Japanese Title: Angel Heart
Related: City Hunter (main series)
Similar: Phantom: Requiem for the Phantom
Watched in: Japanese
Length: 50 Episodes
- Has a good sense of humour, particularly involving City Hunter.
- City Hunter is a great character with an equally good voice actor.
- Haunting music enhances the sombre moments.
- Starts strong, but…
- …the plot wanes after thirteen episodes and goes on too long.
- Start isn’t indicative of the remainder of the series.
- The few supernatural elements are vague.
Ever watched a show that starts about one thing, only to change direction part way in? Angel Heart is one such show.
Angel Heart starts regarding an accelerated growth fourteen-year-old assassin, codename Glass Heart, who has a sudden moral crisis after killing a little girl’s father. Glass Heart kills herself by leaping off a tall building. However, the organisation she worked for revives her using advanced medical technology and transplanting a new heart into her. This heart belonged to recent accident victim, Kaori, and causes problems for Glass Heart, as she recalls memories and emotions of its original owner.
We are plunged into two minds: the killer instinct of Glass Heart and the kind mercy of Kaori. As Kaori’s thoughts seek out her fiancé, City Hunter – a former assassin turned good guy for hire – police officer Saeko investigates the theft of the donor heart alongside City Hunter, who swears to kill whoever has it. Memories flash through Glass Heart’s mind, conflicting opinions of what she feels for people, and which sentiments are truly hers.
Thirteen episodes in, all this changes as the psychological conflict is no more, the serious tone dropped for a lighter-hearted atmosphere, and the show loses any central plot. It becomes a case-by-case serial where City Hunter takes on various clients. For the most part these individual cases are interesting in their own few-episode stories, but with no overarching plot, there’s nothing to keep me going. Unless it’s a comedy or a near movie-length detective serial (think Poirot), one simply can’t follow this format – yes, one could have a few individual stories peppered throughout, just not as a basis for the show. The arcs themselves also linger for an episode after resolution. The intricate web of X is related to Y, but Y works for Z, while Z wants to kill X, however, A is spying on Y, yet A isn’t what he seems, etc. from the first arc is swept away.
There are a few other minor story related problems; the occasional supernatural elements are poorly explained or vague. The blind barman for example, can know who people are by simply being near them. In fact, this show has that whole ridiculous ‘sense someone’s aura’ to know what sort of a person they are – assassins identify each other this way. Fortunately, this doesn’t amount to much as no conflict is solved through this, meaning it could be removed without effect. There is also that common action trope where bullets seem incapable of hitting a target when convenient, despite being surrounded.
It’s all a real shame, as the characters are quite good: Glass Heart with her dual mind, Mochi the sissy son of a Yakuza boss who has to do whatever people can rope him into, and the blind barman who knocks sense into City Hunter when needed. City Hunter himself is the strongest of the lot, equal parts comedic perv and action man; he’s a good character with plenty of diversity to him. His voice actor does an exceptional job of transitioning from his serious tone to his comedic idiolect. The humour of this show is well executed, even during its occasional presence in the first thirteen episodes, yet it still isn’t enough to carry like in other anime – FMP: Fumoffu, Trigun, etc.
Angel Heart could have been a great show if it had stuck to its original idea of exploring the morality of an assassin. Instead, we are left with many tacked on episodes. It should have been no more than thirteen to sixteen episodes like the original series, City Hunter ’91.
Art – Medium
The art matches the tone of the show’s first thirteen episodes with a mature style found in films such as Perfect Blue and Ghost in the Shell. There is some creative psychedelic imagery at the start, but along with the tone change, such creativity is lost, leaving the unimaginative behind.
Sound – High
The acting is great, even for side characters, and I was pleased to see use of other languages (Chinese, Korean) not just Japanese – in anime, everyone tends to speak Japanese as a first language regardless of what country they hail from. The music is good, ranging from mystery to pop to electro.
Story – Medium
Strong start with the story of a conflicted assassin that unfortunately wanes too soon and stretches too far.
Overall Quality – Medium
Recommendation: Watch the first thirteen episodes, rest at your own discretion.
Awards: (hover mouse over each award to see descriptions; click award for more recipients)