I don’t have much to say on A Place Further than the Universe, which comes as a pleasant change after Hunter x Hunter’s review.
It is a story about spirit and youth. Mari feels trapped in her ordinary Japanese life and craves to do something impulsive, go on an adventure! But after she chicken’s out on an impromptu adventure, all seems set to return to normal – that is until she meets Shirase, a girl determined to go to Antarctica, where her mother went missing. A third girl joins them soon. However, not just anyone can go on an Antarctic expedition, especially not a trio of high school kids. Their ticket to the frozen land appears in the form of Yuzuki. If they can convince this idol to go, they can accompany her as companions.
Like all anime about cute girls, acting cute is a top priority for the characters and the main reason I’m not into these shows. Cuteness doesn’t bother me – it’s the forced cuteness. The first scene has Mari suddenly bawl her eyes out in front of her mother, which I assume is meant to be cute, but is just immature. Not even an infant would act this way. The difference between A Place Further than the Universe and Girls’ Last Tour, where the cuteness worked for me, is in how much they draw attention to it. Here, the girls have these overreactions and pantomime-like performances as if to say, “Look at me – I’m cute! You agree, right?” The girls in Last Tour simply are cute, so they don’t have to demand your attention every few minutes.
This immaturity, often from Mari, is a recurring annoyance and seems to replace story and development for act one. Act two is a little more interesting as they train and prepare for the expedition. It’s still too much “cute girls being cute”, but the Antarctic knowledge from a mature adult character improves matters. The episodes aren’t bad, though I routinely found my focus slipping, only to snap back a few minutes later and realise I was still watching this anime.
The Antarctic portion doesn’t start until act three. At last, the girls have things to do other than act cute and seeing daily life in the Antarctic is fascinating – how a ship breaks through the ice, how supplies come in, sunburn, the dangers of a blizzard, and so on. There isn’t any great disaster for them to contend with – things are still light-hearted – but it’s more than just the girls now, as it should have been from the start. It also closes Shirase’s arc in the search for her mother in a heartfelt and satisfying way. The third act is far superior to what came previous and as such, leaves you with a positive impression.
Fans of cute girls anime will love this more than I did, of that I have no doubt. A Place Further than the Universe doesn’t pretend to anything beyond its initial impression. It doesn’t lie, bait, or emotionally manipulate you. It’s about high school girls going on an adventure to Antarctica with a lot of silliness and a touch of emotion. And that’s fine.
Art – High
This anime’s strongest quality, the art, uses bright colours and pure white highlights to complement the energetic and uplifting feel of the story.
Sound – Medium
The acting is alright – a little overdone to the point of becoming pantomime at times.
Story – Medium
A group of high school girls set their adventurous hearts on reaching Antarctica to accomplish something with their youth. A Place Further than the Universe keeps things light, which does limit depth and makes it hard to keep paying attention, but the end is strong enough to leave on a good note.
Overall Quality – Medium
Recommendation: For fans of the cute girls doing things genre. We’ve had cute girls in bands, in tanks, on battleships, and now in Antarctica. Fans of the genre are spoilt for choice!
Hunter x Hunter is purported to be different from other shounen battle anime. Let’s start by dispelling this notion, as it only sets up false expectations and ultimate disappointment.
Like all battle anime, Hunter x Hunter (don’t pronounce the x) is about a kid with big dreams. This time, we follow Gon Freecss, a boy in search of the father that abandoned him and his mother. To that end, he must become a hunter like his father before him in the belief that the profession will open new avenues of investigation.
Naturally, the story starts with Gon taking the exam to become a hunter. And here we hit the first brick wall. The Hunter Exam is tunnel-through-the-mountain boring! The exam is just one fake out after another.
Gon lives on an island, so must travel by ship to the mainland. Little does he know that the crossing is part of the test. Once ashore, he asks for directions to the exam, except the false directions are also part of the test. Then it’s an old lady with riddles, followed by a secret password into the exam site. But wait, that isn’t the site. We have to run a marathon first to get there! Watching people run, how riveting. Alright, are we done yet? No, we need to cook some barbeque. (Just kill me now.) And on, and on, and on, and on, and on, and on, (did I mention the recap episode halfway?), and on, and on…and on it goes for 21 episodes of boring task after boring task. This exam is every idea the author came up with dragged on for eternity. Why not pick the best three ideas and make something engaging of them? It serves no purpose other than to introduce characters, which could have happened naturally later had the exam be removed (and most introductions don’t matter anyway – more on that later).
Could a 21-episode exam work? Certainly, if interesting. Narutomanaged it with the chunin exam using secret ninja techniques called “character development”, “meaningful conflict”, and “story progression”. Had the first episode of HxH been after this arc, all we would need is the narrator telling us, “This is Gon. He’s a hunter.” Twenty-one episodes saved. It’s the worst start to a shounen anime I’ve seen, barring the ones that had no potential to begin with. The arc isn’t filler, but it may as well be.
The plot next moves into a tournament arc, another common element of the genre. Gon and Killua have to fight to the top of a battle tower with hundreds of floors and millions in prize money. Matters get serious from the 200th floor onwards. Thankfully, we don’t have to watch all 200 floors – good performance leapfrogs contestants up faster.
The downfall of the tournament arc is the training sessions that eat up too much time between fights. HxH has a massive problem with over explaining its concepts and making them unnecessarily convoluted. This anime uses auras. If you’ve seen anything with aura powers before, you’ll get the point in a minute. HxH deems you too stupid to grasp it in less than hours of lectures. You can bet your savings that it will pause every fight for some long-winded explanation of X character’s power and strategy.
Training episodes suck because they have no plot nor any internal character growth. It isn’t a problem exclusive to this anime, yet these are particularly boring. Off the top of my head, only Bleach does them worse.
The first great moment occurs in episode 31 when Gon faces Hisoka, an interesting Pierrot-like villain, who values the challenge above all else and will go to extreme lengths for the greatest challenges, such as saving heroes with potential to contest him in future. He takes a keen interest in Gon. The exam introduced us to him and his villainy, but it all repeats here anyway. His power is a malleable aura compared to bubblegum that can manipulate targets with puppet strings, among other magician-type tricks. He’s a theatrical fighter that loves to put on a show.
Hisoka belongs to a villain group known as the Phantom Troupe, which leads into the next and best arc of the series. Gon and friends head to the big city to earn big bucks so they may buy a video game that will lead to his father. The Phantom Troupe arc succeeds where the others fail because it is all plot relevant and gives all main characters something to do, rather than forgetting half the team (more on that later). It also helps to have several interesting villains that pose a real threat. A highlight is the fight between Kurapika, the guy I confused for a girl in the artwork, and a villain. He is the revenge guy of the series, as there must be one in every shounen. Despite sharing much with others of his archetype, he works thanks to an interesting ability that cleverly explains how he can hope to match such powerful villains, but without overpowering him for the rest of the series. Shounens usually have to pull some convoluted nonsense to backpedal the power, such as Bleach with its moronic power resets.
At the end of this arc, 58 episodes in, I’m not blown away, yet it has been on an upward trajectory and I am convinced it’s only the good stuff from here.
Boy was I wrong.
The Greed Island arc that follows is somehow worse than the exam. Greed Island is the video game Gon seeks on his father’s trail. Players enter the game world and fight using cards with abilities. That’s right, we are in Yu-Gi-Oh now! It’s as dumb as it sounds. This arc was just an excuse for the author to cram in more convoluted mechanics and hours of idiots explaining how they work. If you want to see some of the worst pacing and exposition anime has to offer, watch the dodgeball game in this arc. Only masters of Zen can handle such trash.
The main villain for this period, a punk that blows people up with the power of cards, is pathetically dull. Much like the exam, this arc amounts to little more than wasting 17 episodes of your time. If I didn’t know better, I would believe this to be a filler arc.
Finally we come to the Chimera Ant arc, the longest at 61 episodes long, which tells of a species of dangerous human-creature hybrids that soon develop aura powers. The Hunter Association dispatches many hunters to deal with the threat.
The story has now gone from a big city, to a video game, and reached a monster slaying fantasy. Hunter x Hunter lacks focus. This review is so long because I feel as though I am reviewing three different anime at once. Watching this series gives the impression that the author had too many ideas and wanted them all to be in one story, jumping impatiently from one to the next. Remember the Big Bad Phantom Troupe? They’re barely relevant after their arc. That Yu-Gi-Oh garbage? Forget it ever existed. Arc after arc seems to wipe the relevance of the story that came previous. None suffer more than HxH’s characters.
Each arc dumps a boatload of new character on your lap for you to care about, only to take them away as soon as the arc ends. “What happened to that guy?” I kept asking myself. At the start, HxH presents a core group of four characters. Remember Kurapika of central importance against the Troupe? He’s barely in this. Oh yeah, there’s some guy called Leorio – you’ll know him as the tall guy you see on most cover art who receives enough attention for a major character. Well, he has as much screen time as a minor character. Only Killua with the white hair has the screen time to match his relevance alongside Gon.
So when we come to the Chimera Ant arc, it is no surprise to have over 50 – yes, 50 – new characters thrown at the story. A story, I might add, that isn’t directly relevant to the main plot even with 61 episodes. Interestingly, however, it’s a good arc. It starts slow (could have fit in half the number of episodes), though once the main villain emerges in act two it shows promise, until it finishes with a strong third act. The heart of the story is the Chimera King villain that questions life, morality, and meaning.
This arc gives fans a reason to call HxH dark, “the darkest shounen anime”. It isn’t really. It’s only dark if you haven’t seen what a proper dark story looks like. A villain killing random civilians isn’t dark – it’s just meaningless. There are a couple of dark moments, but it’s nowhere near enough to call the series dark. What Itachi does in Naruto is darker, yet I wouldn’t call that anime dark either. That said, a false reputation doesn’t take away from the strength of its third act. It’s a shame the arc has to be part of this anime. Both this arc and HxH would have benefited from separation. The Chimera Ant arc works as a standalone story similar to From the New World and with its removal, HxH can refocus on the plot. There is a main story consequence resulting from the Ants, but that could have come just as easily from the Phantom Troupe.
What HxH boasts in the end is two good arcs, which still need work, and a mixture of decent and utter trash for the remainder of the time. I haven’t covered half the problems with HxH in this already too-long review.
A common note you will hear of this anime is that it is the best of the battle shounen. It has the smartest fights, greatest characters, best villains, and most complex stories, they will tell you. Does it? Not really. There are smarter fights, greater characters, and better villains in other shounen anime. Nor is HxH different from the norm. You have the same types of arcs, the same cast of characters, yelling for power, energy attacks, poor explanations, and there is even a Super Saiyan mode (I won’t give it away, but it is the goofiest super mode I have ever witnessed). It does do one better than the rest – no unofficial filler, though that doesn’t save it from other pacing issues, including a narrator that repeats everything we just saw.
Many of these problems are common to most entries in the genre though. Would I recommend another battle anime over this? I don’t know. No matter which you pick, you have to tolerate a lot of garbage.
Is HxH better than most of the genre? Sure, why not. With such a low bar, it isn’t difficult to hit single digit ranks, though that is still low when looking at anime as a whole. If coming from Dragon Ball Z, as this did with the 90s manga release, it would seem mind blowing to have any strategy to fights, character development, and a story that’s more than “punch the bad guy”.
The difficulty I have with justifying a recommendation to watch Hunter x Hunter is in its 148-episode length. Consider how many other better anime you could finish in that time. And you have to factor in that no one has any idea when or even if this will ever receive a conclusion. If you love shounen, you will love this – I don’t doubt it. But if you don’t love shounen, then I can’t recommend it.
Art – Medium
What is with these character designs? Everyone looks like a bootleg knock off from other anime with no thought to theme or cohesion. There’s a reason these characters feature so little in aesthetic contests. Like all long anime, the budget has to cover too much ground. However, unlike other battle anime, HxH doesn’t drop in quality for action scenes – quite the opposite. A pleasant surprise.
Sound – High
The acting is the strongest area of HxH and the music is solid, though lacks variety for such a long series.
Story – Medium
A kid becomes a hunter in a quest to find his father, but will have to overcome many trials and foes before the end. The short version: Phantom Troupe and Chimera Ant arcs are good, and I wouldn’t bother with the rest.
Overall Quality – Medium
Recommendation: For battle shounen fans only. Hunter x Hunter doesn’t have the crossover appeal to go beyond its demographic. For those who do start, note that the series is incomplete with no continuation in sight.
Samurai Jack is a unique show. I wager you won’t find its likeness just anywhere. From its striking visual style to its storytelling through sound and silence with little dialogue, this cartoon is a once every few generations type of art piece.
We follow Jack, a samurai thrown from his time into the future by the shape-shifting master of darkness, Aku. Jack must find a way back to the past to finish the job he started and stop Aku. His journey will take him to the far corners of the world, where Aku’s evil weighs heavily on all. This isn’t Jack’s world anymore. Robots, aliens, and all manner of beasts roam the world now.
Samurai Jack’s brilliance is in the cohesion of its every facet, each unique in style, yet brought together to perfection. The animation fluidity is low, for instance, but it’s sharp execution combined with precise editing gives it weight and impact, so much so that to improve the fluidity to the level of, say, a Ghibli film wouldn’t look right anymore. In fact, increasing the quality as they did for the final season could have been a disaster. Not the case, thankfully.
Genndy Tartakovsky has a style to his cartoons that extracts every grain of quality from a limited budget. It wouldn’t work without all elements uniting as one. Had the editing been off, the limited animation would stand out. It would have felt cluttered had there been more dialogue and sound. Genndy likes to give his scenes breathing time with subtle visual and auditory humour. When Jack meets a trio of talking dogs, everything stops for a long time to allow Jack’s awkwardness in this new world to sink in. It’s nothing but Jack looking left and right as club music pounds outside the booth. Less is more seems to be Genndy’s life motto.
Then when the action starts, the gear shifts into overdrive. Quick cuts, multi-panel shots, and single sound actions take over to give us the most tightly edited action scenes in animation. Samurai Jack never ever wastes your time. Watch the following video of a fight between Jack and a ninja to see what I mean.
It draws inspiration from many styles cinema and world culture. You will find influence from Kurosawa films, anime (Jack fights in a mecha samurai one episode), noir, cyberpunk, Ghibli, silent film, Star Wars, comic books, aboriginal art, and the list goes on. It would take several viewings to find them all. More importantly, this show succeeds in making them work together.
The future Earth in Samurai Jack is a post-apocalyptic melting pot that allows the series to bring you something new each episode. One episode could be in a city out of Blade Runner and the next could have Jack meeting a caveman. The overarching story is to defeat Aku, while the episodic plot is about Jack helping the many peoples and societies affect by Aku’s tyranny. This episodic structure allowed you to watch any episode back in the days when we were slaves to the TV schedule. Only the final season weaves ongoing narrative each episode, required in the build up to the finale.
This plethora of locations and characters to choose from also gives us great variety in the types of episodes. One has Jack polymorphed into a chicken, where he is kidnapped and forced into cock fighting. Sounds weird? It works. I imagine the production team kept thinking of crazier and weirder ideas for the series just to see if they could make it work. How about an episode that breaks the mould of minimal dialogue? Jack encounters a Scotsman that has the longest insults you’ve ever had the fortune to hear. He’s loud, brusque, and aggressive – Jack’s opposite. Hey, it works. Can we get Jack to join the mafia? Sure, let’s do it.
One of my favourite episodes has to be the season one finale, where Aku recites fairy tales to children with him featured as the hero or Jack as the evil villain. “Once upon a time there was a little girl with an adorable red cape, and great flaaaming eyebrows!”
Aku is a brilliant villain. He may be the all-powerful evil of the universe, but he is so much fun! Every scene with the guy is a riot. He is a villain that loves being evil, but he has his share of problems too. His inability to catch Jack has him depressed at times, so he sees a therapist. It’s a clone of himself… Perfect.
Think about this: they managed to have a villain that kills indiscriminately in a kid’s cartoon. It should traumatise kids, but due to the careful balance with humour, it succeeds. Samurai Jack is full of humour, and yet full of emotion. It reminds me of Fullmetal Alchemist in how it balanced both ends.
And here we arrive at Jack himself. He could have easily been a standard protagonist surrounded by a brilliant series, someone we would remember for the series not for the character. Genndy could have gotten away with the cultural encounters and odd scenarios to keep us engaged. Most cartoon protagonists for kids don’t have much depth to them. It’s about the whole package of the cartoon rather than the character. However, Jack has the qualities of a character worthy of any drama series. He breaks, he falls, he thinks it all too much, especially when he arrives so close to success and it slips through his fingers. It is in his effort to stand back up that we see a complete character.
Samurai Jack adapts Bushido culture better than most anime. The final season in particular draws on the earthly and the mystical aspects of the samurai legend. His culture is at the core of his character, yet he is a character out of his time where such a culture no longer exists. The internal conflict that arises is fantastic. As I said – could have gotten away without it, but that extra effort elevates this show into the hall of excellence and makes it one worth remembering.
I have no notable complaints with Samurai Jack. At most, I could say some episodes aren’t as good as others, though that’s an occasional drop to 95% quality. Not a real complaint, is it? There was a time when I could bemoan its incomplete state, but after a 13-year wait, Genndy gave us the conclusion to the samurai’s journey. It was everything I had hoped for.
Art – Very High
Samurai Jack needs to be seen to appreciate the quality of its visuals, thanks in no small part to the sharp animation, pinpoint editing, and cinematic flair. I love the character designs – identifiable, distinct silhouettes, and it all fits together, from the caveman to the robot assassin.
Sound – Very High
Phil LaMarr as Jack and the late Mako as Aku – a perfect match. The stellar sound mixing matches the editing style. Minimalist, restrained, and flawless.
Story – Very High
A samurai searches for a way back to the past to save the ruined future from a master of darkness. You could watch any episode of Samurai Jack and have a great time. Why do that though, when you can watch all of them?
Overall Quality – Very High
Recommendation: A must watch. There is nothing else like Samurai Jack.
Little Witch Academia started out as a short film project made possible through a government grant to have veterans train young animators. Its massive success led to a Kickstarter for a sequel film and funding for a full TV series after that.
It follows the adventures of Akko, a girl with big dreams of becoming like her performing witch idol, Shiny Chariot, as she attends Luna Nova Academy for training. Alongside her are Sucy, the diabolical apothecary, and Lotte, a witch that can talk to…old junk? Let us not forget the queen ego, Diana, who has the audacity of being great at magic and focusing on school. Disgusting. In her quest for greatness and answers on what happened to Chariot, Akko must unlock the seven secrets of Chariot’s old weapon, the Shiny Rod.
I want to start with the short film before we dive into the heart of the series.
I had always heard of Little Witch Academia as ‘Harry Potter for girls’, which I can confirm is absolutely true of the first film. There is no denying the inspiration drawn from Harry Potter book one, The Philosopher’s Stone (Sorcerer’s Stone in the US). The schools are similar with the same quirky magic, have a boring History of Magic class, broom flying with the same teacher and someone showing off, a snooty blonde rival from a ‘pure’ bloodline, a Forbidden Forest, a rampaging monster from the dungeons, a sorcerer’s stone of importance, and the list goes on. The main differences are with Akko, who is more like Neville with her levels of incompetence (and secret greatness), and that Little Witch Academia is all about fun instead of a serious plot.
I don’t begrudge it for the similarities – the tone makes a big enough difference – but the story isn’t of particular interest. The sequel movie is about setting up a parade and utterly unmemorable. I only recommend the movies for completion’s sake or the visual spectacle, nothing more.
Here we come to the series, which keeps the same premise and characters, though otherwise goes back to the start to give us more depth in every aspect. Many of the Harry Potter similarities beyond the magic school leave the stage as well.
Each episode is a mini adventure with Akko and friends trying to overcome some task, such as learning to speak to fish. Akko is so disaster prone that nothing ever goes according to plan. After accidentally flushing the fish, who happens to be the professor, down the drain, she must enter the sewers to mount a rescue. She is so much fun and bursting with such energy that I can’t help but smile at everything she does. However, my favourite character has to be Sucy. She’s always concocting potions and growing special mushrooms, which she gives to her friends as guinea pigs in dire situations, just to see what happens. Her bored monotone voice matches her dry wit perfectly. Imagine a young Snape if he weren’t a total prat.
Little Witch Academia’s humour is a smash hit in general. I particularly enjoy the humour that pokes fun at the magic society. Why don’t witches use cell phones? It sure would help. In this world, humans are aware of witches and don’t have a high opinion of them. A sub plot involves improving relations with humans and has the girls attend a ball with human guys. The dynamic between the pretentious guy and Akko is great, for he can’t resist her energy despite his disdain for magic.
The one significant problem with Little Witch Academia is in the overarching story about reactivating the Shiny Rod and uncovering what happened to Shiny Chariot. It isn’t engaging. I couldn’t care less about this thread because it doesn’t feel as though it matters much. For one final Harry Potter comparison, think of Voldemort’s story and all the conflict he brings. We are looking at opposing ends of the same scale for engagement. Now, Little Witch Academia is a light-hearted series and such a dark plot wouldn’t fit the tone, but there is still no reason they couldn’t have made the Shiny Chariot history more relevant and interwoven with the rest of the narrative. It feels almost tacked-on simply to have some overall story. As a result, the final few episodes that resolve this plot are the weakest. The conflict lacks a real villain as well. There is one of sorts, but again, she’s so minor in the grand scheme that she feels added in just to fill the villain slot.
It’s a testament to the quality of the episodic content that this is great anime in the face of the overall story problems.
The ‘Harry Potter for girls’ label is misleading, as this is an anime for everyone. It doesn’t have most shoujo tropes, such as the crush on an older man or the endless “what do I do?” staring at her feet weak characters. Anyone can love Little Witch Academia and it is my favourite Studio Trigger anime. Akko may be terrible in class, but she gets an A+ from me. I love that girl.
Art – Very High
The art adds so much fun and energy to the series through its colour and animation. Little animation details make every episode visually engaging and an absolute delight to witness.
Sound – High
I am thankful for the excellent dub, as the original Japanese is sub-par, particularly for the main trio. Sucy in English is perfect and bad in Japanese, while Japanese Akko doesn’t have enough energy. The music reminds me of Disney’s Cinderella – never a bad thing.
Story – High
A young girl attends witch school in the hopes of becoming as adept in magic as her idol was, and to do so, must activate the many secrets of a magic rod. Little Witch Academia’s episodic content and boundless fun makes up for the weak overarching plot.
Overall Quality – High
Recommendation: Watch it. Little Witch Academia the series is for all ages and an anime to be loved by all. I would be surprised if you didn’t enjoy it, even a little.
Combine Trigun with Cowboy Bebop and you have Outlaw Star. While not as good as either, it is not without merit. Nostalgic art and a mix of samurai, cat girls, sorcerers, pirates, bounty hunters, gunslingers, cowboys, and cyborgs make for an unusual universe.
Gene Starwind, sufferer of space sickness, wants to become a space pilot but remains earthbound as a gun-for-hire with partner James Hawking. They take the simple job of escorting a beautiful woman with a suitcase, only to get more than they bargained for. The woman isn’t an innocent dame – she’s a grizzled outlaw – and the suitcase doesn’t contain her clothes and unmentionables. Inside is a girl called Melfina, asleep, naked, and hunted by several factions. They escape together aboard the advanced Outlaw Star to survive and find the mysterious ‘Galactic Leyline’.
For the most part, Outlaw Star pits Gene and company against one of the aforementioned groups each episode. Races, heists, a wrestling tournament, and space battles are a mere sample of the adventures on which they embark. Early on, they clash with the cat people of the Ctarl-Ctarl Empire and find themselves burdened with the company of the most annoying character in the universe, Aisha Clan-Clan (yes, everything in cat society has a duplicated word name. Yes, it does get annoying). Even her introduction is idiotic. She argues with Gene over right of way in space! She knows that space is an infinite nothingness, right? After failing in her mission, she seeks revenge against Gene, which she reminds us every episode with her screeching voice, before joining the team in search of the Leyline.
I suppose that her high-energy personality was to counteract Melfina, who has no personality. Melfina is yet another example of a writer believing that quiet plus introverted must be boring. At least she has a purpose in the story. That’s something, I guess?
Characters and the Leyline, which I will get to in a moment, are the primary components holding Outlaw Star back. Gene is too much your typical space gunslinger (the space sickness gag lasts a couple of episodes), James is little more than his babysitter (most of his dialogue is warning Gene not to do something), and the samurai woman that joins later is as you would imagine on first impression. None are bad – except Aisha and the empty Melfina – but when you have Cowboy Bebop, Trigun, or Firefly in the live-action realm sitting right next to this anime, it’s hard to compete. Throw in the original Star Wars, Gundam SEED, Star Trek if you want something more measured, and you realise that great sci-fi with everyone on a single ship needs a great crew.
As for the Galactic Leyline, said to hold the knowledge of the universe, it isn’t an interesting goal. For one, it doesn’t fit into the rest of the series. You have this adventure series of gunfights and space battles for 23 episodes and then it turns into an exploration of the existential. The story never cared about themes of knowledge or existentialism before this. It doesn’t fit.
Outlaw Star plays its best cards during self-contained adventures over an episode or two. It’s worth your time for a few such adventures. If you want to go for the long haul, select one of the other titles I’ve mentioned in this review. Except Firefly because that was cancelled. Kidding, great show, wish it had more.
Art – High
Outlaw Star looks great, particularly in action scenes. I love the old school feel of its hand drawn art and world design.
Sound – Medium
The first ED may be one of my favourites of all time. I love the gentle song accompanied by gorgeous single-colour art sketches. The dub is surprisingly good for the era.
Story – Medium
An odd bunch of space farers gather aboard the Outlaw Star as they get up to all sorts of adventures against catgirls, mercenaries, and assassins. Outlaw Star is a space adventure of fun and action that doesn’t go for the high notes.
Overall Quality – Medium
Recommendation: For fans of older anime. Outlaw Star won’t entice among all the glitz and glam of modern anime, but if you want to return to a simpler time, a time of space ships and space babes, then try this.