Japanese Title: Coquelicot-zaka kara
Similar: Whisper of the Heart
Watched in: Japanese, English, & French
Genre: Historical Romance
Length: 1 hr. 35 min
- Art and detail.
- The soundtrack takes you back.
- Not much story.
- The main thread is a dud.
- Shallow overall.
When Hayao Miyazaki neared retirement (and un-retirement every other year), it was logical for Studio Ghibli to train up a replacement, and who better than the son of your prodigy to take the reins? Thus, Gorou Miyazaki received blessing to head his own projects, the second of which was From Up on Poppy Hill.
Set in a seaside town of 1960s Japan, From Up on Poppy Hill follows high school girl Umi and her work at Coquelicot Manor, a boarding house run by her family. Her school is in turmoil as the old clubhouse faces demolition in the push for modernisation before the 1964 Tokyo Olympics. As Umi helps the clubs, she grows closer to one boy in particular – Shun, the cool kid fawned over by the girls – and eventually helps him find the truth about his father.
Let’s start with what I like about From Up on Poppy Hill. The atmosphere is fantastic. Old lounge music warbles as we roam the evening streets of this seaside town bathed in golden street lamps. Bikes tick past, cars rumble on, and vendors announce their wares. Can you smell the fried meats? For something completely different, we go to the school clubhouse, where dozens of clubs have carved out a niche in this ancient manor. The mechanics tinker, the chemists concoct, and the philosopher yells existentialism. Floor to ceiling, wall to wall, generations of trinkets and books plaster the manor. One could get equally lost in the knowledge or in the labyrinth of junk that fills this beloved institute.
The clubhouse is the sort of place you could use as the single setting for an adventure game packed with puzzles. Professor Layton would die happy. It breaks my heart when they have to clean it up to be presentable to the committee in charge of the modernisation effort. The Ghibli magic is still here in art and sound.
When it comes to the characters and story, however, the mana pools have run dry. First, the characters: they are remarkably unremarkable – pleasant people but not compelling characters. Umi doesn’t have Sophie’s feistiness or Chihiro’s strength found in Hayao’s works. If Gorou wanted to do something different for his protagonist than his father had done, that’s fine, commendable even. Sadly, he’s removed those aforementioned defining qualities and replaced them with…not much. Shun suffers from similar problems. He’s the cool kid and kind to Umi, but nothing more. These characters aren’t bad. No, they fall under the worst designation of all – forgettable.
And so does most of the story. The main thread is the relationship between these two kids and their search for Shun’s biological father. I won’t give anything away, but let me sum it up in one word: dud. I can’t imagine how anyone saw this plotline and said, “Yes, that is engaging enough to keep everyone to the end.”
As for the second thread, saving the clubhouse, it is better than the first with its greater sense of fun and doesn’t end in a dub. However, the success of this plotline is largely attributed to the art and sound qualities I talked of earlier, not the story itself. Where characters are concerned, the quirky side characters like the philosophy club president outshine the protagonists with mere minutes of screen time. I enjoyed the ensemble cast much more than the protagonists, except for when the two go into town for shopping (thanks to the atmosphere).
This story is too simple, even by simple story standards. It has everything but story and characters, the two elements Hayao Miyazaki usually does best. From Up on Poppy Hill’s greatest use is as an antidote to recover from Grave of the Fireflies when in the middle of your Ghibli marathon.
Art – Very High
The art maintains Studio Ghibli’s high standards – the evening lights evoke great atmosphere. The design and details of the clubhouse warrant full attention.
Sound – High
I could listen to this soundtrack any time I need to relax – love it. English and French voices are fine, but the Japanese is best.
Story – Low
A girl helps a boy find his true father while saving the school clubhouse from demolition. Both of these plot lines receive surface-deep exploration and the mystery of the boy’s father is underwhelming, leaving the atmosphere to almost singlehandedly carry you through From Up on Poppy Hill.
Overall Quality – Medium
Recommendation: For fans of historical Japan. From Up on Poppy Hill’s story isn’t a reason for attendance. However, if you want to relax in an atmospheric 60s Japan with light conflict and a pleasant soundtrack, then look no further.
Awards: (hover over each award to see descriptions; click award for more recipients)