Category Archives: Comedy

Good for laughs. This tag only applies to shows that have consistent attempts at humour or are particularly funny.

Detroit Metal City – Anime Review

Japanese Title: Detroit Metal City

 

Similar: Cromartie High School

Legend of Black Heaven

Beck

The Tatami Galaxy

 

Watched in: Japanese

Genre: Music Dark Comedy

Length: 12 episodes (half length each)

 

Positives:

  • Vulgar hilarity.
  • The premise is perfect.
  • Fast talking matches the humour’s pace and half-length episodes.

Negatives:

  • Visual creativity doesn’t always work.

(Request an anime for review here.)

College graduate Souichi dreams of becoming a wholesome popstar. Shame then he became a death metal frontman so vulgar that Satan himself would evict him from Hell. Johannes Krauser II of Detroit Metal City (DMC) is said to have killed his own parents and then raped them. Or was it other way round? Either way, he can vocalise ten rapes a second! He killed his parents and so should you.

Detroit Metal City has one of the most absurd premises I have ever seen and it is hilarious! The shift back and forth from meek-mannered Souichi to indecency incarnated Krauser had me laughing every episode.

Problems most often arise when Souichi tries to put the moves on his crush, only to have Krauser’s crazed fans enter the scene and bring out his inner Demon King. He can’t supress his alter ego at the sound of DMC’s music, and pity any fool that dares challenge his might. In the first episode, DMC fans attack him for badmouthing the band to his crush after she says death metal is horrid. As a defence, he must air guitar Krauser’s moves to prove that he didn’t really mean it. This turn into a head banging, air banding romp and blurts out a line from his song – to do unsavoury things to the girl. She runs off in tears. Each episode’s scenario is funny. The rap battle may be the best. When Krauser raps, he destroys your life with shameful facts about your past.

Possibly my favourite character would be the band manager, who gauges how well a performance went by how wet she is and how many orgasms the music gave her. If she’s as dry as sandpaper, then the performance was trash!

This dark humour won’t be for everyone. Certainly not. Out of context, this all sounds horrid. Fans of the darker side will be in pain, however. One of the best decisions the team made with Detroit Metal City was to have half-length episodes (excluding OP and ED) with accelerated dialogue. It keeps the pace quick and the jokes rolling.

I had a ton of fun with the hidden gem that is Detroit Metal City. And don’t worry; Souichi’s parents are alive and well living peacefully in the countryside.

Art – Medium

Like South Park, Detroit Metal City uses intentionally jank art and seems recorded by someone holding their phone vertically at times. Shame! SHAME! But seriously, the art adds to the humour, though more visual variety and quirky animation would be better.

Sound – Very High

The acting is sharp, fast, and hilarious – the manager’s random English swearing is great. The music sucks in the perfect way.

Story – High

A soft-spoken boy dreams of singing innocent pop music, but transforms into the Demon King of death metal against his will when inconvenient. This premise works far better than expected to hilarious results.

Overall Quality – High

Recommendation: A must watch for dark humour fans. Detroit Metal City’s compact size packed with vulgarity of ludicrous proportions is a hilarious watch.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Hilarious

Negative: None

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FLCL – Anime Review

Japanese Title: FLCL

 

Related: FLCL 2 (TBR)

Similar: Excel Saga

The Tatami Galaxy

Kill la Kill

 

Watched in: Japanese & English

Genre: Science Fiction Action Comedy

Length: 6 episodes

 

Positives:

  • Good animation.

Negatives:

  • LOL random!
  • Haruko is annoying.
  • So bloody boring.
  • All noise, no substance.
  • The dub is the worst. THE WORST!

(Request an anime for review here.)

I put off FLCL’s review for the longest time, but with the sequel announced, I guess death is inevitable now, so best get it over with.

Naota’s dreary life turns upside down when the mother of all annoyances, Haruko Haruhara, crashes her scooter into him and bats him with her guitar. It’s not long before a horn grows from his forehead and a robot bursts forth. Haruko and the robot take up residence in his home, against his wishes, but that’s the least of his worries with the battle over his power yet to come.

It’s hard to get a sense for FLCL without watching it. The comedy is best described as ‘LOL random’, the action as flashy yet pointless, and the metaphors as trite. FLCL masks its meagreness by throwing everything and the kitchen bin at you. With one episode’s worth of substance stretched across six, it is no wonder they filled the time with random humour and weak imagery. The inconsistent tone with no throughput line to tie it all together delivers a disjointed anime. Haruko’s sole purpose seems to be to yell spontaneously some idiocy or other, just in case coherence is trying to take a foothold. She is a contender for worst character of all time.

You will hear viewers talk of how hard it is too follow FLCL. Don’t confuse this for complexity. They refer to the lack of cohesion, not depth of ideas. Anyone would be forgiven for getting a headache from all the noise. The Tatami Galaxy is far weirder, yet has leagues more cohesion and sense.

The genius depth fans claim to find in FLCL comes from the metaphors. I hate to break it to them, but these metaphors couldn’t be more obvious. A girl slamming into (love at first sight) and giving “mouth-to-mouth” to a guy, which makes a horn (boner) grow from his forehead doesn’t take genius to figure out. Oh wow, he’s attracted to her and has a hard-on for her against all sense later, just like every other teenager – colour me shocked. My mind has expanded…

The defence for all these shows is “You don’t get it.” I don’t know why people think that any story is hard to ‘get’. I think they confuse their fascination of an art piece – often a piece that showed them something new or a new way of thinking – as some hidden genius, and if others don’t find it deep, then it must be because they haven’t seen it yet, they haven’t been enlightened to the secret genius of the artwork. No, everybody saw it, everybody got it – they had simply seen better before. “You don’t get it” is the worst defence you can use. It makes you look like a simpleton unable to justify your stance on a critique. (I’m not referring to the “It’s not your type of art” meaning of “don’t get it” – just the “you are too stupid to understand it” version. We really need to start using two different phrases.)

Even setting all the above aside, a good metaphor doesn’t require understanding to succeed. The subtext simply adds to the effect, similar to an Easter egg or a subtle call back to a previous series. If you read Moby Dick and think it’s about hunting a whale, then you can still enjoy it as a great book. See the metaphor, and it gets even better. The best metaphors enhance your experience without your knowledge. You’ll find that the way a story came together, the narrative resonance from start to finish, is brilliant yet not realise it is because of the overarching metaphor. Then a friend happens to mention it years later and it all clicks together like that final Lego piece. You didn’t see the metaphor, but you subconsciously got it.

An easy technique to analyse the weird and zany is to strip it down to the basics, to the characters and story. Do they still have complexity? No? Then all the world’s weirdness won’t save them. Yes, weirdness adds to the style, presentation, enhan— it’s the difference between some monotone bloke versus Stephen Fry narrating an audiobook. It makes a difference, perhaps enough to be entertaining, but it doesn’t fix underlying problems. The best CG doesn’t save a bad film, does it?

FLCL certainly has good ideas. You can see the same ideas of teen sexuality in Neon Genesis Evangelion and the action style went in Gurren Lagann later on. If you want the weirdness executed with control and thought, look no further than Kill la Kill. Brought together like this is just a mess, however.

Even at a mere six episodes, FLCL was a chore to finish – took four sessions. I found it boring all those years ago and I still think the same today.

Art – High

Good animation and clever shot compositions are FLCL’s only redeeming features.

Sound – Low

The script is nonsense accompanied by weak acting, and yet the dub is infinitely worse. Avoid it!

Story – Very Low

A kid’s life turns upside down when a crazy girl with a guitar hits him in the head and a robot grows from his forehead soon after. FLCL’s reliance on random humour to fill time between plot moments marks it as a show lacking in confidence and substance.

Overall Quality – Low

Recommendation: Skip it. If you must watch FLCL, don’t subject yourself to the dub.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Fluid Animation

Negative:

IncoherentNot FunnyRubbish Major CharactersShallow

Toradora! – Anime Review

Japanese Title: Toradora

 

Similar: Great Teacher Onizuka

Lovely Complex

Kids on the Slope

 

Watched in: Japanese & English

Genre: Slice of Life Comedy Romance

Length: 25 episodes

 

Positives:

  • Dynamic between main characters.
  • Consistently funny.
  • A touch of heart.

Negatives:

  • Still very much like other high school anime.
  • Tries too hard to make Taiga seem tough at times.
  • Weak theme songs.

(Request an anime for review here.)

In a world where everyone has large anime eyes, Ryuuji’s narrow eyes and pinpoint irises mark him as a thug, the worst kind of thug, a thug that is…nice. Taiga is a doll of a girl, tiny, cute, and a bundle rage that hates her public image of a fragile midget. As is natural, these two opposites collide and help set each other up with their crushes – Ryuuji likes Taiga’s best friend, while Taiga likes his best friend. And they’re neighbours. What a coincidence! But could it be that they are meant to be with each other? Find out in Toradora!

I have watched too much anime. Watching Toradora, I realised I had seen it all before several times, though not to this anime’s fault. I have to shift my mindset if I want to analyse it fairly. Ever wonder why all of those atrocious games journalists think “artsy” indie games are masterpieces? It’s because they’ve played too many games and those faux-deep indies are something different from the popular titles. Something different can instil a false sense of quality to a lazy “critic”. Ironically, they probably haven’t played enough games or they would have experienced the inspirators already. I never want to be in that cesspool.

So, to give Toradora a fair chance – or honestly, any art a fair chance – I look at its own merits. Of course, part of that merit is to see if it learnt from its predecessors. You can’t release a story without character development and claim it’s a masterpiece just because that’s how stories were thousands of years ago. It is important to note that nothing in fiction is original. Nothing. Instead, what we mean by originality is how an artwork brings all its pieces together and at what skill level.

Alright, Toradora has the ‘opposites attract’ main couple, and its initial plot is the ‘help each other find love, only to realise it was beside us all along’ type. I am sure that all of you, dear readers, can think of several stories to have these two tropes. However, these two together is rarer. The more you mix elements, the more ‘original’ something feels. (Keep in mind not to be different for the sake of being different.) Toradora uses these two elements to great comedic results.

Ryuuji and Taiga concoct ridiculous schemes to pair the other up with his/her crush. Ryuuji knocks out his friend in sports class and takes the friend to the med bay so Taiga can spend time with him. Genius plan! She could just ask him, but noooooo… (Where have I written that before…?) I love the ludicrousness of anime romantic comedies.

One episode has Taiga give her love letter to the wrong guy. Hell, she doesn’t even put the letter in the envelope. It would be sad if it weren’t so funny. Everything goes wrong when her breast padding slips out in the school swimming pool. No one can know she is flat. I do have a problem with how hard they try to make her seem tough sometimes. It weakens the joke.

The supporting cast complements the main, particularly Taiga’s best friend/Ryuuji’s crush, reminiscent of Kill la Kill’s Mako (or rather, vice versa). I love that cheerleader type sidekick and wouldn’t say no to more of them.

Toradora isn’t without its touches of drama. The core theme of finding and being honest about yourself works well in bringing conflict amidst the comedy. One drama subplot that falls flat involves Taiga’s absentee father. He storms back into her life making promises, only to leave her disappointed. The subplot lacks impact (like her father, aye?) and could have gone further. It’s a minor point, regardless.

The ending plot is a bit…odd, but oddness is the hallmark of anime. And the end is rather sweet.

Alright, I’m going to leave it here. I have my first moment of free time in three months, so I finally have the opportunity to play some games. Reviews should be back to routine as well.

Art – High

Good character designs – distinctive protagonists. I wish the rest had the same level of effort. The animation is nice too.

Sound – High

Good voice work. The same actress voices taiga’s best friend and Mako from Kill la Kill for a hilarious sidekick. I didn’t like any of the theme songs in the slightest.

Story – High

A guy that looks like a thug and doll-like midget girl try to break free of the prejudice of others. Toradora mixes humour, heart, and a touch of drama to make a solid high school anime.

Overall Quality – High

Recommendation: A must for high school anime fans. If you haven’t seem much of the genre, then Toradora will likely impress. However, if you are familiar, then you won’t find much new here. Good series nonetheless.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Saekano: How to Raise a Boring Girlfriend – Anime Review

Japanese Title: Saenai Heroine no Sodatekata

 

Related: Saekano: How to Raise a Boring Girlfriend .flat (sequel – included in review)

Similar: The World God Only Knows

Welcome to the NHK

The Pet Girl of Sakurasou

 

Watched in: Japanese

Genre: Harem Ecchi Comedy Romance

Length: 25 episodes (2 seasons)

 

Positives:

  • Episode 0s.
  • Proper challenges in creative professions.

Negatives:

  • Can’t focus.
  • Too much harem filler.
  • Becomes what it parodies too often.

(Request an anime for review here.)

It’s no secret that trash overwhelmingly populates the harem genre. It’s also common knowledge that harem is mainstream among anime fans, as a harem entry hits the charts each season. Fans also forget them just as quickly when the next season throws a new batch of waifus to pick from.

Harem anime is the easiest genre to make and thus floods the new release list every few months. To stand out from the orgy, studios select series that can bait the reader in, whether through an all-monster-girl cast, picking up girls in a dungeon, or making every girl be the guy’s teachers. A-1 Pictures’ gamble to go meta-harem with Saekano: How to Raise a Boring Girlfriend paid off, wedging it between the breasts of fellow harems The Testament of Sister New Devil (what is this name?) and Absolute Duo in that season’s top 10. Parodying the genre elevates you above the genre, yes? Well, let’s find out.

Saekano follows high school otaku Tomoya in his dream to make the most compelling harem visual novel. To this task, he recruits illustrator Eriri, bestselling author Utaha, and boring girl Megumi as model for the main character. However, to tap into the emotions required for a compelling visual novel, he and his ‘super team’ must experience these emotions themselves.

So, the excuse for a harem this time is the creation of the visual novel, where 99% of harem anime come from, which is a better excuse than most. The characters comment on the harem – get down with the meta – in the process of crafting the game characters, writing the story, and designing the illustrations, often to comedic results. Episode 0 is full meta, as it assigns each character a role in the harem anime – think of a harem LARP. This Episode 0 deceptively sets up the idea that Saekano is a meta harem, which is not the case, as it’s more of a workplace anime like Shirobako and New Game before it then becomes an ordinary harem.

Giving the characters jobs that drive their progression is a nice addition. (Ever notice how most harem characters do nothing in life?) Even so, Tomoya isn’t much more interesting than your average harem protagonist. He’s about light novel protagonist level. The greatest missed opportunity lies in Megumi. It would have been much more interesting if she were nothing like the ‘boring girlfriend’ archetype required for the game. Instead, make her the opposite but have to act like the generic harem main girl. What we have is an unironic bland girl with no arc, whose main purpose is to create the clickbait title of the anime.

The third act of season one introduces Tomoya’s cousin, a musician, whom he recruits to compose music for the game. Up to this point, most episodes focused on each character’s role (Saekano still uses the harem structure of ‘let each girl have their turn’). When the cousin enters, it’s her turn to jump Tomoya and there’s nothing meta or ironic about the cousin-cest. The usual accidental flashing, towel drops, no boundaries, and shallow titillation fill the screen time. Saekano becomes the cliché it’s supposedly parodying. Season one is a bore.

Funnily enough, season two opens with new meta about the first season, mocking it as boring and clichéd. “How did such a generic anime get a second season?” And Saekano sees a marked improvement from there. Work takes centre stage with serious conflict. The team struggles with finding the answers to what will make for a compelling game in the face of deadlines. Eriri and Utaha also receive an offer to work on a professional project. This creates Saekano’s best moment, when Tomoya has to face the reality that he isn’t cut out to lead a team of professionals. Eriri and Utaha aren’t amateurs, yet he treats them as such, not demanding of them the same quality as you would of a professional. For the first time in a harem, the protagonist is punished for being too nice. Progress!

You may be asking yourself about what happened to the meta. Saekano’s core failure is a lack of focus. Is it a harem parody? No, it’s a romance. Wait, no, it’s about finding success in life. Saekano needed to choose one and relegate the others to subplots instead of giving each one main plot time in turn (ironically, just as harem does with its girls). A symptom of this failure is no more evident than when Tomoya fades as protagonist in season two. He becomes a supporting character in his own story! (Not a great loss, if I’m honest.)

Saekano is still above most harem, but only average by other standards, which is far better than anyone should expect.

Art – Low

Saekano uses the style of coloured lines instead of black for character outlines – as seen in Bakemonogatari – but at random, giving characters an off-putting neon glow. A-1 Pictures tried copying Shaft without purpose. Bad CG intrudes at odd times, such as when the author is typing. No artistry either. It really wants you to find these girls sexy with how it pans across anywhere but the face.

Sound – Medium

The acting is fine with nothing outstanding. Music is forgettable.

Story – Medium

A visual novel aficionado convinces a bestselling author, a respected illustrator, and a random girl to join his project of creating the best harem visual novel. A lack of focus holds this story back, though still succeeds in parts.

Overall Quality – Medium

Recommendation: For harem fans only. Saekano’s meta humour and effort at conflict make a more interesting anime than the usual harem. Its faults still confine it to the genre.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Incoherent

Prison School – Anime Review

Japanese Title: Kangoku Gakuen

 

Similar: Rainbow

Highschool of the Dead

Shimoneta

 

Watched in: Japanese & English

Genre: Ecchi Comedy

Length: 12 episodes, 1 OVA

 

Positives:

  • Some hilarious jokes.

Negatives:

  • Becomes safe after a few episodes.
  • Not as crazy as it should be.
  • Over-smooth Flash shading.
  • Characters are one-note.

(Request an anime for review here.)

In a once girls-only school, five boys find themselves imprisoned after a late night escapade to spy on the girls’ bath. A trio of sadistic girls from the student council are their guards. These girls will leave no deed unpunished, no member unwhipped, and no depravity unexplored.

Prison School is all about lewd humour. We have seemingly every fetish imaginable here. Sadomasochism (S & M), foot fetish, urination, bondage, femdom, voyeurism, CBT, spanking, whipping, bimbofication – whatever tickles your pickle, Prison School will serve you. And while some of the jokes are bloody funny, they don’t evolve after a few episode. Prison School blows its load early.

For example, the big guy with the tiny face has a fetish for being beaten by the Underground Student Council Vice President (she’s the one with the huge personalities and whip). So when the boys are before the whole school and living a scene out of Auschwitz, the big guy loves it and begs for more punishment, ruining her plan of making them suffer. This had me laughing. However, they repeat the same joke every few episodes and that becomes his ‘thing.’ When he’s involved, you can safely predict the joke. This applies to all characters. That girl’s thing, when not dominating the boys, is a lust to be dominated by the Underground Council President – good sense of irony, but it’s the one joke every time these two girls share screen time.

The school chairman’s thing is Latina derrières, which his daughter (council president) finds abhorrent. Again, the first time it’s hilarious, the second it’s mildly humorous, and the third is predictable. Prison School doesn’t freshen up its jokes or try to surprise you by using them at unexpected moments, which is how good repetition makes you laugh harder each time at the same joke. When a character enters the scene here, you can guarantee their joke will happen soon.

As I said earlier, some of the jokes are hilarious and last a few episodes, at least, but only if you can handle dirty humour. Prison School isn’t anime dirty (i.e. tame); it’s genuinely filthy and as uncensored as you can get before moving to the ‘H’ category. The greatest challenge in writing this review was finding screenshots that wouldn’t require an ID check to see.

Regarding the plot, Prison School plays it too safe. With such a lewd premise, I expected something crazier, something on the level of crazy found in Kill la Kill, but the extreme ecchi version. Yeah, one of the filthiest anime is too tame. This plot is a series of schemes to escape prison as the girls try to have them expelled. Unbelievably, this is an improvement over the manga, which has so much filler. I gave up the manga after eight volumes because it went nowhere.

Prison School is fun if you just want to laugh at some filth. Don’t expect anything beyond that.

Art – Medium

The overly smooth shading looks straight out of Flash animation. I am not fond of this timesaving technique. The animation is rather good – much better than it has a right to be for an ecchi anime. I like the intentional ugly expressions to heighten the grotesque (reminds me of AoT’s small Titans).

Sound – Medium

The voice acting is fine in either language, but stick with the Japanese for one character’s humorous English swearing. Definite room for a wittier script.

Story – Low

A gang of perverts try to outsmart the student council of dominatrices that threw them in prison. The lewd humour doesn’t mix things up enough to keep Prison School’s safe plot interesting in the long term.

Overall Quality – Low

Recommendation: One for the internet researchers. You might want to put on a set of clothes you don’t mind getting dirty before you start Prison School.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None