Japanese Title: Maison Ikkoku
Related: Maison Ikkoku: Final Chapter (sequel movie)
Similar: Kimagure Orange Road
Ai Yori Aoshi
Watched in: Japanese & English
Genre: Slice of Life Romance Comedy
Length: 96 episodes, 3 OVA
- Supporting cast is better than the main.
- Occasional good comedy.
- One season of content stretched across four.
- Side relationships amount to nothing.
- So repetitive.
- That dog’s eyes…
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Maison Ikkoku is a classic of anime romance. Does this timeless classic endure, appreciable by anyone whether watched at release or 30 years later?
It follows 20-year-old Godai, a failed student looking to pass his exams this year, who finds himself unable to study when surrounded by the rowdiest tenants imaginable in his boarding house. A greater distraction arrives in the form of the beautiful Kyoko, new manager at Maison Ikkoku, but Godai’s feelings of instant love look forever unrequited when he learns she is a widow clinging to her dead husband.
I like this premise for three reasons. One: she’s a young widow, a rarity amid a sea of “first love only” anime teen romance. Her experience promises a more mature relationship. Two: the challenge Godai faces in her husband’s shadow is ripe for conflict and emotion. Three: the cosy nature of having everyone under one roof makes it an intimate affair.
Maison Ikkoku doesn’t take advantage of this potential.
On the first point, Godai and Kyoko’s coupling is anything but mature. Godai is a child. This would be good as the starting point of Godai’s character arc, but we never see him mature into a man. He is ever the child in love and life. My big problem with Maison Ikkoku, regardless of any other issues I cover, is the lack of chemistry between these two and how poor of a job it does at convincing us that this is a real relationship. You could count on one hand the number of meaningful moments between these two – with fingers to spare. His first romantic act is trying to kiss her while she’s napping on the roof. We have a Casanova over here!
Their relationship is “cockblocking the anime.” The first few episodes consist of Godai trying to tell her how he feels and to give her a present, only to have someone or a random event stop him. This isn’t story. It is no adversity. It’s just distraction after distraction thrown at him by the writer.
You might imagine that this is just the slow start to a 96-episode series. Except, this is the series. Their first truly romantic moment is in episodes 39 & 40, only to have it regress into meaningless distractions afterwards.
The story has a love polygon for the two leads, yet even these are just cockblockers instead of opportunities at character development. For Kyoko, we have her handsome tennis coach that falls for her charms against his parents’ wishes, who have arranged a marriage with the woman of peak meekness. You know the type – eyes always downcast as if it is an offence to look at others, hands clasped in prayer to her chest, and not a bone in her spine. Godai, on the other hand, has a headstrong and naïve teenage stalker. I thought she would be a one-off character for a few episodes, a gimmick to create misunderstandings with Kyoko, but she returns. And for longer!
I must reiterate that the problem isn’t with the ideas and slice of life episodes. Execution is the culprit. When Godai and the coach compete for affection, it isn’t through conflict that promotes growth. They’re petty squabbles made worse by the fact that they go nowhere. Honestly, Maison Ikkoku has barely enough content for 24 episodes and stretches it to 96 with every fake-out and anti-climax in the book. The dead husband element also doesn’t feel like a source of turmoil for Kyoko. Instead, it comes across as a crutch by the writer to keep the couple apart. “She would kiss him, but she’s still not over the dead guy. Oh well. Maybe I’ll have them kiss next episode. Stay tuned to find out!”
It’s not as though it’s a slow burn building and building to this great romance where you cheer for the couple when united, your heart lifted with joy. If the romance was worth it in the end, that would be the quality to make it a lasting classic. The fact that it’s slow and rather repetitive would be fine when threaded by a great relationship. We would criticise it for these issues but always add on, “It’s worth it for the romance.” I sadly cannot say that here.
Look, this anime isn’t bad. It’s bloated and hard to recommend when you could complete three to six other romances in the same time. If you have a love for old anime and go in knowing not to care about relationship growth, you could enjoy Maison Ikkoku. The comedy is decent thanks to the eccentric support cast (except the ever-annoying kids). My favourite is the tenant that dresses like an old FBI agent. He comes and goes from the house to escapades unknown and infiltrates other people’s rooms when at home. (No respect for privacy.) The older lady looks for any excuse to throw an alcohol-fuelled party and leads the charge in disrupting Godai’s studies. There’s a lot more fun when it spotlights them.
I wanted Maison Ikkoku to be great. Imagine, 96 episodes of romantic goodness. Anime could do with more romance series, as much of the best romantic relationships are subplots to other genres, like an action series. Or they’re in heavy dramas, which I love of course, but it’s good to balance it with a wholesome romance. My search continues.
Art – Medium
This is 80s anime art at its most classic – poufy hair included. What is with that dog’s eyes though? Are they mouths!? The animation is decent for the time and the exterior establishing shots are nice at setting mood.
Sound – Medium
It sounds old in Japanese, as expected, though the dub doesn’t sound much better either, which is odd considering how much later it released in the West. I’m not fond of either version. That has more to do with my lack of character interest, however.
Story – Low
A failed student joins a boarding house to focus on his studies, where he falls in love with a young widow chained to the past. Maison Ikkoku’s suffers from constant delays, setbacks, and side relationships that go nowhere to drag out the main relationship, which in itself is rather shallow.
Overall Quality – Low
Recommendation: For vintage anime fans only. I can’t imagine many people will want to sit through a romance as drawn out as Maison Ikkoku when we have so much choice today.
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14 thoughts on “Maison Ikkoku – Anime Review”
I really enjoyed this series but one has to go with right set of expectations for this.This series is wrongly advertised as greatest romance anime.In reality this series leans more towards slice of life and comedy rather than romance.The comedy of the series was really good and I had so much fun.So like you said I didn’t really felt the need for relationship growth or any good romance in the end. But I had watched it when I had got really tired of trashy melodramas so that also helped in my enjoyment of this series.
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I’d wager that removing the romance category from it would help going in.
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I will agree on this,the synopsis on anime websites makes it look like this is going to be a series with some heavy romance and drama and that what has prevented this series from becoming popular.This author’s other works are more popular because a read of their synopsis gives you a sure impression that there are going to be lot of wacky hijinks.
Godai’s character barely develops throughout the series but I loved the fact how his neighbors used to mock him regarding his attitude towards his life and his unrequited love.
Kyoko’s dead husband element wasn’t excecuted in proper manner,how it affected kyoko due to which whenever she visited her husband’s grave I thought”What the hell,how many f***ing times she is going to visit her husband grave although she was visiting it only once a year.
This series heavily relied on misunderstandings which didn’t bother me.The only time I thought this plot device was dialed up to 11 was when Mitaka’s marriage happened to other girl only because of some misunderstanding.Throughout the series I was really curious about how they are going to end Mitaka’s story.Rather than due to mature decision making between the lead characters, all it took was some stupid misunderstanding to end his story.I was really angry after completing that particular episode.
The only time I thought the characters started showing some maturity was when there were 4-5 episodes left and author decided to tie up all the loose ends.Had the characters been that much wiser from the beginning this series would have ended in about 24-30 episodes.But due to misunderstanding and naivety of all the lead characters this series exploded to 96 episodes.
But despite the numerous flaws I won’t deny the fact the enjoyment quotient was pretty high for me and it is definitely one of those series which you watch after a tiring day’s work and this series makes you forget your tensions of life for a brief period.
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I can certainly see why this would be your comfort show.
Just wanted to know what would be your favorite romantic anime.
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Oh man, it depends.
For a feel-good romance, I go to Ah My Goddess, as I have an attachment to it from my early anime years, but I certainly wouldn’t put it in top tier romance. If I want punishing drama, Kimi ga Nozomu Ein (Rumbling Hearts) is a favourite of mine despite its bland visuals.
His and Her Circumstances was almost a favourite, if not for the lack of an ending by Gainax (typical).
But, in general, my favourite anime romance has to be Nodame Cantabile. That couple is perfect. (I also love the romance in RahXephon, though I don’t turn to that for romance specifically.)
Nodame was outstanding! I am very partial to Toradora! and White Album 2 as well.
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Good job with the review. I read parts of the manga a long time ago, but I never finished it. Sorry to hear the execution wasn’t great.
Just too long and slow!
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Gotcha. I knew there were a ton of episodes even though it’s not as long as Inu-Yasha or Urusei Yatsura.
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Ask a fan of this series and you won’t find any of what they tell you debunked in this review. I agree the series is too long, but there is tons of growth for both Godai and Kyoko. Godai has to mature as a man, and fully understand the place Kyoko’s husband will have in her life going forward. Kyoko has to move on from her dead husband, decide between a partner of love and a partner of conformity, plus make space in her heart for both her dead husband and the new man. Its the flat mates that not only bring them together, but draws the path that leads them to success. If Godai expressed his love early, Kyoko would have shot him down, and the series would end. Had Kyoko never felt jealousy of the female attention Godai received from Kozue, she would have never admitted to herself that she does care for Godai. Lastly, the length of the series shows the daily lives of Japanese people in the 1980s, over years, and provides you window into real life that very few anime series offer.