Japanese Title: Youjo Senki
Watched in: Japanese & English
Length: 12 episodes
- Visually atmospheric.
- Satisfying sound effects.
- Creative combination of magic and tech.
- Not evil enough.
- Tone clashes.
- Loses steam.
The Saga of Tanya the Evil, what an unusual title for an anime with an unusual little girl on the cover art. I can already feel what I’m going to see in this one.
The story starts amidst a war in an alternate reality where magic and technology create a new kind of conflict. A blonde girl, Tanya, leads an air unit of the Empire (alternate reality Germany) that can fly through the aid of magic-infused jet packs or flying horse armour (available now for $2.50 in Skyrim), and her gospel magic when threaded through the barrel of a rifle delivers almighty justice upon her foes. She is said to be supremely evil.
Tanya is also the reincarnation of a Japanese businessman.
In our reality, after a disgruntled former employee pushed him in front of a train, Being X (God) visited him and reincarnated the ruthless businessman out of spite for his defiance against divinity. Tanya tries to avoid the war at first, retire as a wounded soldier in the countryside, but her divine magic makes her so powerful that the Empire keeps putting her on the frontlines. It isn’t long before she becomes that lance that will pierce all foes, propelling the Empire to dominance.
This is certainly an unusual premise and when combined with the good pacing and gritty visuals, makes for an easy watch. My favourite aspect of Tanya the Evil is the fusion of magic and technology, which recalls the Wolfenstein games in its ability to work in a supernatural element without breaking the World War feel. One can imagine that if this magic existed, WW1 would look and operate like this. It’s a cool moment when Tanya fires her first Gospel Explosive Shell like a missile. We have a strong start.
Problems arise as more pieces fall into place, not quite hitting the mark as they land a little wonky. The first issue is with some of the writing. We have lame action one-liners that don’t work outside of Schwarzenegger/Stallone-esque action flicks and the occasional clunky explanation. For instance, when Tanya nukes a unit out of the sky, rather than let the moment speak for itself, someone narrates that her shot burns all oxygen in the area, so you can’t breathe even if you avoid the blast. No need for this. We get it: big boom = dead.
These are mere minor quibbles, however – easy to ignore. The bigger issues revolve around Tanya. From the way people describe her, you expect her to be little Hitler – Satan in a girl’s body. The camera loves to swap to a fisheye lens and zoom in close to her distorted face as she pulls a maniacal grin. “She is so evil, you can’t even,” they keep telling us. And yet, she’s not that evil nor particularly ruthless. Every close up of her grin, every line touting her immeasurable malevolence is trying far too hard to convince us of a falsehood. She’s no Johan.
It’s more comical than evil.
This rolls into the next problem – the tone. Tanya the Evil has a tone issue. Judging by my blurb above, you would expect a gritty war drama with an evil protagonist and magic. However, almost everything has a coating of comedy. This worked fine when she was trying to have herself knocked out of commission to avoid war, but once she’s supposed to have become so evil that she strikes fear in the hearts of allies and enemies alike, it undermines the tone.
Then we have Tanya’s character arc. Why is she so invested in winning the war for the Empire? She does allude to a desire to meet Being X again to shove a barrel down his throat and return to her normal life, though I fail to see a connection between that and her sudden…love (?) for the Empire. Are we missing several chapters that changed her character?
This in turn leads to the final problem with Tanya’s evil saga – Being X/God. Her being a reincarnation and the god character don’t need to be in this story. She could have just been a genius girl with magic talents and pure evil within her soul. Was the author trying to create another guy-trapped-in-MMO story without an MMO? (Please don’t make it so…) As for God, he doesn’t do much outside of the reincarnation and giving a scientist the final piece to a technological puzzle (Captain America vibes here).
I don’t know if the author is going to for some greater message with the inclusion of a God-like character. How does it relate to the theme? Perhaps the next season will elucidate.
At 12 episodes, I don’t feel we have covered much of the story. Future content could right the fallen pieces and bring it all together in a satisfying conclusion. I enjoyed my time with The Saga of Tanya the Evil but the slow downward trend in quality leaves me tepid towards it.
Art – High
This has good visuals – detailed, well animated, good lighting, and thoughtful shot compositions. I particularly like the texture of the world and the atmosphere of the skies. Gives a proper, grim WW1 meets fantasy feel. The only problem is the ugly character designs for the young girls with their droopy faces, melting eyes, and pudgy jawlines – doesn’t match any other character. Also, there are a few bad sweeping CG shots of battlefields.
Sound – High
Good acting in either language (although, I hate the moe casting choice for Japanese Tanya) – pick you preference – and the writing is solid apart from the occasional clunks. Excellent sound effects. The magic impacts are so satisfying.
Story – Medium
A man reincarnated as a magical girl of evil will lead the Empire to victory in a World War. An eviler protagonist and less comedy would have helped the war story meet the gritty tone it desired.
Overall Quality – Medium
Recommendation: Try it. The Saga of Tanya the Evil is a little different and easy to watch, so give a go. I hope the sequel does better.
Awards: (hover over each award to see descriptions; click award for more recipients)