty and underdeveloped stories in anime.

Overall Quality – Very Low

Recommendation: Avoid this at all cost. Hit the random button in an anime database and you will likely find something better than AIR.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover mouse over each award to see descriptions; click award for more recipients)

Positive: None.

Negative:

Atrocious PlotNo DevelopmentRubbish CharactersShallowUgly Artistic DesignUseless Side Cast

 

AIR the Movie – Review

AIR the Movie came out during the series (they are both based on a game of the same name and tell the same story) and is better in every way. Now, don’t get excited, I’m not saying it’s amazing; it simply has much of the rubbish removed from the series. For one, the characters don’t look so addled – it makes you wonder why they made the ridiculous art style choice for the series in the first place. The level of detail in the visuals is much higher overall.

At an hour and a half long, there isn’t the gargantuan amount of padding from the episodes. The story is also better told with much clearer dialogue and scenes. The relationship of the two lead characters is far more believable since it isn’t forced here, and the characters actually look closer in age (not twelve and twenty like the series). All the trash side characters, particularly her drugged friends, are non-existent in this. ‘Willpower’ also doesn’t carry on the curse and what triggers it also makes sense here (and you don’t have to wonder how they get old enough for children).

Unfortunately, Misuzu’s cuteness is still overdone, though as she is the only young girl this time, it feels lessened. The finer details of the plot are still a little vague, with plot holes, and a distinct lack of twists. I don’t think it achieved the intended depth. Still better than the series.

Overall Movie Quality – Medium