Category Archives: Romance

One or more romantic relationships play an important role. Not applied to tacked-on or minor romances.

ReLIFE – Anime Review

Japanese Title: ReLIFE

 

Similar: Welcome to the NHK

Orange

My Teen Romantic Comedy SNAFU

 

Watched in: Japanese & English

Genre: Slice of Life Romance

Length: 13 episodes, 4 OVA (conclusion)

 

Positives:

  • Strong character designs.
  • The light-hearted approach is different.
  • Good use of chibification.
  • Chizuru’s smile.

Negatives:

  • A subplot overshadows main plot for a few episodes.
  • Arata’s backstory is flat.

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Anime has a fair number of stories about a character going to the past to fix mistakes in their life. ReLIFE take a different approach by eschewing the time travel element and sending protagonist Arata to present day high school disguised as his young self instead.

This opportunity comes by way of the ReLIFE Research Institute, whose mission statement is to help those that have given up. In the middle of the night, a dimly lit back alley, some random guy comes up to him knowing his full employment history and offers a pill to take a second chance. A 27-year-old man pretending to be a 17-year-old in high school should be easy for him, right? (How many times have you thought, “If I knew everything I know now, I would ace school!”?) Unfortunately for Arata, wasting away in life doesn’t help even if he’s been through high school already, and he fails at everything whether mental or physical. He pulls his shoulder throwing a ball. Fortunately for Arata, the experiment isn’t about achieving better grades.

Upon first seeing this setup, I assumed the story would take the dramatic route along the likes of Orange, where everything in the protagonist’s life went wrong because of one year of high school. I know high school seems like a massive deal when you’re going through it, but in reality, it’s a minor part of life, so I’m glad the writer didn’t overblow it. This light-hearted approach makes ReLIFE something different from similar titles. The only significant element of drama comes from the knowledge that everyone will forget him once the experiment is over. I love this catch for not only making sense as a way to cover up once complete, but also working as a metaphor for how friends drift apart after graduation despite swearing we will all keep in touch.

The heart of ReLIFE is its characters, who are so lovable and enjoyable to be around that they make this journey a pleasure. My favourite character – no contest – is Chizuru, an awkward yet smart girl who has difficulty making friends and has a terrifying smile. Her and Arata’s dynamic is so much fun while their relationship develops – he’s really an adult, so he can’t think further than friendship though! Her smile is perfect.

All these characters feel natural as friends. They avoid the feeling that each is there to fill the token slots of a slice of life cast. Each has a problem to overcome before year’s end. As my readers will know, I’m not a fan of protagonist’s whose job is to solve everyone else’s problems like in Clannad, not least of which is because those character either have no life wisdom to impart or are losers themselves that couldn’t fix a scraped knee. Thankfully, Arata isn’t a problem-solving angel. Progression comes naturally through group effort.

ReLIFE isn’t without its flaws, however. Arata’s backstory on how he came to give up on life is two-dimensional. He worked an office job where everyone was evil except his mentor, who killed herself when bullied by these cartoon villains. Weak. Then there’s a subplot between the two sports girls in the group that halts all main story for a few episodes between the mid-point and act 3.

Lastly, the ending takes place in the 4-episode OVA that suffers from a drop in art quality and feels rushed storywise in parts. The anime series of 13 episodes only adapts about half of the manga, while the OVA hits key points from the remainder. The bittersweet ending is still satisfying, all considered. It has made me consider reading the manga for the full experience, should I ever find the time (I won’t…probably).

ReLIFE was a journey I can easily recommend to anyone. It isn’t as good as the likes of Kids on the Slope or Nodame Cantabile for high school anime, but gets my recommendation nevertheless.

Art – Medium

The character designs and colouring carry ReLIFE’s art department, for there isn’t much in the way of animation, though this isn’t the sort of anime where you can flex. I love the designs – simple yet distinguishable – and funny use of chibification. The OVA really skimps out on the art budget, replacing unnamed characters with silhouettes at school.

Sound – High

Charming music matches the light-hearted approach to reforming one’s life. Great acting in both Japanese and English. I preferred the latter for adding more voice to the dialogue. In an unusual though welcome twist, ReLIFE has a different ending song each episode with some pieces by bands I’ve loved in other anime.

Story – High

Offered a chance at reforming his life, a 27-year-old man goes back to high school transformed into a 17-year-old boy to make friends and live a little. A great group dynamic and fun approach makes this anime enjoyable.

Overall Quality – High

Recommendation: Watch it. ReLIFE is such an easy viewing experience with such broad appeal that only the most ardent anti-slice of life crowd won’t enjoy it.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

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The Devil Is a Part-Timer – Anime Review

Japanese Title: Hataraku Maou-sama!

 

Similar: The World God Only Knows

Noragami

Maoyu: Archenemy & Hero

 

Watched in: Japanese & English

Genre: Supernatural Comedy Romance

Length: 13 episodes

 

Positives:

  • Funny for a few episodes.

Negatives:

  • Initial setup is barely relevant.
  • Satan starts as a generic good guy.
  • The extra girls.

(Request an anime for review here.)

The premise of The Devil is a Part-Timer is straightforward. Satan, ruler of darkness, snuffer of light, finds himself torn from his world of magic and thrust into modern Tokyo, where he must get a part-time job at “MgRonald’s” to pay for life in the big city.

This premise also has almost nothing to do with The Devil is a Part-Timer.

One would imagine that the master of evil, as depicted in the prologue, would be, well, you know, evil. Instead, we have a generic good guy protagonist with no defining traits. Satan starts out good!

There is no point to him being the devil. I am not exaggerating when I say that he does nothing evil whatsoever. He starts as a good guy; he ends as a good guy. No arc, no development, no point. This wouldn’t necessarily be a problem, as plenty of stories invert the roles – angels and nuns are evil, while devils and gangsters are good. Nothing new there. But the problem by doing this in The Devil is a Part-Timer, beyond going against the setup, is that the series leads nowhere. When a protagonist starts at the end of his arc, he has nowhere to go. His story is already over, so why is he protagonist? I expected some “twist” to reveal that the prologue was a lie, that Satan had been trying to save the world and the angels were evil from the start, at least. The actual plot events, which have a little action, feel so irrelevant because there is no lasting effect.

Furthermore, this leads to stale humour. Satan runs into Emi in the first episode, one of the angels that followed through the portal hunt him down. She works in a call centre now. Predictably, she uses the good ol’ “I must stay close by to kill you when I can” excuse to hang around the guy she’s secretly falling for. It’s funny, at first. However, since he doesn’t change and she’s already friendly with him in that tsundere sort of way, the scenario doesn’t evolve to generate new humour.

Change in this series arrives in the form of more characters – Satan’s generals and the other angels. Much like Emi, these join the good guys under one low-rent roof almost immediately. The Devil is a Part-Timer becomes borderline harem. Only two girls throw themselves at Satan – Emi and his little co-worker – but the vibe and social dynamics are reminiscent of a tame harem. They don’t shift the status quo.

It is funny for a few episodes – I laughed at these fish out of water figuring out how to open a bank account and managing a budget – and it isn’t awful like most harem anime, but the lack of relevance to the setup and absence of direction wears thin before long. If you go in knowing the title matters little and want an easy comedy, requiring no effort, there might be enough for you here. And the 13-episode length isn’t demanding. It just needed more effort to be anything beyond that.

Art – Medium

The opening scenes of backstory that paint a dark fantasy picture are far better than the rest of the series, which is average.

Sound – Medium

The acting is fine. However, the fictional language akin to a mix of English and Latin makes it tough to watch in Japanese, where the actors aren’t even in the ballpark of pronunciation. I suppose, as a fictional language, you technically can’t get it wrong. It’s mostly in the first episode, so once past that, go with whichever language you prefer.

Story – Low

Ripped through a portal into modern Tokyo, Satan must find part-time work to earn a living with his general as angels and other demons seek him out. It starts funny, but the choice to make Satan a good guy immediately and to have several girls around him, turns The Devil Is a Part-Timer into a rather bland comedy.

Overall Quality – Low

Recommendation: For anime comedy fans only. The Devil Is a Part-Timer is for fans of the “anime version” of a common premise. Its execution isn’t good enough for most.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

No Development

Maison Ikkoku – Anime Review

Japanese Title: Maison Ikkoku

 

Related: Maison Ikkoku: Final Chapter (sequel movie)

Similar: Kimagure Orange Road

Ah! My Goddess

Ai Yori Aoshi

 

Watched in: Japanese & English

Genre: Slice of Life Romance Comedy

Length: 96 episodes, 3 OVA

 

Positives:

  • Supporting cast is better than the main.
  • Occasional good comedy.

Negatives:

  • One season of content stretched across four.
  • Side relationships amount to nothing.
  • So repetitive.
  • That dog’s eyes…

(Request an anime for review here.)

Maison Ikkoku is a classic of anime romance. Does this timeless classic endure, appreciable by anyone whether watched at release or 30 years later?

It follows 20-year-old Godai, a failed student looking to pass his exams this year, who finds himself unable to study when surrounded by the rowdiest tenants imaginable in his boarding house. A greater distraction arrives in the form of the beautiful Kyoko, new manager at Maison Ikkoku, but Godai’s feelings of instant love look forever unrequited when he learns she is a widow clinging to her dead husband.

I like this premise for three reasons. One: she’s a young widow, a rarity amid a sea of “first love only” anime teen romance. Her experience promises a more mature relationship. Two: the challenge Godai faces in her husband’s shadow is ripe for conflict and emotion. Three: the cosy nature of having everyone under one roof makes it an intimate affair.

Maison Ikkoku doesn’t take advantage of this potential.

On the first point, Godai and Kyoko’s coupling is anything but mature. Godai is a child. This would be good as the starting point of Godai’s character arc, but we never see him mature into a man. He is ever the child in love and life. My big problem with Maison Ikkoku, regardless of any other issues I cover, is the lack of chemistry between these two and how poor of a job it does at convincing us that this is a real relationship. You could count on one hand the number of meaningful moments between these two – with fingers to spare. His first romantic act is trying to kiss her while she’s napping on the roof. We have a Casanova over here!

Their relationship is “cockblocking the anime.” The first few episodes consist of Godai trying to tell her how he feels and to give her a present, only to have someone or a random event stop him. This isn’t story. It is no adversity. It’s just distraction after distraction thrown at him by the writer.

You might imagine that this is just the slow start to a 96-episode series. Except, this is the series. Their first truly romantic moment is in episodes 39 & 40, only to have it regress into meaningless distractions afterwards.

The story has a love polygon for the two leads, yet even these are just cockblockers instead of opportunities at character development. For Kyoko, we have her handsome tennis coach that falls for her charms against his parents’ wishes, who have arranged a marriage with the woman of peak meekness. You know the type – eyes always downcast as if it is an offence to look at others, hands clasped in prayer to her chest, and not a bone in her spine. Godai, on the other hand, has a headstrong and naïve teenage stalker. I thought she would be a one-off character for a few episodes, a gimmick to create misunderstandings with Kyoko, but she returns. And for longer!

I must reiterate that the problem isn’t with the ideas and slice of life episodes. Execution is the culprit. When Godai and the coach compete for affection, it isn’t through conflict that promotes growth. They’re petty squabbles made worse by the fact that they go nowhere. Honestly, Maison Ikkoku has barely enough content for 24 episodes and stretches it to 96 with every fake-out and anti-climax in the book. The dead husband element also doesn’t feel like a source of turmoil for Kyoko. Instead, it comes across as a crutch by the writer to keep the couple apart. “She would kiss him, but she’s still not over the dead guy. Oh well. Maybe I’ll have them kiss next episode. Stay tuned to find out!”

It’s not as though it’s a slow burn building and building to this great romance where you cheer for the couple when united, your heart lifted with joy. If the romance was worth it in the end, that would be the quality to make it a lasting classic. The fact that it’s slow and rather repetitive would be fine when threaded by a great relationship. We would criticise it for these issues but always add on, “It’s worth it for the romance.” I sadly cannot say that here.

 

Look, this anime isn’t bad. It’s bloated and hard to recommend when you could complete three to six other romances in the same time. If you have a love for old anime and go in knowing not to care about relationship growth, you could enjoy Maison Ikkoku. The comedy is decent thanks to the eccentric support cast (except the ever-annoying kids). My favourite is the tenant that dresses like an old FBI agent. He comes and goes from the house to escapades unknown and infiltrates other people’s rooms when at home. (No respect for privacy.) The older lady looks for any excuse to throw an alcohol-fuelled party and leads the charge in disrupting Godai’s studies. There’s a lot more fun when it spotlights them.

I wanted Maison Ikkoku to be great. Imagine, 96 episodes of romantic goodness. Anime could do with more romance series, as much of the best romantic relationships are subplots to other genres, like an action series. Or they’re in heavy dramas, which I love of course, but it’s good to balance it with a wholesome romance. My search continues.

Art – Medium

This is 80s anime art at its most classic – poufy hair included. What is with that dog’s eyes though? Are they mouths!? The animation is decent for the time and the exterior establishing shots are nice at setting mood.

Sound – Medium

It sounds old in Japanese, as expected, though the dub doesn’t sound much better either, which is odd considering how much later it released in the West. I’m not fond of either version. That has more to do with my lack of character interest, however.

Story – Low

A failed student joins a boarding house to focus on his studies, where he falls in love with a young widow chained to the past. Maison Ikkoku’s suffers from constant delays, setbacks, and side relationships that go nowhere to drag out the main relationship, which in itself is rather shallow.

Overall Quality – Low

Recommendation: For vintage anime fans only. I can’t imagine many people will want to sit through a romance as drawn out as Maison Ikkoku when we have so much choice today.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Repetitive

Angel Sanctuary – Anime Review

Japanese Title: Tenshi Kinryouku

 

Similar: Koi Kaze

X

Ceres, Celestial Legend

 

Watched in: Japanese & English

Genre: Supernatural Action Drama Romance

Length: 3 episodes

 

Positives:

  • May be the worst anime of all time.

Negatives:

  • The writing.
  • The art.
  • The acting.
  • The romance.
  • The lore.
  • The characters.

(Request an anime for review here.)

We may have done it. We may have found the worst anime, dear readers. I don’t want to make a definitive statement without seeing a few other candidates first, but Angel Sanctuary may be the slurry of the septic tank.

This is a story of a guy, Setsuna, who may really be a woman – an angel woman called Alexiel – in love with his sister. Every supernatural entity seems interested in him, for reasons that aren’t made too clear. One character – a princess, apparently – wants him because his previous angel incarnation saved her life. Alexiel’s brother, who looks more like her sister, wants Setsuna to revert to his angel self so they can fight, for some reason. The story throws in random thugs to fight Setsuna as well, as if this wasn’t bloated enough already. And of course there’s the “romance” with his sister.

The immediate problem you notice with Angel Sanctuary, after supressing the bile in your throat at the animation, is the muddled nature of the story. It never bothers to let events sink in – it is one scene, one concept to the next, one after the other in a ratatatat, each said to be of great importance, yet not treated as such. The manga is 20 volumes long, which I imagine expands upon proceedings and likely lessens the ridiculousness of having everyone chase Setsuna at once by spreading out events. I haven’t mentioned several sub-stories either. It’s a mess.

Some guy’s father “has a premonition” that turns him around to see his son before he dies. Where did he gain this power? Why are you asking me?

The writing is something else. The credits for the edition I watched had behind the scenes of the VO recording and Crispin Freeman, the one good dub performance, is reading one of the lines but stops, asking what it even means. “The only thing of beauty to come out of God’s refuse that I am…” You’ll often find yourself asking that same question.

Angel Sanctuary loves its weird lore, dumping specialist terms you will never remember and fantasy names you won’t care about at a dozen per scene. You can’t overload three episodes like this and expect the audience to remember.

Giving the characters actual character and personality to associate with the lore would help. No one develops throughout this story. The development is so bad that I expected the incest sub-plot (or is it the main plot? Never clear) to have no conflict, but to my surprise, it had some. Now, don’t mistake this for praise – I would never praise Angel Sanctuary. The conflict is terrible. “I’m so conflicted about my feelings. It’s tearing me apart [Lisa]!” Two seconds later: “Oh hey, I’m no longer conflicted.”

The romance is, predictably at this point, one of no substance. Why do these two love each other? Haven’t the foggiest. I suspect that with the angel versus demon battle alluding to Christian mythology, the incest romance is just to complete the theme. Like everything in Angel Sanctuary, it doesn’t make sense or work towards the overall cohesion of the narrative.

You would have to see this anime for yourself to believe how bad it is. Too difficult to put into words.

How did Angel Sanctuary even get on my list when it is so obviously bad? It was advertised in one of the first anime DVDs I bought ages ago and I, for some reason, had to watch it at some point, on principle. It’s worse than I could have ever hoped for.

Art – Very Low

This low key frame animations, inconsistent anatomy, digital light effect using, no cinematography, eyesore of an anime is painful to witness.

Sound – Very Low

No level of acting could make this awful writing work. The dub is something special.

Story – Very Low

A guy with a supernatural secret grapples with feelings for his sister as angels and demons want a piece of him. What is this story trying to show?

Overall Quality – Very Low

Recommendation: So baffling that you have to see it to believe it. Angel Sanctuary is garbage – the sort of garbage that is fascinating to watch, like a fireworks factory on fire.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Atrocious PlotAwful DialogueEar Grating Voice WorkIncoherentNo DevelopmentPoor PacingRubbish Major CharactersUgly Artistic DesignUseless Side Cast

My Bride is a Mermaid – Anime Review

Japanese Title: Seto no Hanayome

 

Similar: Ah! My Goddess

School Rumble

To LOVE Ru

 

Watched in: Japanese & English

Genre: Comedy Romance

Length: 26 episodes, 2 OVA

 

Positives:

  • So many great laughs.
  • Visual humour.

Negatives:

  • Art is cheap.
  • All attempts at drama fail.
  • Final two episodes.

(Request an anime for review here.)

When Nagasumi drowns one summer, he considers himself fortunate to be saved by the mermaid Sun. However, according to the laws of Yakuza mermaids, once a human catches sight of a mermaid, he must swim with the fishes – either by death or by marriage. Nagasumi has no choice. He becomes engaged to Sun and she joins his school to be close to her beloved, against her Yakuza family’s wishes. So not only does he have to contend with a sea dwelling gang after his hide, he must also keep Sun’s true nature secret from classmates.

Yakuza mermaids, a ridiculous concept to be sure, but an effective one. Sun’s father sends his best henchmen to kill Nagasumi and free his daughter from the shackles of marriage to such a loser. His enforcer can morph into a shark – he does this a lot in the heat of the moment. My Bride is a Mermaid is unexpectedly hilarious. The art gives an impression of mid 2000s harem with lame comedy.

Instead of turning into a full harem, as one would expect, the other girls must either kill or protect him. A tiny girl that lives in a conch has the job of assassinating the guy while pretending to be sweet and innocent in front of Sun. The disciplinarian girl from his class with a crush on him acts the police officer role, like her father, making her the perfect rival to the mermaids.

The Yakuza take up positions in the school to accomplish their mission, including the boss as a class teacher, while the bookkeeper teaches maths through criminal means. This black man with curly hair is considered so charming and attractive that the mere sight of him renders everyone enamoured. This recurring joke never failed to make me laugh. It reaches a new level when Nagasumi drinks a charm potion and becomes the apple of everyone’s eye (and loins).

Some of the gang aren’t so successful. The giant octopus teaches cooking, though often includes bits of his tentacles in the process. It isn’t long before a rival gang joins the fun to take the humour to yet greater heights. Their leader, a Terminator of a man, is a riot. He doesn’t understand his daughter at all, so plays gal games and re-enacts them as the girl to get closer to his daughter.

Mermaid has a ton of visual humour in the facial expressions, reminiscent of Great Teacher Onizuka, which alleviates the subpar art quality. One classmate is called “chimp”, but he acts like a real chimp, face included. Does anyone realise this?

The jokes come fast and they come often in this one. It is comedic beat after comedic beat, sharply timed with barely a dull moment in between. Just about every joke lands. These aren’t the greatest jokes of all time – it’s no Fumoffu – but they are fun.

My Bride is a Mermaid fails, however, in the tradition of most comedy from that era, when it attempts to inject drama in a place where it doesn’t belong. All drama fails here. Unlike Ah! My Goddess, one of the few light-hearted comedies to manage a little drama, which worked it in slowly without compromising the identity of the anime, Mermaid’s drama comes out of nowhere and contributes nothing of value.

The drama is at its worst in the final two episodes with the introduction of a new villain that goes against the tone thanks to his persistent rape vibes. Why did all of these comedies just have to finish with drama? Is comedy alone never enough? I like a story that can manage both of course, but I equally love others that stick to comedy. In the end, quality matters. Was it studio mandate at the time to have a dramatic finish, much like how every drama this decade must end in a tragic death to extract fake tears from you? Or that every fantasy has to be inside a game?

I’ve said it before, but bad final episodes leave the strongest impressions on a dissatisfied audience. My Bride is a Mermaid isn’t one of the greats. Even so, it didn’t deserve such a careless end. I went in with no expectations and came out having had a good time thanks to the comedy. Don’t let the garbage drama stop you from enjoying a laugh.

Art – Low

This cheap-looking, budget-animated, too-cutesy anime’s visuals are partially redeemed by great use of visual humour, particularly with the faces.

Sound – Medium

The acting is just as silly as the script, which it should be. I prefer the dub, for the Japanese made several poor casting choices that turn funny characters into annoyances.

Story – Low

A guy agrees to marry a mermaid to avoid death at the hands of her yakuza merman father, later bringing her to school for endless hijinks. My Bride is a Mermaid’s comedy far outshines the feeble drama.

Overall Quality – Medium

Recommendation: A must for anime comedy fans. The story may go nowhere and the drama may fall flat on every occasion, but the comedy in My Bride is a Mermaid is certainly worth sticking around for.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Weak End