Japanese Title: Guilty Crown
Similar: Code Geass
The Future Diary
Watched in: Japanese & English
Length: 22 episodes, 1 OVA
- Vibrant visuals.
- That girl can sing!
- Protagonist is such a whiner.
- Corny villains.
- The girl is flat.
- Story tries too hard to shock you.
Guilty Crown’s visuals don’t match the audience reception. When I look at a poster or trailer for this anime, I expect higher ratings from your general viewer. Guilty Crown has all the marks of anime destined for popularity – it looks good, has the popular art style of the age, and a young protagonist with a big sword and a girl hanging onto him. Yet, people don’t like it. This discrepancy is the sole reason I watched Guilty Crown.
After a virus crippled Japan, reliance on foreign aid allowed an independent military company called GHQ to control the nation. The guerrilla group Funeral Parlour has fought back for years, finding new hope for victory with the acquisition of a super power – the ability to draw weapons out of people’s souls. However, a failed operation forces the power’s carrier, singer Inori, to bestow it on high schooler Shuu instead of Gai the leader of Funeral Parlour. Shuu becomes an unwilling participant in the fight to reclaim Japan’s freedom.
This setup should sound familiar to any who have seen Code Geass. In fact, most of Guilty Crown feels inspired by that much-loved series – oppressed Japan, rebel force, unique power with dire consequences later on, and given by a girl. The problem with taking such obvious elements from a great story is that it increases expectations and thus the pressure to succeed. “You took a leg up from that giant and yet you still failed?”
Sadly, this feels closer to Aldnoah.Zero in quality. The protagonist even has “anti-social” as his defining trait, though is not as brain-dead as Aldnoah’s counterpart (and they share a villain whose personality is being disgusted at the dirty lower class). Just like that guy, Shuu isn’t actually anti-social – he’s boring, which the lazy writer shoved under the anti-social blanket as a defence.
Shuu’s introduction presents him as a kid with no power, no spine, and no purpose in life, allowing for plenty of growth, as is typical for a character of this story type. Minutes later, a girl with more cleavage than anything else says to this horny kid, “Take me, Shuu. You can use me!” and all of the character setup evaporates. Giving him instant power with little learning curve and no real competition undermines the position he started in. It shortcuts him out of his personal conflict. Look at Code Geass instead, where Lelouch has to experiment with the limitations of his power and find clever strategies to maximise his ability within its limitations. Shuu simply draws a giant sword from Inori’s chest and destroys everything.
Oh, I almost forgot, they do try having a learning curve, but that’s just an excuse to have the most forced boob grab in anime history as Shuu tries to draw a weapon from his classmate. Silly me for forgetting this crucial story point!
Remember how annoying Anakin is in the prequels, always whining about how Obi-Wan didn’t let him do whatever he wanted? That best describes Shuu. Most of his dialogue is whining. With no likeable quality, no girl would be after this guy, let alone three. Speaking of girls, Inori has no personality. Her job is arm candy, submissive to every guy around her. Pathetic character.
Why didn’t these writers put more effort into creating layered characters? When the plot shifts the landscape dramatically for the third act, Shuu has to make difficult decisions (just like Lelouch), but because he’s such a flat character, you don’t root for him to succeed. When supporting characters hate him, you agree with them. A better writer would have you feel sorry for him or understand his perspective even if you don’t agree with him. In Guilty Crown, I didn’t care who the hero was or who’s in charge as long as they got this series over with.
Guilty Crown has the elements for a great story – see Code Geass for it done correctly – but it just happens to have executed every one of those elements incorrectly. Production I.G.’s quality art was wasted on this anime.
Art – High
Production I.G. of Psycho Pass fame always puts effort in the visuals, regardless of story quality. Good animation, beautiful lighting, and vibrant effects made me want to watch Guilty Crown in spite of the negative buzz.
Sound – Low
I love that the girl, whose profession is singer, can and does sing. I wish they had used similar music for the theme songs. The script needs a top-to-bottom rework including character edits to succeed.
Story – Low
A teen gains the power to draw weapons from people’s souls and must fight to reclaim his country from external forces. Guilty Crown feels like any light novel anime, despite coming from a manga. Less clichés and more effort at originality would have gone a long way.
Overall Quality – Low
Recommendation: Skip it. Guilty Crown tempts you with its visuals, but don’t fall for it. There is nothing for you here.
Awards: (hover over each award to see descriptions; click award for more recipients)