Beastars – Anime Review

Japanese Title: Beastars

 

Similar: Land of the Lustrous

Aggretsuko

Shiki

 

Watched in: Japanese & English

Genre: Drama

Length: 12 episodes

 

Positives:

  • Successful CG
  • Engaging characters
  • A different setting and focus than usual

Negatives:

  • Needs more world building

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I can’t believe I am saying this – I mean, it would have happened eventually – but I still can’t believe there is a great looking CG anime. Not only that, it has a great story too.

Beastars is Zootopia meets high school anime drama. In this world, all animals live together in a passable sense of harmony. We focus on Cherryton Academy where a drama club prepares for a grand performance before the school. Our protagonist, Legosi the grey wolf, hides in the shadows behind the stage lights. His shyness is nothing like the red deer Louis, who commands enormous respect driven by ambitions of becoming a Beastar, the highest possible honour for any animal, achieved only by demonstrating excellence for the betterment of society.

The story kicks off when a carnivore kills Legosi’s friend, an alpaca. In a twist of world building for the premise, carnivores are the discriminated group in this world. They have the presumption of guilt against them – “Most kills are by carnivores, therefore all carnivores are killers.” Legosi does everything he can to go unnoticed at school. Even so, everyone finds his large stature and sombre tones intimidating. He must be up to something! On the opposite end, you have Louis, a deer that desperately wants to be a carnivore. He wants that strength, that power, that intimidation and though he is friends with Legosi (or is he?), he resents the wolf’s efforts to throw all his gifts away. I love these two characters. They by far and away are the stars of the show. The complexity of character versus their place in the world and the dynamic with those around them is compelling. You want to see what they’ll do next.

Supporting them are other members of the drama club, including a tiger jealous of Louis’s popularity, and a slutty bunny called Haru. There’s no other way to put it. She will jump anything with an extra leg. She is a small creature, often taken advantage of or treated as a fragile thing, so she uses her sexuality to take control. Another good character. She doesn’t deserve my boy Legosi, but a good character nevertheless.

Their relationship begins when he catches her scent one night and almost kills her. The next day, he sees her at the garden club when tasked with collecting flowers for the stage play. She assumes he’s like the others and does her thing on him. Legosi manages to escape her evil clutches (you go, Legosi, stay away!) but can’t stop thinking of her. This unconventional relationship works well to complement Legosi’s theme of fighting against his nature, as any good subplot should do.

This is a good time to talk about the world building. Beastars has good social world building – the “speciesism” against carnivores, Louis craving for strength he can’t have, Legosi’s personality through environment, to name a few. However, it lacks physical world building. How does this world operate? How is it that all of these different animals can live in the same place? How does anything work?

To put it simply, think of how our world accommodates people with different disabilities. Imagine there was a story focusing on a paraplegic. And in that story, we are told that he lives a rather normal life considering his circumstances. The paraplegic travels a lot, yet the story never shows us how he manages this (also imagine you don’t know how this works in real life, so you can’t fill in the gaps). They would need to show the wheelchair, the mechanisms of an accessible home, and the ramps and lifts around the world. Go into detail.

Beastars, for the moment (it will eventually go into detail, surely), assumes too much of the audience’s suspension of disbelief. “What do you mean you don’t see how you can have a city that works for both the elephant and the mouse – isn’t it obvious?” No, it isn’t. I’m not asking for the Encyclopaedia Beastarica. But I do want something. Keep in mind that this isn’t the same as classic Disney films with animals instead of humans, like Robin Hood, where these details don’t matter. Beastars is going for a serious take, made all the more important when the conflict centres on the dynamics of this world.

One can’t help but draw comparisons to Zootopia with its brilliantly realised world. That film managed to create a world easily five times more complex than Beastars did and in less than half the minutes. First to mind is the detail of how a street vendor sells to a rodent class animal by dropping the drink down a chute to collect at the ground. Beastars has glimpses of great world building. In fact, the best episode is all about expanding this world through the illegal meat market and Legosi’s reaction to it. This episode elevates Beastars beyond an interesting premise. The goat with price tags hanging off his fingers for sale is one of the most unsettling moments in anime. Give me more.

Finally, I can’t end without going into the art, specifically the CG. Like all of you, I imagine, hearing the term CG in any relation to anime makes me uneasy to the stomach. Good CG doesn’t exist on a budget and the reason they use it for anime is budget. An association with CG characters alone put Beastars on my “not interested” list. It wasn’t until a friend raved about it that I moved it to the watch list, yet with a sense that it would be an endurance test. Imagine my surprise when I open Beastars and it isn’t just better than other CG anime, it is great. Studio Orange did a fantastic job at making the 3D look like anime 2D. The trick is in the lighting, colouring, and outlines to mask the 3D coupled with 2D for environments where suitable. Look at the screenshots in this review. They seem 95% made in 2D. It is a truly impressive job.

It isn’t perfect. The 3D stands out much more in motion, particularly in mouth movements. In traditional animation, one’s mouth jumps from position to position with perhaps extra frames in between for the larger movements. CG however, is smooth from one position to the next – like reality. The increased smoothness of CG animation makes it look worse when trying to be 2D. You need the mouth to jump frames for it to work. Smooth animation works when aiming for a high quality CG scene, such as a game cutscene or trailer. Such quality is expensive though. Beastars needs to, ironically, lower the animation in parts to improve the final effect.

I am excited for more of Beastars. I’ve started on the manga at a friend’s request, as he doesn’t have the patience to wait for spoiler discussions. Don’t miss out on this one either.

Art – High

The CG is great in Beastars, as unbelievable as this sounds. This CG is a success with real effort in texture, lighting, and a mix of 2D. Only the unnatural smoothness of the animation really stands out as a problem. I love the stop motion opening.

Sound – High

The original Japanese track is superior here. The dub is fine, if that’s what you always go for, but the Japanese casting and energy is notably better. Great opening song to go with the stop motion. The rest of the music isn’t memorable, however. The script is solid and better written than the manga – more dramatic.

Story – High

A wolf deals with school drama as he develops feelings for a rabbit, his prey. With great characters, high conflict interspecies drama, and an engaging premise, Beastars is a hit. That said, it needs more in the world-building department.

Overall Quality – High

Recommendation: Watch it. Even those averse to CG anime should watch Beastars.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive:

Great OP or ED SequenceStrong Lead Characters

Negative: None

Fruits Basket – Anime Review

Japanese Title: Fruits Basket

 

Related: Fruits Basket 2001 (old version)

Similar: Ouran High School Host Club

Kamisama Kiss

Kobato.

 

Watched in: Japanese & English

Genre: Supernatural Comedy Drama Slice of Life

Length: 25 episodes

 

Positives:

  • Pleasant and good natured
  • Improved over the 2001 version

Negatives:

  • Protagonist is unflinchingly nice and upbeat
  • Comical antagonists
  • Desperate to make you feel sad

(Request an anime for review here.)

I have known of Fruits Basket for a long time. It was a big deal shortly into the new millennium and I’ve never had the urge to watch. A reader requested it, so I guess I have to give it try at least. To my surprise, it isn’t as bad as I had anticipated. I did stick to the new 2019 edition where the art isn’t hideous like the 2001 version, which made all the difference (goes back to the higher standards in art demanded by the core demographic, as I mentioned in Snow White with the Red Hair).

Tohru Honda is a girl down on her luck. She lost both parents, her grandfather can’t keep her any longer, the rest of the extended family hates her, and her tent barely holds it together in the woods. All of that changes when, one day, she stumbles upon the house of Shigure and Yuki, a popular boy from her school. Alongside Kyo and others, they make up the Souma family. However, should any of them hug the opposite sex, it would reveal their true form as an animal of the Chinese zodiac. Seeing her pitiable state, they agree to take her in on condition that she never reveal their secret.

Young girl surrounded by handsome boys, each one fitting an archetype of the reverse harem as they obsess over her. This is as classic shoujo as you can get!

Fruits Basket was an influential manga of the genre in the 90s & 00s, which can be a curse, especially if it is so easy to imitate and, more importantly, outdo. There is no complexity here, whether of story or of character. The reverse harem shoujo formula is as plug and play as the shounen battle anime. This isn’t like Evangelion, Full Metal Alchemist, or Death Note, where you can copy them, change a little, still expecting to have something decent of your own. It takes more than the formula. Every successful anime has galleries of imitators, but the best anime have few that come within arm’s reach of competing in quality.

As such, if you have any familiarity with shoujo anime/manga, nothing – and I mean nothing – will be of surprise in Fruits Basket. It doesn’t feel outdated after the polished remake, yet it doesn’t feel new.

However, let’s look at it for what it is or for the uninitiated.

The protagonist Tohru, I am not a fan. She is too nice. She’s nice it that annoying sort of way, where if she were a real person, you’d suspect it’s all a façade to cover the truth that she abuses animals in private. I exaggerate of course. She is impossibly happy and unbeatable in life to the point that conflict doesn’t matter. The story is structured as a collection of subplots for each character, as seen through the eyes of Tohru. We go through several of the zodiac boys with their tragic backstories and her school friends. Throughout this, nothing makes Tohru flinch. She is an upbeat, sunshine-filled, empty vessel to navigate the subplots. Fruits Basket desperately want you to feel sad for her, from the endless tragedy in her life down to the opening ballad carefully crafted to tug at your heartstrings. When you have a character as unrelatable as Tohru, none of this moves me a millimetre.

The supporting cast is more interesting and the reason the core demographic is here. Each boy fits a type, so one can pick a favourite. It’s unrealistic to have a teenaged girl surrounded by guys like this, but fans wouldn’t have it any other way. There’s yaoi baiting, naturally – wouldn’t be shoujo otherwise.

The boys’ conflicts centre on the zodiac “curse”. The curse is simply the transformation, but it is enough to wreck their relationships and their lives. The shouta kid (he’s older than he looks, they swear) transformed into a rabbit when his mother held him, which filled her with disgust and anger, driving her to attempted suicide. In the end, the Dragon of the zodiac erased her memory of him to give peace. This is a common story with the members of the zodiac. Some fall in love, their partner can’t handle the truth and have their mind’s modified, while the zodiac has to live with the memories and broken heart. The stories are simple and as I said earlier, done to death. You should see it all coming.

As for the antagonists – if you could even call them that – they are comical. They are the flattest characters of them all. The head of the Souma family just leers at everyone and makes threats. I don’t know how anyone can keep a straight face at the things she utters. The most hilarious villains have to be Tohru’s extended family. Her cousin, who is supposed to be respectable and wants to be an officer, goes on a rant about how she’s a slut for staying with boys. How comically flat can you get? These people are funny, not threatening.

If one were of the core demographic for Fruits Basket, a tween girl, there would be stars in her eyes as she dreams of her best boy and yadi yada lovey dovey stuff. For everyone else, there is plenty better shoujo anime out there. If you want a comedy that parodies the genre, I can’t recommend Monthly Girls’ Nozaki-kun enough, or you’ve got Little Witch Academia and Kodocha.

Art – Medium

The production across the board is much improved over the original, though it isn’t anything to write home about. The art is pleasant enough to match the story’s tone. Could do with less full screen bloom. Go easy on my eyes, please.

Sound – Medium

The acting and the script is fine middle-of-the-road quality that gets the job done but won’t stick with you. All that stands out is the extra mountains of sugar. The first opening song is a little much in forcing you to feel sad for Tohru.

Story – Medium

An orphaned yet upbeat girl finds lodging with a group of handsome boys that turn into the animals of the zodiac when hugged. She grows close to them as she unravels their mysterious pasts. Each character gets their time in Tohru’s arms for her to learn their backstories. None of them rises above average.

Overall Quality – Medium

Recommendation: For shoujo fans only. You have to be a shoujo fan to enjoy Fruits Basket. It is as typical shoujo anime as you can get.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Snow White with the Red Hair – Anime Review

Japanese Title: Akagami no Shirayuki-hime

 

Similar: Yona of the Dawn

The Story of Saiunkoku

The Ancient Magus’ Bride

 

Watched in: Japanese & English

Genre: Drama Fantasy Romance

Length: 24 episodes (2 seasons)

 

Positives:

  • Beautiful colours
  • Protagonist has purpose and agency
  • World feels cosy and lived in

Negatives:

  • Not enough intensity
  • Needs more romantic conflict

(Request an anime for review here.)

Of the shoujo story types, I tend to like the “ordinary girl draws the attention of an important guy (or the reverse)” type the most, especially in a fantasy setting. I like how it gives a clear coupling to the romance. I never hide my dislike for harems (inc. reverse harems) due to the lack of direction in relationship developments – doesn’t help that the characters are often atrocious. By giving me an indication of where the story intends to go, I don’t feel like I am wasting my time before things even begin. The fantasy setting is an added bonus, as it requires more effort in world building.

Snow White with the Red Hair follows a young herbalist in training called Shirayuki with shockingly red hair that draws much attention, including the unwanted infatuation of her nation’s prince. She only manages to escape life as a concubine when Prince Zen of the neighbouring country of Clarines comes to her rescue. Her new ally also opens the opportunity to become a palace herbalist. Passing the exam – and curing the prince from a poisoned apple – sets her on a path to success she could only dream of in her sheltered life.

Seeing this premise of a girl with [insert profession here] meeting [insert rich handsome guy here], I assumed her skill with herbs would be irrelevant. This is a common failing of shoujo anime and rom-com films. How often is the protagonist a journalist/architect/ad executive/author/etc. and it never plays a part in the story? You know it’s only there because it would be weird if she didn’t have a job. I assumed the same of Shirayuki. When a scoundrel kidnaps her, the expectation is that someone rescues her or she lucks her way out. To my surprise, however, she uses her knowledge to burn the right herbs together for a paralysing effect on her attacker. Alright! That’s what I want to see. She still needs some help in the end, but she did something and used her brain. I like an active protagonist with intelligence. Shirayuki endeared herself to me with that single action.

Further on, her studies and career as a herbalist continue to hold relevance throughout the story. We see her studying new mixtures, experimenting with ideas, researching plants, and taking exams. Probably my favourite element of the story. It adds depth to the world and makes her environment lived in.

The romance with Prince Zen is typical shoujo fare and works, for the most part. You do have to suspend your disbelief that a prince of the realm can have a public relationship with a commoner against little opposition, but that’s the way of the genre. They do make for a good couple and complement each other’s qualities.

Where Snow White with the Red Hair fails is in the UTTER LACK OF DWARVES! WHERE ARE THE DWARVES?! I kid, I kid. No, the problems are in the lack of escalation. Conflict starts well with Shirayuki’s sudden move to a new country, a new life, and while we do have some political, physical, and romantic conflicts afterwards, none of them hit a high-tension point. For instance, one romantic conflict arises when Zen has to “interview” a prospective wife for a royal marriage. Shirayuki isn’t bothered by this, and why would she be when nothing comes of it. When you have a cross-class romance, there should be a question of “Will they end up together despite the difference in status?”

The big finale of the series sees Shirayuki kidnapped by pirates. This is disappointing on three counts. First, it’s another kidnapping. Second, the pirate queen is a flat character unworthy of a finale. Third, this conflict doesn’t relate to the core themes of the story or offer any resonance (repeated kidnappings don’t count as resonance). It feels like a side story on the way to the next step of the main story. There is no intensity.

These failings ultimately leave me a little disappointed in how Snow White with the Red Hair turns out. I love the world, find the characters endearing, and had a great time in the first half, but when the “big” romantic, political, and physical conflicts flop like a dead fish on the cutting board, it’s difficult to maintain enthusiasm. I think continuing with the manga is in order – another season is unlikely after four years.

Art – High

A great thing about the shoujo market is a higher demand for good-looking art compared to the shounen market. If Snow White with the Red Hair was an isekai for the shounen demographic, it wouldn’t have these beautiful colours and attention to palette.

Sound – High

The acting is good and the music is nice, suited to a fantasy shoujo. Not much to say here.

Story – Medium

A herbalist in training finds the opportunity of lifetime (and a beau to match) when she catches the eye of a prince. This typical shoujo fantasy has all the right ingredients to satisfy the core, though it could do with turning the drama up a level or two.

Overall Quality – Medium

Recommendation: For shoujo fans. Snow White with the Red Hair won’t be dramatic enough for general fantasy fans, but those looking for something fun with that light-hearted shoujo romance will enjoy this anime.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Cromartie High School – Anime Review

Japanese Title: Sakigake!! Cromartie Koukou

 

Similar: School Rumble

Pop Team Epic

Detroit Metal City

 

Watched in: Japanese & English

Genre: Comedy

Length: 26 episodes (half-length)

 

Positives:

  • Surprisingly funny
  • Consistent in humour and style

Negatives:

  • Dirt cheap visuals

(Request an anime for review here.)

When I first start Cromartie High School, I think it will end up as a “Quick Review” alongside several other requested comedies. However, I watch a few episodes (they are half-length) and then find myself wanting more the next day. And more the day after that. Before I know it, I have watched the series in full and enjoyed myself throughout.

Cromartie High School is about an eclectic group of high schoolers doing seemingly ordinary high school things in the most unordinary ways. I have never meant eclectic more than here. The first episode introduces a few characters, including a guy who looks like Freddie Mercury that they decide to call Freddie. It’s Freddie Mercury, okay – clearly him! He never says a word, though he can sing like a superstar. He also rides to school on a horse. Why? He’ll never tell. There’s a robot (often mistaken for a vending machine), a gorilla, and even the yakuza as part of the class.

One episode about a rival gang wanting to get the leader of the Cromartie gang has them spooked when they meet the increasingly weird characters in attendance at Cromartie High School. Aliens pay a visit.

The humour in Cromartie takes the absurd and places it in the normal. The gorilla, for instance, is like an ordinary student, except, you know, a gorilla. The running joke with his is everyone trying to determine if he is actually a student. One gang leader, despite his outward tough guy persona, just wants to be a great comedian. He internal monologues everything as a comedian critiquing other people’s comedy. The running joke with him is how he takes everything as an attempt at comedy. Absurd meets ordinary.

Consistency of humour and style makes Cromartie High School a success for me. It isn’t a random collection of unrelated jokes, jumping from one wacky scenario to another wacky scenario from a different anime. The consistency, the running jokes, allows the humour to build over time. The escalation makes me enjoy it more the later we get into the series.

One character I particularly like is the gangster who gets motion sick easily, but can’t let anyone know lest it ruin his image as the toughest guy around. He can’t open his mouth or he will surely vomit, so we hear his thoughts about how he does all in his power to keep it down. He’s willing to help hijackers if it means avoiding a plane trip. His classmates throw him a birthday party on a boat. He can’t ever voice his objections, of course, so he must endure as things only get worse. It’s great!

The cast is great in general. I love how none of them look like high school students whatsoever. I laughed hardest when they see a new guy and are like, “What’s he doing here? He must be 30!” Bruv, he looks the same age as you lot!

Humour is highly subjective, so we could have one person look at this and say, “I don’t get it. This just isn’t funny. Too random.” While another could say, “Funniest shit I’ve ever seen!” For me, it’s not Fumoffu or Nozaki levels of funny, but it is humorous enough and consistent to see me through to the end. The half-length episodes are a plus in avoiding drag.

On another note, I can imagine the art will put off some people. There is no getting around it – Cromartie High School looks like crap. There is barely any animation and they reuse stills. Even still frames are minimal in quality. Wouldn’t surprise me to hear the art team consisted of one artist for drawing, animation, and colouring. The only nice thing to say about the art is the occasional visual gag.

Cromartie High School is a niche comedy on a niche budget.

Art – Very Low

This doesn’t look good with barely any animation, repeated stills, and shoddy line work. Some visual humour is nice, but there isn’t much.

Sound – Medium

The voice acting, whether in English or Japanese, is surprisingly good when compared alongside the art. Music is weak.

Story – Medium

An eclectic group of high school students get up to who knows what. With consistent humour that builds over short stories in a variety of scenarios, Cromartie High School is an enjoyable romp of older anime comedy.

Overall Quality – Medium

Recommendation: For anime comedy fans. One episode probably isn’t enough to get a feel for Cromartie High School. Give it a few. Besides, they’re short.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Ugly Artistic Design

Vinland Saga – Anime Review

Japanese Title: Vinland Saga

 

Similar: Dororo

The Heroic Legend of Arslan

Berserk

 

Watched in: Japanese

Genre: Historical Action Drama

Length: 24 episodes

 

Positives:

  • Good music

Negatives:

  • No effort at historical realism
  • Empty protagonist
  • No likeable characters
  • Super powered warriors when convenient
  • Art is riddled with problems

(Request an anime for review here.)

It shouldn’t be difficult to write a story about Vikings marauding the coasts of Europe. At minimum, it shouldn’t be difficult to know that Vikings didn’t act like high school anime characters. It should be easy, yet Vinland Saga fails in nearly all possible measures.

I need to go from the start, where an early sign warned of the direction for which this anime headed. Thors, leader of the village and father to Thorfinn, finds a runaway slave on his land. His family tries to rehabilitate the slave, but he soon dies. Worse yet, his owners come to collect and Thors, being the honourable Viking that he is, refuses to return him even as a dead body, offering a few cows instead. He buries the slave.

I understand what the author is going for here – difficult not to – however, the execution shows a lack of thought into the time and place of this story. Thors acts like a modern day person objecting to slavery. This likely stems from the author’s inability to separate his personal feelings from the characters within the story. Some authors think it makes them noble or better people if they write moral characters, regardless of whether it fits the story. This only makes them bad writers. A great writer doesn’t just write the good guys that align with their personal morals, while all villains are everything they see as reprehensible.

This slave incident is minor, in the grand scheme, yet it is an early indicator of problems to come. In 99% of fiction, every core problem has a presence within the first chapter or two (or first episode or two, in the case of anime). It’s why author agents and publishers can reject a novel within a few pages. If characters are shallow in the finale, they will be so in the opening as well. Mistakes echo in every chapter.

The author wants you to know how noble Thors is so that when he gets into an ambush later, executed by the mercenary Askeladd at the behest of the Danish king (Thors deserted his army years ago), you buy into the idea that he would let himself die for the sake of his honour and morals. Thors challenges Askeladd to a duel and wins. It doesn’t take a genius intelligence to foresee that a sellsword driven by gold wouldn’t hold up the terms of the duel. That isn’t the problem. We run into heightened levels of stupidity when Thors, who up until now has outsmarted and outfought the entire mercenary crew singlehanded, refuses to dishonour himself and “cheat”, even though his death leaves his village without a leader, without their strongest (possibly only) fighter, and his family without a father. For honour.

I hate stupid characters. An honourable character isn’t stupid. Someone who doesn’t save themselves, not even for the sake of others, just to preserve their honour is loathsome, however.

And so, Thorfinn makes it his life’s mission to kill Askeladd. Does he turn himself into a killer so he can stab him at the first opportunity? No. Thorfinn joins Askeladd’s crew, fights for him, does his dirty work, all so he can prove himself worthy of an honourable duel to the death.

Mistakes echo in every chapter.

This stupidity compounds further when we talk fighting prowess. After a jump of some years, Thorfinn is a trained warrior, often sent in first like a scout or assassin capable to dispatching a dozen enemy soldiers with ease. There is no doubt of his deadliness. He could kill Askeladd any day now, whether in his sleep or with his back turned. That wouldn’t be honourable though.

I hate stupid characters and Thorfinn is the stupidest in the lot.

Speaking of his deadliness, Vinland Saga has a crippling issue of nonsensical character strength. Looking at this show, you would imagine we were in for a realistic Viking saga. It couldn’t further from. This first rears its nonsensical head when Thors leaps five metres into the air in the battle against Askeladd’s crew.

At first, I thought it was a minor exaggeration of strength, as was often done in folk tales of legendary warriors. However, one warrior fighting for the English can hurl boulders with the strength of a trebuchet using his bare hands. He can also mow down a half dozen soldiers with a single throw of a hand axe. It’s ridiculous.

The issue isn’t the strength (anime is no stranger to super powers). Rather, there is a problem in how it affects tone and breaks the in-story logic of the world. If a warrior were that strong, he could conquer the world. Just give him a cart of boulders and no fort stands a chance. The story avoids this pickle by conveniently forgetting that some characters are super powered when required. Thorfinn does duel Askeladd early on – after we see him massacre a squad – and one would think the kid had never held a weapon with the way he fought. Vinland Saga can’t decide if it wants to be a realistic Viking drama or a battle anime.

Not only is inconsistency a problem, it also makes action less interesting. One battle has Askeladd and co hired by a French nobleman to siege the castle of a rival nobleman. The enemy has a fortified position with view of open ground in front of their castle and a river protecting their rear, guarded up and down stream. The Vikings manage to bypass this defence by hoisting their longships on their shoulders and charging full tilt from the forest into the water. They run as if these boats are as heavy as a paperweight. No one gets tired either. If all trained warriors were this strong, that castle wouldn’t have lasted a day even without Viking help. Let’s not forget to make these same Vikings weak in the next fight so we can kill some off. It would have been better to go more supernatural – incorporate powers bestowed by the Norse gods or something – and work out clever uses than to have this nonsense. Or you go grounded and use some brainpower.

When I talk of realism, I don’t mean everything has to be exactly as it was in real Viking times. I’m talking of getting the tone and feel right. The recently reviewed Dororo is more realistic than this despite having monsters and magic. I praised it for how it truly feels like a nation gripped by famine during samurai times. The way the characters act – the way the monsters and magic affect them and the world all makes sense. Everything fits together.

In Vinland Saga, nothing works. You have these stupid overpowered characters that turn weak when needed. You have a protagonist with no depth beyond his “I’m angry and will kill you” attitude 24/7. Everyone acts like a modern day anime character. The big twist of the story makes Askeladd protagonist (he should have been from the start) and introduces enough allegiance flip-flopping to make you want to hook your brain through your nose.

Is Vinland Saga the worst anime? It is the worst Viking anime, sure. I hated Vinland Saga more and more with each passing episode. I do not recommend this to anyone. If you want Viking content, go watch the History channels Vikings instead.

Art – Low

I could show you many nice still of Vinland Saga. I would however be hiding the insane amount of CG and poor implementation. The number of scenes with characters running (read: sliding) across a CG ground are too many to count. Even the OP has one. This anime almost looks great, except there is something wrong in every shot.

Sound – Medium

Thorfinn’s performance is laughable. The script is rubbish for a historical Viking show. The one redeeming quality is the great soundtrack.

Story – Low

A Viking boy swears revenge against the mercenary that killed his father. With so many stupid character and inconsistent strengths, the feeble plot is the least of the problems here.

Overall Quality – Low

Recommendation: Skip it. I don’t recommend Vinland Saga, especially to Viking fans.

(Request reviews here. Find out more about the rating system here.)

 

Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: 

Hollow World BuildingInduces Stupidity

Anime and Manga Reviews