Japanese Title: Trigun
Related: Trigun: Badlands Rumble (movie side story, included in the review)
Similar: Cowboy Bebop
Watched in: Japanese & English
Genre: Action Comedy Science Fiction
Length: 26 episodes & a movie
- Hilarious for a good portion of the series.
- Art that holds up well, despite the age. (1998!)
- The episodic arcs have believable characters with interesting stories to tell.
- A savage, lawless world.
- Consequences of pacifism ideology don’t go far enough.
- Narrative wimps out at the end for convenience when on the brink.
- Lack of humour in the last third makes for a deceptive setup.
It feels like only yesterday I watched Trigun, laughing with a friend at Vash’s hysterics all those years ago. One of the first anime I watched, actually. Even back then, Trigun was considered old. Trigun comes from an era that dropped the hippie hairstyles and knew audiences could handle adult themes in a medium saturated with ‘he’s-not-really-dead’ narratives. Ironic, considering the pacifist theme in Trigun.
Vash the Stampede is the man with a sixty-billion dollar bounty on his needly-haired head, for everywhere he goes, nothing but destruction follows. He’s said to be a womaniser and the worst man ever. In reality, he’s a coward and a pacifist who feels queasy at the sight of blood. The destruction is a result of bounty hunters doing whatever it takes to claim the prize. So really, he does leave cities in rubble wherever he goes, just not by his own hand. Tailing him are Meryl and Milly, two insurance agents investigating monetary claims for damages caused by Vash. Meryl, serious about damage control, acts as a foil to Vash’s idiocy, whereas Milly provides extra muscle with the minigun she keeps stashed under her coat.
Vash’s policy is one of non-violence where possible and absolutely no killing, even to the point of stupidity. He gets by on skill and plenty of luck. With only rumours to go on, bounty hunters often miss Vash as he cowers behind the bar. Vash is so pathetic in person that no one believes he’s the human typhoon when they meet him, making for easy escapes.
For the first third of Trigun, Vash switches between charm and absolute silliness where comedy takes most of the screen time. Come the middle, we see a serious side to Vash, as bounty hunters get more dangerous and his past catches up to him. By the final third, humour has all but evaporated along with Vash’s lighter side. He still clings to his idealistic views, but has little to joke about. My problem is with the third section. Starting Trigun, one gets the impression of a hilarious action-comedy with a hint of seriousness; however, the later it goes, the drearier it gets. Blind turns in storytelling are great as long as what’s around the corner is awesome. In Trigun’s case, not so much. The narrative builds, showing the consequences of his naïve pacifism, and builds further towards Vash confronting his past, facing his choices. Until the final episode, Trigun is pulling back for that knockout out punch, but when it comes to delivery, it’s no more than a flick to the nose, Vash let off easy for convenience. No sacrifice made. No lesson learned.
That is not to say Trigun is bad, but it does suffer a lot because of an unwillingness to push a character over the edge. It makes me wish they had kept the comedy for longer since the seriousness delivered a let-down. Still, I thoroughly enjoyed Trigun’s world of bounty hunters, gunfights, and shady business.
Trigun: Badlands Rumble
Badlands Rumble is a non-canon movie, akin to an extended episode. It follows notorious robber Gasback on a mission of revenge against his former crew for stabbing him in the back. Hundreds of bounty hunters gather in Macca City, Gasback’s next target to claim the three-hundred million reward. Vash is caught up in the affair, as always, and so are the regulars from Trigun.
Both visual and audio quality show great improvement, which is to be expected twelve years later. Even though Trigun still looks great, seeing it updated in Badlands Rumble makes a great case for remaking all art and sound in the original. As far as story goes, this won’t appeal to those who aren’t already Trigun fans. It still has the weak pacifism that castrates any lasting consequences throughout the movie.
Art – High
While the visuals look their age, they hold up because the artists put effort into the animation and Wild West style of Trigun. The remastered edition touches it up a little. Badlands Rumble shows the excellent visuals if remade.
Sound – High
Voice work is good in both languages; however, some lines in English are rushed to fit the lip flaps. A soundtrack of rock and electric guitar riffs for the action and sax solos when it relaxes. Sound effects are underwhelming, especially given the amount of gunfire. Ending theme sounds awful, like a Walkman running out of batteries or a drunkard drowning in the city fountain.
Story – High
Vash as a character is interesting, bolstered by a robust, even if at times underdeveloped, side cast. His journey fleeing from his past and his power is a mix of humorous and emotional elements. Shame the author didn’t push reality far enough.
Overall Quality – High
Recommendation: Highly recommended to those who like emotion layered on top of action-comedy. Trigun starts hilarious before it transitions into seriousness as Vash faces the consequences of his choices, which, outside of a few stumbles, is well worth your time.
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