Japanese Title: Jormungand
Similar: Black Lagoon
Phantom: Requiem for the Phantom
Watched in: Japanese & English
Length: 24 episodes (2 seasons)
- Strong production values.
- Knows it’s weapons.
- Unmemorable for the genre.
- Tries too hard with some characters.
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Jormungand was pitched to me as the Black Lagoon of its year. I can see why, for the similarities are obvious – an action series with a ragtag bunch of misfits circumventing the law to fight bad guys around the world. I am sad to report however, that Jormungand isn’t in the same league as Black Lagoon. That doesn’t mean we can’t look at this title as a lesson in the difference between an okay series and a great series.
The story follows international arms dealer Koko and her band of bodyguards made up of former soldiers. The latest addition to her team is child soldier Jonah, who doesn’t really want to be there. Her mission is to bring world peace by breaking every law seemingly possible while escaping intelligence agencies and other outlaw organisations.
The core of any story is its characters. In Black Lagoon, the characters had personalities larger than life, injecting the narrative with a constant stream of humour and energy. Importantly, they didn’t have gimmicks; they had personalities. Jormungand, on the other hand, uses gimmicks to define its characters. When one relies on gimmicks, each encounter with those characters starts to become repetitive with little room for growth because the writer didn’t establish their foundations. For instance, one woman’s gimmick is that she doesn’t wear panties in battle because it “increases accuracy”. This joke repeats for every scene with a focus on her. The first time, it says, “Hey, I’m not wearing panties – aren’t I quirky?” Next scene: “Hey, I’m still not wearing panties – quirky, right?” And the next: “Still nothing down there – bet you love how quirky I am.” Another woman’s quirk is her lustful crush on Koko, which also rears up every time she sees her.
You can’t do this to a character that’s supposed to matter. That’s throwaway character material. Jormungand tries too hard to make these people wacky. Without the personalities to back them up like in Black Lagoon, the quirks come across as annoying and random because they don’t tie to characters through a personality. Keep the panty-less gunslinger joke if you find it sidesplittingly hilarious, but it should be no more than the garnish to well-rounded attributes. Koko is the only character I would consider to have depth among the cast.
On the flipside, you have the problem of Jonah. He’s the “man of few words” archetype that, as I’ve said many times before, isn’t an easy one to make interesting because of how little there is to work with. One would think that having less pieces to construct a character is easier, when in reality every piece must be perfect. It’s like a chef trying to make a Michelin star dish of only three ingredients. Jonah’s counterpart in Black Lagoon is “Rock”, an ordinary salaryman who also didn’t want to join the pirates at the start. Comparing the two, you can see the difference it makes when you have a dull mute in one case and guy in over his head in a gunfight yet still dignified enough to do up his tie on the other.
As for the action, which is why most would attend this screening, it is rather good. Studio White Fox brought strong production values to the table to pump the action full of energy and explosions. As it tries to do with the quirky characters, Jormungand goes over the top with action. If your one interest is action, more action and crazier action, you won’t be disappointed. And the writer knows his weapons to impart authenticity.
Perhaps if I had not seen several such similar anime already, I would have liked it more – I suppose it’s the curse of happening to start at the top before working your way down. It’s hard to settle for something around the middle of the pack, where the plot doesn’t stick with me and I can’t remember anyone’s names except the two listed above.
Art – High
The art is sharp and clean with good animation and effort in the cinematography. It’s a seinen action series – it’s as expected.
Sound – Medium
The acting is alright, but with a script that lacks room for the actors to play like in Black Lagoon, it doesn’t reach greatness. It’s similar with the music – alright, though doesn’t go as crazy as it should.
Story – Medium
An arms dealer takes a child soldier under her wing to show him the ropes as a merchant of war. Jormungand doesn’t push itself far enough to become memorable in the competitive modern action genre.
Overall Quality – Medium
Recommendation: For action fans only. Jormungand is there for those who can’t get enough action and have exhausted the likes of Black Lagoon, Requiem for the Phantom, and Cowboy Bebop.
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